BASIC EPERT01RES

ZEN-ON MUSIC

ZEN 0 N G U 1 T LIBRARY

100 BASIC

REPERTOIRES I

©1998 by ZEN-ON MUSIC CO., LTD.

PREFACE

This book in two volumes contains 100 program works as the

basic repertoires which can be considered suitable for

performance in the presence of others> such as at concert, party

and event, etc., selected from the so-called <compulsory pieces>

to study and play at least once as the classic guitarist or student.

This first volume contains 65 works (68 pieces in total) of

beginning to intermediate level. As all the works are tried to be

placed <in the gradual difficulty order> throughout two volumes,

the study and performance in this order will make the musical and

playing ability progress naturally and smoothly. This order will

be useful in finding new works to suit the current playing level.

As every work is carefully fingered to show <one reasonable

fingering example> avoiding the characteristic one, it is desirable

to study the most suitable fingering by studying how to express

music. The arrangements for guitar are based on the original

compositions as much as possible. Though almost all works are

written in modern notation, some works still remain in the

conventional style for easier reading and better understanding.

After studying and playing 100 Basic Repertoires I & II, it is

recommendable to challenge further major works of individual

composers and to tackle contemporary works, as well. It is our

sincere hope that this book will be used as the cideal sub-

material in any guitar lesson or study and as a convenient

repertoire handbook> for any guitarist.

