Bachelor of Architectural Studies Final Year Studio 2011

Faculty of Built EnvironmentNever Stand Still

Bachelor of Architectural StudiesFinal Year Studio 2011

2

12 ANGELITHIN108 ALEZE AIZA ABBASI80 MICHAEL BANOVIC38 LEYLA BEIGLARI81 NICHOLAS BOLIANITIS58 KARL BUCK92 CHRISTINE CAI30 JOHN STUART CALDWELL49 VERONICA CHAN48 HELEN WING WA CHAN118 ERICA CHEN50 YINA CHEN119 YU ZHENG CHIEW59 WEI HENG CHIN39 ZHEN XUN CHIN120 WILSON KA HEI CHUNG60 JULIA CIANO51 ART DEJMANEETHORNCHAI24 RYAN DHARMANSYAH13 JAHAN PETER FAEGHI14 KATE IRWIN FAULKS 109 YVETTE JASMINE FENECH71 XIAOWEI FU15 ALICE FURBER82 SARAH KANAGARATNAM91 WILSON KUOK100 BERLEN GARCIA88 DEREK GEORGESON72 JANUSHLIN GOVENDER121 QIONG HE89 JONATHAN HENLEY73 KIM MYUNG HOON25 MAX HU90 MIN-CHUN HUANG110 ANDREW IEONG31 PAULA IDUN40 JIANHUI JIANG74 YOULYEE JUN52 KELVIN LAU16 JIN CHEN LEE83 SHA LISA LI41 WENYU LIANG32 XIMING LIANG

26 JUSTIN LO17 MARTIN STANISIC LOGAR92 BADHON MAKSUD33 JOSHUA MAULE42 MARIA MAVROLEFTEROS18 EMILIANO MIRANDA Y MIRANDA63 GISELLE MOORE93 TASIN NAJWA102 AI-LIN LYNETTE NEO94 ASHLEIGH MIU LING NG76 KELVIN SI HOA NG122 LINH NGUYEN112 PHIL NGUYEN27 SEAN MENGYUE NIU43 HEEN SAE NOH34 ANNA PATON53 FRANCES PRZYBYLSKI70 ROJIS DWIYASA NUGRAHA PUTRA101 YU QI84 MENGXUAN QU35 OGNJEN RAKIC19 PASCALE ROBERTS61 BAHAREH SAKHAEIFAR62 EMILY SANDSTROM113 FELIX SAW75 ANGIE SEGAL21 NICHOLAS SOUKSAMRANE20 REBECCA LOUISE SMITH62 SI-SI WANG 95 JIANG WEI77 EI SHWE SIN WIN96 SIANG LOONG

CHRISTOPHER WONG103 LIU XIN 54 PEILI YE123 VANESSA YU45 ERIC YUEN44 HYOJIN YOO64 XINCHI ZHANG124 YING ZHANG114 YUMENG ZHANG104 CHLOE ZHENG

UNEARTH // ELEVATE

UNEARTH // ELEVATE18-25 November Gallery, Faculty of Built Environment, Red Centre Building (west wing), UNSW

Front cover: “Hidden plan in the ladnscape” by Xinchi Zhang

4

5 INTRODUCTION

6 MESSAGE FROM THE DEAN

8 REGIONAL STUDIO

74 URBAN STUDIO

142 ACKNOWLEDGEMENTS

144 ALUMNI PROFILE

5

The UNEARTH // ELEVATE exhibition and this accompanying catalogue celebrates the distinctive graduation projects of the 2011 final year students in the Bachelor of Architectural Studies degree.

In this graduation studio course students had the choice of two projects, set in either an urban or regional context, to consolidate and advance their architectural design capabilities. Esteemed Professor Glenn Murcutt with Catherine Lassen assisted by a team of six tutors led the Artist in Residence Facility located at Three Mile Opal Field Lightning Ridge, NSW; while Mark Szczerbicki with Ann Quinlan, assisted by a team of six tutors led the Boutique Hostel, George Street, Haymarket Sydney project. Together, the conveners, studio tutors and invited guests brought their professional expertise to the studio experience and guided our students architectural design education with their focus, insight, passion and patience.

A distinguishing feature of the Architectural Studies graduation projects presented in this catalogue is attention to the detailed and sustainable design of places and spaces of vitality for living, working and display. Guiding this attentive interplay is thoughtful consideration to the interaction of a public building and its context, whether in a regional or urban environment.

The Architectural Studies degree program, with the Bachelor of Architectural Computing and Master of Architecture forms the Architecture Program community at UNSW. The graduation projects represented in this catalogue affirms our distinctive Built Environment Design studio approach. An approach that celebrates the mutuality of student’s creative vitality and technical capability in concert with demonstrating the qualities of academic excellence, commitment and community identified with UNSW graduating students of Architecture.

Congratulations to the 2011 Architectural Studies Graduand Students on their achievements and best wishes for their future Architectural postgraduate study and contributions to the thoughtful and creative making of our Built Environment.

Ann Quinlan Architecture Program Director

MESSAGE FROM THE PROGRAM DIRECTOR BACHELOR OF ARCHITECTURAL STUDIES

6

UNSW Built Environment (BE) is focused on research and education relevant to the design, delivery and management of the 21st century city and the elements within it. This catalogue presents selected projects from our final year students in Architectural Studies.

The unprecedented level of urban growth and associated urban issues of critical significance provides the global context and distinctive knowledge framework of the UNSW BE curriculum. A distinguishing feature of our student experiences comes from our capability to focus on design, research, teaching and learning from perspectives that place emphasis on the stewardship of the built environment and the interdisciplinary dimensions from which it is formed. The strategic direction of UNSW BE is based on a Faculty commitment to deliver high impact research and graduates equipped with the knowledge and practical skills required to realise sustainable urban environments of enduring cultural value.

New research initiatives undertaken in the last twelve months build on the faculty’s strengths concentrating on themes that include sustainable design and development, urban typologies, people and places and emergent digital technologies. Each degree program integrates relevant research methods and outcomes to ensure our students understand and value lifelong learning and possess intellectual skills to enable successful future careers in a global context.

The design studio is central to the curriculum of many of our degree programs. Our academics collaborate with leading design professionals to create learning experiences around issues of local and international relevance, Our students work is often presented or exhibited to the public, enhancing the connection of our teaching and learning programs with real world experiences. These experiences contribute to the highly developed professional skills of our graduates and help to foster future career opportunities.

