These gures come from the Lavazza Fairy Tales. The announcement was made in animation by using stop-motion technique. It is installed in a paper city. Buildings are made three-dimensional and the characters are bi-dimensional. In order to make the publicity, more than one thousand paper shapes were used, and each of them has a different movement. The shapes were drawn, at the beginning, at hand and then, modi ed in the post-production and afterwards, in the end, cut with a cut laser printer. Houses are made in shapes of polystyrene cubes covered by thin cardboard sheets.

Estas guras provienen del Cuento de Hadas Lavazza. El anuncio fue hecho en animacin utilizando la tcnica de stop-motion. Se instala en una ciudad de papel. Los edi cios estn hechos en tres dimensiones, y los personajes en dos dimensiones. Para hacer el comercial se utilizaron ms de mil siluetas de papel, cada una mostrando un movimiento diferente. Las siluetas en un principio se dibujaron a mano, modi cndose en la postproduccin y despus al nal se cortaron con una impresora lser de corte. Las casas estn hechas en forma de cubos de poliestireno cubiertos por delgadas lminas de cartn.

LAVAZZA

Director, Production, Animation and Design: Dadomani StudioAgency: Armando TestaArt Director: Andrea LantelmeSound Design: Taboo Studiowww.dadomani.com

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All images courtesy of Dadomani Studio

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Yulia Brodskaya was born in Moscow (Russia); prior to moving to the UK in 2004 she was interested in diverse creative practices ranging from Textile Painting, Origami and Collage to more traditional Fine Art practices. Following an MA in Graphic Communication (2006, University of Hertfordshire) she continued to experiment and explore ways of bringing together all the things she likes most: typography, paper, and highly detailed hand-made craft objects. She has swiftly earned an international reputation for her innovative paper illustrations and continues to create beautifully detailed paper designs for clients all around the world.

PAPER GRAPHIC

Artist: Yulia Brodskayawww.artyulia.com

Yulia Brodskaya naci en Mosc (Rusia). Antes de trasladarse al Reino Unido en 2004 estaba interesada en di-versas prcticas creativas que van desde la Pintura Textil, Origami, Collage, todo desde las prcticas artsticas ms tradicionales. Despus de una maestra en Comunicacin Gr ca (2006, Universidad de Hertfordshire), continu experimentando y explorarando maneras de reunir todo aquello que ms le gusta: la tipografa, el papel y los objetos de artesana, trabajos hechos a mano llenos de detalles. Obtuvo una gran reputacin internacional por sus ilustraciones de papel innovadoras, y contina creando diseos de papel de gran detalle para clientes de todo el mundo.

This page:Where Wishes Come TrueAgency: YellowdoorDesign director: Anthony CassidyAll images courtesy of Yulia Brodskaya

This page:CoinAgency: BOXDUE SRLArt director: Daniele BasilicoPhotographer: John Ross

On the following pages:Colour CloudClient: Stora EnsoPhotographer: Michael Leznik

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This page:American loveIllustration for AARP magazineArt director: Todd AlbertsonPhotographer: Michael Leznik

This page:ArtsClient: New York ObserverPhotographer: Michael Leznik

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As a paper engineer your work is rooted in print media, book arts and commercial design. Beginning with an initial fold, a single action causes a transfer of energy to subsequent folds, which ultimately manifest in draw-ings and three dimensional forms. The use your engineering skills to create kinetic sculpture which have lead to collaborations with scientists at the University of Michigan. Researchers see paper engineering as a metaphor for scienti c principals; I see their inquiry as basis for artistic inspiration in your studio the is a collaborator, ex-plorer and inventor. I begin with a system of folding and at a particular moment the material takes over. Guided by wonder, my work is made because I cannot visualize its nal realization; in this way I come to understanding through curiosity.

TESSELLATION SERIES

Design: Matthew Shlianwww.mattshlian.com

Como ingeniero del papel, su trabajo tiene sus orgenes en la impresin, las artes del libro y en el diseo comer-cial. Empezando con un pliegue inicial, la accin individual trans ere energa a los pliegues subsiguientes, que nalmente se mani estan en dibujos y formas tridimensionales. Utiliza sus habilidades de ingeniera para crear una escultura cintica, lo cual le ha llevado a colaborar con cient cos de la Universidad de Michigan. Los inves-tigadores ven la ingeniera del papel como una metfora de sus principios cient cos. l ve su investigacin como la base de su inspiracin artstica. En su estudio es colaborador, explorador e inventor. Empieza con un sistema de plegado y, en un momento determinado, el material toma el control. Guiado por el asombro, lleva a cabo su obra porque no puede visualizar su realizacin nal. De este modo, llega a comprenderlo gracias a su curiosidad.

These pages:Tessellation SeriesAll images courtesy of Matthew Shliam

These pages:Days in August Limited Edition pieces commissioned by Queen Rania of JordanPhoto by Matthew Shlian

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This page: Memory Windows

Left page top left to right:Rice BowlAtomic Jelly shSewing Highways

On following pages:TsunamiEnmeshed