Bapton Books Aphorisms: On children's literature
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Transcript of Bapton Books Aphorisms: On children's literature
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Bapton Books Aphorisms
Childrens Literature: What we believe
Markham Shaw Pyle
GMW Wemyss
Bapton Books
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References to:
The Bapton Books Sampler: a literary chrestomathyAmazon UKAmazon US
The Annotated Wind in the Willows,for for Adults and SensibleChildren (or, possibly, Children and Sensible Adults)
Amazon UKAmazon USPaperback on demand
The Complete MowliStories, !uly AnnotatedAmazon UK
Amazon USPaperback on demand
The Transatlantic !isputations: "ssays # $bser%ationsAmazon UKAmazon USPaperback on demand
https://www.amazon.co.uk/dp/B007029QGUhttp://www.amazon.com/dp/B007029QGUhttp://www.amazon.co.uk/Annotated-Sensible-Children-possibly-ebook/dp/B005DT9LZ8/ref=pd_ecc_rvi_4http://www.amazon.com/Annotated-Sensible-Children-possibly-ebook/dp/B005DT9LZ8/ref=pd_rhf_dp_p_t_4http://www.lulu.com/shop/kenneth-grahame-and-gmw-wemyss-editor-and-markham-shaw-pyle-editor/the-annotated-wind-in-the-willows-for-adults-and-sensible-children-or-possibly-for-children-and-sensible-adults/paperback/product-16262194.htmlhttp://www.amazon.co.uk/Complete-Mowgli-Stories-Annotated-ebook/dp/B006H9NPEQ/ref=pd_ecc_rvi_4http://www.amazon.com/Complete-Mowgli-Stories-Annotated-ebook/dp/B006H9NPEQ/ref=pd_rhf_dp_p_t_4http://www.lulu.com/shop/gmw-wemyss-and-markham-shaw-pyle-and-rudyard-kipling/the-complete-mowgli-stories-duly-annotated/paperback/product-17510255.htmlhttp://www.amazon.co.uk/The-Transatlantic-Disputations-Meditations-ebook/dp/B006WS3LVY/ref=sr_1_5?s=digital-text&ie=UTF8&qid=1335808239&sr=1-5http://www.amazon.com/The-Transatlantic-Disputations-Meditations-ebook/dp/B006WS3LVY/ref=sr_1_4?s=digital-text&ie=UTF8&qid=1335808248&sr=1-4http://www.lulu.com/shop/gmw-wemyss-and-markham-shaw-pyle/the-transatlantic-disputations-essays-and-meditations/paperback/product-18821915.htmlhttp://www.amazon.com/dp/B007029QGUhttp://www.amazon.co.uk/Annotated-Sensible-Children-possibly-ebook/dp/B005DT9LZ8/ref=pd_ecc_rvi_4http://www.amazon.com/Annotated-Sensible-Children-possibly-ebook/dp/B005DT9LZ8/ref=pd_rhf_dp_p_t_4http://www.lulu.com/shop/kenneth-grahame-and-gmw-wemyss-editor-and-markham-shaw-pyle-editor/the-annotated-wind-in-the-willows-for-adults-and-sensible-children-or-possibly-for-children-and-sensible-adults/paperback/product-16262194.htmlhttp://www.amazon.co.uk/Complete-Mowgli-Stories-Annotated-ebook/dp/B006H9NPEQ/ref=pd_ecc_rvi_4http://www.amazon.com/Complete-Mowgli-Stories-Annotated-ebook/dp/B006H9NPEQ/ref=pd_rhf_dp_p_t_4http://www.lulu.com/shop/gmw-wemyss-and-markham-shaw-pyle-and-rudyard-kipling/the-complete-mowgli-stories-duly-annotated/paperback/product-17510255.htmlhttp://www.lulu.com/shop/gmw-wemyss-and-markham-shaw-pyle/the-transatlantic-disputations-essays-and-meditations/paperback/product-18821915.htmlhttp://www.amazon.co.uk/The-Transatlantic-Disputations-Meditations-ebook/dp/B006WS3LVY/ref=sr_1_5?s=digital-text&ie=UTF8&qid=1335808239&sr=1-5http://www.amazon.com/The-Transatlantic-Disputations-Meditations-ebook/dp/B006WS3LVY/ref=sr_1_4?s=digital-text&ie=UTF8&qid=1335808248&sr=1-4https://www.amazon.co.uk/dp/B007029QGU -
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MSP, on childrens books:! " hold, with #$ S$ %ewis, thatoodchildrens books, which
are nat&rall' remembered and treas&red, are, simpl', (ood
books, ones that can profitabl' and pleas&rabl' be re)read b'
ad<s$
