BAROQUE 17 TH CENTURY. WHERE DOES “BAROQUE” COME FROM? Pejorative word to define an exuberant...

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BAROQUE BAROQUE 17 17 TH TH CENTURY CENTURY

Transcript of BAROQUE 17 TH CENTURY. WHERE DOES “BAROQUE” COME FROM? Pejorative word to define an exuberant...

Page 1: BAROQUE 17 TH CENTURY. WHERE DOES “BAROQUE” COME FROM? Pejorative word to define an exuberant and exaggerated art in contrast to Renaissance art and New.

BAROQUE BAROQUE 1717TH TH CENTURYCENTURY

Page 2: BAROQUE 17 TH CENTURY. WHERE DOES “BAROQUE” COME FROM? Pejorative word to define an exuberant and exaggerated art in contrast to Renaissance art and New.

WHERE DOES “BAROQUE” COME FROM?

Pejorative word to define an exuberant andexaggerated art in contrast to Renaissance art and New Classicism.

CHRONOLOGYPredominant art style during the 17th century and part of the 18th century

COLLEGIATE CHURCH OF CATANIA, ITALY

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DIFFERENCES WITH RENAISSANCE ART

RENAISSANCE ART BAROQUE ART

-BALANCE

-IDEAL OF BEAUTY

-SIMPLICITY

-PROPORTIONS

-STRAIGHT LINES

-PREDOMINANCE OF DRAWINGOVER COLOUR AND LIGHT

-MOVEMENT

-REALISM IN REPRESENTATIONS

-COMPLEXITY

-INTEREST IN SURPRISING THEAUDIENCE- CURVED LINES, CONCAVE ANDCONVEX-PREDOMINANCE OF COLOUR AND LIGHT OVER DRAWING

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BAROQUE ART was…

A reflection of society

ART OF ABSOLUTE MONARCHIES

ART OF THE COUNTER-REFORMATION(CATHOLIC COUNTRIES)

BOURGEOIS ART (PROTESTANT COUNTRIES)

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ARCHITECTURE

MAIN PURPOSE: CREATE SENSATION OF MOVEMENT IN BUILDINGS

USE OF

CURVED LINES

SPIRALS

ELLIPTIC AND OVAL FLOOR PLANS

SOLOMONIC COLUMNS

CONTRAST OF LIGHTS AND SHADOWS

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SQUARE AND COLONNADE OF SAINT PETER OF THE VATICAN, GIANLORENZO BERNINI

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SCHEME OF BERNINI´S COLONNADE

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BERNINI´S COLONNADE

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BALDACHIN OF SAINT PETER OF THE

VATICAN,GIANLORENZO BERNINI

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CHURCH OF SAN CARLO ALLE QUATTRO

FONTANE, FRANCESCO BORROMINI

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DOME AND INTERIOR OF SAN CARLO ALLE QUATTRO FONTANE´S CHURCH,

FRANCESCO BORROMINI

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VERSAILLES PALACE,LE VAU, MANSART AND LE NÔTRE

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GARDENS OF VERSAILLES PALACE

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HALL OF THE MIRRORS, VERSAILLES PALACE

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LES INVALIDES CHURCH (PARIS),

MANSART

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SCULPTURE

MAIN PURPOSES: REPRESENTING MOVEMENT, CAPTURING FLEETING MOMENTS, PROVOKING SURPRISE AND EMOTION TO THE AUDIENCE.

MAIN FEATURES: USE OF CURVED LINES AND CLOTH FOLDS TOINTENSIFY THE SENSATION OF MOVEMENT.

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APOLLO AND DAPHNE, GIANLORENZO BERNINI

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ECSTASY OF SAINT THERESA, GIANLORENZO BERNINI

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TOMB OF URBAN VIII, GIANLORENZO

BERNINI

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TOMB OF ALEXANDER VII, GIANLORENZO BERNINI

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FONTANA DI TREVI, NICOLA SALVI

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FONTANA DI TREVI, NICOLA SALVI

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FOUNTAIN OF THE NEWT, BERNINI

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FOUNTAIN OF THE FOUR RIVERS, BERNINI

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PAINTING

MAIN FEATURES

-USE OF OIL PAINTING

-PREDOMINANCE OF COLOUR AND LIGHT OVER DRAWING

-CHIAROSCURO: CONTRASTS OF LIGHT AND SHADOW

-REALISTIC REPRESENTATIONS

-MOVEMENT

-COMPLEX COMPOSITIONS (FORESHORTENED FIGURES, ASYMMETRY, CURVED LINES…)

-INTEREST IN SHOCKING OR SURPRISING THE AUDIENCE

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THE CONVERSION OF SAINT PAUL ON THE WAY

TO DAMASCUS, CARAVAGGIO

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THE CRUCIFIXION OF SAINT PETER,

CARAVAGGIO

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THE ENTOMBMENT OF CHRIST,

CARAVAGGIO

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THE CALLING OF SAINT MATTHEW, CARAVAGGIO

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DEATH OF THE VIRGIN, CARAVAGGIO

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THE THREE GRACES, RUBENS

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THE DESCENT FROM THE CROSS, RUBENS

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THE ADORATION OF THE MAGI,

RUBENS

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THE DUKE OF LERMA, RUBENS

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HERCULES DRUNK, BEING LED AWAY BY A NYMPH,

RUBENS

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REMBRANDT, SELF-PORTRAITS

22 YEARS OLD WITH TWO CIRCLES 63 YEARS OLD

More self-portraits: http://www.rembrandtpainting.net/rembrandt_self_portraits.htm

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ANATOMY LESSON OF DR. NICOLAES TULP, REMBRANDT

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SYNDICS OF THE DRAPERS´ GUILD, REMBRANDT

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THE SLAUGHTERED OX, REMBRANDT

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THE NIGHT WATCH, REMBRANDT

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THE LACEMAKER, VERMEER

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GIRL READING A LETTER AT AN OPEN WINDOW,

VERMEER

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THE MILKMAID, VERMEER

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GIRL WITH A PEARL EARRING, VERMEER

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ALLEGORY OF THE ART OF PAINTING,

VERMEER

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THE GEOGRAPHER,

VERMEER