Bb PDF 040692
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Transcript of Bb PDF 040692
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Sculptural beaded jewelry has atendency to grow to magnificentproportions, overwhelming itspetite wearers. This bracelet
offers beaders the chance to add plentyof surface embellishment while keepingfinished size in mind. Its up to theindividual beader to decide how wideto make the band and how elaborate to
make the sculptural elements. The piece
can be subtle when stitched in soft,monochromatic colors or vivid whenworked in bright hues.
stepbysteppreparing the baseTo determine how long to make the
peyote band, subtract the length of yourclasp from the finished length of thebracelet. The fit needs to be comfortablearound your wrist, but not floppy.
Pick up eight, ten, or twelve beadson a comfortable length of Nymo. Workin even-count peyote (see Basics, p.180) until you reach the desired length.
Attach the clasp to each end of theband. To attach a single- or multistrandclasp, make small bead loops throughthe clasp loops (photo a). Reinforce theloops by going through them several
times. (To make a button-and-loop
Sculptural
cuffEmbellish a peyote band with a gardenof herringbone flowersby Bonnie ODonnell-Painter
Bead&B u tt o n J u ne 2 0 0 4 93
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clasp, see Stephanie Eddys article on
p. 126.) If you have less than 2 ft. (.6m)of thread left, secure it in the beadwork,trim the tails, and start a new piece.
Weave through the base and exitfrom one of the edge beads at eitherend. Pick up three 150 seed beads and go
under the thread between the first andsecond edge beads (photo b). Pick upthree more 150s and go under the thread
between the second and third beads.Repeat, covering both long edges withbead ruffles.
embellishmentMake herringbone flowers in varyingsizes and color combinations and spacethem randomly across the base. Fill inthe areas between flowers with strands
of assorted beads.
To make the smallest flower, weavethrough the base and exit any beadexcept an edge bead. You can start atthe center of the band or at either end.Pick up two 150s and go through aneighboring bead in the same row(figure 1, a-b).
Pick up two 150s, skip a row, and go
through the next bead (b-c).Pick up two 150s and go through the
neighboring bead, as in step 1 (c-d).Pick up two 150s and complete the
circle by going through the bead at the
starting point (d-e).Go through the first 150 strung in
step 1. Pick up two 150s, and go throughthe next 150 (figure 2, a-b).
Pick up one 150 in an accent colorand go through the next 150 (b-c).
Continue around the row, addingtwo spine beads and one accent beaduntil you reach the starting point.
Work three or four rows, addingone more accent bead between spinebeads with each new row(figure 3).When you finish a flower, work backthrough the 150s to the base beads.String an accent bead and secure it inthe flowers center. Then weave throughthe base beads and exit where you wantto place the next flower.
To make larger flowers, increase the
number of spines, as shown in figure 4.Once youve stitched flowers across
the band, string 150s, crystals, pearls,and other small accent beads and stitchthem into place around the flowers(photo c). The embellishment can be asdense as you like. Check the reverse sideof the base from time to time to make
sure no thread shows on the back. w
Contact Bonnie via email at
94 beadandbutton.com
a
bc
de
a
b
c
figure 1
figure 2
figure 3
figure 4
materials
10g Japanese cylinder beads
6g 150 seed beads, main color
3g 150 seed beads, each of 3 or more
accent colors
assorted crystals, pearls, gemstones, and
seed beads single- or multistrand clasp or button
Nymo D
beading needles, #12
a
b
c
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