Art Space 616 Trace Elements catalog
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Transcript of Art Space 616 Trace Elements catalog
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William Earl Kofmehl III and Stephanie ArmbrusterTrace Elements
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Friends, The pairing of our two featured artists, Stephanie Armbruster and William Earl Kofmehl III, both Carnegie Mellon alums, is a fascinating juxtaposition of media, method and content.
William Earl Kofmehl IIII consider myself fortunate to have taught Bill Kofmehl during my time teaching in the School of Art at CMU, when he was an under-graduate student. Even before he left for graduate school at Yale, Bill had quite a reputation with his performance pieces and ‘interventions.’ For example, I can’t forget the day I arrived at the CMU College of Fine Arts to discover Bill duct taped to the ceiling above the entrance to the Fine Arts office, stretched out face down and impassive, where he re-mained for the entire day without explanation.
Fast-forward a decade and his work has been featured in art fairs, museums and exhibitions from Hong Kong to Germany, as well as extensively in New York.
Kofmehl’s practice remains as diverse as ever, but is now more rooted in the physical world. It expresses his obsession with process, which is manifested in this exhibition. It shows through such examples as his casting of aluminum sculptures in the Nicaraguan jungle, or com-missioned embroideries from seamstresses in Costa Rica. The work is not only infused with the results of his process. It is about that process-as well as the dignity of manual labor, humor, and the beauty of coincidence.
Although Bill’s work remains raw and edgy, this show demonstrates a new more (literally) polished delivery, and a sense that he has found a medium. His cast sculptures-that can speak to all of these obsessions and which takes center stage for the first time.
Kofmehl’s content ranges from suits of armor, to polo sticks, to horses heads and pig skulls. His range amazes with its breadth, craft and bravado, but behind it all there is always a puzzle of meaning that he challenges the viewer to grasp. Stephanie ArmbrusterStephanie Armbruster’s stunning drawings and paintings on panel are a perfect foil to Kofmehl’s
three-dimensional work. Their finely wrought surfaces are painted through a process of addition and subtraction. The surfaces are worked and reworked to produce paintings that are often delicate skeins and veils of color, tough metallic-like surfaces that resemble a forged and beaten alloy, or many variations in between.
Typically, Armbruster uses the century’s old encaustic method in her paintings, in which hot wax holds, permeates and seals the layers of pigment. The process sometimes includes metal filings, yielding a translucent surface that both absorbs, as well as reflects light. This process produces infinitely subtle shifts of emphasis and nuances of depth and color, which seduce the viewer with their muted hues and glowing surfaces, provoking a sense of wonder and discovery.
Pushing through these layers reveals signs, language even, of the artist’s personal narrative. Sparked by memory, dreams or events, they play with us like a map of the unconscious that lingers suspended in the surface for us to find.
With her deceptively simple, open compositions, Armbruster keeps formal structural distractions at bay, preferring that her subject is about the process of conjuring her narrative from the substance of shifting light, color and texture. Her timeless materials are brushed, scraped, or chased across the surface by hot wax to hold the eye in thrall.
The Origin of Trace ElementsTogether Armbruster and Kofmehl are at the rough hewn edge of contemporary art, while both use centuries old materials and techniques with work fashioned from paint, metals, flux and flame. Working with these elemental materials art-ists have used for centuries, they emphasize their process like futuristic alchemists, creating new forms and surfaces that challenge us to question their meaning, or whether the meaning is indeed in the process itself. As they shock us with the new beauty of their art, they leave clues-traces-which help us decode the heart of their practice. Enjoy the exhibition! Tim Tim Hadfield Exhibition Director
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William Earl Kofmehl III and Stephanie ArmbrusterTrace ElementsWilliam Earl Kofmehl III The work is composed of reclaimed cast bronze and aluminum alloys harvested from both Pittsburgh, Pennsylvania and rural Nicaragua’s historical past. Former bronze and aluminum residential and commercial plumbing fittings, car parts, industrially machined scrap and the occasional marine propeller shaft once navigating the Three Rivers, have all been melted down to create the sculptures found within this exhibition. The casting process I utilize is commonly referred to as “investment casting” or Lost-wax casting, a technique estimated to have been used over 5700 years ago with some of the oldest examples found in the Middle East. As a multidisciplinary artist consumed by sculpture, performance, drawing and film, my aim is to generate reciprocity between the viewer and the work. I look at the intersections between factual information, historical events and fictitious stories while commenting on Social Roles and Divisions of Labor. Stephanie Armbruster I approach my work as a series of edits to an ongoing monologue in which the boundaries between memory, fiction and dreams are permeable. Some paintings suggest tone, while others create structure, depict maps and plans, or introduce characters. Each artwork represents an individual element of a larger construct, made more or less apparent through varying degrees of abstraction. The edits tell more of the story than the initial draft can alone.The titles of these works are personally significant and lend context to the otherwise abstract compositions. Some recount specific events and locations, while others reference songs or elements of dreams. Handwritten texts and stenciled characters recur frequently in these paintings, referencing signs and behaving as footnotes. Often oblique or partially obscured, I layer elements of text as a way to explore the representation of language, hinting at structure and playing with the texture and resonance of words.Presented together as a collection, these paintings recall pivotal moments of transition through the abstraction of symbols and layered references to time and place.