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CONTENTS

1. Siciliana 'i fell -Matteo Carcassi iJJVijyv-6

2. Etude -X'f-jL—K — feiH -Ferdinando Carulli i] O'y') -7

3. Romanze nv>X-Johann Kaspar Mertz 8

4. Etude K 4 MM -Ferdinando Carulli -9

5. Nocturne 777—7- CarlHenze 10

6. Habanera Op.9 —— --—-A. Alba 77W* -11

7. Larghetto 7 7b 77 b-Julio Salvador Sagreras "b'XbxX-12

8. Barcarolle Op.51-1 JfrUfc- Napoleon Coste ^xb -13

9. Tango No. 1 Op.19-1 773’ Hl§ -JoseFerrer 7xV-;b-14

10. Tango No.3 Op.19-3 7731 H3# -JoseFerrer 7x1/-^ -15

11. Hupff Auff 777• T77 - HansNeusidler 77'7-K7-16

12. Rujero Y Paradetas 7b/\—n2:^X7*—77, -GasparSanz ^bX -17

13. Etude Op.60-3 X ■f - jl—K ^3# - Matteo Carcassi inVijy y -18

14. Maria Luisa V J 7 * 7b ’9" -Julio Salvador Sagreras -b'XbyX-19

15. Andante Sentimental 777'bT*-k7f-7777b — A. Alba 7/Wt-20

16. Estudio Op.31-5 Xf-jL—K bfiH -Fernando Sor V7b-22

17. Estudio Op.60-22 xfa-h* t'MM -Fernando Sor 77b-23

18. Estudio Op.35-22 xf-jL—K n^p(^5t) -Fernando Sor 77b-24

19. Etude x-f-jL—K xj&fi -Napoleon Coste ^Xb -25

20. Raindrops M/itl-G. C. Lindsey 9V4M -26

21. Sonatina Op.25 V 7 T 4—7-Nicolo Paganini /Of———-28

22. Valse Andantino 77b'7 • 777‘>r4—7 -AntonioCano 9-4-30

23. Etude Op.60-20 xfa-K H20H -Matteo Carcassi 97b9yy -31

24. Diferencias Sobre "Guardame Las Vacas" (41 £ ffl

Luis de Narvaez 7/bztxx-32

25. Prelude 7l/Vxi.—K-Santiago de Murcia A ;b y 7 -34

26. Allegro 7U7’D - Santiago de Murcia A;by7 -35

27. Estudio Op.35-17 Xfa-K — Fernando Sor 77b-36

28. Galop Op.32-6 - Fernando Sor 77b-37

29. Valse Op.32-2 771/7 - Fernando Sor 77b-38

30. Romance De Amor - Cancion Popular Espahola 39

31. Lagrima yY])~7 ($|)- Francisco Tarrega 7—b#-40

32. Adelita 77*11—7 - Francisco Tarrega 7—b9*-41

33. Sonata 777 - Leonhard von Call 9 A-42

34. Almain 7 7b 7 4* 7 - Robert Johnson y a 7 7 7 -45

35. Pavana ~f- GasparSanz 97X -46

36. Pavana I I -LuisdeMilan -47

48 37. Pavana III III - LuisdeMilan 5vV

38. FantasiaXVI 77>7v7 XVI-LuisdeMilan -50

39. Saltar&llo "O' IP 7 W O-Anonymous 52

40. Estudio Op.6-12 K •'fUm-Fernando Sor VlP-53

41. Prelude, Sarabande, Bounce (Suite in D minor) 71/'Jj.—b\ 7—V— (ffiffix@PI)

Robert de Visee 'ffH-56

42. Menuet 20<7)77X'.yb -Jean-PhilippeRameau 7^- -58

43. Menuet 2OV)77Xyb A H:PI -Jean-Philippe Rameau v^c— -60

44. Ouverture J^ffll - Ferdinando Carulli iDVy') -62

45. Endecha Y Oremus i>f“A 7 —FranciscoTarrega 9—1/if-66

46. Sueno (Mazurka) f (vXll/A) - Francisco Tarrega 9—1/if-67

47. Marieta (Mazurka) VjX-^ (v X IP #) - Francisco Tarrega 9—1/if-68

48. Preludio No.5 7P'V.a.—K H5§- Francisco Tarrega 9—1/if -69

49. El Testament*) D'Amelia 771)7COiftH- Cancion Popular Espaiiola >J?;f§ -70

50. Menuet Op. 11-1 7 7 X y b b HP- Fernando Sor V IP-71

51. MenuetOp.11-5 7 7 X y b X - FernandoSor VIP-72

52. MenuetOp.11-6 7 7 X y b A - FernandoSor VIP-73

53. Menuet (Grande Sonate Op.22) 7 7x y b (X 7 >K • V 7 7)

Fernando Sor V IP-74

54. Menuet (Deuxieme Grande Sonate Op.25) 7 7 xy b (H2 Xx >K • V77)

Fernando Sor V IP-75

55. El Noi De La Mare x;P • JA • f'- V •

Cancion Popular Espaiiola X /< A > H!S -76

56. Bourse (Lute Suite I BWV996) 7-U- ('J1 #)

Johann Sebastian Bach > t y >'-77

57. Andante Largo Op.5-5 7 > 7' > 7 • 7 IP X- Fernando Sor V IP-78

58. Venetianisches Gondellied Op.19-6

Felbc Mendelssohn-Bartholdy / Francisco Tarrega 7 V7IP7*'/—>/9—1/if -80

59. Tango 7X7- Francisco Tarrega 9—1/if-82

60. Maria (Gavota) VJ7 (if if * y b) - Francisco Tarrega 9—1/if-84

61. Passacaglia 9^'9'tf~iJ})7- Ludovico Roncalli n >iiy')-86

62. Feste Lariane 7xXf ,7'J7“7 -LuigiMozzani 88

63. Lachrimae Pavan JohnDowland X 7 7 X K -92

64. Sarabande, Double (Partita No.l for Unaccompanied Violin BWV 1002)

•tv^>b\ K7-7IP A ^^4-9 ^1#)

Johann Sebastian Bach -95

65. Recuerdos De La Alhambra 7vP'7v7)^iV'tti Francisco Tarrega 9—1/if-98

Index ^,*31- 102

Siciliana y^UT-t 'fMtHI

Matteo Carcassi

M. iDVily v

J0 ^ F-" F;r ^ 7

-0-1 1-1-k—i j——

f- f —'f 1f

J-1 ^ ^ l4*^ 1 -t > r—■ r v r r 7 r >f 7

/

F F- N—ir 7

f F * r—f fi“

<3> * «P l'1 " ” I'

It ? ? f' f f f r f 7

^ f f f f f f f-—-p7 1 D.C.alFine

9

Etude xfa-K imm

Ferdinando Carulli

F. iJ)Vy')

Habanera Op.9

A. Alba

A. r;w<

Barcarolle Op.51 No.l

Napoleon Coste

N. 3X h

f-nn I. ,J-~3 , , jf~ii 1 u f-'-: -7-—_ --1

r

Harm. 12

f mf

Tango No.l Op.19 No.l

%i#

Jose Ferrer

J. 7x1/—

HupffAuff •v-r-f-yyv

Allegretto

Hans Neusidler

H. MV-Yv-

Rujero Y Paradetas

Gaspar Sanz

G.V'sX

Paradetas

—♦I

I

Maria Luisa v>J7-;W-9- Julio Salvador Sagreras

j.

