Art Design - dev.wright20.com · edition of 50 printed by Hidalgo Arnéra and published by Galerie...
Transcript of Art Design - dev.wright20.com · edition of 50 printed by Hidalgo Arnéra and published by Galerie...
Art Design 26 February 2015 noon cst
Chicago 1440 W Hubbard St Auction Highlights 17 – 26 February 2015, 10 am – 5 pm Monday – Saturday, Sunday by appointment
New York 980 Madison Ave Selections from the Auction 17 – 26 February 2015, 11 am – 5 pm Tuesday – Saturday
Wright Chicago New Yorkwright20.com
Art Design 26 February 2015 noon cst Chicago Auction Highlights 17 – 26 February 2015, 10 am – 5 pm New York Selections 17 – 26 February 2015, 11 am – 5 pm
Art Design 26 February 2015 noon cst The Walter & Dawn Clark Netsch Collection Lots 100 – 181 Chicago Preview 3 – 6 February 2015
Living with Art The Walter & Dawn Clark Netsch Collection
182 Billy Al Bengston b. 1934
TOM, 1968
lacquer and polyester resin on stenciled aluminum | 26 h × 25 w inches
Signed and numbered to verso ‘B.A.B. 38/50’. Titled, numbered and dated
to original studio label applied to verso ‘TOM 38/50 1968’. This work is number
38 from the edition of 50.
$ 8,000 – 10,000
Provenance Alan Koppel Gallery, Chicago
183 Billy Al Bengston b. 1934
Untitled, 1969
lacquer and polyester resin on stenciled aluminum | 36 h × 34 w inches
Signed and numbered to lower edge ‘B.A.B. Artist Proof’. This artist proof
is a unique variation aside from the edition of 20.
$ 15,000 – 20,000
Provenance Alan Koppel Gallery, Chicago
184 Pablo Picasso 1881 – 1973
Femme aux Cheveux flous, 1962
linocut on Arches paper | 16 h × 12.5 w inches
Signed and numbered to lower edge ‘28/50 Picasso’. This work is number 28 from the
edition of 50 printed by Hidalgo Arnéra and published by Galerie Louise Leiris, Paris.
$ 40,000 – 60,000
Literature Pablo Picasso, Volume I: Catalogue of the Printed Graphic Work
1904 – 1967, Bloch, pg. 225, pl. 1079
185 Jesús Rafael Soto 1923 – 2005
Petite Double Face, 1970
lacquered wood, enameled steel, aluminum, monofilament line
25.5 h × 16 w × 27 d inches
Signed and dated to edge ‘Soto 1970’.
$ 20,000 – 30,000
186 Rosemarie Trockel b. 1952
Untitled, 1986
glass, brass, hair, monofilament line | 61.25 h × 22 w × 21 d inches
$ 50,000 – 70,000
Literature Rosemarie Trockel, Stich and Sussman, pg. 45 illustrates this artwork
Exhibited Rosemarie Trockel, 28 September – 10 November 1991, Museum
of Contemporary Art, Chicago
Provenance Collection of Belle Ziegler | Private collection, New York
Private collection
187 Christian Marclay b. 1955
Sound Holes (suite of twenty-one works), 2007
photogravure on paper | 8.75 h × 7 w inches
Stamped signature and date to verso of each example ‘GS 1481 copyright 2007
Christian Marclay Graphicstudio, USF’. This suite is number 3 from the edition
of 12 published by Graphicstudio/USF.
$ 20,000 – 30,000
Provenance Michael Benevento, Los Angeles | Private collection, Los Angeles
188 Günther Förg 1952 – 2013
Untitled, 1976/1987
copper over wood | 27.75 h × 19.75 w × 1.5 d inches
Signed, numbered and dated to accompanying studio
label ‘12/12 Forg 87’. This work is number 12 from the edition
of 12 published by Galerie Ralph Wernicke, Stuttgart.
Literature Günther Förg, The Complete Editions: 1974-1988, pg. 162, no. III.4
$ 5,000 – 7,000
189 Günther Förg 1952 – 2013
Mr. Green, Mr. Orange, Mr. Blue, Mr. Brown (four works), 2002
tempera on copper | 15.75 h × 11.75 w inches
Signed and numbered on applied label to verso of each example
‘Forg 10/30’. These works are number 10 from the edition of 30 printed
and published by Har-El Printers & Publishers, Jaffa Port, Israel.
$ 10,000 – 15,000
190 Claire Falkenstein 1908 – 1997
Untitled (Fusion), c. 1970
welded copper, fused glass | 11 h × 6.75 w × 6 d inches
$ 12,000 – 15,000
Provenance Gift of the artist to a member of the Falkenstein
Estate Board | Private collection, California | Rago, Modern,
28 October 2007, Lot 44 | Stahr Collection, Barrington, IL
191 Bernard Buffet 1928 – 1999
Untitled, 1958
oil pastel and graphite on paper | 29.25 h × 21.5 w inches
Signed and dated to lower right ‘Bernard Buffet 58’.
$ 20,000 – 30,000
Provenance Galerie David et Garnier, Paris
Galerie Dresdnere, Montreal | Private collection, Chicago
194 Zoran Antonio Music 1909 – 2005
Ombre sul carso, 1957
oil on canvas | 21 h × 25 w inches
Signed and dated to lower edge ‘Music 1957’. Signed,
titled and dated to verso ‘Music Ombre sul carso 1957’.
$ 20,000 – 30,000
Provenance Acquired directly from the artist in 1960
Private collection, Florida
193 Pablo Picasso 1881 – 1973
Bearded Man medallion, 1949
18 karat gold | 1.5 dia × .25 h inches
Impressed mark to verso ‘Madoura Empreinte Originale De Picasso’.
$ 9,000 – 12,000
Literature Picasso: Catalogue of the Edited Ceramic Works 1947 – 1971,
Ramié, pg. 56, pl. 90 illustrates ceramic version
192 Pablo Picasso 1881 – 1973
Woman’s Face pendant, 1949
18 karat gold | 1.25 dia inches
Impressed mark to verso ‘Madoura Empreinte Originale De Picasso’.
$ 7,000 – 9,000
Literature Picasso: Catalogue of the Edited Ceramic Works 1947 – 1971,
Ramié, pg. 56, pl. 92 illustrates ceramic version
196 Sorel Etrog b. 1933
Study after Ingres’ Turkish Bath, 1970
pastel on paper | 17.25 dia inches (image)
Signed and dated to lower edge ‘Etrog 70’.
$ 1,000 – 1,500
Provenance Hokin Gallery, Palm Beach, FL
Private collection
195 Ibram Lassaw 1913 – 2003
pendant, c. 1970
gold-plated bronze | 3.5 h × 3 w × 1 d inches
Incised signature to verso ‘Lassaw’.
$ 2,000 – 3,000
197 Robert Mangold b. 1937
Frames & Ellipses B, 1988
soft ground etching and aquatint on Fabriano paper | 21.25 h × 29.25 w inches
Signed and numbered to lower margin ‘R. Mangold 40/50’. This work is number
40 from the edition of 50.
