BEGINNING BAND Ghost Ship PREVIEW · 2018-05-23 · I hope you and your ensemble find Ghost Ship to...
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Please note: Our band and orchestra music is now being collated by an automatic high-speed system. The enclosed parts are now sorted by page count, rather than score order. PROGRAM NOTES The merchant ship “Mary Celeste” set sail on November 7, 1872, from New York City, loaded with a cargo of commercial alcohol heading for Genoa, Italy. The ship never reached its destination, and on December 4 of the same year, was spotted 600 miles west of Gibraltar, floating aimlessly about. After boarding the ship, the rescuers discovered to their shock and amazement that everyone on board had completely vanished! Theories abound as to what happened to the crew, including an explosion, pirates, a seaquake, or bad weather; however, to this day, no one knows for sure. NOTES TO THE CONDUCTOR Ghost Ship is partially based on the traditional sea shanty “Spanish Ladies.” The opening flute passage may be played as a solo if desired. The chimes part may be played on bells if chimes are unavailable. A ship’s bell may also be used. Take care to balance the trumpet and alto saxophone tone clusters in the section at measure 25, adjusting the volume as needed. In the trumpet divisi in the last three measures, it is recommended that only a couple trumpets play the upper notes, with the majority of the players on the lower notes. The final chime and suspended cymbal notes should be allowed to resonate until fading out completely. I hope you and your ensemble find Ghost Ship to be an exciting and worthwhile musical experience! Ghost Ship TRADITIONAL SEA SHANTY Arranged by MICHAEL STORY (ASCAP) Grade 1 BEGINNING BAND INSTRUMENTATION 1 Conductor 10 Flute 2 Oboe 10 B b Clarinet 2 B b Bass Clarinet 6 E b Alto Saxophone 4 B b Tenor Saxophone 2 E b Baritone Saxophone 8 B b Trumpet 4 F Horn 6 Trombone/Baritone/Bassoon 2 Baritone Treble Clef (World Part Trombone in B b Treble Clef ) 4 Tuba 1 Mallet Percussion (Chimes or Optional Bells or Optional Ship Bell) 1 Optional Timpani (Tune: G, C, D) 2 Percussion (Snare Drum, Bass Drum) 3 Percussion 2 ( Suspended Cymbal, Triangle/Tambourine) WORLD PARTS Available for download from www.alfred.com/worldparts Horn in E b Trombone/Baritone in B b Bass Clef Tuba in E b Bass Clef Tuba in E b Treble Clef Tuba in B b Bass Clef Tuba in B b Treble Clef Preview Onl y Legal Use Requires Purchase
Transcript of BEGINNING BAND Ghost Ship PREVIEW · 2018-05-23 · I hope you and your ensemble find Ghost Ship to...
Please note: Our band and orchestra music is now being collated by an automatic high-speed system. The enclosed parts are now sorted by page count, rather than score order.
PROGRAM NOTES
The merchant ship “Mary Celeste” set sail on November 7, 1872, from New York City, loaded with a cargo of commercial alcohol heading for Genoa, Italy. The ship never reached its destination, and on December 4 of the same year, was spotted 600 miles west of Gibraltar, floating aimlessly about. After boarding the ship, the rescuers discovered to their shock and amazement that everyone on board had completely vanished! Theories abound as to what happened to the crew, including an explosion, pirates, a seaquake, or bad weather; however, to this day, no one knows for sure.
NOTES TO THE CONDUCTOR
Ghost Ship is partially based on the traditional sea shanty “Spanish Ladies.” The opening flute passage may be played as a solo if desired.
The chimes part may be played on bells if chimes are unavailable. A ship’s bell may also be used.
Take care to balance the trumpet and alto saxophone tone clusters in the section at measure 25, adjusting the volume as needed.
In the trumpet divisi in the last three measures, it is recommended that only a couple trumpets play the upper notes, with the majority of the players on the lower notes.
The final chime and suspended cymbal notes should be allowed to resonate until fading out completely.
I hope you and your ensemble find Ghost Ship to be an exciting and worthwhile musical experience!