International relations are of great importance at UNSW BE. We provide opportunity for international engagement in our teaching, learning and research through established collaborative relationships with leading universities around the world. Our students often choose to undertake part of their degree program in another country through our established network of international relationships. Our worldwide alumni play an important role, providing points of contact for our graduates. We continue to foster our relationships with them through regular alumni events both at home and abroad.

Your student experiences, hard work and skills are in many ways reflected in summary form by the quality of work contained within this catalogue. On behalf of the faculty I congratulate all the students who have completed their degree program and now become our alumni.

We wish you every success in your chosen field of endeavour. In many respects, our relationship is just beginning as we look forward to your ongoing participation in the life of our university through the many events and activities that we undertake to support research and the education of future generations of built environment graduates.

MESSAGE FROM THE DEAN FACULTY OF BUILT ENVIRONMENT

7

Professor Alec Tzannes Dean UNSW Built Environment

9

ARTISTS IN RESIDENCE AND RESEARCH FACILITYTHREE MILE OPAL FIELD, LIGHTNING RIDGE NSW

Students who selected this project had the unusual opportunity to collectively visit a remote and unique landscape in Australia, a still active opal mine in Lightning Ridge; and invited to consider a specific architectural response to this place. In the hot dusty landscape the physical conditions are severe and unfamiliar and temperatures are extreme. The landscape is very powerful, both in its capacity to evoke an emotional response as well as in its relationship to the economic and social structure of the mining town. The place is full of stories and the ground layered with traces of its rich history; extraordinary physically and for its cultural associations. Constraints such as very limited rainfall and almost unbearable summer heat helped form strict criteria for framing the success of students’ architectural thoughts.

They each designed an Artist in Residence Facility with a small Art Gallery and Research Centre. The project was required to generate and store its own power and water as well as manage waste on site. Technology and its capacity to inform both an architectural conception together with material details was an important consideration and students were asked to develop their projects to a substantial level of structural and material resolution.

Students’ research in conjunction with a direct experience of this place is used in the studio to encourage an attitude of individual responsibility, critical understanding and argued architectural response. Emphasis is placed on drawing as a mode of thinking, to promote thoughtful representation and architecturally embodied content.

“ AFTER DECADES OF AFFLUENCE AND ABUNDANCE, ARCHITECTURE IS LIKELy TO RETURN TO THE AESTHETICS OF NECESSITy IN WHICH ELEMENTS OF METAPHORICAL ExPRESSION AND PRACTICAL CRAFT CAN FUSE INTO EACH OTHER AGAIN; UTILITy AND BEAUTy AGAIN UNITED.”

Juhani Pallasmaa Architectural Review 1993

Course Conveners:

› Professor Glenn Murcutt, AO › Catherine Lassen

Studio Tutors:

› Wendy Lewin › Ashley Dunn › Ian Martin › Fergus Scott › Jonathon Temple › Shaowen Wang

Final Design Jury Invited Guests

› Andrew Burges › Peter John Cantrill › John Carrick › Anna Ciliberto › Laura Harding › Olivia Hyde › Andrew Metcalf › Paul Pholeros › Mano Ponnambalam › Xing Ruan › Roderick Simpson › Elena Vanz › Oliver Watts

11

ANGELITHINJAHAN PETER FAEGHIKATE IRWIN FAULKS

ALICE FURBERJIN CHEN LEE

MARTIN STANISIC LOGAREMILIANO MIRANDA Y MIRANDA

PASCALE ROBERTSREBECCA LOUISE SMITH

NICHOLAS SOUKSAMRANE

ASHL

EY D

UNN

12

ANGELITHIN

A. West elevationB. 1:200 model C. Detailed model through gallery

A

C

Where nature is usually taken for granted, this project allows people to experience a changing journey to be more intimate with nature.

Email [email protected] 0425 888 018

B

13

A. Plan B. Entry through landscape C. Western elevation: Integration of

building form and topography A

B

C

Lightning Ridge is an experience of its vastness and unique enclosures.


JAHAN PETER FAEGHI

14

A. Ground floor planB. Exploded studio axonometricC. Perspective

BA

C

Embedded into the slope, the artist residence is designed using a modular system of construction. The studios and gallery are a series of rooms and courtyards that can be used or shared as needed.

Email [email protected]

KATE IRWIN FAULKS

15

ALICE FURBER

A. Longditudinal sectionsB. PlanC. Perspective of open gallery

A

CB

Materiality, Light and patterns of living inspired by Lightning Ridge, ‘Oasis’ in the desert exploring internalised living while celebrating views.


16

JIN CHEN LEE

A. Overview of model B. Sunken galleryC. Detail model through gallery

C

B

A

Lightning Ridge artist in residence project. The project celebrates the landscape and attempts to bring in light through careful detailing.

Email [email protected] www.jchenlee.blogspot.comPhone 0430 370 394

17

A. Ridge Interior+Imaginer B. Ridge Exterior C. Internal Perspectives Vignettes

BA

C

Architecture is a means of expression, both spatial and emotional. It is an escape, which enables you to find yourself and get lost in your imagination.


MARTIN STANISIC LOGAR

18

EMILIANO MIRANDA Y MIRANDA

A. Semi-underground series of courtyards shape the complex

B. Entrance to the complex through a ramped pathC. Detail model, showing structural composition

A

CB

Understanding climatic conditions, social and economical activities, my aim was to design a complex that captures the essence of Lightning Ridge.


19

A. Site sketchesB. Artist’s resident section 1:200C. Photo of ‘the ridge’

C

A B

A design that nestles within the landscape responding to and accentuating the natural beauty of the semi-arid environment.


PASCALE ROBERTS

20

REBECCA LOUISE SMITH

A. Village outlookB. ProtectionC. Integration

A

CB

A “village” where collaboration of ideas, teaching and learning is paramount; where artists and craftsmen share their work with other artists and the community.

Email [email protected] [email protected] 0421 652 696

21

A. Corridor leading to residenceB. Path leading to gallery and studiosC. Cafe and studio spaces from below the cliff

A

C

B

The journey on the pathway to the gallery is an exhibition in itself, where one will learn about the personality of the setting.

Email [email protected] www.nsouk.tumblr.comPhone 0433 449 979

NICHOLAS SOUKSAMRANE

23

RYAN DHARMANSYAHMAX HU

CHIH-YUN LEEJUSTIN LO

SEAN MENGYUE NIUJIANZHENG XU

WEN

DY L

EWIN

24

RYAN DHARMANSYAH

A. Perspective view from cafe area B. Perspective view from the

residential courtyard

A

B

The design is developt from simple rectengular geometry, maximizing the use of straight thick wall to guide the access throughout the design as well as it is used as the core of the service and storage area. The shaded court yard in the middle of two mass is used to be a natural ventilation and cooling devices for the building.


