ARTS NC STATE | Spring insert #3

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ISSue 3

A3 NINETY MILES, FEATURING STEFON HARRIS, NICHOLAS PAYTON AND DAVID SÁNCHEZ

A4 NC STATE CHOIRS CONCERT

A8 THE HEIDI CHRONICLES

A11 RALEIGH CIVIC SYMPHONY

A14 AN EVENING WITH FRANK VIGNOLA

A15 HUMANATURE: PHOTOGRAPHS OF THE UNNATURAL WORLD BY PETER GOIN

A16 CELEBRATE! ARTS NC STATE GALA AND AUCTION

A18 GREGG MUSEUM EVENTS IN APRIL

ARTS NC STATE Spring 2013 | Issue 3 | April 4-April 13, 2013

NCSU CENTER STAGE pRESENTS

ninety milesfeaturing Stefon Harris, Nicholas Payton and David SánchezTHURSDAY, ApRil 4, 2013 AT 8pM | FRiDAY, ApRil 5, 2013 AT 7pM & 9pM TITMUS THEATRE

During the performance: silence your cell phone no photography no texting thank You!

Stefon HarrisFour-time Grammy nominated vibist Stefon Harris has been heralded as “one of the most important young artists in jazz” by the Los Angeles Times, and the New York Times said, “He swings; and when he plays, he makes you feel good.” His most recent album and Concord debut, Urbanus, was nominated for a Grammy and received praise from fans and critics alike. The Wall Street Journal called it “brilliant,” while People Magazine gave it 3 out of 4 stars. A recipient of Lincoln Center’s Martin E. Segal Award, Harris earned a B.M. in Classical Music and a M.M. in Jazz Performance from Manhat-tan School of Music. Harris teaches at New York University and has been Artist-in-Residence at Fontana Chamber Arts (Kalamazoo), The Lied Center (Lincoln, NE), and San Francisco Performances. He has served on the Execu-tive Board of Directors for Chamber Music America and was the first musician elected to the WBGO-FM Board of Directors. Harris tours worldwide with his band Blackout and the San Francisco Jazz Collective.

David SánchezThe Puerto Rico-born Sánchez has been hailed as “the most profound young tenor saxophon-ist working today.” World-renowned jazz critic Howard Reich saluted the young bandleader saying, “Technically, tonally and creatively, he seems to have it all. His sound is never less than plush, his pitch is unerring, and his rapid-fire playing is ravishing in its combination of speed,

accuracy and utter evenness of tone.” Such is the acclaim and respect that Grammy Award-winning Sánchez has engendered from critics, music lovers and fellow artists throughout the world as he continues to push the frontiers of mainstream jazz to incorporate a compelling and rich array of Latin and Afro-Caribbean influences, while remaining true to the tenets of the jazz genre.

Nicholas PaytonHailed as a virtuoso before he was even out of high school, Nicholas Payton’s prodigious talent has earned him praise as one of the most important artists of our time. In 1994, Nicholas Payton made his recording debut as a leader with From This Moment (Verve), where he was immediately recognized as a “young lion.” Born in New Orleans, Louisiana, into a musical family, Nicholas received his first trumpet at age four, and by the age of 12 he was a member of the All Star Brass Band that performed and toured extensively. He has toured with scores of musicians including Clark Terry, Marcus Roberts, Ray Brown, Elvin Jones, and Roy Haynes and is credited on well over 120 record-ings as a composer, arranger, special guest or sideman. As a leader, Payton has recorded eight albums under his own name, including Doc Cheatham and Nicholas Payton, a 1997 Grammy Award-winning collaboration with the legendary trumpeter. He also released Dear Louis, Nick @ Night, Gumbo Nouveau, Sonic Trance, Payton’s Place, and Into The Blue.

Stefon Harris, vibes, marimbaDavid Sánchez, tenor saxNicholas Payton, trumpetEdward Simon, piano

Ricky Rodriguez, bassHenry Cole, drumsEddy Mauricio Herrera, percussion

In May 2010 history was made in a small recording studio in Havana when three of the most brilliant young jazz artists on the planet – Stefon Harris, David Sánchez and Christian Scott – joined forces to record what would become one of the most defining new works of music to hit the streets in 2011. The result of those sessions, a stellar album titled Ninety Miles, was released in June 2011 on Concord Records and was named to year end lists of 2011 Best CDs by NPR among others. For the 2013-14 season, Grammy Award-winner Nicholas Payton has joined the band.

Stefon Harris

David Sánchez

Nicholas Payton

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program to be selected from the following

MUSiC @ NC STATE pRESENTS

nc state choirs concertFRiDAY, ApRil 5, 2013 | Holy TRInITy EvAngElIcAl lUTHERAn cHURcH

Vox AccaliaThe Singing StatesmenThe NC State Chorale

Dr. Nathan leaf, conductorDr. Tom Koch and Dr. John Noel, accompanists

The SiNgiNg STaTeSMeNHomeland ......................................................................................................... Z. Randall Stroope (b. 1953)Die Nacht, Opus 17, No. 4 .............................................................................. Franz Schubert (1797-1828)Daemon Irrepit Callidus ........................................................................................ György Orbán (b. 1947)Crossing the Bar ................................................................................................. Gwyneth Walker (b. 1947)Goin’ Up to Glory ................................................................................................André J. Thomas (b. 1952)Traditional Songs of the Men’s Chorus When Good Men Sing ...................................................................... David T. Plank (1920-2005) Old King Cole ........................................................................................... traditional, arr. Grigsby Kiss the Girl .......................................................................................................Menken, arr. Shaw There is Nothin’ Like a Dame ......................................................................Rodgers, arr. Stickles

Vox accaliaBring Me Little Water Silvy ........................................................................................ Ledbetter, arr. SmileySing a New Song to the Lord ........................................................................................Paul Basler (b. 1963)Nigra Sum .............................................................................................................. Pablo Casals (1876-1973)No, Di Voi Non Vo’ Fidarmi ............................................................................... G. F. Handel (1685-1759)Hymn to Vena, from Choral Hymns of the Rig-Veda ...................................... Gustav Holst (1874-1934)Father William, from Three Choruses from Alice in Wonderland ..................... Irving Fine (1914-1962)Ain’t No Grave Can Hold My Body Down .............................. traditional Spiritual, arr. Caldwell/IvoryOn the Sunny Side of the Street ................................................................................ McHugh, arr. Caviani