$ 1,000 – 1,500
199 Theaster Gates b. 1973
Untitled, c. 2001
glazed stoneware | 14.75 h × 9 w × 2 d inches
Impressed signature to lower left ‘TG’.
$ 15,000 – 20,000
Provenance The Nevica Project, Chicago | Private collection
198 Robert Loughlin 1949 – 2011
Untitled, Our First President and Phisters Mother (three works), c. 2002
acrylic on canvas, acrylic on board | 42 h × 31.5 w inches
Signed to lower left of one work ‘RL’. Signed to lower right ‘Rob L’ and signed,
titled and dated to verso of one work ‘Our First President Robert Loughlin 2002’.
Signed, titled and dated to verso of one work ‘Phisters Mother RL 2002’.
$ 3,000 – 5,000
Important Works by Harry Bertoia from a Private Collection
200 Harry Bertoia 1915 – 1978
Untitled (Sonambient), c. 1970
beryllium copper and brass | 59.75 h × 6 d × 17.75 w inches
This work features a single row of twenty rods. Sold with
a title of authentication from Bertoia Studio.
$ 70,000 – 90,000
Provenance Robert Miller Gallery, New York
Private collection, Lake Forest, IL
201 Harry Bertoia 1915 – 1978
Untitled (Sonambient), c. 1970
beryllium copper and brass | 50.5 h × 12 w × 12 d inches
This work features sixteen rods in a four by four configuration.
Sold with a title of authentication from Bertoia Studio.
$ 60,000 – 80,000
Provenance Maxwell Davidson Gallery, New York
Private collection, Lake Forest, IL
202 Harry Bertoia 1915 – 1978
Untitled (Sonambient), c. 1965
beryllium copper, brass | 12 h × 6 w × 6 d inches
Sold with a title of authentication from Bertoia Studio.
$ 10,000 – 15,000
Provenance Christie’s, New York, Twentieth Century Decorative Arts,
1 October 2002, Lot 236 | Private collection, Lake Forest, IL
203 Harry Bertoia 1915 – 1978
Untitled (Sonambient), c. 1970
beryllium copper and brass | 45 h × 9 w × 9 d inches
This work is comprised of thirty-six rods in a six by six configuration.
Sold with a title of authentication from Bertoia Studio.
$ 50,000 – 70,000
Provenance Acquired directly from the artist | Wright, Modernist
20th Century, 22 May 2005, Lot 422 | Private collection, Lake Forest, IL
204 Harry Bertoia 1915 – 1978
Untitled (Bush Form), 1977
welded copper and bronze with applied patina | 24 dia × 12.5 h inches
Sold with a title of authentication from Bertoia Studio.
$ 50,000 – 70,000
Exhibited Living with Art: The Segal Collection, May – August 1984,
Arthur Ross Gallery, University of Pennsylvania, Philadelphia
Provenance Acquired from the artist in 1977 | Private collection
Christie’s, Post War and Contemporary Art, 23 September 2003, Lot 35
Private collection, Lake Forest, IL
206 Harry Bertoia 1915 – 1978
Untitled (Sonambient), c. 1965
beryllium copper and brass | 32.5 h × 7.75 w × 7.75 d inches
This work features sixteen rods in a four by four configuration.
Sold with a title of authentication from Bertoia Studio.
$ 40,000 – 60,000
Provenance Wright, Modern Design, 16 March 2003, Lot 288
Private collection, Lake Forest, IL
205 Harry Bertoia 1915 – 1978
Untitled (Sonambient), 1968
brass, cupro-nickel and monel | 70 h × 8 w × 8 d inches
This work features four rods in a two by two configuration.
Sold with a title of authentication from Bertoia Studio.
$ 50,000 – 70,000
Provenance Mary-Anne Martin Fine Art, New York
Private collection, Lake Forest, IL
207 Harry Bertoia 1915 – 1978
Untitled (Bush Form), c. 1970
welded copper and bronze with applied patina | 12.5 h × 11 dia inches
Sold with a title of authentication from Bertoia Studio.
$ 20,000 – 30,000
Provenance Maxwell Davidson Gallery, New York
Private collection, Lake Forest, IL
208 Paul P. b. 1977
Untitled, 2003
oil on canvas | 8 h × 10 w inches
Signed and dated to verso ‘Paul P. 03’.
$ 2,500 – 3,500
Provenance Marc Selwyn Fine Art, Los Angeles
Private collection, Los Angeles
210 George Rickey 1907 – 2002
Untitled (Balancing Form), 1994
aluminum, stainless steel | 8 h × 4 d × 4.75 w inches
Signed, numbered and dated to base ‘23 Rickey 1994’.
This work is number 2 from the edition of 3.
$ 7,000 –9,000
209 Pablo Picasso 1881 – 1973
Tête de béliers, 1945
lithograph on Arches paper | 11.75 h × 16.5 w inches
Signed and numbered to lower edge ‘29/50 Picasso’.
This work is number 29 from the edition of 50.
$ 3,000 – 5,000
Literature Pablo Picasso, Volume I: Catalogue of the Printed
Graphic Work 1904 – 1967, Bloch, pg. 108, pl. 382
Provenance Jean and Roger Grossman, Chappaqua, NY
212 American
collection of thirty-three sports team photos, c. 1900 – 1930
vintage photographs | 11 h × 14 w inches (largest)
$ 5,000 – 7,000
211 Rashid Johnson b. 1977
George (from the Seeing in the Dark series), 1998 – 99
Van Dyke Brown print on paper | 30 h × 22.5 w inches
Signed and numbered to edge ‘AP Rashid Johnson’. This work
is an artist proof aside from an unknown edition size.
$ 7,000 – 9,000
213 After Victor Vasarely
Untitled
Finland, c. 1970 | Oy Finnrya AB
wool tapestry | 64 w × 65 d inches
Woven signature to lower edge ‘V’. Signed and numbered on fabric manufacturer’s
label to reverse ‘Edition Limitee No. 4/250 Creation De Oy Finnrya AB Hiekkaharju
Finland’. This work is number 4 from the edition of 250.
$ 5,000 – 7,000
215 Sean Scully b. 1945
Sotto Voce, 1988
spit-bite aquatint etching on wove paper | 41 h × 51.5 w inches
Signed, titled, numbered and dated to lower edge ‘31/40 Sotto Voce Sean Scully
88’. This work is number 31 from the edition of 40 published by Crown Point Press,
Oakland.
$ 5,000 – 7,000
Provenance D & J Bittker Gallery Ltd., Bloomfield Hills, MI | Private collection
214 Henry Moore 1898 – 1986
Reclining Nude (from Sketchbook 1980), 1980
intaglio on paper | 14.75 h × 11.75 w inches
Signed and numbered to lower margin ‘Moore V/X’. This work is number 5 of 10
artist proofs aside from the edition of 75 published by Raymond Spencer Company
for The Henry Moore Foundation, Much Hadham, United Kingdom.
$ 2,000 – 3,000
218 Pablo Picasso 1881 – 1973
Les Deux femmes nues, 1946
lithograph on Arches paper | 12.75 h × 17 w inches
Signed and numbered to lower edge ‘28/50 Picasso’.