25

A. Model imageB. Model imageC. Elevation

BA

C

Lightning Ridge artist in residence is a poetic complex lies between the earth and heaven. The horizontality that defines a datum line for the interpretation of the undulations and patterns of the landscape.


MAX HU

26

Topography of the building and the site.

The building connects and balances the two main features of the site (the cliff and the monuments) and uses its courtyards as ‘lungs’ of the building to breath and ventilate in this harsh environment. Simple layout of the programs and compact services provide both economical and comfortable spatial experience for the tenants.


CHIH-YUN LEE

27

JUSTIN LO

A. North Elevation B. Conceptual perspectiveC. Conceptual perspective

A

CB

The unique landscape of the Three Mile Opal Fields in Lightning Ridge is what influences and drives the design scheme of this project. Specifically the contour of the area, the aim was to develop a journey that reveals this aspect of the site and also allowing a transition through the layers whilst still being modest to the land.

Email [email protected] www.justin-lo.tumblr.comPhone 0433 197 651

28

A. The horizon and edge on site B. Model of the buildingC. Model showing the floating roof

B C

A

While nature is taken for granted, the design is to guide the journey into the wildness. Be Fat, be Flat, be Float.


SEAN MENGYUE NIU

29

JIANZHENG XU

A. Detail construction cut through the courtyard.B. Overview of whole site.C. Perspective view from three hills.

C

A B

‘Minimize Circulation, Maximize View’ is the concept, half buried, heavy insulated, and shaded courtyard are addressed to suit this extreme climate condition.


31

JOHN STUART CALDWELLPAULA IDUN

XIMING LIANGJAMES MAROUN

JOSHUA MAULEANNA PATON

XIAONAN QUANOGNJEN RAKIC

LIYI ZHANG YI ZHANG

IAN

MAR

TIN

32

JOHN STUART CALDWELL

A. Caretakers residence B. Artist’s trailerC. Artist’s trailer

A

CB

Allowing complete creative freedom the artist in trailer is not confined by walls, the site becomes the studio… an infinite program.

Email [email protected] www.johnstuartcaldwell.blogspot.comPhone 0434 094 989

33

A. Perspective view into one of the studio spaces

B. Floor plans of buildingC. Cross section of building

B

A

C

The design explores how to create interesting spaces derived from a linear and simple plan.


PAULA IDUN

34

A. Site plan B. SectionsC. Model images

B

A

C

The lightning ridge artist retreat explores the idea of creating the connection between the undulating landscapes with the horizon beyond by a carefully organized of light sections in the gallery space. The interplay of light and shadow build up a smooth transition to the stunning views of the horizon.

Email [email protected] Phone 0433 806 600

XIMING LIANG

35

A. Cross Section – in the ground or in the sky?B. Conceptual Planning – hold

space rather than enclose C. Interior – immersed by land

B

A

C

Amidst the wild, cracked and unbalanced earth, there exists a calming line. The horizon.

Email [email protected] Phone 0401 761 177

JAMES MAROUN

36

JOSHUA MAULE

A. Floor plan B. Perspective from entranceC. Perspective of major courtyard

A

CB


37

A. The ridgeB. The entranceC. The plan

B

A

C


ANNA PATON

38

A. PlanB. Sectional perspective show space characterC. Physical model

B

A

C

Rather than an object, building was set as a field of atmosphere and a micro friendly environment.

Email [email protected] xiaonanquan.blogspot.com Phone 0430 656 777

XIAONAN QUAN

39

OGNJEN RAKIC

A. Plans and Sections of the underground scheme

B. Detail through Cafe and Gallery, showing the underground vaults with courtyards exposed to the scultpural surface, with rusting remnants of a mining past, native trees and covered walkways

C. Surface sketch, showing the exploratory nature of the surface and the link between courtyards, and other surface elements.

A

CB

My scheme provides both an escape; into the cool underground, and enlightenment; on the sculptural surface, enhancing the historical notions that abound Lightning Ridge.

Email [email protected] www.ogi-arch1201.blogspot.comPhone 0422 525 143

40

A. Grey Card Site Model Full ShotB. Sketch of Exhibition Space with PathwayC. Detail Model Showing Light Gallery Space

B

A

An artist in residence combines with an exhibition gallery and constructed under the old opal mine rock cliff.


LIYI ZHANG

C

41

A. Concept sketch--building at night as distinctive glowing elements

B. 1:500 site model-- building in the landscapeC. 1:200 model--detailed relatioship of building elements

C

A B

This project thinks constantly about the dialogue between landscape, building and people, seeking for elements of resonance.


YI ZHANG

43

LEYLA BEIGLARIZHEN XUN CHIN

JIANHUI JIANGMICHELLE LEEWENYU LIANG

PING LIUMARIA MAVROLEFTEROS

HEEN SAE NOHHYOJIN YOO

ERIC YUEN

FERG

US S

COTT

44

LEYLA BEIGLARI

A. Render of studios’ outdoor courtyardB. Internal render of central garden spaceC. Model of exhibition and studio spacesA

C

B

The scheme explores the inhabitation of the basin as a canopy and water collection point nestled between two pavilions.


45

A. Sectional detail model scale 1:20B. Sectional detail model scale 1:20C. Section and detail section

A

B C

The Artist’s in residence project is designed to emphasize the interplay of light – an essential quality that mining workers long for.

Email [email protected] www.zhenxunchin.blogspot.comPhone 0433 478 933

ZHEN XUN CHIN

46

JIANHUI JIANG

47


MICHELLE LEE

48

WENYU LIANG

A. Overall bird’s eye viewB. Gallery wingC. View from the cliff face

A

C

B

An architectural promenade interwining through the undulated landscape.


49

PING LIU

A. Bird view of model B. 1:20 Constructional modelC. 1:20 Construction Drawing

A

C

B

This project is located in Lighting Ridge, a famous mining town. The concept of this design is introducing people into a gallery space with a tunnel entry, and exploring the underground space along with the tunnel.

Email [email protected] omPhone 0430 567 766

50

A. Render of large courtyardB. Plan on the RidgeC. Render of entrance

B

A

C

This Artist in Residence Facility consists of a central spine in which the spaces are branched off. As a response to the extreme climate and conditions of Lightning Ridge the mass is predominantly underground.