The Nc STaTe choraleSalmo 150 .................................................................................................................Ernani Aguiar (b. 1949)Justorum animae, from Three Motets, Opus 38 ........................... Charles Villiers Stanford (1852-1924)An Die Heimat ............................................................................................. Johannes Brahms (1833-1897)O Adonai, et Dux domus Israel ..................................................................... Roderick Williams (b. 1965)Shakespeare Songs, Book IV ............................................................................... Matthew Harris (b. 1956) 1. Blow, Blow Thou Winter Wind 2. And Will A’ Not Come Again 3. When Daffodils Begin to PeerTwo American Songs Am I Born to Die? .................................................. traditional Appalachian, arr. Dwight Bigler Turkey in the Straw ............................................ traditional American tune, arr. Dwight BiglerTwo Spirituals We Shall Walk Through the Valley in Peace ................traditional spiritual, arr. Moses Hogan John the Revelator .................................................traditional Gospel blues, arr. Caldwell/Ivory


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A4 « ncsu.edu/arts

teXts & transLations

Die NachT (sung in german) The NighT, by Friedrich a. KrummacherWie schön bist du, How beautiful you areFreundliche Stille, himmlische Ruh! Friendly calm, heavenly peace!Sehet, wie die klaren Sterne See how the clear starswandeln in des Himmels Auen, wander in the fields of heaven,Und auf uns herniederschauen and look down upon usschweigend aus der blauen Ferne. Silently out of the distant blue.

Wie schön bist du, How beautiful you areFreundliche Stille, himmlische Ruh! Friendly calm, heavenly peace!Schweigend naht des Lenzes Milde Silently the mild spring joinssich der Erde weichem Schoβ, to the soft lap of the earth,Kränzt den Silberquell mit Moos Crowning the silver spring with mossund mit Blumen die Gefilde. And the fields with flowers.

DaeMoN irrePiT calliDUS (sung in latin)Daemon irrepit callidus, The Devil speaks expertly,Allicit cor honoribus, Tempting the honorable heart;Ponit fraudes inter laudes, cantus, saltus. He sets forth trickery amidst praise, song, and dance.Quidquid amabile Daemon dat, However appealing the Devil is,Cor Jesu minus aestimat. It is still worth less than the heart of Jesus.

Caro venatur sensibus; The Flesh is tempted by sensuality;Sensus adhaeret dapibus; Gluttony clings to our senses;Inescatur, impinguatur, dilatatur. It overgrows, it encroaches, it stretches.Quidquid amabile Daemon dat, However appealing the Devil is,Cor Jesu minus aestimat. It is still worth less than the heart of Jesus.

Adde mundorum milia, Though the Universe may conferMille millena gaudia; Thousands upon thousands of praises,Cordis aestum non explebunt, non arcebunt. They neither fulfill nor put out the desire of the heart.Quidquid amabile Daemon dat, However appealing the Devil is,Cor Jesu minus aestimat. It is still worth less than the heart of Jesus.

Nigra SUM (sung in latin) Vespers antiphonNigra sum sed formosa filia Jerusalem I am a dark-skinned but comely daughter of Jerusalem,Ideo dilexit me Rex Therefore have I pleased the Lord Et introduxit me in cubiculum suum And he has brought me into his chamberEt dixit mihi: surge amica mea et veni. And said to me: arise my love and come.Jam hiems transiit, imber abiit et recessit, For now the winter is past, the rain is over and gone,Flores apparuerunt in terra nostra, The flowers have appeared in our land,Tempus putationis advenit. Alleluia The time of pruning is come. Alleluia

No, Di Voi NoN Vo’ FiDarMi (sung in italian) by ortensio MauroNo, di voi non vo’ fidarmi. No, I do not want to trust you.Cieco amor, crudel beltà! Blind love, cruel beauty!Troppo siete menzognere, lusinghiere Deità. You lie too much, flattering gods.

SalMo 150 (sung in latin) Psalm 150Laudate Dominum in sanctis eius. Praise God in his holiness.Laudate eum in firmatentovirtutis eius Praise him in the firmament of his power.Laudate eum in virtutibus eius. Praise him in his noble acts.Laudate eum secundum multitudinem magnitudinis eius. Praise him according to his excellent greatness.Laudate eum in sono tubae Praise him with the sound of the trumpet.Laudate eum in psalterio et cithara. Praise him with the psaltery and harp.Laudate eum in timpani et choro. Praise him with the timbrel and dance.Laudate eum in chordis et organo. Praise him with strings and pipes.Laudate eum in cymbalis benesonantibus. Praise him with high-sounding cymbals,Laudate eum in cymbalis jubilationis. Praise him with cymbals of joy.Omnis spiritus laudet Dominum. Let everything that has breath praise the Lord.

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teXts & transLations (cont)

Vox accalia

JUSTorUM aNiMae (sung in latin) Book of WisdomJustorum animae in manu Dei sunt, The souls of the just are in the hand of God,Et non tangent illos tormentus malitiae. And the torment of malice shall not touch them.Visi sunt oculis insipientium mori, In the eyes of the unwise they seemed to die,Illi autem sunt in pace. But they are in peace.

aN Die heiMaT (sung in german) To MY hoMelaND, by otto inkermannHeimat! Wunderbar tönendes Wort! Homeland! Wonderful sounding word!Wie auf befiederten Schwingen As if on feathered wingsZiehst du mein Herz zu dir fort. You draw my heart toward you.Jubelnd, als müβt ich den Gruβ Rejoicing, as if I must bring the greetingJeglicher Seele dir bringen, of each soul to you,Trag ich zu dir meinen Fuβ, step by step I come to you,Freundliche Heimat! Friendly homeland!

Heimat! Bei dem sanft Klingenden Ton Homeland! The softly sounding musicWecken mich alte Gesänge, of old songs awakens in meDie in der Ferne mich flohn; songs I had forgotten in far-off lands.Rufen mir freudenvoll zu Beckoning sounds of my homelandHeimatlich lockende Klänge, call joyfully to me;Du nur allein bist die Ruh, you alone calm me,Schützende Heimat! Sheltering homeland!

