Artforms

drawing

ceramics

painting

printmaking

photography/film/video

new media

fashion

textiles

sculpture

performance

DRAWING Drawing which includes:

various traditional drawing media: pencil, charcoal, paste, crayon, pen and ink;

various technological media: computer programs;

combination of different media that includes drawing as the major artform: drawing on light sensitive photographic paper, drawing into the natural environment (land art);

different functions of drawing: recording, analysing, conveying information, expressing, observing and narrating.

Jason Davidson, 'Lizard' , Digital drawing

Peter Booth, “Drawing”, coloured pastels, (1984)

Joan Miro, “Composition with Figures”, Watercolour and brush and black ink, over graphite, on white wove paper, (1935)

John Brack, “Portrait of Clara Williams”, Conte on paper, (1984)

Joy Hester, “(Untitled) (The handkerchief)”, dry brush and ink, (1957)

Jim Dine, 1935: “The Cellist”, charcoal, pastel and oil drawing, (1976)

Margaret Olley, “Hill End”, ink on paper, (1956)

David Fairbairn, “Three Heads”, Compressed charcoal on paper, (1985)

Adrienne Gaha, “Elgin Marble Study IV”, Charcoal and pastel on paper, (1985)

W. H. Fox Talbot, “Contact image of heather, Erica mutabilis”, made on stiff paper, (1839).

John Olsen, “Honey Possum”, Pastel and mixed media on paper (ca. 1970s)

CERAMICS Ceramics which includes:

hand-built, thrown, formed, pressed, stamped and cast;

mosaics, ceramic objects combined with other materials; various firing, glazing and finishing techniques.

Deborah Halpern, “Angel”, ceramic, steel, concrete, (1988)

Jeff Koons, “Michael Jackson and Bubbles”, Ceramic, (1988)

Carl McConnell, “Bowl”, Salt-glazed stoneware, (1926)

Gwyn Hanssen Pigott, “Pair of bowls”, porcelain, (c. 1976)

A funerary urn in the shape of a "bat god" or a jaguar, from Oaxaca, Mexico, dated to AD 300–650.

Tile, Iran, Kashan, 13

th Century.

Danila Vasilieff, “Expressive female nude”, Lilydale limestone, (1956)

Akatsuka Jitoku, “Lacquer Tray”, (c.1900)

“Ceramic bowl”, 10th century Iran or Transoxiana, Nishapur or Samarqand. Reddish body, white engobe, underglaze painted and incised, clear colourless glaze

“Jar”, Tang Dynasty, Buff earthenware, three-coloured lead glaze, (early 18

th Century

AD) Pablo Picasso, “Decorated Jug”, ceramic, (1969)

PAINTING Painting which includes:

various painting media: gouache, oil, acrylic, watercolour, spray paint, natural dyes and computer-generated artwork;

various styles and traditions: expressive, illustrative, abstract, figurative, realistic, portraiture, landscape, still life, narrative;

the use of traditional and non-traditional surfaces (body art / graffiti, found material).

Rover Thomas, “Lake Paruku”, Ochre on canvas, (1991)

Max Ernst, “Dada Gauguin”, Gouache and ink on printed paper, (1920)

Albert Namatjira, “Haast’s Bluff”, Watercolour over pencil on paper, (1956)

Charles Blackman, “Feet beneath the table”, Tempera and oil on composition board, (1956)

PRINTMAKING Printmaking which includes:

relief: linoleum, wood, cardboard, monoprinting;

intaglio: etching, engraving, drypoint;, lithography

silk-screen;

digital printing.

Judith Warrie, “Totemic Ancestors”, Linocut on paper, (1988)

Erich Heckel, “Beim Vorlesen” (Reading Aloud), Woodcut on heavy, gray toned Japanese paper, (1914)

Käthe Kollwitz, “Tod, Frau und Kind” (Death, Woman and Child), Etching on heavy cream wove paper (1910)

Kitagawa Utamaro, “The Courtesan Chozan from Chōjiya”, Colour woodblock print (c. 1800)

Martin King, “Rainshadow: Evensong”, Etching, (1999)

Andy Warhol, “Electric Chair”, Screenprint on paper, (1971)

PHOTOGRAPHY/FILM/VIDEO Photography, film and video, which includes:

traditional darkroom techniques;

contemporary digital, commercially produced;

documentary, fictional, narrative, including sound where appropriate variety to techniques, processes and viewing contexts.