This work is number 28 from the edition of 50.
$ 10,000 – 15,000
Literature Pablo Picasso, Volume I: Catalogue of the
Printed Graphic Work 1904 – 1967, Bloch, pg. 111, pl. 390
Provenance Jean and Roger Grossman, Chappaqua, NY
217 Ross Bleckner b. 1949
Untitled, 1989
monotype on paper | 14 h × 10.25 w inches
Signed and dated to lower margin ‘Ross Bleckner 1989’.
$ 2,000 – 3,000
216 Francesco Clemente b. 1952
Untitled, c. 1990
watercolor on paper | 16 h × 12.25 w inches
$ 9,000 – 12,000
219 Andy Warhol 1928 – 1987
Volkswagen Lemon (from the Ads Series), 1985
screenprint in colors on Lenox Museum board | 38 h × 38 w inches
Signed and numbered to lower right ‘Andy Warhol III/X’. This work is Roman
numeral 3 from the edition of 10 aside from the edition of 190 printed by Rupert
Jasen Smith, New York and published by Ronald Feldman Fine Arts, Inc., New York.
$ 20,000 – 30,000
Literature Andy Warhol Prints: A Catalogue Raisonné 1962 – 1987, Feldman,
pg. 147, pl. 11.358
221 Andy Warhol 1928 – 1987
Marilyn (Castelli Graphics Invitation), 1981
offset lithograph on paper | 12 h × 12 w inches
Signed to left margin ‘Andy Warhol’. This work is from the unknown edition
size published by Colour Editions, Inc. This invitation was created for the
exhibition Andy Warhol: A Print Retrospective 1963-1981 held at Castelli
Graphics, New York, 21 November – 22 December 1981.
$ 7,000 – 9,000
220 James Brown b. 1951
Untitled VIIVII (four works), c. 1985
etching on paper | 21 h × 19 w inches
Signed and numbered to lower margin of each work ‘James Brown
VIIVII 4/35’. Each work is number 4 from the edition of 35.
$ 3,000 – 5,000
223 Alan Davie b. 1920
Untitled, 1959
oil on paper mounted to board | 16.25 h × 20.75 w inches
Signed and dated to upper right ‘Alan Davie 59’.
$ 10,000 – 15,000
222 Tejo Remy
You Can’t Lay Down Your Memories
The Netherlands, c. 1991 | Droog
vintage drawers, maple, jute, steel | 57 w × 24 d × 52 h inches
Measurements are approximate and vary with installation. Signed and stamped
to reverse of one drawer case ‘Tejo Remy’ with stamped manufacturer’s mark to
interior of each case ‘No. 088 Droog Design Atelier Schelling & Boraboom Den
Haag’. This example is number 88 from the edition of 200.
$ 10,000 – 15,000
224 Donald Sultan b. 1951
Apples and Red Pears (two works from the Fruits and Flowers portfolio), 1989
screenprint on paper | 23 h × 22 w inches
Signed, titled and numbered to margin of one work ‘Apples Donald Sultan 47/125’.
Signed, titled and numbered to margin of one work ‘Red Pears Donald Sultan 47/125’.
Each work is number 47 from the edition of 125 published by Parasol Press,
Portland, Oregon.
$ 2,000 – 3,000
225 Marc Newson
Wicker chair
Australia/Japan, 1990 | Idée
wicker, aluminum | 26.5 w × 36 d × 30 h inches
$ 4,000 – 6,000
Literature Marc Newson, Rawsthorn, ppg. 60, 213 Marc Newson,
Morgan, ppg. 164 – 165, 172
228 Yayoi Kusama b. 1929
collection of twenty-seven books, 1998
printed paper | 12.75 h × 9.75 w × 1 d inches
Complete list of titles is available online.
$ 4,000 – 6,000
227 Leon Polk Smith 1906 – 1996
Untitled, 1949
collage on paper | 39.75 h × 32 w inches
Signed and dated to lower edge ‘Leon Polk Smith 49’.
Sold with a photocopy of the original invoice.
$ 3,000 – 5,000
Provenance Hoffman, Friedberg, Germany | Private collection
226 Leon Polk Smith 1906 – 1996
Untitled, 1952
collage on paper | 32.5 h × 26 w inches
Signed and dated to lower edge ‘Leon Polk Smith ‘52’.
Sold with a photocopy of the original invoice.
$ 3,000 – 5,000
Provenance Hoffman, Friedberg, Germany | Private collection
231 Roy Lichtenstein 1923 – 1997
Industry and the Arts, 1969
screenprint on C.M. Fabriano 100/100 Cotone paper | 21 h × 18.25 w inches
Signed, dated and numbered to lower edge ‘Roy Lichtenstein 69 18/250’. This work
is number 18 from the edition of 250 published by Gabriele Mazzotta Editore, Milan.
$ 6,000 – 8,000
Literature The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948 – 1997,
Corlett, pg. 108, no. 86
230 Sam Falls b. 1984
Life Size, 2012
bound printed paper with hand-coloring | 12.25 h × 9.25 w × 1 d inches
Signed and numbered to interior ‘S. Falls 7/25’. This example is number 7
from the edition of 25 in a hardcover bound in hand-dyed fabric cut from original
artworks. Text features poems by Jamie Kanzler. Published by Karma, New York.
$ 600 – 800
Provenance Karma, New York | Private collection
229 Claire Falkenstein 1908 – 1997
Untitled (Fusion), c. 1970
welded copper, fused glass | 4.5 h × 6 w × 5 d inches
$ 3,000 – 5,000
Provenance Stahr Collection, Barrington, IL
232 Marc Newson
Helice floor lamp
Australia/Italy, 1993 | Flos
enameled aluminum | 14.5 dia × 75 h inches
$ 2,000 – 3,000
Literature Mark Newson, Rawsthorn, ppg. 74 – 77, 213
233 Nancy Dwyer b. 1954
Over Here, No Over Here (diptych), 1989
acrylic on canvas | 70 h × 101.5 w inches
$ 5,000 – 7,000
Provenance Wright, Living Contemporary,
26 September 2013, Lot 145 | Private collection
235 Ernest Trova 1927 – 2009
Falling Man Series, Black no. 16, c. 1963
acrylic on canvas | 36 h × 36 w inches
Signed to verso ‘Trova’.
$ 2,000 – 3,000
Provenance Pace Gallery, New York
Private collection
234 Nassos Daphnis 1914 – 2010
S-12-67, 1967
acrylic on paper mounted to board | 12 h × 12 w inches
Signed and titled to verso ‘N. Daphnis S-12-67’.
$ 2,000 – 3,000
237 Ernest Trova 1927 – 2009
Study/Falling Man (Green Sun), 1978
etching and aquatint on paper | 33.75 h × 29.5 w inches
Signed, numbered and dated to lower edge ‘58/90 E. Trova 78’.
This work is number 58 of the edition of 90.