Heimat! Gib mir den Frieden zurück, Homeland! Return to me the peaceDen ich im Weiten verloren, that I lost in faraway places;Gib mir dein blühendes Glück! Grant me your bountiful happiness!Unter den Bäumen am Bach, Under the trees by the brookWo ich vor Zeiten geboren, where I was born so long ago,Gib mir ein schützendes Dach, give me a sheltering roof,Liebende Heimat! Loving homeland!

o aDoNai, eT DUx DoMUS iSrael (sung in latin) advent antiphon O Adonai, et Dux domus Israel O Lord, leader of the house of Israel Qui Moysi in igne flammae rubi apparuisti Who appeared to Moses in the fire of the burning bush,Et ei in Sina legem dedisti: And gave the law on Sanai:Veni, veni ad redimendum nos in brachio extent. Come, come and redeem us with outstretched arms.

Cara Adrian+, BiologyCassandra Backman, ZoologyCharlie Belk, International StudiesAriana Betts, Animal ScienceJanet Boone, EnglishAmanda Burns, BiochemistryOlivia Chen, First Year CollegeStephanie Contestable-Grudier, Biological SciencesKaty Costigan, PsychologyEmma Eble, Graphic DesignBrenna Garner, Environmental TechnologyAnna Griffin, Religious StudiesVictoria Hale, Social WorkKerry Hancock, Chemical EngineeringVirginia Hoffman, CriminologyJacqueline Iadicicco, ZoologyMarygrace Knight, Natural Resources

Ellen Koerner, Biological Sciences/German/ForensicsHayley Lemmons, EnglishLucia Malaver, Transition ProgramRachel Mann, Business AdministrationAyana McLemore, International StudiesEmily Padvorac, MeteorologyHolly Reynolds, International StudiesAngie Rodriguez, BiologyTiana Salas-Ali, Environmental EngineeringAnna Solini, Physics & Nuclear EngineeringKatie Stanton^, Psychology & Design StudiesLeanne Stoltzfus, Textile TechnologyJasmin Telfer+*, Animal ScienceTemina Troncone, Nutrition ScienceAshleigh Wayland, Animal ScienceHaley Wells, Polymer and Color Chemistry

Nathan leaf, Conductor | John Noel, Accompanist

A6 « ncsu.edu/arts

^music minor | +section leader | *member of Mu Beta Psi National Musical Fraternity

the singing statesmen

Zachary Bostick, EngineeringArthur Calloway, BiologyCorey Campbell, MathematicsMichael Cartwright, MicrobiologySergey Efuni, Biological SciencesAndrew Farkas, EngineeringCalvin Ferguson, EngineeringNate Gay, Undergraduate StudiesMatthew Hursey, ChemistryTeylor Jenkins, Computer ScienceJosh Johnstone, Mathematics

Stephen Lai, EngineeringAaron Martin, Electrical EngineeringChristopher Miller, Political ScienceJeffrey Nesbit*, Animal Sciences Stephen Odom, Environmental TechnologyTaylor Russell^, BiochemsitryNathan Schnoor^, Computer ScienceWalker Sherk, Textiles/Business AdministrationJames Stanley, MeteorologyWill Wooten, Horticultural Sciences/SpanishKenny Yi^, Communication

the north carolina state university chorale

SoPraNoRebekah Givens+, Environmental ScienceAmanda Holton, EducationMegan Hood^+, Animal ScienceKathryn Hornaday+, Biological SciencesMegan Lomonaco, EngineeringKallie McNamara, Spanish EducationPaulina Ragunas^, International StudiesAmy Stewart, Chemical EngineeringNicole Stoudt, Communications-Public RelationsBeth Ann Tidemann-Miller, StatisticsArielle Vari, Nutrition ScienceClare Vestal, HistoryEmily White*, Zoology

alToStefanie Borrelli, Social WorkElisabeth Byrd, Veterinary MedicineLauren Frederick, Industrial EngineeringAmanda Gross+, Animal ScienceEllyse Hampshire, MarketingGeorgina Ishak, Human BiologyJeanne Lunsford+, Electrical EngineeringLaura McCusker+, HistoryCailin Moore, BiologyKayla Noble, ZoologyMaree Pascall, ZoologyJasmin Telfer*, Animal ScienceHaley Wells, Polymer and Color Chemistry

TeNorLogan Buchanan, Business AdministrationZach English, MathematicsWilson Harris+, CriminologyBobby Keefe, Textile TechnologyAaron Martin, Electrical EngineeringJack McGuinn, Mechanical EngineeringJeffrey Nesbit*, Animal SciencesKevin Quick, Sociology & PsychologyEric Wilbanks+, Spanish Education

BaSSMichael Brews+, Chemical EngineeringScott Clouse, Electrical EngineeringAlexander Craft, First Year CollegeThomas Grimes, Tech. Eng. & Design Ed.Nicolai Gritta, First Year CollegeTeylor Jenkins, Computer ScienceJoshua Johnstone+, MathematicsMarshall Newberry, Computer EngineeringChristopher Nowlan, Computer EngineeringJohn Nurney, Mechanical EngineeringStephen Odom, Environmental Technology

Nathan leaf, Conductor | John Noel, Accompanist

Nathan leaf, Conductor | Tom Koch, Accompanist

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^music minor | +section leader | *member of Mu Beta Psi National Musical Fraternity

UNiVERSiTY THEATRE pRESENTS

the heidi chroniclesby Wendy WassersteinFRiDAY-SATURDAY, ApRil 5-6, 2013 | 7:30pMSUNDAY, ApRil 7, 2013 | 2pMWEDNESDAY-SATURDAY, ApRil 10-13, 2013 | 7:30pMSUNDAY, ApRil 14, 2013 | 2pMWEDNESDAY-SATURDAY, ApRil 17-20, 2013 | 7:30pMSUNDAY, ApRil 21, 2013 | 2pMKEnnEDy-McIlWEE STUDIo THEATRE

playwrights Horizons, New York City, first produced THE HEiDi CHRONiClES Off-Broadway in 1988 following a workshop production by the Seattle Repertory Theatre.

produced on Broadway by the Shubert Organization, Suntory international Corp., and James Walsh in association with playwrights Horizons.

THE HEiDi CHRONiClES is produced by special arrangement with Dramatists play Service, inc.

