Basic Digital Camera Shooting Techniques II
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Basic Digital Camera Shooting Techniques II
Using the Correct 'Shooting Modes'...
by Robin Nichols
Snapping Portraits
Set the controls to Portrait Mode if the camera
has one. This ensures that, although the
subject of the portrait remains clear, its
immediate background and foreground
becomes fuzzy. The idea is to 'isolate' the
subject using sharpness.
For greater control over this fore- and background sharpness, set the camera to 'Aperture Priority', (usually denoted by a
‘A’ or an ‘Av’ icon).
This setting is usually located on the main command dial on the top of the camera. Dial in an aperture of f5.6 (or
thereabouts) using the thumbwheel. This f-stop number gives a reasonable depth of focus so that the figure that’s focuse
on is sharp (clear) but the background will be of focus (blurry).
The lower this f-stop number is, the less you get in focus in the shot and the more careful you have to be when focusing!
Note: Setting the camera to Portrait Mode does this for you without your having to think about it ...
Stuff to remember:
Don’t go too close, it can be intimidating. Step back and zoom in with the lens zoom lever.
Never use the wide angle lens setting on the zoom for single people shots. It produces very
unflattering results. (It’s OK for groups though).
Avoid using flash on the face, it can be very unflattering.
Portrait Mode Icon
© Robin Nichols
All Rights Reserved
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In fact, NEVER use flash in a portrait if it can be helped.
Landscape Mode
To make sure that your distant scenes (landscapes,
cityscapes) look their best, set the focus button to 'Mountain
Mode' or 'infinity' (the infinity symbol looks like the figure
eight (‘oo’) lying on its side).
Do this either in the menu, or by pressing the mountain symbol button or the MF button. This
should give you failsafe sharpness for all distant objects (especially when shooting at night
because the camera can’t see), and in low light.
Remember, cameras have difficulty focusing on far away scenes and in low light.
You could also try setting the camera to Landscape Scene Mode, if there is one.
Use the wide angle setting ('W') on the zoom lens to get more of the
scene in.
More Stuff to Remember
Avoid shooting through glass (i.e. don’t be lazy, get out of the car!)
Don’t shoot within three hours of midday if it can be avoided (Early
morning and late afternoon are the best times). The examples you see here were taken at 11am
(way too bright) and again at 6:30 pm, one of the best times of the day for landscape
photography.
Flash Off, Please & Format the Card!
Never use flash, it’s a waste of good electricity!
Landscape Shooting
© Robin NicholsAll Rights Reserved
Best Time of Day© Robin Nichols
All Rights Reserved
Formatting the Memory Card
© Robin NicholsAll Rights Reserved
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Press the flash icon button till you see the symbol at right. This shuts off the flash. Once the
camera is turned off, and then on again, the flash will revert to its default 'Auto mode' once more.
Get in the habit of always reviewing pictures so that bad shots can be deleted (usually by pressing
the small Trash can icon). TIP: You can delete images one by one, all at once or, by far the best
method for wiping everything off the card, is to use 'Format'. This deletes everything. Only do thisif you are sure that everything has been transferred to the computer. Re-formatting will extend the
life of your memory card.
About Author / Instructor / Photographer, Robin Nichols
Like many other instructors at BetterPhoto.com, I’m in the envious position of combining
one of my life’s passions, photography, with my job, photography and publishing. And,although I’m normally in front of the computer way too much for my liking these days, it
remains one of the best jobs in the world.
Originally from the UK, I’ve spent the past 20 years living in Sydney, Australia, working
initially as a rostrum cameraman in the audio-visual business, then as freelance photographer. More recently, I’ve worked (struggled) as a freelance writer, then as a full-
time magazine editor for eight years. For the past six years, I have run my own small
publishing business, Better Digital, producing Australia’s largest-selling specialist digital
photo publication. (As an interesting side note, Better Digital is not affiliated withBetterPhoto.com - we simply have similar good tastes when it comes to names!)
With the launch of Better Digital, I have passionately pursued the goal of producing clear,
well-illustrated publications written in "plain English". I have continued to develop this plain-speaking style in another specialist magazine devoted almost exclusively to
Photoshop, called Better Photoshop Techniques. Recently I added Digital Photo ART
to the list of publications. This deals more with project-based techniques for the digital
enthusiast whose interests, those with a crafty bent wanting to do something more withtheir shots.
I have also written several books, including www.imaging, efficient photo preparation
for the world wide web (Watson Guptill, ISBN: 0-8230-5855-7), co-written with Philip
Andrews, Paint Shop Pro 8: a guide to creating professional images (FocalPress/Elsevier Press, ISBN: 0-240-51698-2), and recently, Paint Shop Pro 9 for
Photographers, co-written with Ken McMahon, (Focal Press/Elsevier Press, ISBN: 0-
240-51981-7).
When I’m not out shooting, travelling, or writing for one of my publications, I teach
digital photography! In fact, there’s nothing I like better than showing newcomers how to
fine-tune their shooting skills and how to get the best from their gear. The beauty of
digital photography, of course, is that students can appreciate their efforts almostimmediately, a fact that fuels greater exploration of the craft.
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References : http://www.betterphoto.com/article.asp?id=95