MARIA MAVROLEFTEROS

51

A. PlanB. SectionC. Detail

BA

C

An architecture created by the intersection of the horizontality and verticality nature of the landscape.


HEEN SAE NOH

52

A. 1:200 model; final destination reaches to café with viewpoint

B. Idea sketchC. Vine courtyard between gallery and studio

B

C

A

Project short description: Gallery, studio and residence are arranged upslope to lead movement towards the extreme landscape while each space is connected across the contours. Grid system with thick walls provides secure space for visitors and residence to enjoy staying in the site.


HYOJIN YOO

53

A. Connecting the Mounds and the Ridge

B. Residential hidden away looking into the vistas

C. Looking back on the journey

A

C

B

The wall, a bridge to connect the natural and artificial landscape, to scale the folding of the land.


ERIC YUEN

55

HELEN WING WA CHANVERONICA CHAN

YINA CHENART DEJMANEETHORNCHAI

KELVIN LAUFRANCES PRZYBYLSKI

SI-SI WANG PEILI YE

JONA

THON

TEM

PLE

56

HELEN WING WA CHAN

A. East elevationB. Site plan and plan C. Perspective of studio and hallway to gallery

B

C

A

This scheme follows the concept of isolation, which in reality works together to form a whole, similar to the Lightning Ridge landscape.


57

A. Design conception and progression B. Modelled gallery space in relation to the contextC. Perspective of gallery passageway

C

A B

Building to Context – The designed forms were based on the site’s natural and man-made contouring in relation to spatial requirements.


VERONICA CHAN

58

YINA CHEN

A. Looking over site from North EastB. Artists’ living quarters protruding out of the ridgeC. Internal spatial arrangement of gallery,

studio and artists’ living quarters

A

CB

My aim was to create separate gallery, working, and living spaces, situated on the site to take advantage of views.


59

A. Section through gallery B. Artist’s residenceC. The gallery embedded within the site

BA

C

Lightning Ridge Artist’s Residence and Gallery; an approach that echoes the extremes of its landscape through a strong communal emphasis and a heightened sense of prospect.


ART DEJMANEETHORNCHAI

60

KELVIN LAU

A. Perspective of artists’ studiosB. Overview of site C. Overall plan

B

A

C

A rammed earth structure guides you on the journey towards the ridge, with a constant relationship to the horizon.


61

A. Section through gallery and workshop spaces B. Sketch of artists residences

A

B

The rammed earth walls, undulating ceilings and saltbush sheltered roofs work in harmony with the unique, semi-arid and culturally rich site at Three Mile in Lightning Ridge.


FRANCES PRZYBYLSKI

62

SI-SI WANG

A. Gallery PlanB. Short Cross Sections showing

progressive level changeC. Site Model

The site requires us to respond vigorously to changing levels. This then gives hint on intuitive ways in address this climate.


B

A

C

63

PEILI YE

A. On-site Sketch, used mining machine as a sculpture

B. The start point of journeyC. 3D perspective drawing of building

My scheme for Lightening Ridge Project is to use the wall as a guiding to a journal. The change of material and function of those walls creates different feelings of the space inside or in-between the walls and it also plays the role connecting building and landscape.


BA

C

65

KARL BUCKWEI HENG CHIN

JULIA CIANOGISELLE MOORE

BAHAREH SAKHAEIFAREMILY SANDSTROM

XINCHI ZHANG

SHAO

WEN

WAN

G

66

A. 1:20 Section perspectiveB. Site planC. Perspective

BA

C

Transparency, Underground, Passive Cooling, Courtyard, Inspiration, Experience.


KARL BUCK

67

WEI HENG CHIN

68

JULIA CIANO

A. External expression B. Conceptual interior render of entry to art galleryC. Public amphitheatre

A C

B

“An architecture of place, not imposition” Glenn Murcutt


69

GISELLE MOORE

A. Rendered view inside gallery space overlooking courtyard and view

B. Rendered view of entrance courtyard to gallery, library and café

C. Construction section through café and courtyard

A

CB

Nestled into the rocky ridge, this scheme’s focus is to create a shielded oasis for residents and visitors against the harsh environments associated with semi-arid Australia, while also ensuring it is self-sustainable and an inspirational place in which to live, work, create and learn.


70

BAHAREH SAKHAEIFAR

A. Inside the gallery B. East elevation C. Ground level plan

A

C

B

Responsive architecture. Solutions for living in a semi arid climate, represented as an art work.


71

A. EnvironmentB. Plan: Submerged into the landC. Central coutyard perspective

BA

C

A tapestry of light and dark, and public and private space.


EMILY SANDSTROM

72

XINCHI ZHANG

A. Design idea sktech showing fabric roofB. Hidden plan in the landscapeC. Perspective featuring the malqafs

A

CB

The undulating topography and mild climate gave us potentials to hide the building in the landscape. Climatic response,building with nature,the idea of green shelter are the keys of the scheme.

Email [email protected] www.3283674.blogspot.comPhone 0425 857 009

75

BOUTIQUE HOSTEL GEORGE STREET, HAYMARKET: SYDNEY

The Urban Studio provided opportunity for students to engage with the contemporary needs of backpacking travellers. Increasingly, travellers prefer a more individual, distinctive accommodation and social setting that responds to the personality of the traveller, particularities of the city, its location and local culture. In this project students engaged with the City of Sydney to become familiar with the issues facing Sydney now and into the future. In particular, students investigated, interpreted and activated their architectural design ideas in relation to the urban fabric in George Street, Haymarket, a city location ripe for renewal and revitalisation at the nexus of Railway Square, Chinatown and Darling Harbour. The project brief included a boutique hostel with a series of commercial and recreational spaces. The students were required to ask a number of complex questions throughout the project: › How to interpret a program made

up of seemingly straight-forward but disparate elements into a cohesive and spatially poetic form;

› How to express a tall building that will act as a transitional form between the low-rise architecture around the site and the skyscrapers of World Square and beyond;

› How to challenge the stereotypes of grungy hostel accommodation and create a memorable ‘designer’ experience for travellers visiting Sydney;

› How to create a successful urban space in the form of a new laneway activated with an ‘urban lounge’ space, and including a

small bar, bookshop, bike rental space, and the ‘vertical landscape’ of a green wall;

› How to respond to the culturally rich location at the doorstep to Chinatown, while remaining relevant to the rest of the city.