During the performance: silence your cell phone no photography no texting

thank You!

pLease

DirectorAllison Bergman

SceNic & ProjectioN DeSigNJayme Mellema

coStume DeSigNMaggie Briggs

HAir DeSigNEm Rossi

LigHtiNg & SouND DeSigNJoshua Reaves

tecHNicAL DirectioNDavid Jensen

DrAmAturgMeghan Leonard

ProfeSSioNAL StAffEm Rossi, Costume Shop ManagerLaura Parker, Costume Technician

Aaron Bridgman, Assistant Technical Director

Rachel Klem, Acting CoachKevin Wright, Sound Engineer

Projection Engineer, Joshua ReavesNancy Breeding, Marketing

Ronald A. Foreman*, Marketing, Graphics & Photography

setting: Various American cities, 1965-1989

act 1Prologue: A lecture hall, New York, 1989Scene 1: Chicago, 1965Scene 2: Manchester, New Hampshire, 1968Scene 3: Ann Arbor, Michigan, 1970Scene 4: Chicago, 1974Scene 4: New York, 1977

There will be one fifteen minute intermission

act 2, All scenes take place in New YorkPrologue: A lecture hall, 1989Scene 1: An apartment, 1980Scene 2: A TV studio, 1982Scene 3: A restaurant, 1984Scene 4: The Plaza Hotel, 1986Scene 5: A pediatrics ward, 1987Scene : An apartment, 1989

* Indicates member of Alpha Psi Omega Honorary Theatre Fraternity

A8 « ncsu.edu/arts

* Indicates member of Alpha Psi Omega Honorary Theatre Fraternity

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cast (in order of appearance by story)

HEIDI...................................................................................................................................................................................... Diana Quetti*SUSAN ..................................................................................................................................................................................... Blair Downs*CHRIS/STEVE ....................................................................................................................................................................William StewartPETER .....................................................................................................................................................................................Patrick NarmiSCOOP ...........................................................................................................................................................................Jason Tyler CorderJILL/MOLLY ....................................................................................................................................................................Allison McAlisterFRAN ..................................................................................................................................................................................Brittney StinnettBECKY/DENISE ...................................................................................................................................................................... Erica Abed*DEBBIE/APRIL .............................................................................................................................................................Alexandra HubbellCLARA/BETSY ......................................................................................................................................................................... Natalie TitaMARK/WAITER/RAY .........................................................................................................................................................Michael TaylorLISA ..............................................................................................................................................................................Elizabeth Lemmons

proDuction crewStage Manager ..............................................................................................................................................................Anthony Scialabba*Assistant Stage Managers ....................................................................................................................... Nico Peaks*, Paige Broadaway*

Master Carpenter ................................................................................................................................................................Chris Bradsher*Scenic Carpenters ......................................................................................Nathaniel D. Conti*, Brandon Mooney, Autumn Stephens

Set Crew ........................................................................................................................................................Jenae Harrington, Jake Laxer, .......................................................................................................Charlotte Ballentine, Nick Fedora, Rachel Hopler, Phillip Lin

Properties Artisans ....................................................................................................................Brittney Dockery*, Elizabeth LemmonsProps Crew ........................................................................................................................................... Meghan Leonard, Lauren Pearce*

Sound Board Operator ..........................................................................................................................................................Logan AdamsSound Assistant .................................................................................................................................................................Kenny Hertling*Light Board Operator............................................................................................................................................................Lauren Davis*Lighting Assistant ..............................................................................................................................................................Kenny Hertling*Projection Operator ...........................................................................................................................................................Chris Bradsher*

Wardrobe Supervisors ...............................................................................................................................Yamila Monge, Morgan Piner*

Costume Crew ................................................Adrienne McKenzie, Talia Barlaz*, Kelsey Beal, Maggie Briggs*, Gabrielle Pittman, ............................................... Glenn Billups, Mary Kneivem, Sarah Meany, Brittny Sanders, Hnou Vang, Kaitlyn Yarbraugh

Dressers ....................................................................................................................................................Allison Sitwell, Calvin Ferguson

Makeup Crew ..............................................................................................................................Talia Barlaz*, Kelsey Beal, Kyle Bullins, .......................................................................................Joyska Nunez Medina, Lea Rhynehardt, Alex Thompson, Misha Tobar

Wig Crew .................................................................................................................................................... Glenn Billups, Haley Spalding

House Manager ........................................................................................................................................University Theatre House CrewUshers ................................................................................................................University Theatre House Crew and THE 103 students

cast Bioserica abed, Becky/Denise, is a senior in psychology, criminology and English. Erica’s previous credits include supporting roles in The Arabian Nights and Alice in Wonderland, both of which are beloved childhood stories of hers. She is passionate about human rights and hopes to someday help in the improvement of prison conditions in Lebanon. Erica would like to thank her family for their support and encouragement, especially her brother Richard, who particularly embraces her “quirkiness.”

Jason Tyler corder, Scoop, is a sophomore in chemistry. Jason is making his college stage debut in The Heidi Chronicles. He has appeared in nu-merous productions including Scars and Stripes and Orin Scrivello, DDS in Little Shop of Horrors. Upon graduation Jason plans to pursue a Ph.D.

Blair Downs, Susan, is a sophomore in zoology. Blair has been involved in theater for nearly ten years. Some of her more prominent roles include Mrs. Venable in Suddenly Last Summer and Jessie Cates in ‘night Mother. She was a puppeteer in University Theatre’s production of Alice in Wonderland last semester. Blair is incredibly thankful for her family, friends, and University Theatre for this amazing opportunity!

alexandra hubbell, Debbie/April, is a junior in English. Alexandra has participated in theater since middle school and was inducted into the International Thespian Society in high school. University Theatre credits include lead roles in Garden District and The Philadelphia Story, and she had an incredible experience as a member of the Rent ensemble. “I am excited to work under Allison Bergman’s direction for the first time and thrilled to be acting alongside such a talented cast and crew.”

elizabeth lemmons, Lisa, is a freshman in art+design and textile tech-nology. “After being in the cast of Dirty Rotten Scoundrels and working behind the scenes during Alice in Wonderland, I am looking forward to being a part of University Theatre again this semester!” Elizabeth would like to thank her friends and family for being so supportive and to en-courage anyone interested in theater to “get involved in the community!”

allison Mcalister, Jill/Molly, is a graduate student in mathematics. Allison’s previous credits include Mrs. Holly in Suddenly, Last Summer. Currently in the third year of her Ph.D program, she is excited to be a part of The Heidi Chronicles cast.

Patrick Narmi, Peter, is a freshman in the First Year College. Patrick is making his debut in The Heidi Chronicles. “I am very thankful and humbled to be a part of a show here at NC State and look forward to many more auditions in the future!”