$ 600 – 800
Provenance Hokin Gallery, Palm Beach, FL | Private collection
236 Ernest Trova 1927 – 2009
Falling Man Study, 1967
acrylic on canvas | 12 h × 12 w inches
Signed, titled, dated and inscribed to verso ‘Study 1967
For Grace Hokin Very Best Wishes Ernest Trova’.
$ 900 – 1,200
Provenance Grace Hokin, Palm Beach, FL | Private collection
238 Ernest Trova 1927 – 2009
Abstract Variation Manscape, 1984
enameled steel, bronze, acrylic | 9.25 h × 4.5 d × 6.5 w inches
Signed, titled, numbered and dated with studio mark to underside ‘E. Trova A.V.
Manscape 32/50 Pace Editions Inc 1984’. This work is number 32 from the edition
of 50 published by Pace Editions, Inc., New York.
$ 900 – 1,200
239 Ernest Trova 1927 – 2009
Falling Man Study No. 196, 1972
pewter and silver alloy | 6.5 h × 6 d × 24 w inches
Impressed studio mark with date to underside ‘72’.
$ 15,000 – 20,000
Provenance The Pace Gallery, New York
Private collection
241 Tom Friedman b. 1965
Untitled, 2004
relief print | 19.5 h × 11.5 w inches
Signed and numbered to verso ‘Tom Friedman AP II’. This work is an artist
proof aside from the edition of 12 published by Island Press, St. Louis.
$ 15,000 – 20,000
240 Ernest Trova 1927 – 2009
Standing Wrapman, 1986
stainless steel, acrylic | 16.25 h × 5 d × 5 w inches
Numbered and dated with studio mark to underside ‘6/8 1986’.
This work is number 6 from the edition of 8.
$ 9,000 – 12,000
242 Jenny Holzer b. 1950
Inflammatory Essays (set of ten), c. 1982
offset print on paper | 10 h × 10 w inches
$ 1,500 – 2,000
Literature Jenny Holzer, Waldman, ppg. 62 – 69
243 Tauba Auerbach b. 1981
Mesh Moire IV, 2012
soft ground etching on paper | 31.5 h × 23.75 w inches
Signed, dated and numbered to lower edge ‘14/40 Tauba
Auerbach 2012’. This work is number 14 from the edition
of 40 published by Paulson Bott Press, Berkeley.
$ 5,000 – 7,000
244 Karel Appel 1921 – 2006
Oiseau et Garçon, 1969
acrylic on paper mounted to linen | 19.5 h × 24.75 w inches
Signed and dated to lower right ‘Appel 69’. Signed, titled and
dated to verso ‘No. 15 Oiseau et Garçon Paris 1969 Appel’.
$ 15,000 – 20,000
Provenance Jean and Roger Grossman, Chappaqua, NY
246 Ross Bleckner b. 1949
Untitled, 2009
acrylic on canvas | 18 h × 18 w inches
Signed, dated and inscribed to verso ‘RB5860 RB 2009
For Jose with love Ross B 6/10’.
$ 7,000 – 9,000
245 Damien Hirst b. 1965
Spin Painting, 1995
watercolor and acrylic on paper | 5.75 h × 3.5 w inches
Signed and annotated to verso ‘Damien Hirst DHS 2377’. This work is unique.
$ 5,000 – 7,000
Provenance Gvesner Fine Art, London | Private collection
247 Dave Muller b. 1964
Diaristic, 2001 – 2004
acrylic on paper | 4 h × 3.5 w inches (each)
This lot is composed of 100 works on paper. A selection of these
works will be included in a forthcoming publication by Dave Muller
that will feature his Polaroid-sized paintings.
$ 70,000 – 90,000
Provenance Blum & Poe, Los Angeles | Private collection, New York
250 Edward Ruscha b. 1937
Every Building on the Sunset Strip, 1966
offset print on paper, silver Mylar | 7.25 h × 5.75 w inches
This work is from the true first edition of 1,000 published by the artist.
$ 2,000 – 3,000
Literature Edward Ruscha: Editions 1959 – 1999, Catalogue Raisonné,
Engberg, vol. 1, ppg. 84 – 85 and vol. 2, pg. 124, no. B4
249 Sam Falls b. 1984
Val Verde, 2011
bound printed paper with hand-coloring | 10.25 h × 8 w inches
Signed and numbered to interior ‘S. Falls 5/30’. This example is number
5 from the edition of 30 (one of three colors) in a special hardcover bound
in hand-dyed and sun-exposed fabric cut from original artworks. Text features
poems by Jamie Kanzler. Published by Karma, New York.
$ 400 – 600
Provenance Karma, New York | Private collection
248 Man Ray
Les grands trans-Parents (from Ultramobile series)
USA/Italy, 1971 | Simon Gavina
screenprint on mirror | 71 h × 31 w inches
Printed signature to lower edge ‘Man Ray’.
$ 3,000 – 5,000
Literature Simon Gavina, manufacturer’s catalog, pg. 21 Dino Gavina:
Ultarazionale Ultramobile, Orsini, ppg. 147, 149, back cover The Adventure
of Design: Gavina, Vercelloni, pg. 139
251 John Baldessari b. 1931
Crowds with Shape of Reason Missing, Example 3, 2012
Mixografia on hand made paper | 25 h × 38.75 w inches
Signed to studio label to verso ‘Baldessari’. This work is number
33 from the edition of 60 published by Mixographia, Los Angeles.
$ 4,000 – 5,000
253 John Baldessari b. 1931
Crowds with Shape of Reason Missing, Example 5, 2012
Mixografia on hand made paper | 25 h × 38.75 w inches
Signed to studio label to verso ‘Baldessari’. This work is number
33 from the edition of 60 published by Mixographia, Los Angeles.
$ 4,000 – 5,000
252 John Baldessari b. 1931
Crowds with Shape of Reason Missing, Example 4, 2012
Mixografia on hand made paper | 25 h × 38.75 w inches
Signed to studio label to verso ‘Baldessari’. This work is number
33 from the edtion of 60 published by Mixographia, Los Angeles.
$ 4,000 – 5,000
255 Michelangelo Pistoletto b. 1933
Frattali, 1999 – 2000
acrylic on mirrored glass | 21.75 h × 30.25 w × .25 d inches
Signed, titled and dated to verso ‘Pistoletto 1999/2000 Frattali’.
$ 6,000 – 8,000
254 Roy Lichtenstein 1923 – 1997
Whaam! (Diptych), 1963
offset lithograph on paper | 25 h × 29 w inches
Signed to lower edge of right panel ‘Roy Lichtenstein’. Printed manufacturer’s mark to
lower edge of each ‘Published by The Tate Gallery, London. Reproduced and Printed in
Great Britain by Lautrec Photo Litho Ltd. Leeds, 2M68’. This work is from the edition of
2000 printed by Lautrec Photo Litho Ltd. and published by the Tate Gallery, London.
$ 7,000 – 9,000
Literature The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948 – 1997,
Corlett, pg. 325, app. 7
256 Bruno Munari 1907 – 2003
collection of twenty-nine books, 1942 – 2003
printed paper | 11.25 w × .75 d × 9.25 h inches
Complete list of titles is available online.
