Baths Of Bishopsgate
6
e Baths of Bishopsgate omas Cheek is project investigates the notion of the sublime as Arcadia where the sublime imposes strong emotions to create a sense of wonder & awe to the users of the building. Edmund Burke explains that to produce the sublime, darkness has a greater effect on the human mind than light. Other influences that are used to create the sublime include; suddenness, grandeur, vastness, sound or no sound, and fear. e sublime should be considered as beauty with the presence of danger. e reference to Napoleonic Fort in Dover refers to my experience exploring the network of tunnels hidden away from the public. is is an exper perienc n e of which I draw feelings of fear and awe which I believe I have transferred to th his project. e thought that you u can hurt yourself, or even die add real apprehension & unease to the experience of the place. meanin aning wh g en you discover sanctuary a user’s experience of the place is ampl amplifie ifi d. d Pira iranesi is cons o ider de ed to be one ne of the greatest artists at reproducing the sublime using th he subjects o of prisons an and ru d ruins. i e ruins o ns f my chosen site, the ‘Bishopsgate Goodyard’ in Shoredi d tch ch have man any simila m r charac aracteri t stics to Piranesi’s etchings. ese take in the huge scale of th the bu e ildi ings n in r i elation to a person, as well as the devastation of the fire in 1964 leaving the th site der d elict. e discove very o y of th he e ‘ I wi ish t sh this his was w a… s a… sw wimming g pool pool. (t . (t ’onc once e was.) ’ stick cker from the Memoir i exercise ci caused se a an excit temen nt in n me me to r research into o the the sit site. N e. Not being able to ga ain a in cces e s to m most of the site dr e drew me to the the areas that I was unable to visit, the most prom prominen inent be ei ing the he doub double h le h ih eight rooms. I believe these rooms have the best pot tenti ent al a at ca t captu pturing the he idea ideas of the sublime than the rest of the site. e. e prospect of wate wa r in this un underg derground place brought to mind an experience I I had d visiting n a Haman in in Ista tanbul nb . e layout of the Bishop hopsgate Baths hs is b is ased on n the arrangem gement ent of a Turkish kish Baths, or Ha Hamam. is is because I wished to tie my unde understanding fr g from one I I visited in Istanbul. u I also drew influence from the drawings of Doug Douglas Dard rden n, th the rece ec nt installation o at the RA Sensing Spaces exhibition by Grafton Arch A itec te ts, , as as well as Peter t Zumthor’ ho s erme Vals. ese references helped me narrow the propose p d materials s to the use of s o tone, concrete and brick. e lighting is solely natural and d is i most ostly f l foc ocused ed from above adding to the comforting weight of the place I as I sociate to the H Hamam amam. e proposal as well as contrasting extreme light, and extreme dark also a looks ks into the ext treme e tempera r ture e change. e three double height rooms shown in n se section ion BB vary temperat ature from m extreme me cold in d in the th room on the left, to extrem tre e he h at in th the e room on the right. Water is s pump pumped f ed rom the midd mid le room oom to t the side ide rooms an and ei d eith ther heated or cooled. Once the c he ontainer n s are fu e ll sluice gates te are open ned c ed ausing water ter to rush out and level off. Anyo one ne using ng the facility at y at thi is ti s me has a sa ris risk of ko get ge ting d dragged under by b the cur urrent re add dding ng to a cha ance nce of d o rown ow ing. in Et in Arcadia ego. ‘In n A Arcadia deat d h is always pres present. en ’ Vis V itors wa alkin lk g th hrough & usin using th hese room oms will be fa faced with w a strong range of heightene ned sensory experi p ences - thro through h the contrasting n ligh ht and dark, hot and and cold cold and the presence e of f water. All these will pr rovoke feelin i gs o gs f f appreh ehension, exci citement, intrigue and and wonder, r, as a vi a sitor is immersed literally in the d different uses & dept epths hs of water. Image: Underwater View of Sluice Gates from inside the Cold Room.