Diana Quetti, Heidi, is a junior in communication media. Previous credits include Edna in An Inspector Calls, Mrs. White/White Queen in Alice in Wonderland, Renee in Dirty Rotten Scoundrels, and a member of the ensembles of The Arabian Nights and Rent. Diana also performed the NCSU Libraries “Red, White & Banned” (2011 & 2012). “I am so excited to be a part of The Heidi Chronicles. Thank you Dad, Mom, Rachel, Jackie and the rest of my family and friends for their continuous support!”

William Stewart, Chris/Steve, is a freshman in electrical engineering. William’s previous credits for University Theatre include the Caterpillar and Tweedle Dee in Alice in Wonderland. He is very excited for the opportunity to perform on stage any chance he is given. When William is not giving his life to theater, he can be found studying, singing, dancing, playing guitar, writing poetry, obsessing over music, and using the Oxford comma.

Brittney Stinnett, Fran, is a freshman in business administration with a minor in health medicine and human values. Though this is Brittney’s first production with University Theatre, she is not at all new to the stage. Her previous involvement with theater includes productions of The Wizard of Oz, Night of the Living Dead, A Charlie Brown Christmas and The Princess Bride. After taking time off from the arts to focus on school-

work, Brittney is ready to jump back into theater and “let the good times roll!” She is so excited to be a part of this phenomenal cast!

Michael Taylor, Mark/Waiter/Ray, is a junior in animal science. Michael has been performing for audiences since he was five years old, and finds the challenge of a live show thrilling. He made his University Theatre debut in Rent, and most recently portrayed The March Hare in Alice in Wonderland. Michael is excited to be working with such a great cast, and he would like to thank his family and friends for their continued support!

Natalie Tita, Clara/Betsy, is a freshman in the First Year College. “I am very glad that I get to work on this great production with all these amazing people. Very excited.” Natalie is making her stage debut in The Heidi Chronicles.

proDuction Biosallison Bergman, Director, is the assistant director of University Theatre and a veteran stage director of more than thirty theatre productions in Los Angeles, Boston, Pittsburgh, and New York City. She holds a BFA in theatre studies from Boston University and an MFA in directing from Carnegie Mellon University where she was a Steven Bochco Scholar. She studied acting, dance and voice at L.A. City College Theatre Academy, American National Academy of Performing Arts, and Southern Cali-fornia Conservatory of Music, and has won a Drama-Logue Award for Directing. In tandem with her directing career, Allison is a dramaturgical consultant with several projects in development in New York and Los Angeles. She is the former artistic director of Broadway On Sunset and co-founder of The West Coast Musical Theatre Conference. She has also co-authored ACTING THE SONG – Performance Skills for the Musical Theatre, and penned the libretto for a new musical, Ancient City. Before moving to the East Coast, she had been named Outstanding Woman in Theatre in Los Angeles. Other University Theatre productions Allison has directed include Dirty Rotten Scoundrels, Little Women, Danc-ing at Lughnasa, Urinetown, It’s A Wonderful Life: A Live Radio Play, and The Arabian Nights. For TheatreFest, Spider’s Web, WMKS:Where Music Kills Sorrow, and The Sunshine Boys.

anthony “Tony” Scialabba, Stage Manager, is a sophomore in history with a teaching concentration. Tony’s previous contributions to Univer-sity Theatre include serving as assistant stage manager for Rent and Dirty Rotten Scoundrels, as well as performing in Alice in Wonderland. This is his debut as a stage manager and he’d like to thank his friends and family, his director Allison, and his wonderful cast and crew. He’d also like to thank each person reading this bio for attending this performance of The Heidi Chronicles with hopes that “you will enjoy my first ever production as a stage manager.”

Nico Peaks, Assistant Stage Manager, is a sophomore in secondary science education-biology. His seventh production with University Theatre, Nico’s past credits include roles in The Arabian Nights and Dirty Rotten Scoundrels; stage manager for Little Women and Alice in Wonder-land; stagehand and production assistant. Nico would like to thank the cast, crew, his family and friends for their support, as well as a special thanks to Simba, Aniki, and Ane. “This has been a really fun show to work on and all the people are so amazing. This experience is what makes being involved in UT so great.”

Paige Broadaway, Assistant Stage Manager, is junior in criminology. This is Paige’s third production with University Theatre having served as a crew member for Dirty Rotten Scoundrels and an assistant stage manager for Alice in Wonderland. She has been involved in theatre since high school, and is excited to continue her passion at State. Paige would like to thank her family and friends for their continual support.

A10 « ncsu.edu/arts


pLease

MUSiC @ NC STATE iN CONJUNCTiON WiTH THE RAlEiGH CiViC SYMpHONY ASSOCiATiON pRESENTS THE

raleigh civic symphonyof nc stateSUNDAY, ApRil 7, 2013 AT 4:00 pM | JonES AUDIToRIUM, MEREDITH collEgE

eDuArDo VArgAS, guest conductor

off the path

Overture to Shakespeare’s ............................................................................................................................................. John Knowles Paine As You Like It, Op. 28 ........................................................................................................................................................ (1839 -1906)

The Wood Dove, Op. 110 (1898) ........................................................................................................................................ Antonín Dvořák .............................................................................................................................................................................................. (1841-1904)

iNTerMiSSioN

Symphony in D minor (1886-88) ............................................................................................................................................. César Franck .............................................................................................................................................................................................. (1822-1890) 1. Lento – Allegro non troppo 2. Allegretto 3. Allegro non troppo

notes

off the PathAll of the works on today’s program are off the path of standard orchestral repertoire, each in a different way. Yet as a group, they render a picture of 19th-century music – a time when the full orchestra was the pinnacle of composition. This age is full of over-tures and tone poems based on literary sources, stories often known to the listener. Then there were symphonies that were the epitome of abstract thought and much drama.

john Knowles Paine – overture to Shakespeare’s As You Like ItJohn Knowles Paine stands as an American composer and somewhat pedantic teacher (and founder of the Music Department at Harvard). Before Paine, a serious American composer was a cultural oddity; after him serious composers were the source of interest and national pride (Struble: The History of American Classical Music, 33).

Paine was born and raised in Maine and then studied organ and composition in Berlin for three years. European study (in Germany in the 19th century) became common, even expected for American composers seeking both to gain credibility and to connect with the source of the tradition. On returning to America, Paine settled in the

Boston area in 1861, where he delivered talks on musical style, form, and composition as well as played several organ recitals. The recitals, talks and compositions were all well-received for years, and finally he was rewarded with a faculty appointment at Harvard. Paine taught also at Boston College and New England Conservatory.