*!+ We write off childrens literat&re 'et it is the hand
that t&rns the pa(e, far more than the hand that rocks the
cradle, which tr&l' r&les the world$ And we write off as bein(
childrens literat&re some of what o&r own fathers reco(nized
as the masterworks of man, from -sop to #onrad to .omer
to Robert %o&is Ste/enson to 0ean Swift$ We are in short
fools, so lon( as we are blind to the facts that literar'
snobber' is a treason to the mind and so&l, and that the
books the child reads toda' midwife the ad< of tomorrow$
*!+ " s&ppose the (eneral attit&de is, if it in/ol/es talkin(
b&nnies, hand it to the toddlin( crowd$ 1he fact that the
fables of -sop, the contes of Re'nard the 2o3, the stor' of
#hanticleer, for millennia ta&(ht ethics to princes and
prelates, kni(hts and emperors, is e/identl' immaterial to
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what we ma' la&(hin(l' call the modern mind$ When
pil(rims wendin( their wa' to #anterb&r' 4 or St 5ames
#ompostela 4 tell s&ch tales, the' tell them not to children
b&t to prioresses and millers and a certain 6n(lish b&rea&crat
named 7eoffre' #ha&cer$ 8&t we in o&r h&bris toss them
aside, as fit onl' for babes$
Well, as people far wiser than " ha/e noted 4 Madeleine
%6n(le, for one, and #S %ewis for another 4 tr&th and
wisdom not onl' come from the mo&ths of infants, in the
di/ine econom', b&t are also often whispered in their ears b'
ad<s who themsel/es o/erlook the words the' read$
8' the time a 'o&n( man is a 'o&th, he sho&ld be makin(
the ac9&aintance of 6pictet&s, Socrates and Plato, Marc&s
A&reli&s, and Aristotle, s&rel' b&t he sho&ld be prepared, he
had best ha/e been prepared, to find in the Crito or the
Meditations or especiall' in the &icomach'an "thics concepts
lon( familiar fromThe ouse At ooh Corner, The *ind in the
*illows,andThe Tale of eter +abbit
*!+ 1he rior and osterior Analytics of Aristotle 1he
Socratic dialo(&es Witt(enstein All well eno&(h, in their
t&rn: b&t 4 Watson; 1he (ames afoot;
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1he a&thors, on Kiplin( and his world:! "f the Mother #o&ntr' e3erted onl' an ambi(&o&s claim
&pon Kiplin(s filial lo'alties: what sho&ld the' know of
6n(land who onl' 6n(land know 'e contented 'o&r
so&ls < With the flannelled fools at the wicket or the m&ddied
oafs at the (oals: it was in no small part beca&se 8omba' was
Mother of #ities to him, and in no small part beca&se it was
in "ndia that his own Mother remained whilst he s&ffered and
was ab&sed and be(an to lose his si(ht in 6n(lish care$
%ike #h&rchill, Kiplin( co&ld not bear to and simpl'
ref&sed to blame his parents for his childhood misfort&nes
and mistreatment: and the Mother was to him as the m&ch
less worth' %ad' Randolph was to 'o&n( Winston, the
6/enin( Star, lo/ed dearl' 4 b&t at a distance$ 2or #h&rchill,
the distance was emotional =on his mothers side, not b' an'
choice of his> for Kiplin(, literal and spatial$ Mrs %ockwood
Kiplin(, Alice Mac0onald as was, was appalled b' the
mistreatment her children had s&ffered as boarders with the
.ollowa's, and 1ook Steps the former 5enn' 5erome left
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Winston to the care of Mrs 6/erest, who was in most respects
#h&rchills tr&e mother in all b&t blood$
Alice =Mrs %ockwood> Kiplin( was, in an' case, a m&ch
better and more interestin( person than the d&ke of
Marlboro&(hs American)born da&(hter)in)law =and she, if
not /irt&o&s, was interestin( eno&(h in her own ri(ht>$ 1he
former Alice Mac0onald was one of fo&r celebrated sisters 4
as celebrated in their da' and in their fashion as those So&ls
