Back to Italy – Color VENICE. GIORGIONE Tempest c. 1505 Oil on canvas 82 x 73 cm p. 253.

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Back to Italy – Color VENICE

Transcript of Back to Italy – Color VENICE. GIORGIONE Tempest c. 1505 Oil on canvas 82 x 73 cm p. 253.

Page 1: Back to Italy – Color VENICE. GIORGIONE Tempest c. 1505 Oil on canvas 82 x 73 cm p. 253.

Back to Italy –

ColorVENICE

Page 2: Back to Italy – Color VENICE. GIORGIONE Tempest c. 1505 Oil on canvas 82 x 73 cm p. 253.

GIORGIONETempestc. 1505Oil on canvas 82 x 73 cm

p. 253

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Giorgione, Pastoral Concert, 1509

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Titian, Bacchus and Ariadne, c. 1520

TITIAN: COLOR & CANVAS

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Titian,Venus of Urbino, 1538, Oil on canvas

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Giorgione 1509, completed by Titian

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Titian, Venus and Adonis, c. 1555, Oil on canvas

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Titian, The Concert, c. 1510, Oil on canvas

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Titian

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Back to Italy –

Mannerism

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Mannerism

(from handout)

Mannerism - Post-Renaissance, Pre-Baroque style of painting and sculpture in Italy

characterized by elongated, distorted and exaggerated figures.

Pictorial space often crowded, complex or confusing

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Parmagianino,Madonna with the Long Neck,

1534-40

Little guy

and this column is for what???

Quite a crowd

KEY IMAGE

p 252

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Jacopo PontormoDescent from the Cross1525-2811’ x 6.5’ oil on wood

p. 253

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PontormoFlorentine, 1494 - 1556/1557Monsignor della Casa, probably 1541/1544oil on panel, 102 x 78.9 cm (40 1/8 x 31 in.)

Mannerist portraits are often devoid of emotional connotation, but there is some exaggeration of physical features

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MichelangeloLast Judgment,Sistine Chapel

1534-41,wall fresco

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Mannerism in music

Extreme chromaticismEx: Prophetiae Sibyllarum, by

Orlando de Lassus, c. 1550

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Summary – Northern and Late Renaissance

• RELIGION/POLITICS – Reformation; much political & religious violence

• IDEAS – a skeptical Humanism

• ART – a realism of everyday life: PORTRAITS, LANDSCAPES; oil painting, Mannerism

• MUSIC – conservative perfection (Palestrina) & new approaches (madrigals)

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Anchor Dates1000 - Musical STAFF used for

- CHANT in the

- EARLY MEDIEVAL PERIOD in

- MONASTERIES1066 - BATTLE OF HASTINGS depicted in the

- BAYEUX TAPESTRY which we associate with

- FEUDALISM

1150 GOTHIC ARCHITECTURE

ARS NOVAAfter 1300

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RENAISSANCE DATEBOOK1432 –

1492 – Columbus, Christian consolidation of Spain

c.1500 –

Donatello’s nude David

Michelangelo’s David & Josquin’s Ave Maria . . . Virgo Serena

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STYLE/PERIOD:

KEY IMAGE

MANNERISM

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ARTIST:Dürer

SUBJECT:

SELF-PORTRAIT

Associate with:

NORTHERN RENAISSANCE

OIL & NEW MEDIA

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REFORMATION

Josquin Ave Maria . . .

1500

Michelangelo

DonatelloDavid

Leonardo

Raphael

MichelangeloDavid

1400 1600

Renaissance timeline

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p. 238

BRUEGELARTIST:GENRE:

Associate with:

LANDSCAPE

NORTHERN RENAISSANCE

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Durer, AlbrechtKnight, Death and Devil1513Engraving24 x 19 cm

KEY IMAGE

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Titian,Venus of Urbino, 1538, Oil on canvas

SHOCKING?

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Lucian FreudPainter and Model, 1986-87Oil on canvas, 160x121 cm

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Lucian Freud, Lying by the Rags, 1989-90Oil on canvas, 139x184 cm

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The music of Palestrina is associated with

. the Counter-Reformation

. exquisite technique and contrapuntal control

. the late Renaissance

 

Text painting is

a. depictions of scenes from Biblical texts in art

b. short descriptions of paintings in captions in books

c. the depiction of the sense of sung words in musical gestures

d. short descriptions of paintings next to paintings in museums

(“word painting” in glossary)