The Overture to As You Like It reflects well the German composi-tional ideals – Mendelssohn, Haydn and even Bach serve as models. It stands with Paine’s other overtures and his Mass in D as among the most performed works, particularly favored by the Boston Sympho-ny which Paine helped form.

Dvorák – the Wood DoveDvořák’s life and career has been compared by musicologist Ray Longyear to that of Joseph Haydn: humble peasant beginnings, struggling musical apprenticeship, slow growth of an international reputation with great acclaim in later life, a deeply fervent religious faith, and growing acceptance among the mass of audience based on late works. Dvořák is one of the few 19th-century composers who not only wrote programmatic music – tone poems, operas, songs, choral works – but also had great success in the “absolute” music genres of string quartets, concertos and symphonies. He is now considered one of the most important musicians of the 19th-century if not among the forefront of Czech musicians. On hearing Dvořák’s Moravian Duets, Johannes Brahms became a champion and friend of the composer, furthering his career especially in Germany.

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The tone poem The Wood Dove (Wild Dove -1898) comes at the end of Dvořák’s life, when in 1896-8 he presented himself in a new and surpris-ing guise as a composer of program music. Taking his subjects from ballads by the Czech poet K.J. Erben, he wrote the symphonic poems Vodník (‘The Water Goblin’, b195), Polednice (‘The Noon Witch’, B196), Zlatý kolovrat (‘The Golden Spinning-Wheel’, b197) and Holoubek (‘The Wild Dove’, b198). It is not as surprising as was generally supposed that Dvořák should turn to the symphonic poem at that time: the literary element in his musical language was always strong.

The story of The Wood Dove, from the poem of K.J .Erben, is a story of grief and deception. It begins with a funeral march – a young, fun-loving woman has poisoned her husband, and we are at the grave. By the grave is a tree, in which nests a wild dove. The young woman marries a young peasant, but the wild dove seems to reproach her. She is driven to despair and commits suicide.

The Vienna first performance in 1899 was conducted by none other than Gustav Mahler, who recognized the tone-poem’s forward-looking traits. This most “modern” of Dvořák’s tone poems include variation techniques and instrumental effects that are both realistic and magical.

franck – Symphony in D minorBelgian-born César Franck led a movement re-establishing French art and sensibility in a Germanic-dominated European tradition. His true influence lies in a long list of notable students, and he excelled at composition even though his appointment to the faculty of the Paris Conservatoire was in organ. Franck wrote tone poems and organ works, but it is for his Piano Quintet (1879), Violin Sonata (1886), and the sole Symphony in D minor (1886-88) that he is remembered and revered. All of his works contain a French reserve and a spirituality that promoted emulation for decades.

notes (cont)

raleigh civic symphony association

The Symphony in D, however, evokes a Germanic world dominated by Wagner, Beethoven, and even Bach. Even the D minor key evokes Beethoven 9, but the theme raises his spiritual aspects of the late music – string quartets and late piano sonatas. The common thread is the spiritual search for a meaning for life.

The Franck Symphony has been in decline in recent decades. Once a pillar of the orchestral repertoire, his sincerity has stood in sharp contrast to the irony of our age and the growing appreciation of Shostakovich, for example. But the Franck Symphony’s star is rising in recent years.

The first movement, almost 20 minutes long, known for its Wagnerian chromaticism, wriggles its way through struggles and pain to ultimate triumph, overcoming fierce adversity along the way. Also along the way also are moments of tranquility – welcome spiritual repose among the struggle.

The middle movement (there are only three!) is a spiritual respite, noted by the plaintive English-horn solo, always colored by subtle figuration by the violas and second violins. The middle section of the movement with its magical clarinet solo is a welcome respite and calm port in a storm.

The Finale stands as a model – the 19th-century expectations of representa-tion of ultimate triumph over adversity, through its D Major tonality and a triumphal ending. This has long been a model since Beethoven. The Fi-nale is also a model of the cyclical recap of adversity and triumph, revisiting themes and snippets from earlier movements. Either way, the listener feels a renewed connection with the best of the human spirit and the divine.

Notes by Dr. Randolph Foy

tHANKS ALSo to:Annabelle Lundy Fetterman Concertmaster EndowmentMatching Employee Contributions from: Art Tech, Hewlett-Packard, IBM Corporation, and Wachovia

We tHANK our SPoNSorSThe Raleigh Civic Symphony and Chamber Orchestra are student-community orchestras sponsored jointly by ARTS NC STATE, through Music @ NC State and the Raleigh Civic Symphony Association (RCSA), a nonprofit organization. RCSA is supported by the United Arts Council of Raleigh and Wake County, with funds from the United Arts Campaign and the Grassroots Arts Program of the North Carolina Arts Council, and agency funded by the State of North Carolina and the National Endowment for the Arts. RCSA is funded in part by the City of Raleigh, based upon the recommendations of the Raleigh Arts Commission.

Randolph Foy, Music DirectorMary Sherk, Executive DirectorAdam Burke, Presidentwww.raleighcivicsymphony.org


coNDUcTor $500 PLUSIBM Corporation - Community GrantQualcomm IncorporatedJ. Russell & Linda Hill

coNcerTMaSTer $300-499Ann Wheeler GriggJohn & Nancy LambertTriangle United Way

SecTioN leaDer $100-299Anonymous (2)Adam BurkeJeff CatesAllison FluittDenise FranzHans KellnerPatricia KirkpatrickAlan & Janice LipsonPatrick LiuGhazala Sadiq

Mara SheaMary & Eric SherkMunindar SinghKathy SilbigerDeborah & Theodore Wagner

MUSiciaN Under $100Michael & Kimberly BridgersPatrick HaggertyFrancine HunterRobert Upchurch

Lydia Allen, Mathematics EducationBrandon Cashion, AccountingRyan Cinoman, MathematicsEthan Clark, Engineering Christina Defrancesco, Environmental EngineeringMorgan Elfelt, Grad student, Fisheries &Wildlife ScienceElora Forgie, Animal ScienceNicholas Freeman, Computer/Aerospace EngineeringMadison Hargreaves, Agricultural Business ManagementPhilip James, Engineering Andrew Jeon, Engineering Andrew Kocha, Business ManagementTimothy Leimer^, Natural ResourcesCheng-Hsun Lin, Industrial EngineeringMelisa McLeod, Biological SciencesMichael Mugrage, Marine SciencesWilliam Payne, Criminology