the W'ndham Sisters or those hons and rebels the Mitford
(irls 4 who married men almost as celebrated ! and
commonl' bore more celebrated children 'et$ 7eor(ina
married the Pre)Raphaelite painter Sir 6dward 8&rne)5ones
A(nes married the president of the Ro'al Academ', Sir
6dward Po'nter %o&isa, the onl' one of them not to marr'
an artist, married a Warwickshire ironmaster and 1or' MP,
Alfred 8aldwin, whose son Stanle' became, disastro&sl',
Prime Minister and Alice, of co&rse, married %ockwood
Kiplin( and became R&d'ards mother, ac9&irin( also the
character e3pressed b' a ?icero', that d&llness and she co&ld
not e3ist in the same room$
"t is little wonder that the fi(&re of the Mother, the %ittle
Mother, so sat&rates Kiplin(s works$
@et the fi(&re of the Mother #o&ntr', incarnate perhaps in
the Widow of Windsor, also o/ershadows his works: and that
relationship is more e9&i/ocal$ 1he Mother #o&ntr' is, after
all, the Mother .i/e, foolishl' open, laz', 0ane(eld)pa'in(,
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the midden on which s&ch as Pa(ett MP crowed$ "t is fatall'
eas' to look back &pon Kiplin( as a racist or racialist, an
imperialist tout court, a in(o and a 3enophobe$ "t is also facile
and s&perficial so to do$ .e is immensel' ambi/alent abo&t
the Mother #o&ntr', be it 6n(land as s&ch or 8ritains 6mpire
or the a/atars thereof s&ch as the Seeonee Wolf Pack, the 2ree
People$ .and in hand with his distaste for or(anised reli(ion
4 in the rukh he is, like M&ller, at least half Pa(an 4 is his
wholehearted 2reemasonr'$ 6ast is 6ast and West is West and
ne/er the twain shall meet 4 and 'et there is neither "ast nor
*est, Border, nor Breed, nor Birth, *hen two stron men stand
face to face, tho- they come from the ends of the earth1he %esser
8reeds Witho&t the %aw are not lawless beca&se the' are
lesser, b&t lesser beca&se the' are lawless$
*!+ Kiplin( str&((led all his life to capt&re what he
meant, b&t was hampered b' the terms of his da': race,
nation, creed, colo&r, caste =and the last is most nearl' what
he had in mind>$ Kiplin( 4 like the Wol/es and the .&ntin()
People and all the peoples of the 5&n(le 4 e3cept the
Monke')2olk who li/e in the trees *and+ ha/e no %aw 4 was
not, at bottom, a racist or a nationalist: he was a tribalist "t
was perhaps onl' in the Mow(li stories and in the two.unle
Books (enerall' that he was able to e3press himself clearl' in
that re(ard$ Sir 5ohn Kee(an has noted that the 8ritish
re(imental s'stem remains tribal more (enerall', men who
ha/e ser/ed &nder arms are of one tribe, at bottom for
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Kiplin(, it was, finall', ones craft that made ones tribe and
caste$ 1here is neither 6ast nor West, 8order, nor 8reed, nor
8irth, When two stron( men stand face to face, tho the'
come from the ends of the earth we be of one blood, tho&
and " once a priest, alwa's a priest once a Mason, alwa's a
Mason b&t once a o&rnalist, alwa's and for e/er a
o&rnalist: these were the ideals that dro/e him$ When the
8oer commander Piet 5o&bert died in the Second 8oer War,
Kiplin( commended him in /erse as an hono&rable enem'$
1he tribes which attracted Kiplin( were the soldiers and the
en(ineers and the Men Who !id 1hin(s$ Priests and MPs and
#it' men and capitalists (enerall', he despised: there was a
Radical inside Kiplin(, peepin( o&t$ A tribe is a brotherhood,
and brothers are spr&n( of the same mother, the Mother #raft
or the Mother %od(e$
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1he a&thors, on 7rahame, Ri/er 8ank, and hisworld:
! *7rahames+ The /olden Ae and !ream !ays arent m&ch
read toda', perhaps beca&se the children are rather
&ncomfortabl' poised between S'l/ie)and)8r&noism *%ewis
#arroll+ and 0an)and)Una realism *Kiplin(+$ @et their
&nremittin( str&((le a(ainst the ad<s in their li/es 'et
resonates, and the' were as m&ch an infl&ence &pon 0an and
Una in uck of ook-s ill and +ewards and 0airies B Kiplin(
p&blished uck ele/en 'ears after The /olden Ae came o&t B
as the' are &pon 6$ Cesbits 8astables and 6nid 8l'tons
2amo&s 2i/e$ What has li/ed on is one stor' from !ream!ays: that of the Rel&ctant 0ra(on$ 1he poetic)minded
0ra(on =it will be immediatel' recalled that Ratt' is a poet>
fathered 7ordon 0icksons dra(ons, of co&rse he has a
certain 0&nsan' air he infl&enced 6&stace Scr&bb, one rather
s&spects and he is &n9&estionabl' an ancestor of
#hr'soph'la3 0i/es, in 1ollers 2armer 7iles of .am, if not
also of Sma&( himself$
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*!+ Kenneth 7rahames father had reacted to the death of
his wife, Kenneths mother, b' ha/in( a breakdown that
mer(ed seamlessl' into a lifelon( p&b)crawl$ Kenneth
7rahames son and onl' child, Alastair, to whom these stories
were first told, was born blind in one e'e, and, it appears,
mentall' &nstable as well$ .e co&ld not stick R&(b' School,
had a breakdown when sent instead to 6ton, and, shortl'
before t&rnin( twent' 'ears in a(e, whilst &p at the .o&se
=MSP, to o/erseas readers: .e means the bo' was an
&nder(rad&ate at #hrist #h&rch, D3ford>, killed himself b'
takin( a prone position with his neck on the rail of a railwa'
line and waitin(, apparentl' calml' or ea(erl', for a train to
decapitate him$ 1his had been foreshadowed, had his parents
not been wilf&ll' blind to it, b' his childhood habit of l'in(
down in the road before approachin( motorcars and forcin(
them to stop if the' werent to dri/e o/er him$ "n retrospect, it
is diffic< to read of 1oads misad/ent&res witho&t a certain
horror it is little wonder that 7rahame ne/er wrote another
book after, altho&(h he li/ed a 9&arter)cent&r' more after its
p&blication$
*!+ "n the chapter, 1he Wild Wood, *7rahame+ shows &s
Ratt' as .olmes$ And, in the latter episode, Mole as 0r
Watson$
*!+ *Mole 6nd is described th&sl': Mole reached down a
lantern from a nail on the wall and lit it, and the Rat, lookin(
ro&nd him, saw that the' were in a sort of fore)co&rt$ A
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(arden)seat stood on one side of the door, and on the other a
roller for the Mole, who was a tid' animal when at home,
co&ld not stand ha/in( his (ro&nd kicked &p b' other
animals into little r&ns that ended in earth)heaps$ Dn the
walls h&n( wire baskets with ferns in them, alternatin( with
brackets carr'in( plaster stat&ar' B 7aribaldi, and the infant
Sam&el, and E&een ?ictoria, and other heroes of modern
"tal'$+ 1Mole, who was a tidy animal when at home, could not
stand ha%in his round kicked up by other animals into little runs
that ended in earth2heaps-: An'one who has had to do with
moles m&st find this hilario&s$
1 other heroes of modern 3taly-: 1his is a trick' one
nowada's: 7aribaldi is of co&rse an "talian hero 'et that is
not what 7rahame meant$ Cote, pra', that this is plaster
stat&ar' and if 'o& are at all familiar with the .olmesian
canon, 'o& will recall 1he Ad/ent&re of the Si3 Capoleons,
and recall as 'o& do so that the man&fact&re of plaster
stat&ar' was at the time carried on in 6n(land lar(el' b'
"talians$
*!+ *Df the scene of 1oads trial:+ 1he local 5P, a local
worth' witho&t an' le(al back(ro&nd the 8ench of