The projects presented in this catalogue and the accompanying exhibition, demonstrate students’ distinctive responses to how they engaged with and challenged the brief. Students in the Urban Year Three Graduation Studio are to be commended on their dynamic exploration of architectural potential within a very complex envelope of urban, programmatic and spatial constraints.

“ IF OUR LIVES ARE DOMINATED By A SEARCH FOR HAPPINESS, THEN PERHAPS FEW ACTIVITIES REVEAL AS MUCH ABOUT THE DyNAMICS OF THIS qUEST – IN ALL ITS ARDOUR AND PARADOxES – THAN OUR TRAVELS. THEy ExPRESS, HOWEVER INARTICULATELy, AN UNDERSTANDING ABOUT WHAT LIFE MIGHT BE ABOUT, OUTSIDE THE CONSTRAINTS OF WORK AND THE STRUGGLE FOR SURVIVAL. ”

Alain de Botton, The Art of Travel, 2002

Studio Tutors:

› Jason Border › Lisa Merkesteyn › Suzannah Potts › Ted Quinton › Brent Trousdale › Bruce Yaxley

Final Design Jury Invited Guests

› Shaun Carter › Benjamin Green › Miriam Green › John Hepworth › Angelo Korsanos › Andrew Lamond › Flora Ma › Harry Margalit › Imogene Potter › Sam Rigoli › Steven Sheridan › James Stockwell › Sheila Tawalo › Ksenia Totoeva › David Welsh

77

XIAOWEI FUJANUSHLIN GOVENDER

KIM MYUNG HOONDMITRI IASSENEV

YOULYEE JUN KELVIN SI HOA NG

DWIYASA NUGRAHA PUTRA ROJIS ANGIE SEGAL

EI SHWE SIN WIN

JASO

N BO

RDER

78

XIAOWEI FU

A. View From The Tv Lounge To the VoidB. Interior View OF One Of The Hostel RoomC. Short SectionD. Northern Facade

BA

D

C

Hostel: To provide higher quality outdoor environment. (ie, light, air, view quality). Voids: Vertical Zig zac void space forms the activity stage. Visual Connection: Neighbours are able to view the gardens on the opposite of the stage. All “stages” are open to the streets and the laneway. Green connection: Green spaces are connected through the voids to the green wall.

79

JANUSHLIN GOVENDER

A. Amorphous void-B. Facade and laneC. Communal kitchen space

C

BA

A global connection to the city of Sydney.Email [email protected] 0431 308 085

80

KIM MYUNG HOON

A. Concept diagrams: 1. Grid 2. Frame 3. Form 4. Splitting up 5. Verticality and Horizontality

B. View from George Street

B

A

GRID + FRAME‘Grid’ composes the structure and form of the building by consolidating or splitting up. ‘Frames’ have been created according to the function of the space to enable interaction between hostel with the city as well as tourists with locals.


81

DMITRI IASSENEV

A. Perspective of the ‘urban room’B. Progress models of the schemeC. Aerial view from George street – physical model.

Engaging and emphasising the physical and visual connection between roads, footpaths, buildings and spaces.


A

CB

82

A. Laneway and Front view of the Hostel

B. Back view of Hostel Rooms facing North

C. Top Perspective view of Central Movement of Hostel

B

C

A

The relationship between the Sydney city to this design of Hostel was to have the movement of people and the different activities moving out from the central point of the hostel building.


YOULYEE JUN

83

KELVIN SI HOA NG

A. George St ElevationB. George St Elevation PerspectiveC. A Space of tranquility and views

A

CB

A symposium of tranquility and dynamism, a play of the threshold of the street yet draws people into transitional space.


84

DWIYASA NUGRAHA PUTRA ROJIS

A. Concept ModelB. Entry from George Street “Urban Room”C. Overview of George Street

A

CB

Exploring open spaces. Encouraging interaction through physical and visual connections.


85

A. Front perspective, George StreetB. Back perspective, Thomas Street C. North elevation

BA

C

Located on George Street, this Sydney hostel has been characterised by the Australian outback and has been governed by 5 main sustainable practices. Through the use of corrugated iron as the main cladding material, the building represents the quintessential ‘outback shed’, whilst still maintaining its connection to the urban environment.


ANGIE SEGAL

86

A. Perspective from George StB. Close up toward lanwayC. Section cut through voids

C

A

B

By maintaining the essence of the city yet creating the purity among its busy environment, the hostel is designed to fresh up the visits of the tourists with its adventurous space. Different transitions through the space give visitors a great experience just by being inside the building. Exaggerated space of the gym, exposed elevator, the continuous movement through out the whole building and the great relationship between spaces through voids create exciting journey within a building.


EI SHWE SIN WIN

89

MICHAEL BANOVICNICHOLAS BOLIANITIS

CHRISTINE CAISARAH KANAGARATNAM

SHA LISA LIHONG QIU

MENGXUAN QU

LISA

MER

KEST

EYN

90

MICHAEL BANOVIC

A. Elevation of Eastern OrientationB. George Street Building Frontage RenderC. Short Section Of The Building

A

C

B

Designed with the inspiration of “motion” and precedence’s from Louis Kahn’s buildings.


91

A. Ground Floor Plan Backpackers Boutique hotel, cafe, bookstore

B. Roof top barC. Looking through to Ground Floor lobby and laneway

B

A C

Boutique hotel for backpackers derived from the concept of birds coming to nest as a traveller would.


NICHOLAS BOLIANITIS

92

CHRISTINE CAI

A. Front PerspectiveB. Urban EntryC. The LanewayD. Sydney city planE. Viewing Gallery/BarF. Concept Diagram

Chinatown is strategically located at the south of the Sydney city. Defining a gateway building between Chinatown and city central, the concept is to symbolize unity by the pushing & twisting of the individual pod accommodations towards the city network lines and grids.

Email [email protected] 0412 400 280 +65 9336 7018

A D

E

F

B

C

93

SARAH KANAGARATNAM

A. George St perspectiveB. Initial Massing ModelC. Concept Diagrams: Shifting Triangles

A

B

C

A boutique hostel that embraces Australian living, designed to reflect the ‘threshold’ nature of the site. Culture. Transportation. Urban architecture.


94

C

B

SHA LISA LI

A. Front ViewB. Thomas Street ViewC. Transition of urban morphology

A

This boutique hostel near Chinatownfocuses on maximum views and makecustomers enjoy the view towardsGeorge Street.