Maggie Ramoeller, Grad Student – MathematicsMichael Ruggiero, Aerospace EngineeringMichael Scanlan, MeterologyAngelina Song, Biological SciencesLewis Stocks, BusinessJennifer Stanley, Grad student, Plant BiologyDivya Tangella, Biological SciencesJoseph Thai, Engineering Taylor Threatt, Computer/Electrical EngineeringJacqueline Valett, Environmental SciencesMeera Venkataraman, StatisticsSean Wells, Computer Engineering Laura Weiser, Grad student, Chemical EngineeringDavid Williams^, Chemical EngineeringKenny Yi^, Communication

^denotes Music Minor

raleigh civic symphony association – Donors

raleigh civic symphony

nc state students and majors

Violin iLindi Wang, Annabelle Lundy Fetterman Concertmaster chairAnna EusebioNicholas FreemanSarah Katherine HudsonAndrew JeonTim LeimerMelissa McLeodAngelina SongDivya Tangella

Violin iiMeera Venkataraman, principalJulie HalatekMadison HargreavesFrancine HunterAndrew KochaMichael MugrageMinori Ohashi Will PayneMolly PuenteMichael RuggieroLewis StocksSean WellsJackie Valett

ViolaBrant Johnson, principalLydia Allen Morgan Elfelt Alex James Jonathan SimonsonJennifer StanleyLaura WeiserKenny Yi

celloDavid Oh, principal Michael Bridgers Ethan Clark Ann GriggKristen Larsen Taylor ThreattJoe Thai

BassAdam Burke, principalJessie Birckhead

fluteErin Munnelly, principalCindy Chastang

oboeMaggie Rahmoeller, principalRyan CinomanJanet Shurtleff

english hornRyan Cinoman

clarinetJoan Blazich, principal Merida Negrete

Bass clarinetShirley Violand-Jones

BassoonRuss Hill, principalCynthia Bally Martens

hornClarissa Nameth, principalMary Ruth RothJames RudisillMichael Scanlan

trumpet Dave GoodmanElora Forgie

tromboneBrandon Cashion, principalPeter LinAaron Winesett

tubaDavid Williams

timpaniCandy Pahl

percussionPatrick LitterstMatt Vooris

harpWinifred Garrett

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NCSU CENTER STAGE pRESENTS

an evening with frank vignolaFRiDAY & SATURDAY, ApRil 12 & 13, 2013 AT 8pM | TITMUS THEATRE

Frank Vignola is one of the most extraordinary guitarists performing before the public today. His stunning virtuosity has made him the guitarist of choice for many of the world’s top musicians, including Ringo Starr, Madonna, Donald Fagen, Wynton Marsalis, Tommy Emmanuel, the Boston Pops, the New York Pops, and guitar legend Les Paul, who named Vignola to his “Five Most Admired Guitar List” for the Wall Street Journal. Vignola’s jaw-dropping technique explains why the New York Times deemed him “one of the brightest… stars of the guitar.”

Born on suburban Long Island on December 30, 1965, Vignola was raised in the New York area. The Italian-American started playing the guitar at the age of six and grew up admiring a variety of guitarists. Far from a jazz snob, Vignola never listened to jazz exclusively and was also a major fan of classical, rock, R&B, and pop. The guitarists that he admires range from Django and Les Paul to rock icons like Frank Zappa and Eddie Van Halen. As a young adult, Vignola studied at the Cultural Arts Center of Long Island and went on to enjoy an enormous amount of sideman gigs in the 1980s, including recording and touring with the likes of Madonna, Leon Redbone, Ringo Starr as well as coming into his own as a leader in 1988 with his famed Hot Club of France tribute, which was hailed in the New York Times as one of the top ten acts in New York City in 1988, and forged the way for the many Django Hot Club groups that followed.

During the performance: silence your cell phone no photography no texting

thank You!

Vignola was 27 when, in 1993, he signed with Concord Jazz and recorded his first Concord session as a leader, Appel Direct. Many more Concord releases followed in the 1990s, as well as three releases for the Telarc label as co-leader of the group Travelin’ Light. The early 2000s found Vignola recording a solo guitar CD for Acoustic Disc as well as performing regularly with guitarist, Les Paul. This also marked the time that he began working with record producer Joel Dorn as well as making featured appearances on Atlantic, Sony and Warner Brothers Records with the likes of Donald Fagen, Queen Latifah, Mark O’Connor and Wynton Marsalis. Vignola also recorded a collection of Gershwin pieces for Mel Bay Records titled Vignola Plays Gershwin, which was number two in NPR radio airplay charts. In recent years, Vignola has recorded two important collaborative CDs, Just Between Frets with Tommy Emmanuel on Solid Air Records, and Frank ‘N’Dawg, Melody Monsters with mandolinist David Grisman on Acoustic Disc Records.

Frank Vignola has written 18 guitar instruction books for Mel Bay Publications and has recorded six educational DVDs for Truefire.com. He has performed hundreds of clinics and master classes at major universities and colleges throughout the world including Julliard and Boston University. Currently, Vignola is touring worldwide.

Vinny ranioloEven though his career in music is only at the beginning, Vinny Raniolo has already had many opportunities that take most players a lifetime to achieve. Raniolo has already toured 14 countries with more to come. Now playing guitar alongside many of the finest musicians in the world, he is very excited to see where his musical career will take him.

Currently, Raniolo is touring as a duo with one of the world’s finest guitarists, Frank Vignola. He also plays with many notable musicians such as Tommy Emmanuel, Bucky Pizzarelli and David Grisman, to name a few. This year a show titled Four Generations of Guitar will be aired in-ternationally on the PBS network; Raniolo is honored to be a part of this program representing the younger generation.

Frank Vignola

pLease


GREGG MUSEUM OF ART & DESiGN

HUMANATURE: photographs of the unnatural world by peter goinExHiBiTiON: JANUARY 17-ApRil 26, 2013

screening: In Search of Ritual: The Burning Man WEDNESDAY, ApRil 10, 6pM | ArtiSt’S tALK: THURSDAY, ApRil 11, 6pM

Nevada-based photographer Peter Goin once spent much of a year in North Carolina making vivid, large-format color photos that explore the quirky spaces where the fakery of the so-called “natural world” becomes painfully obvious. The inverse of landscape photographers like the famed Ansel Adams – who wouldn’t hesitate to doctor a photo in order to remove a discarded beer can, paint out a power line, or cover up graffiti in order to create the illusion that nature still includes pristine wilderness – Goin instead “goes behind the scenes” to show how nearly all the scenery we see now is really an artificial human construct. In photos that are as funny as they are disturbing, he docu-ments swamps with drain valves, “virgin” forests that come complete with posted safety instructions, fake falcon nests, manmade beaches, designer landscaping and supposedly “natural” rivers that have been carefully planned with the use of elaborate miniature models.