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Year 1 MA Architecture Oxford Brookes 2013-14 Advanced Architectural Design Module
Transcript of Baths Of Bishopsgate
Th e Baths of BishopsgateTh omas Cheek
Th is project investigates the notion of the sublime as Arcadia where the sublime imposes strong emotions to create a sense of wonder & awe to the users of the building.
Edmund Burke explains that to produce the sublime, darkness has a greatereff ect on the human mind than light. Other infl uences that are used to create the sublime include; suddenness, grandeur, vastness, sound or no sound, and fear.
Th e sublime should be considered as beauty with the presence of danger. Th e reference to Napoleonic Fort in Dover refers to my experience exploring the network of tunnels hidden away from the public. Th is is an experperiencn e of which I draw feelingsof fear and awe which I believe I have transferred to thhis project. Th e thought that you u can hurt yourself, or even die add real apprehension & unease to the experience of the place. meaninaning whg en you discover sanctuary a user’s experience of the place is amplamplifi eifi d.d
Pirairanesi is conso iderde ed to be onene of the greatest artists at reproducing the sublimeusing thhe subjects oof prisons anand rud ruins.i Th e ruins ons f my chosen site, the ‘Bishopsgate Goodyard’ in Shoredid tch ch have manany similam r characaracterit stics to Piranesi’s etchings. Th ese take in the huge scale of ththe bue ildiings n in ri elation to a person, as well as the devastationof the fi re in 1964 leaving the th site derd elict.
Th e discovevery oy of thhe e ‘I wiish tsh thishis was w a… sa… swwimming g poolpool. (t. (t’onconce e was.)’ stickckerfrom the Memoir i exerciseci causedse aan excittemennt inn meme to rresearch intoo thethe sitsite. Ne. Not being able to gaain ain ccese s to mmost of the site dre drew me to to thethe areas that I was unable to visit, the most prompromineninent beeiing the he doubdouble hle h i height rooms. I believe these rooms have the best pottentient al aat cat captupturing the he ideaideas of the sublime than the rest of the site.e. Th e Th prospect of watewa r in this unundergderground place brought to mind an experience I I had dvisitingn a Haman in in Istatanbulnb .
Th e layout of the Bishophopsgate Baths hs is bis ased on n the arrangemgement ent of ao Turkishkish Baths, or HaHamam. Th is is because I wished to tie my undeunderstanding frg from one II visited in Istanbul.u I also drew infl uence from the drawings of DougDouglas Dardrdenn, ththe receec nt installationo at the RA Sensing Spaces exhibition by Grafton ArchA itecte ts,, asas well as Petert Zumthor’ho s Th erme Vals. Th ese references helped me narrow the proposep d materials s to the use of so tone, concrete and brick. Th e lighting is solely natural andd isi mostostly fl fococuseded from above adding to the comforting weight of the place I asI sociate to the HHamamamam.
Th e proposal as well as contrasting extreme light, and extreme dark alsoa looks ksinto the exttremee temperar turee change. Th e three double height rooms shown in n sesection ionBB vary temperatature fromm extrememe cold ind in theth room on thee left, to extremtre e heh at in ththee room on the right. Water is s pumppumped fed rom the middmid le room oom to tthe side ide rooms anand eid eithther heated or cooled. Once the che ontainern s are fue ll sluice gates te are openned ced ausing waterter torush out and level off . Anyoone ne usingng the facility aty at thiis tis me has as a risrisk ofk o getge ting ddragged under byb the cururrentre adddding ng to a chaance nce of do rownow ing.in Et in Arcadia ego. ‘In n AArcadia deatd h is always prespresent.en ’
VisV itors waalkinlk g thhrough & usinusing thhese roomoms will be fafaced withw a strong range of heightenened sensory experip ences - throthrough h the contrasting n lighht and dark, hot and and coldcold and the presencee of f water. All these will prrovoke feelini gs ogs ff apprehehension, , excicitement, intrigue andand wonder,r, as a via sitor is immersed literally in the ddiff erent uses & deptepthshs of water.
Image: Underwater View of Sluice Gates from inside the Cold Room.
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