Ma(istrates are ad/ised b' a trained man of law, the #lerk$$$$
1his is a classic specimen of the old, sa/a(e breed, to be
mentioned alon(side Sir 1hos "n(ell, 8t, MP, in Kiplin(s
immortal 1he ?illa(e 1hat ?oted the 6arth Was 2lat$ 1hat, it
m&st be added, is a stor' that m&stnt be missed: it has the
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romance of o&rnalism in it B as this edition (oes to press, the
news is of the scandal and death of The &ews of the *orld, 'et
it m&st be remembered that Kiplin( was a o&rnalist, and
#hesterton, and Drwell B and #h&rchill MSP adds 8en
2ranklin, %eon .ale, %'nn Ashb', ?ir(ini&s 0abne', 5ames 5
Kilpatrick, 0o&(las So&thall 2reeman, and the baseball writer
Ro(er Kahn: there is a romance to o&rnalism, and it has had
its tri&mphs and (lories B and Kiplin(s tale, which is one of
the f&nniest 'o& shall e/er read, has as a character the
theatrical =in both senses> impresario 8at Mas9&erier, that
ma(nificent man, whose literar' descendants t&rn &p in
0ame C(aio Marsh and Michael 7ilbert and all manner of
lo/el' places and works$
*!+ "t is depressin( in the e3treme that this chapter *1he
Piper at the 7ates of 0awn+ is often e3cised from the book
nowada's$ 2&ndamentalists B emphasis &pon mental B in
the American 0issentin(, #hapel tradition, are aller(ic to it
conscientio&s class warriors of the sort who p&t paid to
(rammar schools, wish to close 6ton and the lesser p&blic
schools, sho&ld like to torch D3ford and e/en 2enland Pol',
and wish to ban an'thin( elitist, censor it, and ha/e seen to
it that most people ha/e no idea who Pan is in an' case and
e/en ed&cated taste has become a trifle tired of #lassical
all&sion, as Richard 5enk'ns noted some time a(o$ 2leckers
da' is done: .e *8acch&s or Silen&s: the poem is ambi(&o&s+
spake in 7reek, which 8ritons speak < Seldom, and
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circ&mspectl' < 8&t Mr 5&dd, that man of m&d, < 1ranslated
it correctl': and perhaps that is ine/itable$ MSP notes that in
American literat&re, the closest parallel, in +abbit ill,
in/ol/es St 2rancis, which is perhaps better done for one
m&stnt i(nore the fact that Arcadia is itself red in tooth and
claw, the lamb is destined for the spit howe/er ?er(il frames
a (eor(ic or howe/er prettil' Po&ssin dra&(hts the scene, and
(olden (irls and bo's all m&st, like chimne' sweepers, come
to d&st$ "t eo in Arcadia @et it is intolerable that taste or
pre&dice sho&ld pre/ent the readin( of a chapter in which a
lost child B one more biddable b' all acco&nts than poor
Alastair 7rahame, and more fort&nate B is fo&nd safe and
ret&rned to his an3io&s father$ ! "t is diffic< not to wonder
if this chapter infl&enced 0&nsan', and the conception of
2aer' far from the fields we know 'et marchin( &pon the
/er' /er(es and borders and hed(erows of the fields we
know$ "t certainl' seems to ha/e had its infl&ence &pon
1olkiens landscapes of .am and Wootten Maor$ ! 1he
con/entional /iew of 7rahame is the /iew of 7rahame as
con/entional$ Dne of the =redbrick> academ's terms of
approbation, in these thin and pipin( times, is s&b/ersi/e:
the editors sho&ld like to know, with partic&lar reference to
Apollo, Pan, Mars'as, and Midas, &st how m&ch more
s&b/ersi/e an a&thor can be than 7rahame is here$
*!+ People B partic&larl' children, who are sa/a(es at
heart, little barbarians B like 1oad for the same reasons the'
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like 2lashman$ Mind, if one dealt with either in person on an'
sort of re(&lar basis, one sho&ld wrin( the be((ars neck$
63plicit %iber