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William Earl Kofmehl III
The artist at work.
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Beached Wood
2015
6.5" x 6" x 17.75"
Cast bronze, steel
$2,500
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The First Trump
2015
8" x 8" x 29"
Cast aluminum, steel
$3,500
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Taming Piglet
2006
19.5" x 1.5" x 16.25"
Steel, hand-embroidery with rayon thread
$2,200
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A Sweep and Two Pigs
2006
20.75" x 1.5" x 16.5"
Steel, hand-embroidery with rayon thread
$2,200
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Shoe Compendium
2012
8" x 10" each
Hand-embroidery with rayon thread
Multiples of 4: $2,400
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Poor Whitey
2015
13" x 11" x 11"
Cast aluminum, steel
$2,500
Poor Browny
2015
13" x 11" x 11"
Cast aluminum, steel
$2,500
Dear Blacky
2015
13" x 11" x 11"
Cast aluminum, steel
$2,500
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Column
2015
19" x 14" x 41"
Cast aluminum, steel
$12,000
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Pillar
2015
14" x 14" x 37"
Cast aluminum, steel
$9,500
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Stacking
2015
14" x 14" x 29.5"
Cast aluminum, steel
$7,000
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Quetzal
2006
36" x 25"
Hand-embroidery with rayon thread
$3,800
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New York Compendium Series
2010
8" x 10" each
Hand-embroidery with rayon thread
Multiples of 4: $2,400
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Top
Pick Up Sticks
2015
64" x 3" x 60"
Cast aluminum
$3,500
Bottom
Nested Teros
2015
23.5" x 24.5" x 49.5"
Cast Bronze and Aluminum
$7,000
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Cover of Darkness
2015
13" x 11" x 12.75"
Cast bronze, steel
$3,500
SOLD
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Night-Side of Nature
2015
81.5" x 8" x 22"
Cast bronze, steel
$8,000
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The Horse I Never Rode
2015
19" x 13" x 25.5"
Cast aluminum, steel
$9,500
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Fallen Warrior
2007
54" x 57" x 39"
Cast bronze, steel
$23,500
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Photograph above: Mainline Photography, Ramon Cordero
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Descent (diptych - left and right panels)
2014
16" x 12" (each panel)
Encaustic and metal patina on panel
$1,600
SOLD
Stephanie Armbruster
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Denver Dark (diptych - left and right panels)
2014
24" x 12" (each panel)
Encaustic and metal patina on panel
$1,800
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When She Looked Again, The Hospital Was Gone
2014
60" x 48"
Mixed-medium on paper
$2,200
SOLD
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The Chandeliers Remembered
2014
68" x 48"
Mixed-medium on paper
$2,200
SOLD
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He Played the Piano the Night the Ceiling Fell
2014
68" x 48"
Mixed-medium on paper
$2,200
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Signs and Premonitions
2013
54" x 48"
Encaustic on panel
$5,700
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Verdigris
2014
40" x 30"
Encaustic and metal patina on panel
$2,600
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Beyond the Pale
2013
54" x 48"
Encaustic on panel
$5,700
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Cowboy Breakfast
2015
36" x 36"
Encaustic and mixed-medium on panel
$2,700
Invader
2015
36" x 36"
Encaustic and mixed-medium on panel
$2,700
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Last Night in Montreal
2015
36" x 36"
Encaustic and mixed-medium on panel
$2,700
Theater of the Birds
2015
36" x 36"
Encaustic and mixed-medium on panel
$2,700
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Element
2014
12" x 12"
Encaustic and metal patina on panel
$800
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Above and Below
2014
48" x 24"
Encaustic and metal patina on panel
$3,200
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Rising Tide I, II (diptych - top and bottom panels)
2013
20" x 20" (each panel)
Encaustic on panel
$2,200
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Mission District (diptych - left and right panels)
2014
18" x 16" (each panel)
Encaustic and metal patina on panel
$1,800
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Strings of Life
2015
36" x 36"
Encaustic and mixed-medium on panel
$2,700
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Recursive Narrative
2015
36" x 36"
Encaustic and mixed-medium on panel
$2,700
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Chaos in Blue
2014
24" x 18"
Encaustic on panel
$1,800
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This publication accompanies Trace Elements, William Earl Kofmehl III and Stephanie Armbruster exhibition at Art Space 616 on view from June 20 through July 18, 2015.
Catalog Design: Spencer NormanDirector of Publications: Jessie Britton
© 2015 by Art Space 616, 616 Beaver Street, Sewickley PA 15143.
All rights reserved. No part of this publication may be reproduced in any manner without permission. All images are © the artists, reproduced with the kind permission of the artists and/or their representatives.
Photo credits: Courtesy of artists, Chris Urhen, center page installation shot, Mainline Photography, Ramon Cordero. Every effort has been made to contact copyright holders and to ensure that all the information presented is correct. Some of the facts in this volume may be subject to debate or dispute. If proper copyright acknowledgment has not been made, or for clarifications and corrections, please contact the publishers and we will correct the information in future reprintings, if any.
Art Space 616616 Beaver StreetSewickley, PA 15143412 259 8214
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