Art in New York Abex to Post-minimalism. Arshile Gorky, The Artist and His Mother, 1926-36. Oil on...
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Transcript of Art in New York Abex to Post-minimalism. Arshile Gorky, The Artist and His Mother, 1926-36. Oil on...
![Page 1: Art in New York Abex to Post-minimalism. Arshile Gorky, The Artist and His Mother, 1926-36. Oil on canvas, 5’ X 4’ 2”.](https://reader036.fdocuments.us/reader036/viewer/2022081519/56649f125503460f94c24eed/html5/thumbnails/1.jpg)
Art in New York
Abex to Post-minimalism
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Arshile Gorky, The Artist and His Mother, 1926-36. Oil on canvas, 5’ X 4’ 2”.
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Pablo Picasso, The Studio, Paris, winter 1927-28; dated 1928. Oil on canvas, 4’ 11” X 7’ 7”.
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Willem de Kooning, Woman and Bicycle, 1952-53. Oil on canvas, 6’ 4 ½” X 4’ 1”.
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Willem de Kooning, Seated Woman, c. 1940. Oil on charcoal on masonite, 54 ¼” X 36”.
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Willem de Kooning, Excavation, 1950. Oil on Canvas, 6’ 9” X 8’ 4 ¼”.
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Willem and Elaine de Kooning, 1953. Photograph by Hans Namuth.
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Willem de Kooning, Gotham News, 1955. Oil on canvas, 5’ 11” X 6’ 10”.
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Jackson Pollock, Echo (Number 25, 1951), 1951.Enamel on umprimed canvas, 7’ 7 7/8” X 7’
2”.
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Jackson Pollock, Blue Poles, 1952. Oil, enamel, and aluminum paint, glass on canvas, 6’ 11 ½” X 15’ 12 ½”.
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Jean Dubuffet, Childbirth (L’Accouchement), from the “Marionettes of the Town and the Country” series, 1944. Oil on canvas, 39 3/8 X 31 3/4”.
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Jean Dubuffet, Le Metafisyx, August 1950. Oil on canvas, 45 5/8 X 35 ¼”.
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Alberto Giacometti, Man Pointing, 1947. Bronze, 70 ½” X 40 3/4”.
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Francis Bacon, Three Studies for figures at the Base of a Crucifixion, 1944, Oil on board support, triptych, each panel 37” X 29”.
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Francisc Bacon, Study After Velazquez’s Portrait of Pope Innocent X, 1953. Oil on canvas, 5’ ¼” X 3’ 10 ½”.
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Francis Bacon, Self-Portrait, 1969. Oil on canvas, 14” X 12”.
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Jasper Johns, Target with Plaster Casts, 1955. Encaustic and collage on canvas with objects, 51” X 44” 3 ½”.
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Jasper Johns, Perilous Night, 1982. Encaustic on canvas with objects, 67 ½” X 96” X 5 ½”.
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Jasper Johns, Summer from “The Seasons” series, 1958. Encaustic on canvas, 6’ 3” X 4’ 2”.
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Yves Klein, Untitled Blue Monochrome (IKB), 1959. Dry pigment in synthetic resin on paper, 8 ½” X 7 1/8”.
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Arman, Large Bourgeois Refuse, 1960. Trash in a glass box with wooden base, 25 3/4” X 15 3/4” X 3 ¼”.
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Nam June Paik, TV Bra for Living Sculpture, with Charlotte Moorman, 1969.
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Quang Duc, a seventy-three-year old Buddhist monk, soaked himself in gasoline and set himself on fire, burning to death in front of thousands of onlookers at a main highway intersection in Saigon, Vietnam on June 11, 1963. He was protesting against the American-backed government’s discrimination against Buddhists. A group of nuns and monks circled the burning martyr with banners that read “A Buddhist Priest Burnes Himself for Five Requests.”
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David Hockney, Henry Geldzahler and Christopher Scott, 1969. Acrylic on canvas, 7’ X 10’.
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Andy Warhol, Skulls, 1976. Synthetic polymer paint, silkscreened, on canvas, 15” X 19”.
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Donal Judd, Untitled, 1969. Anodized aluminum and blue Plexiglas, four units 3’ 11 ½” X 4’ 11 7/8” X 4’ 11 7/8” each with 12” intervals.
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Richard Serra throwing lead, Castelli Warehouse, New York 1969.
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Mario Merz, Double igloo, 1979 (showing Alligator with Fibonacci Numbers to 377 on the ceiling). Outer structure: metal tubes, clamps, glass, and hat; inner structure: metal tubes, wire mesh, dried mud, neon tubes; 9’ 10” high X 19’ 8 ¼” diameter overall.
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Joseph Kosuth, One and Three Hammers, 1965. Hammer, Photograph of a hammer, Photostat of the definition of hammer, 24 X 53 3/8”.
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Gilbert and George, The Singing Sculpture (“Underneath the Arches”), 1969, performed at Sonnabend Gallery, October 1971.
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Carolee Schneemann, Interior Scroll, 1975. Performance photograph.
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Jean-Michel Basquiat, Boy and Dog in a Johnnypump, 1982. Acrylic, oil paintstick, and spray paint on canvas, 7’ 10 ½” X 13’ 9 ½”.
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Jean-Michel Basquiat, Portrait of the Artist as a Young Derelict, 1982. Acrylic, oil, and oil painstick on wood, 6’ 8 5/16” X 6’ 10 1/16”.
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Allan McCollum, Drawings, 1988-90. Installation at John Weber Gallery, New York, 1990. Over 2,00 framed drawings, pencil on museum board, various
sizes.
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Vanessa Beecroft, Show, April 1998. Live performance at the Guggenheim Museum, New York.
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Eduardo Kac, GFP Bunny, 2000. Alba, the flourescent rabbit.
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Shirin Neshat, Rebelious Silence, 1994. RC print and ink, 46 5/8” X 31 1/8”.
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Andrea Fraser, still from Little Frank and his Carp, 2001. Video still, DVD NTSC. Duration six minutes.