Ghost ShipTRADITIONAL SEA SHANTY
Arranged by MICHAEL STORY (ASCAP)
Grade 1BEGINNING BAND
INSTRUMENTATION
1 Conductor 10 Flute 2 Oboe 10 Bb Clarinet 2 Bb Bass Clarinet 6 Eb Alto Saxophone 4 Bb Tenor Saxophone 2 Eb Baritone Saxophone 8 Bb Trumpet 4 F Horn 6 Trombone/Baritone/Bassoon
2 Baritone Treble Clef (World Part Trombone in Bb Treble Clef )
4 Tuba 1 Mallet Percussion
(Chimes or Optional Bells or Optional Ship Bell)
1 Optional Timpani (Tune: G, C, D)
2 Percussion (Snare Drum, Bass Drum)
3 Percussion 2 ( Suspended Cymbal, Triangle/Tambourine)
WORlD PARTSAvailable for download from www.alfred.com/worldparts
Horn in Eb
Trombone/Baritone in Bb Bass ClefTuba in Eb Bass ClefTuba in Eb Treble ClefTuba in Bb Bass ClefTuba in Bb Treble Clef
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Oboe
Bb Trumpet
Trombone/Baritone/Bassoon
Flute
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Bb Bass Clarinet
Eb AltoSaxophone
Bb TenorSaxophone
Eb BaritoneSaxophone
F Horn
Tuba
Mallet Percussion(Chimes or Optional Bellsor Optional Ship Bell)
Percussion 1(Snare Drum, Bass Drum)
Percussion 2(Suspended Cymbal,Triangle/Tambourine)
OptionalTimpani
∑∑∑∑
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1
.OæpSusp. Cym.
Moderately slow Π= 84
Moderately slow Π= 84
Tune: G, C, D
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,
38303S
Traditional Sea ShantyArranged by Michael Story (ASCAP)
© 2012 BELWIN-MILLS PUBLISHING CORP. (ASCAP),a division of ALFRED MUSIC PUBLISHING CO., INC.
All Rights Reserved including Public Performance
Ghost ShipFULL SCOREApprox. Duration - 2:15
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Timp.
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∑
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div.
f
25
25
f
f
f
f
f
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f
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Suddenly faster Π= 112
Suddenly faster Π= 112
S.D.
∑
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∑
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∑
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∑
P
∑
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∑
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∑
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∑
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38303S
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P
REVIEW
PREVIEW
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REVIEW
P
REVIEW
P
REVIEW
P
REVIEW
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REVIEW
PREVIEW
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REVIEW
P
REVIEW
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REVIEW
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P
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P
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Previe
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Lega
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&
&
&
&
&
&
&
&?
?
&?
ã
ã
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b
b
b
bb
bbbbbb
bbb
bbb
Ob.
Tpt.
Tbn./Bar./Bsn.
Fl.
Cl.
B. Cl.
A. Sax.
T. Sax.
Bar. Sax.
Hn.
Tuba
Mlt. Perc.
Perc. 1
Perc. 2
Timp.
∑
∑
œ œ œ œŒ œ. œ. Œ
.˙
∑
Œ œ. œ. Œ
.˙ .˙∑
Œ œ. œ. Œ
Œ œ. œ.Œ
∑
Œ œ œ Œœ œ œ œ œ œ œ œ œ œŒ œ œ Œ
30
∑
,
∑
∑
œ œ œ
œ. Œ Œ
Jœ ‰ Œ Œ
∑
œ. Œ Œ
jœJœ ‰ Œ Œ
∑
œ. Œ Œ
œ.Œ Œ
∑
œ Œ Œœ Œ Œœ Œ Œ
31
∑
∑
∑
˙ œ œ∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
32
∑
∑
∑
œ œ œ
œ. œ. Œ œ. œ..˙#
∑
œ. œ. Œ œ. œ.
.˙ .˙∑
œ. œ. Œ œ. œ.
œ. œ.Œ œ. œ.
∑
œ œ Œ œ œœ œ œ œ œ œ œ œœ œ Œ œ œ
33
∑
P
P
P
P
P
P
P
P
∑
∑
˙ œŒ œ. œ. Œ
.˙
∑
Œ œ. œ. Œ
.˙ .˙∑
Œ œ. œ. Œ
Œ œ. œ.Œ
∑
Œ œ œ Œœ œ œ œ œ œ œ œ œ œŒ œ œ Œ
34
∑
,
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Previe
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Lega
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ã
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b
b
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bb
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Ob.
Tpt.
Tbn./Bar./Bsn.
Fl.