21

misterioso

Estudio Op.60 No.22

ifa-K *&PI Allegro moderato Fernando Sor

F. v;i/

Estudio Op.35 No.22

-i-K n®I{%%) Fernando Sor

F. V)V

4111

Valse Andantino

r'r&n. J H3an uj

Op.60 No.20

xf-jt-K %20 Allegro brillante Matteo Carcassi

M. *;l'iivv

Diferencias Sobre "Guardame Las Vacas"

Tiempo medio

Luis de Narvaez

L. de

—--

Prelude

Santiago de Murcia

S. de

Op.32 No.6

+>07 -f Fernando Sor

F. V )V

Op.32 No.2

7^7 ^ ft H Fernando Sor

F. V

Allegretto

Fanta!

Estudio Op.6 No.12

.x-f-j.—K -HkM FernandoSor

Andante C.5... ^

Bien cantada la parte superior

from Suite in D Minor

Prelude •/P'U-K Robert de Visee

R. de V4-tf-

Sarabande

IN'*—

Menuet

I Jean-Philippe Rameau

c.4. J. Ph. y^e—

64

65

Endecha Y Oremus (6)-D Francisco Tarrega

Endecha(Sffc) F. 9—Vif

Marieta (Mazurka)

Francisco Tarrega

Harm.12

Preludio No.5 Francisco Tarrega

Andante sostenuto f. y-va

ElTestamento D'Amelia Cancion Popular Espanola

Menuet Op.ll No.5

Andante maestoso

Fernando Sor

F. V)V

l -jjj j :

°sf~ w r c.i.r.7...

© ! p i

f if f

T7__

f

lOkjfrGHB .ili ly|’’f T~ ■ 1” f Jif..-—- •!!

Menuet Op.ll No.6

Andante maestoso C.5. ^ r

Fernando Sor

F. V )V

Menuet Grande Sonate Op.22

Fernando Sor

F. V >V

76

El Noi De La Mare • y/f • 7 • ? • v-l/ (Stf fl)#!?-)

Cancion Popular Espaiiola

»<r

t r f r k f r

Venetianisches Gondellied (Op.19 No.6)

risSHfcJ) Felix Mendelssohn-Bartholdy / Francisco Tarrega

F. / F. 9-Vif

Harm. 8va- Andante sostenuto C.2-

3-H

I

Feste Lariane 7iXf-7'J7-f

Luigi Mozzani

L.

90

Variazione Ila

from Partita No.l for Unaccompanied Violin BWV 1002

Sarabande

Johann Sebastian Bach

98

Recuerdos De La Alhambra (estudio de tremolo)

Andante

Francisco Tarrega

F. 'if

99

101

102

INDEX m?\ Bom — Died Composer & Title Vol. - Page

c.1500 — c.1561 Luis de Milan 36. Pavana I- 1-47 37. Pavana III- 1-48 38. Fantasia XVI- 1-50

c.1500 — c.1555 Luis de Narvdez 24. Diferencias Sobre “Guardame Las Vacas”-1-32

1508/9—1563 Hans Neusidler J 4's—Yy— 11. Hupff Auff- 1-16

c.1510—1580 Alonso Mudarra h.?—y 82. Fantasia-2-46

1563 — 1626 John Dowland 63. Lachrimae Pavan---- - -1 - 92 73. Lady Hunsdon's Puffe- 2-22

c. 1583 — 1633 Robert Johnson V 3>V> 34. Almain-- 1-45

1583 — 1643 Girolamo Frescobaldi 7UX3/tJV7,'f 76. Aria Detta La Frescobalda---2-32

c.1640 — c.1710 GasparSanz -f^X 12. Rujero Y Paradetas-1-17 35. Pavana- 1-46 66. Canarios-----2-6

c.1650 —1725 Robert de Vis£e 'f't-V- 41. Prelude,Sarabande,Bourree (SuiteinDminor)-1-56

C.17C Ludovico Roncalli u'yjjy') 61. Passacaglia-1-86

1683—1764 Jean - Philippe Rameau y^~ 42. Menuet--- 1-43 43. Menuet-1-44

1685 — 1750 Johann Sebastian Bach sty/i 56. Bourse (Lute Suite I BWV 996)-- 1-77 64. Sarabande, Double (Partita No.l for Unaccompanied Violin BWV 1002)- 1-95 77. Prelude (Suite I for Unaccompanied Cello BWV 1007) .2-35 78. Prelude For Lute BWV 999 -2-38 79. Gavotte (Suite for Lute BWV 995) ..---2 - 40 91. Jesu, Joy Of Man's Desiring-2-70 97. Prelude BWV 998 -2-94

