Autopoiesis Musical Art - Luhkmann

8/13/2019 Autopoiesis Musical Art - Luhkmann

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Journal of Sociocybernetics" #$%&'( )" *&'+(, -" )..- /001023 00

ART AS AUTOPOIESIS?

A CRITICAL APPROACH, BEGINNING WITH THE EUROPEAN

MUSICAL AVANT-GARDE IN THE EARLY 1950S

Mrio Vieira de Carvalho*

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d$F%'=?" 9FB%B@ #P -220P 4E&KB>$%$JD =K = 9$%BAB>=% 5>AP4 The Journal of Musicology" t:" ["[--10OP

d$,B$" \B=?'=,B$P -2UVP 4*$?$ = Y=,'KA=CAP L( $@(,( KA,&'(?A=%B C(J%B =??B _B?Q&=?A=P4 :?

NonoP ;CBA(C +D ;?W$ h(KA=J?$P 7$,B?$T ;Y7" VV1-.-P;>$" 6'+(,A$P -2O)PL'oeuvre ouverteP 9=,BKT M(" Y$,BKP -220P 4h(I$%&AB$?B(,&?J C(, gBKK(?K>F=HAi u&, /F&?J C(,

7F($,B( =&A$@$B(ABK>F(,


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5h7 5< 567898:;F ;JJ(+,(>FAPE&,,F=,CAT E&KBMRBKK(?K>F=HA%B>F( #(,%=JK1\(K(%%K>F=HA \'+cP

#B(B,= C( _=,I=%F$" E^,B$P -22OPNo hay caminos? -- Luigi Nonos Verhltnis zur GeschichteP4:?Das aufgesprengte Kontinuum. ber die Geshicht sfhigkeit der Musik/Studien zurWertungsforschung" I$%P 0-P ;CBA(C +D 8AA$ j$%%(,BKA>FP #B(??=m\,=WT 6?BI(,K=%;CBAB$?" -UV1)-2P

11111P -222=3 4*(R E&KB> +(AR((? F $H :C(?ABAD =?C 5&A$@$B(KBK" $,T 7F( 7,=J(CD $H

LBKA(?B?JP4 :? Theory, Culture & Society" -O" 0" -)V1-)VP11111P -222+P 47$R=,CK YB=%(>AB> LBKA(?B?JT x&$A=AB$? =?C E$?A=J( B? AF( g$,M $H L&BJB

*$?$P4 :? Contemporary Music Review" -U" )" 0V1UXPgk,?(," j=,% cP -2O0PStockhausen. Life and WorksP L$?C$?T a=+(, y a=+(,P


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