Cl.
B. Cl.
A. Sax.
T. Sax.
Bar. Sax.
Hn.
Tuba
Mlt. Perc.
Perc. 1
Perc. 2
Timp.
∑
∑
œ œ œ
œ. Œ Œ
Jœ ‰ Œ Œ
∑
œ. Œ Œ
jœJœ ‰ Œ Œ
∑
œ. Œ Œ
œ.Œ Œ
∑
œ Œ Œœ Œ Œœ Œ Œ
35
∑
35
35
∑
∑
œ œ œ∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
36
∑
∑
∑
œ œ œ œ∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
37
∑
∑
∑
œ œ œ œ œ∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
38
∑
,
∑
∑
œ œ œ∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
39
∑
∑
∑
œ œ œ œ∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
40
∑
9
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PREVIEW
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REVIEW
P
REVIEW
P
REVIEW
P
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Previe
w Onl
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Lega
l Use
Req
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s Pur
chas
e
&
&
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&
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&
&
&
&?
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ã
ã
bbbbbbb
b
b
b
bb
bbbbbb
bbb
bbb
Ob.
Tpt.
Tbn./Bar./Bsn.
Fl.
Cl.
B. Cl.
A. Sax.
T. Sax.
Bar. Sax.
Hn.
Tuba
Mlt. Perc.
Perc. 1
Perc. 2
Timp.
∑
∑
œ œ œ∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
41
∑
Œ Œ œŒ Œ œ
˙ œ∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
42
∑
F
F
F,
œ œ œ
œ œ œ
œ œ œ
˙ Œ
˙ Œ
˙ Œ
˙ Œ
∑
˙ Œ
˙ Œ
˙ Œ
∑
∑
∑
43
Œ ±Triangle
43
43
F
F
F
F
FF
F
F
˙ œ œ
˙ œ œ
˙ œ œ˙ Œ
˙ Œ
˙ Œ˙ Œ
∑
˙ Œ˙ Œ
˙ Œ
∑
∑
∑
44
Œ ±
œ œ œœ œ œ
œ œ œ
˙ œ
˙ œ˙ œ
˙ œ
∑
˙ œ˙ œ
˙ œ
∑
∑
∑
45
Œ ±
œ œ œ œœ œ œ œ
œ œ œ œ
˙ Œ
˙ Œ˙ Œ
˙ Œ
∑
˙ Œ˙ Œ
˙ Œ
∑
∑
∑
46
— — Œ
,
,
,
10
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PREVIEW
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PREVIEW
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Previe
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Lega
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ã
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b
b
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bb
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Ob.
Tpt.
Tbn./Bar./Bsn.
Fl.
Cl.
B. Cl.
A. Sax.
T. Sax.
Bar. Sax.
Hn.
Tuba
Mlt. Perc.
Perc. 1
Perc. 2
Timp.
œ œ œ
œ œ œ
œ œ œ
˙ Œ
˙ Œ
˙ Œ
˙ Œ
∑
˙ Œ
˙ Œ
˙ Œ
∑
∑
∑
47
Œ ±
˙ œ œ
˙ œ œ
˙ œ œ˙ Œ
˙ Œ
˙ Œ˙ Œ
∑
˙ Œ˙ Œ
˙ Œ
∑
∑
∑
48
Œ ±
œ œ œ
œ œ œ
œ œ œ˙ œ
˙ œ˙ œ˙ œ
∑
˙ œ˙ œ
˙ œ
∑
∑
∑
49
Œ — —
˙ œ
˙ œ
˙ œ
˙ Œ
˙ Œ˙ Œ
˙ Œ
∑
˙ Œ
˙ Œ
˙ Œ
∑
∑
∑
50
.±
,
,
,
œ œ œ
œ œ œ
œ œ œ
.˙
.˙
.˙
.˙
∑
.˙
.˙
.˙
∑
∑
∑
51
∑
51
51
œ œ œ
œ œ œ
œ œ œ
.˙
œ œ œœ œ œ
.˙
∑
œ œ œ
.˙
.˙∑
∑
∑
52
∑
11
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Previe
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Lega
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Req
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s Pur
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nnbnnb
n#
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n#
nn
nnbnnb
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Ob.
Tpt.
Tbn./Bar./Bsn.
Fl.
Cl.
B. Cl.
A. Sax.
T. Sax.
Bar. Sax.