1685 — 1757 Domenico Scarlatti X ij Jl/ y y t 4 86. Sonata K.322/L483 ---2 - 58 87. Sonata K.11/L352 - 2 - 60 88. Sonata K.380/L.23 - 2-62

1685—1759 Georg Friedrich Handel ^>7r)V 90. Sarabande - --- 2-68

1686 — 1750 Sylvius Leopold Weiss 'Yr'fX 67. Fantasie-2-8

C.17C—18C Santiago de Murcia A;V->7 25. Pleludio- 1-34 26. Allegro---..1-35

1726—1784 Karl Kohaut 75. Allegro (Sonata for Lute)-2-30

1767 — 1815 Leonhard von Call ii 33. Sonata-1-42

1770—1841 Ferdinando Carulli i]JV-y\) 2. Etude---1-7 4. Etude--1-9

44. Ouverture- 1-62 1778 — 1839 Fernando Sor V )V

16. Estudio Op.31 - 5-1-22 17. Estudio Op.60- 22 - 1-23 18. Estudio Op.35 - 22 - 1-24 27. Estudio Op.35 - 17-1-36 28. Galop Op.32 - 6-1-37 29. ValseOp.32-2 - 1-38 40. Estudio Op.6 - 12-1-53 50. Menuet Op.ll - 1--- ----1-71 51. MenuetOp.il-5. 1-72 52. Menuet Op.ll-6-1-73 53. Menuet (Grande Sonate Op.22) - 1-74 54. Menuet (Deuxieme Grande Sonate Op.25)- 1-75 57. Andante Largo Op.5 - 5- 1-78 68. Estudio Op.6 - 6 -2-11

103

69. Estudio Op.29 - 11-2-14 89. Estudio Op.29 - 5...2-65 95. Gran Solo Op.14--— 2-84

100. Variations Sur L'Air De La Flute Enchantee “0 Cara, Armonia” (Mozart) Op.9- - - 2 - 112 1781 — 1829 Mauro Giuliani vx'JT--

74. Sonata In Do Maggiore Op.15---2-24 98. Grande Ouverture Op.61..2-96

1781 — 1858 Anton Diabelli r -f 7^ 7') 70. Menuet (Sonatan)--- 2-16

1782—1840 Nicol6 Paganini >VT--- 21. Sonatina Op.25. 1-28 80. Romania (Grande Sonata)---.2-42

1792 —1853 Matteo Carcassi y '> 1. Siciliana-1-6

13. Etude Op.60 - 3- 1-18 23. Etude Op.60 - 20 ---- 1-31

1806—1856 Johann Kaspar Mertz 3. Romanze----—1-8

1806—1888 Napoleon Coste nXb 8. Barcarolle Op.51 -1- 1-13

19. Etude-- 1-25 1809 — 1847 Felix Mendelssohn - Bartholdy

58. Venedanisches Gondellied Op. 19 - 6-1-80 1811 — 1897 Antonio Cano

22. Valse Andantino-1-30 1815 — 1888 Jean-Delphin Alard Tv-;V

83. EstudioBrillante----2-48 1835 — 1916 Jos4 Ferrer 7iU-*

9. Tango No.l Op.19 - 1-1-14 10. Tango No.3 Op.19 - 3-1-15

1852 — 1909 Francisco Tdrrega 9-Vif 31. Ldgrima---.- - -1 - 40 32. Adelita - ---1-41 45. Endecha Y Oremos - - -- 1-66 46. Sueno (Mazurka)-- 1-67 47. Marieta (Mazurka)-- 1-68 48. Preludio No.5 -- 1-69 59. Tango- 1-82 60. Maria (Gavota) - 1-84 65. Recuerdos De La Alhambra-1-98 71. Mazurka-------.2-18 72. Alborada (Capricho)--2-20

1860—1909 Isaac Albdniz 7A'/*—X 92. Tango Op.165 - 2--2-72 94. Rumores De LaCaleta-----2-78

