Art in the middle age
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Transcript of Art in the middle age
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ART IN THE MIDDLE AGE
A mainly religious art
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FIRST: LATE ANTIQUE
Art in Roman style, so people would know they were Roman Christians.
Simple, streamlined, resigning perspective and depth, eliminating proportions and characteristics of the human body in order to increase the religious aspects.
The bottom predominates on the form and the expression surrends to the aesthetic one.
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The Virgin Mary: Theotokos, in Greek terminology, was central to
Byzantine spirituality It is a synthesis of hellenistic traditions and
Eastern traditions that penetrate through diverse routes, and especially of the neighboring Persia.
The hellenistic elements are noticed in the maintenance of a classic spirit, in the measured gestures, the sensible compositions, the painting of the nature, the pagan themes.
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OLD SAINT PETER
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MOSQUES
Great Mosque, Córdoba)
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MIHRAB
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OUTSIDE ARCHERY.
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DOME OF ROCK, JERUSALEM
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SECOND: BYZANTIUM
Interaction with Islamic culture had a profound effect on its art.
Islam arise and military success were the greatest threat to the stability of the empire and its territories.
The Christian influence is dominant. The main buildings are destined to the cult and as much the sculpture as the mosaic and the painting of the Byzantine art, are dominated by the glorification of the Christ, the God of Majesty, the Virgin and the Apostles, in order to teach the Biblical episodes graphically.
New testament (IV A.D)
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The Eastern: Front paints, flattening and deformation of the
figures Symbolism. Geometric conception of the bodies and therefore
the stylisation of its forms. The decorative, visible eagerness in the wealth of
the used materials. Variety of the color, in many conventionalisms that
stay through time. Use of elements like the cupola on pecinas, the
marble coatings and the decoration of capitals stays in the architectonic plan of the Byzantine art.
Progressive abandonment of the bulk sculpture, relief suggested by light resistances are visible also in the sculpture techniques
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SAINT VITALE
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COURT OF JUSTINIAN
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COURT OF THEODORA
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HAGIA SOPHIA
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ROMANESQUE (ROMÁNICO)
Circa1000 AD to XIII century. Roman –like Rounded arches, stone vaults, thick
walls, exteriror relief sculptures, Cathedrals, churches and monasteries. Feudalism
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HISTORICAL BACKGROUND
Feudalism 9th century: invasions
from muslims and vikings.
Christianims spread trough barbarians.
Pilgrims: Santiago de Compostela (Spain), Rome and Jerusalem (Cruzades)
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STAVELOT TRYPTICHMosan, Belgium, c. 1156-1158
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ARCHITECTURE
Churches big enough to acomodate pilgrims, good sound and iluminated.
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SAINT FOY ABBEYConques.
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Wooden roof were changed by stone barrels vaults (better sound, less fire risk)
Gregorian Chants gorw stronger.
Sculpture as teacher and propaganda.
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MANUSCRIPTS
The apperance of the Scriptoria
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MRAL PAINTING AND TAPESTRY
Use of rich colors.
Many artist worked on them
Castel of Appiano, Italy
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Murder of the Innocents in Bethlehemc. 1180FrescoPanteón de los Reyes, Colegiata de San Isidoro, Léon
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The Virgin Mary and Childc. 1200FrescoNotre-Dame, Montmorillon
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UNKNOWN WEAVER, EnglishThe Bayeux Tapestry (detail)c. 1080Wool embroidered on a linen backgroundMusée de la Tapisserie de la Reine Mathilde, Bayeux
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GOTHIC ART
Refers, mainly, to architecture
Named after de Goths, who destroyed what was left of Classic art.
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Mathematical armony Use of light Pointed arches Stained Glass Gargoiles Skeletons Age of cathedrals
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SAINT DENIS
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NOTRE DAME OF CHARTRES
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NOTRE DAME OF PARIS
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REIMS CATHEDRAL
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SALISBURY
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