$ 2,000 – 3,000
258 Raymond Pettibon b. 1957
Untitled (Is there anything…), 2002
ink and watercolor on paper | 17.25 h × 11 w inches
Signed and dated to verso ‘Raymond Pettibon 02 RaP 5403’.
$ 7,000 – 9,000
Provenance Regen Projects, Los Angeles | Private collection
257 Yoon Hyon-Kun 1928 – 2007
Umber – Blue ‘87 #21, 1987
oil on paper | 37 h × 25 w inches
Signed and dated to lower edge ‘H K Yoon ‘87’.
$ 3,000 – 5,000
260 Sam Francis 1923 – 1994
Untitled, c. 1977
monotype on paper | 24 h × 19 w inches
Signed to lower right corner ‘Sam Francis’.
$ 10,000 – 15,000
259 Tom Wesselmann 1931 – 2004
Monica Sitting with Mondrian, 1989
screenprint on paper | 50.75 h × 37 w inches
Signed, numbered and dated to lower edge ‘Wesselmann 89 85/100’.
This work is number 85 from the edition of 100 published by International
Images, Inc., Putney, Vermont.
$ 10,000 – 15,000
263 Keith Haring
No. 1 Spirit of Art tea service
USA/Germany, 1991 | Villeroy & Boch
bone china | 8.75 w × 5 d × 9 h inches
Signed with printed manufacturer’s mark to underside of each ‘No 1 Spirit of Art Keith
Haring The Estate of Keith Haring 1991 Villeroy & Boch Germany’. This work is number
290 from the edition of 500. Sold with a certificate of authenticity issued by Villeroy &
Boch and the Keith Haring Estate. Service includes six teacups, six saucers, six plates,
one serving plate, teapot, sugar bowl and creamer.
$ 2,000 – 3,000
261 Keith Haring 1958 – 1990
Popshop IV, 1989
screenprint on paper | 11.25 h × 14.25 w inches
Signed, dated and numbered to right margin ‘K. Haring 89 18/200’. This work is number
18 from the edition of 200 published by Martin Lawrence Limited Editions, Inc.
$ 5,000 – 7,000
Provenance Martin Lawrence Modern, New York | Private collection
262 Keith Haring 1958 – 1990
Untitled, 1988
India ink on paper | 12 h × 9 w inches
Signed and dated to front ‘K. Haring 88’.
$ 5,000 – 7,000
Provenance Martin Lawrence Modern, New York | Private collection
264 Sol LeWitt 1928 – 2007
Irregular, Angular Brushstrokes, 1997
color sugar lift aquatint on Somerset Textured White paper | 39.5 h × 29.75 w inches
Signed and numbered to lower margin ‘LeWitt 19/25’. This work is number 19 from the
edition of 25 printed by Crown Point Press, San Francisco.
$ 3,000 – 5,000
Provenance Wright, Modern Design, 7 October 2007, lot 586
Stahr Collection, Barrington, IL
266 Gaetano Pesce
conference table from TBWA/Chiat/Day, New York
Italy, 1994
resin, steel, plastic | 124 w × 38 d × 28 h inches
$ 7,000 – 9,000
Literature Gaetano Pesce, Bartolucci, ppg. 84 – 87 illustrate and discuss project
Time-based Architecture, Heyden, Leupen, Heijne and von Zwol, ppg. 144 – 147
discuss project
Provenance TBWA/Chiat/Day, New York | Wright, Modern Design, 12 October
2010, Lot 346 | Private collection, New York
265 Robert Heinecken 1931 – 2006
Jane Pauley/NBC/Today, 1982
videogram, six-color lithograph on paper | 20 h × 22 w inches
Signed and numbered to lower edge ‘Heinecken 1982’.
This work is number 30 from the edition of 30.
$ 2,000 – 3,000
Provenance Acquired directly from the Robert Heinecken Trust | Private collection
267 Roy Lichtenstein 1923 – 1997
Crying Girl mailer, 1963
offset lithograph on wove paper | 17 h × 23 w inches
This print is from the unknown edition size printed by Colorcraft,
New York and published by Leo Castelli Gallery, New York.
$ 2,000 – 3,000
Literature The Prints of Roy Lichtenstein: A Catalogue Raisonné
1948 – 1997, Corlett, pg. 282, pl. II.1
268 Jesús Rafael Soto 1923 – 2005
Óvalo en el Rojo (from Serie Sintesis), 1979
screenprint on Plexiglas with metal rods | 15.25 h × 15.25 w × 5.5 d inches
Signed, titled and numbered with applied paper gallery label to reverse ‘Jesus Soto
46/110’ and signed by the artist ‘Soto’. This work is number 46 from the edition of 110.
$7,000–9,000
269 Studio Simon
Omaggio ad Andy Warhol, set of four stools (from Ultramobile series)
Italy, c. 1973 | Simon International
enameled steel, upholstery | 12 dia × 18 h inches
Signed with decal manufacturer’s label to top of each
‘Omaggio A: Warhol Ultramobile Simon Bologna Italy’.
$ 3,000 – 5,000
Literature 1000 Chairs, Fiell and Fiell, pg. 477 Das Abenteuer
des design Gavina, Vercelloni, figs. 130 – 132
270 Alex Katz b. 1927
Sweatshirt II (from Alex and Ada, the 1960s to the 1980s portfolio), 1990
screenprint on Arches paper | 36 h × 28.63 w inches
Signed and numbered to lower left ‘Alex Katz 32/150’. This work is number
32 from the edition of 150 printed by Styria Studio, New York and published
by Gaultney-Klineman, New York.
$ 2,000 – 3,000
Literature Alex Katz Prints: Catalogue Raisonné 1947 – 2011, Schröder,
no. 248, pg. 179
271 Robert Mangold b. 1937
A Red, 1979
aquatint on paper | 40.5 h × 40.5 w inches
Signed, titled and numbered to lower edge ‘48/50 A Red R. Mangold’.
This work is number 48 from the edition of 50 printed by Hidekatsu
Takada and published by Crown Point Press, San Francisco.
$ 2,000 – 3,000
Provenance Cantor/Lemberg Gallery, Birmingham, MI | Private collection
273 Barbara Kruger b. 1945
You’re Right (And You Know It And So Should Everyone Else), 2010
lithograph on paper | 9 h × 24 w inches
Signed, numbered and dated to verso ‘BK 47/200 2010’. This work is number
47 from the edition of 200.
$ 2,000 – 3,000
274 Kay Rosen b. 1949
Cut Out, 1993
lithograph on paper | 12 h × 15 w inches
Signed, titled, numbered and dated to verso ‘Kay Rosen Cut Out 30/30 93’.
This work is number 30 from the edition of 30 printed by Anchor Graphics, Chicago.
$ 1,000 – 1,500
272 Victor Vasarely 1906 – 1997
Untitled (Geometric Composition), c. 1975
serigraph on paper | 25 h × 22.25 w inches
Signed and numbered to lower edge ‘195/250 Vasarely’.
This work is number 195 from the edition of 250.