Gilbert & George, “Dream”, Gelatin-silver prints with hand colouring, (1984)

Anne Zahalka, “The Girls #2, Cronulla Beach”, Type C Photograph, (2007)

MICA-TV, “Inbetween”, Videotape, (1990)

Wolfgang Sievers, “Sulphuric acid plant, Electrolytic Industries, Risdon, Hobart,” 1 Photograph (1959)

Stephanie Valentin, “Chiasma, 10”, Gelatin silver photogram, (1999)

Brook Andrew, “Sexy and dangerous”, Transparent digital image on Perspex, (1998)

NEW MEDIA

New media art are created with technologies including:

digital art,

computer graphics,

computer animation,

virtual art,

Internet art,

interactive art,

video games,

computer robotics,

3D printing

Machinima filmed in Second Life https://en.wikipedia.org/wiki/Second_Life

Kathleen Rogers “Black Lace” 2016 Video, sound installation, digital

FASHION/ COSTUME DESIGN Fashion / Costume design which includes:

fashion, costume and wearable art drawing;

fabric design and applied usage;

pattern making, garment construction;

hand and machine techniques;

decorating, beading, appliqué, quilting and assembling.

Issey Miyake, “Minaret dress”, Polyester, (1995)

Vivienne Westwood, “Tartan outfit”, Anglomania, mixed tartan, (Autumn/Winter 1993)

Yves Saint Laurent Design House, “Dress”, Wool, (Fall/Winter 1965–1966)

Jean Paul Gaultier, Spring couture, (2009)

Christian Dior, Spring couture, (2009)

Balenciaga, “Cabbage”, Cape of black Gazar and black crepe sheath dress, (1967)

TEXTILES AND FIBRE

Textiles and fibre which includes:

construction: weaving, knitting and crochet;

dyeing: batik, tie-dye, hand painting, use of traditional and non-traditional medium;

printing: block, screen, commercial printing;

embroidery, quilting, patchwork, hand and machine stitching, appliqué.

Takuo Itoh, “Tokuseu Hitome Sohshibori Hon Furisode, Kimono (Furisode)”, silk; (April 1995)

Costume for “Le Dieu Bleu”, mixed media, (c.1900s)

Costume design for “Shah Zeman”, gouache, watercolour, pencil, (1910)

Ait Ouaouzguite Confederation (Morocco), “Man's Cape (Akhnif)”, Wool, cotton, leather, and hemp (Mid-19th century)

Heather Dorrough, “1933: The Hand at Night”, Painted linen and silk with appliqué embroidery on a Perspex panel, (1979)

Jeannie Baker, “The Daintree”, Mixed media collage, (ca. 1990s)

Cristobel Balenciaga, Detail of “Bolero”, Mixed media, (1966)

Magdalena Abakanowicz, "Le Feu et La Cendre" (Fire and Cinders), Linen and sisal, (1973/75)

Cristobel Balenciaga, Detail of “Evening Dress #158”, Mixed media, (1959)

SCULPTURE Sculpture which includes:

carved, cast, constructed assembled, welded, modelled;

kinetic, stationary, ephemeral, transitory;

constructions: using single or combinations of materials;

traditional forms and context, installations, land-art, site specific; traditional and non-traditional materials, computer generated technology.

Ron Muek, “Untitled (Big Man)”, silicone and mixed media (2000)

My Le Thi, detail: “Transformation”, Installation: Mixed media and found shoes, (1999-2000)

Peter Corlett, “The connoisseur II”, fibreglass, reinforced polyester resin (1984)

Louise Bourgeois, “Hanging Janus with Jacket”, Bronze, dark and polished patina, hanging piece, (1968)

, Ann Hamilton, “Dominion”, corn cobs, corn husks, corn meal, paper, bassinet, fabric, wood, moths, (1990)

Magdalena Abakanowicz, “Winged Trunk”, wood and iron, (1989)

Christo and Jeanne-Claude, “Wrapped Coast, One Million Square Feet”, Little Bay, Australia, erosion control fabric, (1968-69)

Eva Hesse, “Area”, Latex on Wire mesh and metal wire, (1968)

John Davis “Lake Mournpool, one (presence)”, twigs, calico, bitumous paint, cotton thread and paper, (1989)

Robert Klippel, “MetalSculpture”, steel and various metals, (1920)

Salvadore Dali, “Lobster Telephone”, Plastic painted plaster and mixed media, (1936)

PERFORMANCE/EVENT/BODY ART

Performance / Event / Body Art which includes:

contemporary activities: ephemeral activities, audience participation;

use of the human body, objects, technologies;

incorporating: single or combined media;

film or still recordings of artworks.

Jon McCormack, “Turbulance: An interactive museum of un-natural history”, (1991-95)

Stelarc, “Pull out / Pull up event for self-suspension” (Tokiwa Gallery, Tokyo – 2 March, 1980)

Bill Viola, Still : “Ocean without a shore”, Installation: 3 channel HD video, transferred to computer hard drive, sound, plasma screen monitors, 90 min, (2007)

Jill Orr, “Bleeding Trees”, Performance (1979)

Zhang Huan, “Untitled ½”, Calligraphy, (1998)

Gordon Bennett, Stills from “Performance with object for the expiation of guilt (Violence and grief remix)”, Colour video transferred to DVD, sound, 7 min 42 sec (1996)