95

HONG QIU

A. Street perspective B. Conceptual diagramC. Longitudinal section

A

B

The idea is to combine the concept of high rise hotel and resort’s villa, and create some nice outdoor spaces for people to hangout.


C

96

A. View of the terraceB. Facade on George StreetC. View of the corridor

BA

C

This project is a backpacker hostel on George Street. The design is focusing on the fully enjoy of sunlight by using the terrace structure.


MENGXUAN QU

99

DEREK GEORGESONJONATHAN HENLEYMIN-CHUN HUANG

CHIA JUN JIEWILSON KUOK

BADHON MAKSUDTASIN NAJWA

ASHLEIGH MIU LING NGJIANG WEI

SIANG LOONG CHRISTOPHER WONG

SUZA

NNAH

POT

TS

100

DEREK GEORGESON

A. George St elevation B. Twisting floor slabs under constructionC. Perspective of Facade

A

C

B

Dynamic lines create movement and varying spaces of light and dark to create an array of social possibilities


101

A. Road level perspective from George StreetB. Eastern elevation

A B

This project plays with the ideas of chaos and order within cities, and how buildings can be part of this dialogue. The façade generates visual excitement, while the layout provides underlying order.


JONATHAN HENLEY

102

MIN-CHUN HUANG

A. Ground Floor PlanB. Double Room Floor PlanC. 3D Modelling

A

C

B

This is a hostel tower on top of a podium with public areas. The idea is allowing nature lights into the building.


103

A. View from George StreetB. Entrance from footpath

of George StreetC. View of café from

footpath of George Street

The building, derived from tranquillity, based on a structure of a tree seeks to introduce solace into the busy urban.


CHIA JUN JIE

A

CB

104

A. Conceptual Model, Concept BasisB. 3D render view from George St.C. George St. Elevation

B

A

C

Engaging and absorbing spatial conditions to heighten the experience of Sydney, City living. Absorbing the travellers, engaging the city.


WILSON KUOK

105

BADHON MAKSUD

A. Section through the coreB. View of the urban room A

Somewhere along the course of his ever changing journey, the traveller finds continuity.


B

106

A. George Street Perspective B. Sectional perspective through lobbyC. Laneway perspective

B

A C

A simple building that carves itself on the inside with multiple layers of void, flooding the spaces with light and consequently, people.


TASIN NAJWA

107

ASHLEIGH MIU LING NG

A. Early massing model showing building form and relationship to adjacent buildings

B. Final elevation from George StreetC. Section showing spatial articulation

and room arrangement

A

CB

My project explores idea of visual, aural and physical connections between individuals, the public, and residents of the hostel. My aim was to create a vibrant, highly textural environment that ranges from the “urban room” of the laneway and the hostel foyer, to the intimate “nest” of the hostel rooms.


108

A. High Perspective from George St.B. Perspective on the George St.C. Section cross George street.

City Oasis Hostel is a place letguests relex themselves.


JIANG WEI

A

CB

109

SIANG LOONG CHRISTOPHER WONG

A. Elevation from George StreetB. Urban EntryC. Laneway

A

C

B

The concept was derived from the interpretation of social dynamics. Intricate spaces transform the site into an arcade of activities.


111

BERLEN GARCIAXIAOQIAN LIU

YU QIAI-LIN LYNETTE NEO

LIU XINJUNMIM ZHANG

CHLOE ZHENG

TED

QUI

NTON

112

BERLEN GARCIA

A. Sweeping entry plaza through to the marketsB. Key perspective of entry from George StreetC. Conceptual CG massing model

A

CB

A spatially aware boutique hostel on George Street designed with the conceptual ideas of fluidity, harmony and elegance.

Email [email protected] www.berlengarcia.comPhone 0404 000 292

113

XIAOQIAN LIU

A. Perspective view from George StB. View of the entryC. Physical model

B

C

A

Rotated floor plates naturally form small balconies. The series of movements create architectural rhythm of spaces.


114

A. Accommodation floors plan B. Cross sectionC. North elevation

BA

C

Hostel project in Sydeny Central,use angles to create opportunities of communications, also space tension.


YU QI

115

A. ‘Treetop Bedrooms’B. Urban Foyer and EntryC. Elevation from George Street

A B

C

A breakaway from regularity of its context, the play of verticality in all aspects are explored.


AI-LIN LYNETTE NEO

116

LIU XIN

A. East Elevation of George Street B. Far away street view from cityC. Laney way and entrance foyer Perspective

A

CB

As the aim design is an urban hostel, I will emphasise a feeling of “urban” for travelers. A “small city” and “a group of building” concept will beside my design.


117

JUNMIN ZHANG

A. Perspective of hostel entranceB. Elevation of hostelC. Physical Model Shot

The hostel is located on George St. The concept of proportion is applied on the façade, which is to create a different vision to distinguish the other two adjacent buildings.


Junmin Zhang Email [email protected] Phone 0432368876 A. Elevation of hostel B. Physical Model Shot C. Perspective of hostel entrance


A

B

C



A

B

C

B



A

B

C

A

C

118

CHLOE ZHENG

A. Elevation of George St Facade B. Communal open area facing George St C. Laneway from Thomas St

B

CA

A building of networks and connections, an idea inspired by the location of the site in the heart of Sydney.


120

ALEZE AIZA ABBASIZHIHAO CHEN

YVETTE JASMINE FENECHANDREW IEONG

PHIL NGUYENFELIX SAW

YUMENG ZHANG

121

ALEZE AIZA ABBASIZHIHAO CHEN

YVETTE JASMINE FENECHANDREW IEONG

PHIL NGUYENFELIX SAW

YUMENG ZHANG

BREN

T TR

OUSD

ALE

122

ALEZE AIZA ABBASI

A. Facade sketch: exploration of materiality

B. Overview of building massC. Back view of

accommodation units

A C

B

Individual organism coming together to perform a singular function while still maintaining individual integrity.

Email [email protected] alezeabbasi.blogspot.comPhone 0420 343 102

ZHIHAO CHEN

A. view from Grorge StreetB. arcade entance and hostel entranceC. hostel room plan

A

CB

With shops, foodcourt, gym and courtyards along a 3-storey high arcade, the hostel transforms into an important connection between George Street and Thomas Street. and gives people the experience of a urban livingroom.


124

YVETTE JASMINE FENECH

A. Elevation of George Street B. Section through three towersC. View into the ‘Urban Room’

A

C

B

A lively integration of solid and void in an attempt to eradicate the division found within Haymarket’s context and Architecture.