$ 500 – 700
275 Terence Main b. 1954
Untitled, 1989
aniline-dyed plywood, cowhide | 57 h × 20.25 w × 27 d inches
Carved signature and date to lower edge ‘Main 89’.
$ 3,000 – 5,000
276 Jean Dubuffet 1901 – 1985
Marche en campagne, 1975
screenprint on paper | 31 h × 28 w inches
Signed, dated and numbered to lower edge ‘J.D. 75 48/70’. This work is number
48 from the edition of 70 published by Pace Editions, Inc., New York.
$ 3,000–5,000
Provenance Hokin Gallery, Palm Beach, FL | Private collection
278 Blinky Palermo 1943 – 1977
Fünf Miniaturen (five works), 1972
foil embossing on paper | 5.75 h × 1.5 w inches
Signed and dated to lower edge of each example ‘Palermo 72’. These works
are from the edition of 75 published by Galerie Heiner Friedrich, Munich.
$ 10,000 – 15,000
277 Emerson Woelffer 1914 – 2003
Untitled, 1991
oil on canvas | 11.5 h × 8.5 w inches
Initialed and dated to lower edge ‘E.W. 91’. Signed, dated
and inscribed to verso ‘Woelffer 91 for Rachelle 2-26-92’.
$ 3,000 – 5,000
281 Marc Newson
Wooden Chair
Australia/Italy, 1988/c. 1992 | Cappellini
bent beech wood | 33 w × 41 d × 27.25 h inches
Signed with applied manufacturer’s label to interior ‘Cappellini’.
$ 5,000 – 7,000
Literature Marc Newson, Rawsthorn, ppg. 34 – 37, 212
Marc Newson, Morgan, pg. 173
279 After Alexander Calder
Circus Tapestry
USA, 1975 | C.A.C. Publications/Bon Art
hand-woven maguey fiber | 84 h × 57 w inches
Woven signature, date and number to lower edge ‘68/100 Calder 75’. This work is
number 68 from the edition of 100 published by C.A.C. Publications and Bon Art.
$ 3,000 – 5,000
280 After Alexander Calder
Balloons Tapestry
USA, 1974 | C.A.C. Publications/Bon Art
hand-woven maguey fiber | 70 h × 49 w inches
Woven signature and date to lower right ‘CA 74’. This work is from the edition
of 100 published by C.A.C. Publications and Bon Art.
$ 3,000 – 5,000
282 Frank Stella b. 1936
Egyplosis (from Imaginary Places II), 1996
color etching with relief on paper | 32 h × 32 w inches
Signed, numbered and dated to lower margin ‘32/36 F. Stella 96’. This work
is number 32 from the edition of 36 published by Tyler Graphics, Ltd., New York.
$ 3,000 – 5,000
283 Frank Stella b. 1936
Swan Engraving Blue (from Swan Engraving series), 1983
color etching with relief on paper | 38.5 h × 31.5 w inches
Signed, numbered and dated to lower edge ‘21/30 F. Stella 83’. This work
is number 21 from the edition of 30 published by Tyler Graphics Ltd., New York.
$ 7,000 – 9,000
286 John Sennhauser 1907 – 1978
Untitled, 1945
ink and gouache on paper | 13.5 h × 18.5 w inches
Signed and dated to lower margin ‘John Sennhauser 1945’.
$ 1,500 – 2,000
285 Helen Frankenthaler 1928 – 2011
Variation II on ‘Mauve Corner’, 1969
lithograph on paper | 19.75 h × 25 w inches
Signed, dated and numbered to lower margin ‘Helen Frankenthaler 69 10/21’.
This work is number 10 from the edition 21 published by ULAE, New York.
$ 3,000 – 5,000
Literature Frankenthaler, A Catalogue Raisonné: Prints 1961 – 1994,
Harrison, no. 17, ppg. 106 – 109
284 Alex Katz b. 1927
Corrine (Four Faces), 1990
woodcut on Mulberry paper | 13.5 h × 52.5 w inches
Signed and numbered to lower left ‘Alex Katz 45/50’. This work is number
45 from the edition of 50 printed by John C. Erickson, New York and published
by International Images Inc., New York.
$ 1,000 – 1,500
Literature Alex Katz Prints: Catalogue Raisonné 1947 – 2011, Schröder, pg. 176, no. 236
289 Kees van Dongen 1877 – 1968
Les Cheveux Courts-1st State, 1924
lithograph on paper | 17 h × 11 w inches
Signed and numbered to lower edge ‘van Dongen 29/30’. This work
is number 29 from the edition of 30 published by E. Frapier, Paris.
$ 2,000 – 3,000
288 Grisha Bruskin b. 1945
Study, 1990
ink and gouache on paper | 11.5 h × 8.25 w inches
Signed to lower right ‘Grisha Bruskin’.
$ 4,000 – 6,000
Provenance Marlborough, New York | Hokin Gallery, Palm Beach, FL
Private collection
287 Nat Finkelstein 1933 – 2009
Dylan, Warhol, and Elvis, 1967/2010
gelatin silver print | 15 h × 22 w inches
Stamped to verso ‘Estate of Nat Finkelstein’. Signed, dated and numbered by the
estate to verso ‘Finkelstein 2010 8/20’. This work is number 8 from the edition of 20.
$ 2,000 – 3,000
Provenance Eric Firestone Gallery, East Hampton, NY
293 Don Leicht b. 1946
Space Invader, 1981
ink on paper | 8.25 h × 10.5 w inches
$ 2,000 – 3,000
Provenance Eric Firestone Gallery, East Hampton, NY
295 Don Leicht b. 1946
Space Invader, 1981
ink on paper | 8.25 h × 10.5 w inches
$ 2,000 – 3,000
Provenance Eric Firestone Gallery, East Hampton, NY
290 Don Leicht b. 1946
Space Invader, 1981
ink on paper | 8.25 h × 10.5 w inches
Signed to right edge ‘Don Leicht’.
$ 2,000 – 3,000
Provenance Eric Firestone Gallery, East Hampton, NY
292 Don Leicht b. 1946
Space Invader, 1981
ink on paper | 8.25 h × 10.5 w inches
Signed to lower left ‘Don Leicht’.
$ 2,000 – 3,000
Provenance Eric Firestone Gallery, East Hampton, NY
291 Don Leicht b. 1946
Space Invader, 1981
ink on paper | 8.25 h × 10.5 w inches
Signed to lower right ‘Don Leicht’.
$ 2,000 – 3,000
Provenance Eric Firestone Gallery, East Hampton, NY
294 Don Leicht b. 1946
Space Invader, 1981
ink on paper | 8.25 h × 10.5 w inches
Signed to lower left ‘Don Leicht’.
$ 2,000 – 3,000
Provenance Eric Firestone Gallery, East Hampton, NY
290
293
291
294
292
295
296 Edward Allington b. 1951
Roman from the Greek, in America, 1987
lacquered wood, plaster | 45 h × 12 w × 12 d inches (each)
This work is unique.