Hn.
Tuba
Mlt. Perc.
Perc. 1
Perc. 2
Timp.
œ œ œ œ
œ œ œ œ
œ œ œ œ
˙ œœ œ œ œœ œ œ œ
˙ œ
∑
œ œ œ œ˙ œ
˙ œ
∑
∑
∑
53
∑
œ œ œ œ œ
œ œ œ œ œ
œ œ œ œ œ
˙ Œ
˙ Œ˙ Œ
˙ Œ
∑
˙ Œ˙ Œ
˙ Œ
∑
∑
∑
54
∑
,
,
,
œ œ œ
œ œ œ
œ œ œ
˙ œœ œ œœ œ œ
˙ œ
∑
œ œ œ˙ œ
˙ œ
∑
∑
∑
55
∑
œ œ œ œœ œ œ œ
œ œ œ œ˙ œ
œ œ œœ œ œ
˙ œ
∑
œ œ œ˙ œ
˙ œ
∑
∑
∑
56
∑
œ œ œ
œ œ œ
œ œ œ˙ œ
œ# œ œœ# œ œ˙ œ
∑
œ# œ œ˙ œ
˙ œ
∑
∑
∑
57
.Oæp
˙ œn˙ œn
˙ œn
˙ œn˙ œ#˙ œn
˙ œ#
Œ Œ œn˙ œn˙ œn
˙ œn∑
∑
∑
58
.Oæ
f
f
f
f
f
ff
fff
f
,
,
,
,
,
,
,
,
,
,
12
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Previe
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Lega
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ã
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b
b#
#
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b
b
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Ob.
Tpt.
Tbn./Bar./Bsn.
Fl.
Cl.
B. Cl.
A. Sax.
T. Sax.
Bar. Sax.
Hn.
Tuba
Mlt. Perc.
Perc. 1
Perc. 2
Timp.
œ œ œN
œ œ œ
œ œ œ
.˙
.˙
.˙
.˙
œ œ œa
.˙
.˙
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.˙œ œ œ œ œ œ œ œ œ œœ Œ Œ
59
œ œ œ.OTamb.
f
59
59
ff
f
˙ œ œ
˙ œ
˙ œ
˙ œ
˙ œ˙ œ
˙ œ
˙ œ œ
˙ œ˙ œ
˙ œ
∑∑
œ œ œ œ œ œ œ œ œ œœ Œ œ
60
œ œ œ
œ œ œ
.˙
.˙
.˙
.˙
.˙
.˙
œ œ œ.˙.˙
.˙
∑∑
œ œ œ œ œ œ œ œ œ œœ Œ Œ
61
œ œ œ
œ œ œ œ
˙N œ
œ œ œa œ
˙N œ
œ œ œœ œ œ
˙a œ
œ œ œ œ
œ œ œ˙N œ
˙N œ
.˙∑
œ œ œ œ œ œ œ œ œ œœ Œ œ
62
œ œ œ.Oæp
,
,
,
,
,
,
,
,
,
,
,
13
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b
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Ob.
Tpt.
Tbn./Bar./Bsn.
Fl.
Cl.
B. Cl.
A. Sax.
T. Sax.
Bar. Sax.
Hn.
Tuba
Mlt. Perc.
Perc. 1
Perc. 2
Timp.
œ œ œ
œ œ œ
œ œ œ
.˙
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œ œ œ
.˙
.˙
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63
œ œ œ.Of
˙ œ œ
˙ œ
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˙ œ
˙ œ˙ œ
˙ œ
˙ œ œ
˙ œ˙ œ
˙ œ
∑
∑œ œ œ œ œ œ œ œ œ œœ Œ œ
64
œ œ œ
œ œ œ
œ œ œ
œ œ œ
œ œ œ
œ œ œœ œ œœ œ œ
œ œ œ
œ œ œœ œ œ
œ œ œ
∑
∑œ œ œ œ œ œ œ œ œ œœ œ œ
65
œ œ œ
˙ œ
˙ œ
˙# œ
˙ œ˙b œ˙# œ
˙ œ
˙ œ
˙ œ˙ œ
˙ œ
.˙∑
œ œ œ œ œ œ œ œ œ œœ Œ œ
66
œ œ œ.Oæp
,
,
,
,
,
,
,
,
,
,
,
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