1867 — 1916 Enrique Granados ^ 7 K X 99. Andaluza (DanzaEspanolaNo.5)- 2-106

1869—1943 Luigi Mozzani 62. Feste Lariane-1-88

1870 — ? A. Alba T)VA 6. Habanera Op.9-- 1-11

15. Andante Sentimental - --- 1-20 1872 — 1912 Joaquin Malatz

93. Serenata Espanola- 2-74 1872—1946 Carl Henze

5. Nocturne- 1-10 1879 — 1942 Julio Salvador Sagreras

7. Larghetto- 1-12 14. Maria Luisa - 1-19 81. El Colibri-2-44

? — 1943 G. C. Lindsey 'JV-tf'f 20. Raindrops- -1-26

1885 —1944 Agustin Barrios Mangore A'J^X 84. Vais ffl Op.8-3-------2-51 85. ValsIVOp.8-4.-----2-54 96. Ch6ro Da Saudade-2-92

Cancidn Popular Espanola X ■*. ■i > SIS 30. Romance De Amor-- 1-39 49. El Testamento D'Amelia-----1-70 55. El Noi De La Mare-1-76

Anonymous 39. Saltarello-1-52

Classic Guitar 100 BASIC REPERTORIES II

*9- ioos n CONTENTS 66. G. Sanz: Canarios 7 X : /t A 7 X 67. S. L. Weiss: Fantasie 'Vr-Y X : ~7t>9'J— 68. F. Sor: Estudio Op.6-6 7 A : ifa—K -f JSK 69. F. Sor: Estudio Op.29-11 7 A- : ifi“K 1'fi^ 70. A Diabelli: Menuet (Sonata II) A-17^7 7: (V7"^@2S) 71. F.Tarrega: Mazurka j’-Wi'vXM bftl? 72. F. Tarrega: Alborada (Capricho) 9-VH : g^coWc <«HS®> 73. J. Dowland : Lady Hunsdon’ s Puffe /77>K: ^7XK>£A<7Vt7 74. M. Giuliani: Sonata In Do Maggiore Op.15 Va.')7—— : '979 s'&Vl 75. K. Kohaut: Allegro (Sonata for Lute) 3'''>7)': 7W/n (7 j.—I- • 979) 76. G. Frescobaldi: AriaDettaLaFrescobalda 77. J. S. Bach : Prelude (Suite I for Unaccompanied Cello BWV1007) : 7k'Ja-K (iffif xngBSlf) 78. J. S. Bach: Prelude For Lute BWV 999 rtyH : 79. J. S. Bach: Gavotte (Suite for Lute BWV995) <’.U-l'iifi®$3#) 80. N. Paganini: Romanza (GrandeSonata) —— : D7'/7r {PJ'sY-'979) 81. J. S. Sagreras: ElColibri t/UvX : 82. A Mudarra: Fantasia A/—7 : ~?t's9V7 83. J.D. Alard/F. Tdrrega: Estudio Brillante 7y-)V/9-Vif: 84. A Barrios M.: Vais III Op.8-3 /*7*X : 7*7 $3# 85. A Barrios M.: Vais IV Op.8-4 7 * X : 7 A 7 $ 4 # 86. D. Scarlatti: Sonata K.322/L.483 X# *977-17979 87. D. Scarlatti: Sonata K.11/L.352 xa*97T-f:'979 88. D. Scarlatti: Sonata K.380/L.23 X**97T-f:979 -5M 89. F. Sor: Estudio Op.29-5 V* : f - a.—K > \ gp 90. G. F. Handel: Sarabande 91. J.S. Bach: Jesu, Joy Of Man's Desiring 92. I. Albeniz:Tango Op.165-2 TJV^-X : 9's'! 93. J. Malatz/F. Tarrega: Serenata Espanola ^J'yV / 9-Vif: X^-f 7®-tU7—7 94. I. Albeniz: Rumores DeLa Caleta 7 : AffO^toSb^ 95. F. Sor: Gran Solo Op.14 7 * : 7 7 > • 7 D 96. A Barrios M.: Ch6ro DaSaudade riiJ^X:ffilA©->3-n 97. J. S. Bach : Prelude BWV998 : TVUa-K 98. M. Giuliani: GrandeOuverture Op.61 ita'JT—— ; A#fl 99. E. Granados:Andaluza (DanzaEspanolaNo.5) 77AKX : 7>7)V—7 <X^T>ft[S] ®5H=> 100. F. Sor: Variations Sur L’Air De La Flute Enchantee “O Cara, Armonia” (Mozart) Op.9 VA: -t —

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