$ 7,000 – 9,000
Literature Sculpture and its Reproductions, Hughes and Ranfft,
pg. 153 illustrates this work
Provenance Diane Brown Gallery, New York | Private collection
297 Cindy Sherman b. 1954
Untitled (Bathing Suit), 1983/2000
digital c-print | 22 h × 14.5 w inches
Signed, dated and numbered to verso ‘Cindy Sherman 91/100
1983/2000’. This work is number 91 from the edition of 100.
$ 3,000 – 5,000
298 Terence Main b. 1954
collection of five miniature Urban Guerrillas, 1997
cast bronze | 2 h × 3 w × 1.75 d inches (largest)
Impressed signature and date to underside of largest example ‘Main 97’.
$ 1,500 – 2,000
299 Alec Soth b. 1969
Luxora, Arkansas, 2002/2004
c-print | 18 h × 20 w inches
Signed, titled and dated to verso ‘Luxora AR 2002 Alec Soth 2004 7/15’.
This work is number 7 from the edition of 15.
$ 5,000 – 7,000
Literature Alec Soth Sleeping by the Mississippi, Hampl and Tucker, unpaginated
300 Nan Goldin b. 1953
James King: Supermodel (portfolio of twelve works),
1994 – 1995
c-print | 15.5 h × 19.5 w inches
Signed, titled, dated and numbered to verso of each
sheet ‘Nan Goldin 4’. This portfolio is number 4 from
the edition of 10.
$ 20,000 – 30,000
Provenance Acquired directly from the artist
Wright, Living Contemporary, 26 April 2012, lot 151
Private collection
303 Gerald Laing b. 1936
Untitled, 1993
oxidized steel, bronze | 10.75 h × 14 w × 7 d inches
Signed, dated and numbered to underside ‘Gerald Laing 1993 6/50’.
This work is number 6 from the edition of 50 published by Multiples,
Inc., New York.
$ 2,000 – 3,000
301 Richard Misrach b. 1949
Baja #2, 1991/2005
c-print | 18.5 h × 23 w inches
Signed, titled, numbered and dated to lower edge ‘16/25 Baja #2 Richard
Misrach 1991/2005’. This print is number 16 from the edition of 25.
$ 2,000 – 3,000
302 Gary Smith
H.C. Westerman Memorial Box, 1982
rosewood, ash plywood, lacquered wood, glass | 13.75 h × 16 w × 9.75 d inches
Inspired after seeing H.C. Westermann’s 1979 exhibit at the Whitney Museum,
artist Gary Smith crafted this wooden box and named it in memory of the
late Westermann.
$ 1,000 – 1,500
306 Iñigo Manglano-Ovalle b. 1961
Untitled (from Oppenheimer), 2003/2004
c-print mounted to acrylic | 30 h × 38 w inches
Signed, titled, dated and numbered to verso ‘Iñigo Manglano-Ovalle 2004 1/5’.
This work is number 1 from the edition of 5.
$ 10,000 – 15,000
Literature Iñigo Manglano-Ovalle, Pavelka Peet, ppg. 69, 81 discuss series
Provenance Max Protech Gallery, New York | Private collection
304 Ryan McGinley b. 1977
Untitled, 2003
c-print | 19.5 h × 15.5 w inches
Signed and numbered to verso ‘Ryan McGinley 18/25’.
This print is number 18 from the edition of 25.
$ 3,000 – 5,000
305 Alex Prager b. 1979
Judith, 2011
archival pigment print | 19.25 h × 14 w inches
Signed, titled and dated to verso ‘Judith 4/9 2011 A Prager’.
This work is number 4 from the edition of 9.
$ 5,000 – 7,000
308 Pan American
707 Manufacturer’s Promotional Model Airplane, c. 1965
lacquered resin | 75.5 w × 72 l inches
This model was featured in the 2002 film Catch Me If You Can where
it was shown in the office of former Pan American president, Juan Trippe.
$ 3,000 – 5,000
307 Massimo Vitali b. 1944
Courmayeur Mont Blanc (from Landscapes with Figures portfolio), 2006
offset lithograph on 300g Consort Royale paper | 26 h × 33.5 w inches
Stamped publishers mark to verso ‘Massimo Vitali Steidl Verlag, Gottingen
for Brancolini Grimaldi Edition No. 060/120 Sheet No. 34’. This work is number
60 from the edition of 120 published by Steidl for Brancolini Grimaldi.
$ 3,000 – 5,000
Terms & Conditions of the Sale
Each lot in this catalog is offered subject to the following Terms and Conditions of Sale, as supplemented in writing or otherwise by us at any time prior to the sale. By registering to bid at the auction, or by placing a bid through any means, you agree to be bound by these Terms and Conditions of Sale. In these Terms and Conditions of Sale, “we,” “us,” “our,” “Wright” or similar terms mean R. Wright, Inc. and any of its agents, and “you,” “your,” “buyer” or similar terms mean a person bidding on or buying property.
1 Examination of Property
Except as stated under “Limited Warranty” in paragraph 4 below, all property is sold “as is,” with no representation or warranty of any kind from Wright or the consignor. Because buyers are responsible for satisfying themselves as to condition or any other matter concerning the property, they are advised to personally examine any property on which they intend to bid prior to the auction. As a courtesy, condition reports for any lot are available from Wright prior to the sale, but Wright assumes no responsibility for errors and omissions contained in the catalog or in any such report provided at the request of a buyer. Any statements made in this catalog or in any condition report, whether orally or in writing, are intended as statements of opinion only, are not to be relied upon as statements of fact and do not constitute representations or warranties of any kind.
2 Bidding at Auction
All prospective bidders are required to register with us in advance of the sale. We may require photo identification and bank references for registration. By bidding at the auction, a buyer assumes personal responsibility to pay the purchase price bid, plus the buyer’s premium and any additional charges that become due and payable in connection with the purchase of the property. Upon the fall of the auctioneer’s hammer, the buyer assumes all risk of loss and damage to the property, in addition to any obligations, costs and expenses relating to the handling, shipping, insurance, taxes and export of the property.
As a convenience to buyers who cannot be present on the day of the sale, we will use reasonable efforts to execute, on a competitive basis, written absentee bids left with us prior to the sale. We assume no responsibility for a failure to execute any such bid, or for errors or omissions made in connection with the execution of any such bid. If requested prior to the sale, we will use reasonable efforts to contact the buyer by telephone to enable the buyer to participate in the bidding by telephone on the day of the sale, but we assume no responsibility for errors or omissions made in connection with any such arrangement. As a convenience to buyers who cannot be present on the day of the sale, we will use reasonable efforts to execute, on a competitive basis, bids left with us via the Internet, whether by absentee or, if available, a live bidding program. We assume no responsibility for a failure to execute any such bid, or for errors or omissions made in connection with the execution of any such bid.
Buyers are advised that there may be additional terms and conditions governing the use of Internet bidding services including, but not limited to, those providing for additional charges and fees relating to the execution of such bids. Any such additional terms and conditions are hereby incorporated by reference into these Terms and Conditions of Sale as though such terms and conditions were included herein, and buyers are therefore advised to familiarize themselves with any such terms and conditions prior to utilizing any Internet bidding service.