125

A. Cross sectionB. SideC. PerspectiveD. Inner

C DB

The site Haymarket Sydney is well known for the preserved nature of architecture over the many decades, for a new Boutique Hostel to make a significant stand it must be able to blend into the existing atmosphere. In order to achieve this, the new Boutique Hostel should hold qualities such as being subtle from the outside, yet complex and mysterious on the inside. This became possible by opening the various public functions i.e. restaurant, gym, bike shop etc. to engage with the main street, George st. An architectural language of creating a relationship between 2 levels became a clear solution in order to maintain a relationship of the ground floor to the floors above, evident in the sections below. Given that the majority of the functions towards this Boutique hostel are public access, it was necessary to give an open and inviting atmosphere from the main entry points. By activating the southern Facade as a vertical garden, protecting the interior voids through a repetition of solid then void horizontally, acting as the “rib cage” to the overall building, became the obvious choice to create a unique and secure feeling for a laneway on the ground floor linking George st to Thomas st for the public. The vertical garden also creates a relationship to the overall building as all levels are exposed tho this unique garden.


ANDREW IEONG

45

A

126

A. George Street Perspective from the NorthB. Longitudinal Sectional of Hostel DesignC. Handcrafted Balsa Model at 1:200 Scale

B

A C

This Boutique Hostel aims to facilitate the exchange or cultures and life experiences between Back Packers and Locals within the heart of Sydney.


PHIL NGUYEN

127

FELIX SAW

A. Perspective on George StreetB. Conceptual modelC. Play of spatial arrangement along the laneway

A

B

C

Re-form: to improve the condition of the Chinatown public domain, while introducing a new architecture typology to the site.


128

A. Building perspective from george street B. The physical model of site and hostelC. The digital model of the site

BA

C

The model conveys the ideas of Separation and connection two separated “blocks form”; the space transition from transparent to solid.


YUMENG ZHANG

131

REZWANA BASHIRERICA CHEN

YU ZHENG CHIEWWILSON KA HEI CHUNG

QIONG HELINH NGUYEN

VANESSA YUYING ZHANG

BRUC

E YA

XLEY

132

A

B C

This scheme focuses on a unique form of staggered blocks in an E shaped plan which aims to maximise the eco response presented within the site. The climatic response in the scheme is also furthered by both the facade design and materiality of building. This hostel is an accumulation of unique massing, spatiality and eco response.


REZWANA BASHIR

A. Perspective of the Scheme from George Street

B. Perspective of the Scheme from Thomas Street

C. Section through the Naturally Ventilated Corrodor

133

ERICA CHEN

A. George St perspective of building facades B. Laneway perspectiveC. Hostel entry perspectiveD. Urban living room perspective

A B

DC

Haymarket Hostel Concept. This design is inspired by the round circle motif popular in chinese customs. The chinese believe the circle represents harmony, peace and equality.


134

A. Overall view from street level B. Entry ViewC. Courtyard View

B

A

C

To build a contemporary building where increasing height and density affect the spatial quality and social dynamics of the residents.


YU ZHENG CHIEW

135

WILSON KA HEI CHUNG

A. Perspective of Hostel on George StreetB. Perspective of urban space from George StreetC. Perspective of Laneway from George Street

A

C

B

A built form that articulates the laneway providing an engaging urban retreat within the inner city


136

A. View from opposite streetB. Entry/Urban living roomC. Hotel roomD. Night-time view of hotel

B

A

C D

The site is located in the urban environment, but with a lot nearby buildings built on the 19-20th century. It is lack of vivid characteristics of modern 21st century’s trend. So a boutique hotel with a high level of design quality is needed to provide a lively and welcoming venue to attract visitors. Hotel is potentially to be an urban connector, both a destination and a link that permits one to pass into and through the building, weaving the city to the hotel.


QIONG HE

137

LINH NGUYEN

A. Elevation of Boutique Hostel, George StreetB. Boutique Hostel Building Perspective, George StreetC. Conceptual Model

B

A

C

Meeting places are key, shaping the building through the central circulation core overlapping and interlocking with the movements of the laneway.


138

A. Laneway viewB. Aerial viewC. Perspective from Thomas St & Ultimo Road

A

B C

Influenced by distinct Chinese features resembling the fan and the Yin-Yang elements, this boutique hostel emphatically revives Chinese culture.


VANESSA YU

139

YING ZHANG

A. Section thru buildingB. Elevation of George st frontC. Lounge space perspective

BA

C

The idea of merging traditional chinese element into modern urban environemnt has reflected back to the function of site, and is represented by building form and facade.


142

Architecture Program Community Academic Staff

› Ann Quinlan, Architecture Program Director

› Dr. Ainslie Murray › Andrew Macklin › Dr. Catherine de Lorenzo › Catherine Lassen › Professor Deo Prasad › Dr. Dijana Alic › Graham Bell › Associate Professor Harry Margalit › Jeremy Harkins › Jim Plume › John Carrick › Maryam Gusheh › Dr. Paul Hogben › Dr. Peter Kohane › Peter Murray › Dr. Peter Graham › Russell Lowe › Dr. Stan Fung › Stephen Peter › Steve King › Tam Nguyen › Professor Xing Ruan › Dr. Yinong Xu

Built Environment Professors

› Professor Richard Johnson MBE › Professor Ken Maher › Professor Glenn Murcutt AO

Industry, Professional and Postgraduate Student Sessional Staff

› Alan Todhunter › Alix Verge › Amy Beech-Allen › Andy Marlow › Anthony Gill › Anuradha Chatterjee › Arlene Segal › Ashley Dunn › Brad Inwood › Brenden Randles › Brent Trousdale › Bruce Yaxley › Celia Carroll › Chenxi Qiu › Christian Grennan › Cyrus Manasseh › Damian Hadley › Danielle Pinet › Haris Dzonlagic › Heleana Genaus › Helen Farrell › Howard Gwatkin › Ian Martin › Isabelle Toland › Ivette Bechara › Jacky Yuen › James Curry › James Pedersen › James Yeo › Jason Border › Jillian Hopkins › Jing Xie › John Ballinger › John Dimopoulos › John Gamble › Jonathan Temple › Joseph Buch › Joshua Harle › Julian Cromarty › Kah-Fai Lee

ACKNOWLEDGEMENTS

143

› Kai Ming Wong › Katherine Burdett › Ken Baird › Laura Meyer › Laurice Elhaj › Linda Chunyi Liu › Linden Thorley › Liora Sharoni › Lisa Merkesteyn › Malay Dave › Marcus Trimble › Mark Stiles › Mark Szczerbicki › Matt Day › Matthew Bennett › Matthew Markham-Lee › Matthias Hollenstein › Meeray Ghaly › Michael Tawa › Mike Purtell › Min Dark