In fact, according to Goin, by now the whole world has become a human artifact, where we’re all living in a kind of “Truman Show” existence while fooling ourselves that we’re still surrounded by Mother Nature. Thanks to pollution, species extinction and global warming, nothing has escaped the human touch, but the increasing demands of the urban environment may keep us from facing the truth. Goin’s photos encourage lively public debate on how nature is managed and culturally received. In his current exhibition at the Gregg Museum, Humanature, he offers photographic evidence that in North Carolina and elsewhere nature has become a fiction, but one that is dramatically reinforced through environmental management.

Peter Goin’s books of landscape photographs include Black Rock, Changing Mines in America, Humanature, Nuclear Landscapes, and Stopping Time: A Rephotographic Survey of Lake Tahoe. His images have also appeared in environmental design journals such as Landscape and Space & Soci-ety, and have been exhibited at the Baltimore Museum of Art, Phoenix Art Museum, the Indianapolis Museum of Art, and the National Museum of American Art, among others. They are included in more than 43 major collections ranging from the Whitney Museum of Art and the Museum of Modern Art in New York to the San Francisco Museum of Modern Art. Meanwhile his video work is Emmy-nominated; his most recent program, on adolescence, also won Best Experimental Documentary Video at the New York International Film and Video Festival. Goin teaches in the Art Department at the University of Nevada at Reno, where he is the Foundation Professor of Photography and Videography.

On Wednesday April 10, the Gregg Museum will be screening Goin’s Emmy-nominated film, In Search of Ritual: The Burning Man, which interprets the well-known annual “alternative event” in Nevada’s Black Rock Desert. Beginning in 1986 as a simple campfire ritual, it’s become a gigantic international phenomenon. It is also, for one week each year, the third largest city in the state.

The following evening (Thursday, April 11) Goin will discuss nature, landscape, the images in Humanature and his more recent photographic work. Both presentations begin at 6pm and are free and open to the public.

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THE 16TH ANNUAl

celebrate! ARTS NC STATE gala and auctionSATURDAY, ApRil 27, 2013, BEGiNNiNG AT 6pM THE McKIMMon cEnTER


sneak peek!CaTCh a Sneak peek of the more than 100 items in 2013 auction, by visiting our facebook page!

go to facebook.com/ancsgala2013, or scan the Qr code to the left.

Join more than 400 members of the NC State and greater Triangle communities as we celebrate NC State’s six visual and performing arts programs! The special evening will include cocktails, entertainment provided by NC State students, and a seated dinner. Guests will use their BidPal devices to bid on more than 100 silent auction items, and area auctioneer Benjamin Farrell of Custom Benefit Auctions will lead the live auction.

Join us, support ARTS NC STATE, and take home something special from the auction – all in one night!

more aBout the auction: • Last year’s silent and live auctions raised more than $40,000! • Money raised from the silent and live auctions benefits the ARTS NC STATE endowment and NC State students by:

– Ensuring that extraordinary opportunities in the visual and performing arts thrive in perpetuity at NC State. – Granting NC State students the chance to pursue off-campus arts opportunities, such as concert tours, competitions, and conferences.

• In 2013, our goal is to raise $45,000 from the silent and live auctions. Join us at the Gala, and help us meet our goal! You could take home: – Artwork and crafts by artists and craftspeople such as Ben Owen III, Kathy Myers Reece, Mary Ann Scherr, and Susan Woodson. – Beach and mountain vacation experiences. – Performing arts and dining packages, unique gift baskets, and more!

thank You to the 2013 Auction Committee and to the many auction donors from throughout the community for their support of ARTS NC STATE!

how to attenD the gaLa:Tickets to the Gala are $150 ($70 is tax-deductible). Table sponsorships begin at $1,200 for a table of eight ($560 is tax deductible). For more information on tickets and table sponsorships, contact Katherine Fuller, director of Ticket Central, at 919-515-1408 or [email protected].

THE 16TH ANNUAl

celebrate! ARTS NC STATE gala and auctionSATURDAY, ApRil 27, 2013, BEGiNNiNG AT 6pM THE McKIMMon cEnTER

Photos (top to bottom): 2012 Gala. From left: Linda Wharton, Sharon Perry, and Robert Cooper admire pottery by Mark Hewitt and NC State graduate student, Adam Attarian.; 2012 Gala. From left: Johnny Burleson and Mayor Nancy McFarlane pause for a photo while perusing auction items.; 2012 Gala. Eva Feucht and Jason Horne use their BidPal devices to bid on Donna Belt’s painting, Nest.; 2012 Gala. Guests raise their hands for live auctioneer, Ben Farrell. Facing Page 2012 Gala. Susan Woodson’s painting, Over the Hill on view before the live auction. (Photos by: Becky Kirkland)


Don’t miss the other upcoming april programs at the gregg museum – our last semester in Talley Student Center!

thursDaY, apriL 4, 6pm // film: MetropolisOne of the earliest and greatest (and weirdest) sci-fi films ever made, Fritz Lang’s 1927 German expressionist masterpiece is set in a futuristic art Deco Dystopia of 2026. robots, arise!

thursDaY, apriL 18, noon-8pm // film: charlie chaplin’s Modern TimesDrop in and de-stress at semester’s end with this great 1936 comedy, written and directed by Charlie Chaplin. his iconic “Little tramp” struggles hilariously to cope with life in a modern factory. continuous screenings all afternoon and evening.

weDnesDaY, apriL 24, 6-8pm // closing reception and catalog release party/book signing for Farfetched: Mad Science, Fringe architecture and Visionary engineering. the last Big event before the gregg moves out of talley!

ouR laSt SemeSteR IN talley StudeNt ceNteR

upcoming eVents in apriL

Farfetched: Mad Science, Fringe Architecture and Visionary Engineering


ARTS NC STATE | Spring insert #3

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Transcript of ARTS NC STATE | Spring insert #3