› David Astridge › David Hart › David Ostinga › David Springet › Dodie McMenamin › Eduardo Flores › Ehsan Koshima › Evan Freeman › Eveline Mussi › Felicity Stewart › Fergus Scott › Frank Martin › Frank Ru › Fruzsina Korosoy › Geoff Hammer › Mitchell Bonus › Gerard Outram › Gero Heimann › Hamid Samavi › Nick Sissons › Oliver Watts

› Paola Favaro › Paul Birmingham › Peter Chivers › Prajakta Sane › Pratik Shah › Raffaella Grossi › Ricci Bloch › Roanna Manlutac › Robert de Groot › Rosamond Kember › Sean Choo › Shaowen Wang › Shi Ying Ooi › Sofia Husni › Steve Preece › Steven Chang › Steven Sheridan › Surabhi Chaturvedi › Susanna Lin › Suzaini Zaid › Suzannah Potts › Ted Quinton › Tim Manning › Tina Salama › Ufuk Ersoy › Ursa Komac › Vesna Trobec › Vinh Nguyen › Vivianne Marston › Waldermar Granwal › Wendy Lewin › Yoshihito Kashiwagi

In 2011 administrative assistance and support for the Architecture Program Community was provided by Claudia Maroun and Dr Nico Wanandy.

Faculty Student Centre support was provided by Brendan Harrison and Li San Chew guided by Monica McNamara and Julia Wibowo.

144

ALUMNI PROFILE JULIET BYRNES

Juliet is a Development Manager, working with the NSW State Government’s Barangaroo Delivery Authority

I chose the Architecture Program at UNSW because of its leading reputation and high-calibre graduates. There was a genuine buzz of excitement and learning around the Faculty. Within weeks of starting the program, I knew that I’d made the right choice. There was fantastic diversity and a healthy tension of ideas amongst the lecturers. The environment stimulated intense discussion and output, leading us in entirely new directions.

My advice to anyone considering studying architecture is to select a university with good networks in industry and academia. Have a look at the guest lecturers they are attracting. The teaching culture at UNSW balanced the value of both practical and academic experience and, in my opinion, equipped us for the realities of working in industry. Also have a look at the ‘extra-curricular’ activities available (and I don’t just mean the Roundhouse!). A highlight of my time at UNSW was taking part in an architectural survey to Udaipur, India and in my final years I was employed by UNSW’s SOLARCH research group, to help represent Australia on an international solar energy research task led by the International Energy Agency (IEA). During this time, I also contributed to developing the first sustainability policy of the Australian Institute of Architects NSW and was on the board of the National Association of Women in Construction (NAWIC) and Chair of its Education Committee.

My research work and first class honours degree from UNSW gave me the edge over hundreds of other people applying for a graduate trainee programe with Lend Lease. The interviewers were impressed that I had already been published in academia and presented at conferences.

Since graduating from the Architecture Program at UNSW Faculty of Built Environment in 1999, I‘ve held senior management roles in developing and delivering $2.8 billion dollars worth of award-winning property development in Australia and the United Kingdom. I’ve worked directly with leading advocates of design excellence such as Jean Nouvel, Sir Richard MacCormac, Sir Terry Farrell, Simon Allford, Mark Whitby and Peter Rogers, former chair of the UK’s ‘Constructing Excellence’.

Between 2002 and 2007 I played a key role in delivering the London portfolio of the UK’s largest developer Land Securities. In collaboration with different sections of the industry, I fostered new practices and legal agreements whereby multiple parties could share cost and time risks whilst maintaining a common and overarching approach to design excellence. These initiatives involved changing attitudes towards the responsibilities for design quality. Several of the projects received awards including the RIBA Regional Architecture Award 2011; Winner International Property Awards 2010, Best Mixed-Use; RIBA National Architecture Award 2008; Civic Trust Award 2008; and the RIBA National Architecture Award,2004.

Graduation year 1999 Degree Bachelor of Architecture

147147

Cover:The cover of this document is printed on Geon Silk,which contains elemental chlorine free pulp. It is manufactured by an ISO 14001 certified mill and sources come from well-managed forests.

Internal pages:The internal pages of this document were printed on Geon Silk, which contains elemental chlorine free pulp. It is manufactured by an ISO 14001 certified mill and sources come from well-managed forests.

Concept and production Tonic Connectivewww.tonicconnective.com

CREDITS

Cover:250gsm Sovereign Double coated A2Sourced from Hankuk Mill, KoreaFSC, ECF, ISO 14001

Internal pages:150gsm Titan Double coated A2Sourced from Hansol Mill, KoreaCertified for HP Indigo Digital printingFSC, ECF, ISO 14001

Concept and production Tonic Connectivewww.tonicconnective.com

NON FEATURED STUDENTS

DIVYA ABRAHAMMATHEW BRUNDAGEWILLIAM STUART CARTHEYGOON HANG ERIC CHANZEYNEP ERADI FELDHAKERMARY TRISHA GOMESBARNABY JOSEPH HARTFORD-DAVISJABEZ CHEN KWANG HOWILLIAM JINGI HONGWEN JUN HUZHEN RONG HUANGFAWAD INAYATULLAHHYEJIN JONOOSHIN JOZANYINCHENG KANGNIKOLA KARDUMIN-KYOUNG KIMJAE HOON KIMLYNA LAO

PETER KWOK LEUNG LEEYISHA LUOMAURICIO MARCOSNAMIRAH MOHD ALIJAMES EDWARD MOULDERVU KHIEM NGUYENHUYNH MANH TRI PHAMGARY SHING KAM POONJOSHUA RYAN SCANLANASHER JIANG-LONG SEETOANTONIO SERRA-MARTINSKELLY MARIE SMITHPAK KIN SOZHENG SUNMARIA KATHLEENA VAZQUEZSISI WANGJIAN FEI JEFFREY WUDESIRAE BRIEANN ZAMORAMENG YING ZHOU

Faculty of Built Environment The University of New South Wales UNSW Sydney NSW 2052 Australia

Web www.fbe.unsw.edu.auPhone +61 2 9385 4799Email [email protected]

Bachelor of Architectural Studies Final Year Studio 2011

Documents

Transcript of Bachelor of Architectural Studies Final Year Studio 2011