All lots may be offered subject to reserve, which is the confidential minimum price below which the lot will not be sold. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders.
The auctioneer has the right, in his absolute discretion, to determine the conduct of the sale, including, without limitation, to advance the bidding, to reject any bid offered, to withdraw any lot, to reoffer and resell any lot, and to resolve any dispute in connection with the sale. In any such case, the judgment of the auctioneer is final, and shall be binding upon all participants in the sale.
The sale will be conducted in the following increments:
to $ 1,000 $ 50 increment $ 1,000 – 2, 000 $ 100 increment $ 2, 000 – 3, 000 $ 200 increment $ 3, 000 – 5, 000 $ 250 increment $ 5, 000 – 10, 000 $ 500 increment $ 10, 000+ $ 1000 increment or auctioneer’s discretion
3 Payment for and Collection of Purchases
In addition to the hammer price, the buyer of a lot agrees to pay us a buyer’s premium, together with any applicable sales tax due to the state of Illinois or New York, late payment charges and storage fees. The buyer’s premium on any lot is 25% of the hammer price up to and including $ 100,000, 20% of any amount in excess of $ 100,000 up to and including $ 1,000,000, and 12% of any amount in excess of $ 1,000,000. For internet bidding, an additional 2% is added to the buyer’s premium rates stated above. All purchases will be subject to state sales tax in Illinois or New York unless the buyer has provided us with a valid certificate of exemption from such tax or if interstate commerce tax laws apply coupled with valid certification of the interstate shipment.
Buyers are required to pay for purchases immediately following the auction unless other arrangements have been made in advance of the auction. All payments must be made in US Dollars, in any of the following acceptable forms of payment:
– Cash – Check, with acceptable identification – Visa, MasterCard or American Express, with a 2% surcharge for any such payment.
In the event that the buyer has not made satisfactory arrangements with us for the payment of all amounts owed within five (5) business days after the auction date or has otherwise defaulted in the performance of its obligations under these Terms and Conditions of Sale, we reserve the right to bill the buyer’s credit card in an amount equal to ten percent (10%) of the sum of the hammer price plus the Buyer’s Premium. Any charge made by us under this provision shall be credited against all amounts owed to us by the buyer under these Terms and Conditions of Sale, and shall in no way limit or restrict the exercise of any of our rights and remedies available at law or in equity with respect to payment of all other sums owed to us. We reserve the right to delay delivery of any property until clearance or collection of funds in connection with any payment and, in any event, title to the property shall not pass to the buyer until clearance or collection of funds has occurred.
In any case, as security for full payment to us of all amounts due from the buyer, we retain, and the buyer grants to us, a security interest in the property purchased by the buyer at auction, and in any other property or money of the buyer in our possession or coming into our possession subsequently. We may apply any such money or treat any such property in any manner permitted under the Uniform Commercial Code and/or any other applicable law.
All property not collected within thirty (30) days following the sale date will become subject to storage fees of not less than $5 per day, and property may be moved to alternate storage facilities at the buyer’s risk and expense. A late payment fee equal to 1.5% per month may be assessed on any amounts remaining unpaid thirty (30) days following the date of the sale.
We may, as a courtesy to the buyer, provide or arrange packing, shipping or similar logistical services, or refer the buyer to third parties who specialize in these services. Any such services provided or arranged by us are at the buyer’s sole risk and expense, and we assume no responsibility for any act or omission of any party in connection with any such service or reference.
If a buyer fails to make timely payment as required in this paragraph 3, we shall be entitled, in our discretion, to exercise any remedies legally available to us, including, but not limited to, the following:
– cancellation of the sale of the property to the non-paying buyer, including the sale of any other property to the same buyer;
– reselling the property, at public or private sale, with or without reserve;
– retention of any amounts already paid by the buyer as liquidated damages;
– rejection of any bids by the buyer at future auctions;
– setting-off any amounts owed by us to the buyer in satisfaction of unpaid amounts
– taking any other action we deem necessary or appropriate under the circumstances.
4 Limited Warranty
Subject to the following terms and conditions, Wright warrants, for a period of five (5) years following the date of sale, the authorship and authenticity of any work as set forth unqualifiedly in a heading in Bold type in this catalog. The term “author” or “authorship” means the creator, designer, culture or source of origin of the property, as the case may be, as specifically identified in Bold type in this catalog, and shall not include any supplemental text or information included in the catalog descriptions. Other than as specifically set forth above, Wright provides no warranty regarding any statements made in this catalog or elsewhere, whether orally or in writing, and Wright shall not be responsible for errors or omissions contained in the text of this catalog. Wright’s warranty does not apply to any heading in this catalog that contains a qualified opinion or attribution of authorship, and the warranty is subject to the following:
The benefits of the warranty are only available to the original buyer of the property, and not to any subsequent purchasers, transferees, successors, heirs, beneficiaries or assigns of the original buyer.
The warranty shall not apply to any lot for which the description states that there is a conflict of opinion among specialists as to authorship or origin.
The warranty shall not apply to any lot for which the attribution conforms with the generally accepted opinion of scholars, specialists or other experts on the date of sale, despite the subsequent discovery of information that modifies such generally accepted opinions.
The buyer’s sole remedy, and Wright’s sole liability, under the warranty shall be the cancellation of the sale of the property in question, and the refund of the purchase price originally paid by the buyer in respect of the property (not including any late fees, shipping or storage charges incurred by the buyer).
In no event shall Wright be liable to the buyer or any third party for any special or consequential damages including, without limitation, lost profits or interest.
The buyer must provide written notice of any claim under the warranty to Wright not later than five (5) years following the date of sale, and must return the property to Wright in the same condition as at the time of the original sale. Wright reserves the right to appoint two independent specialists to examine the property and evaluate the buyer’s claim before determining whether to cancel the sale in question.
5 Rescission of Sale by Wright
If we become aware of an adverse claim of a third party relating to property purchased by the buyer, we may, in our discretion, rescind the sale. Upon notice of our election to rescind a sale, the buyer will promptly return the property to us, at which time we will refund to the buyer the hammer price and buyer’s premium paid to us by the buyer in respect of the property. This refund will represent the buyer’s sole remedy against us and/or the consignor in case of a rescission of sale under this paragraph 5.
6 Private Sales
These Terms and Conditions of Sale shall govern, to the extent applicable, any private sale of property by us not made through auction.
7 Copyright Notice
All images and text contained in this catalog or in any other publication by us, in whatever form, shall remain the property of their respective owners, and the buyer shall have no right of ownership, use or reproduction of any such material by virtue of any purchase of property or otherwise.
8 Severability
If any provision of these Terms and Conditions of Sale is held by any court to be invalid, illegal or unenforceable, such provision shall be disregarded and the remaining Terms and Conditions of Sale enforced in accordance with the original document and in accordance with applicable law.
9 Governing law
These Terms and Conditions of Sale shall be governed by and interpreted in accordance with the law of the State of Illinois and, by registering for and bidding in the auction (whether personally, by telephone or by agent), the buyer agrees to submit to the exclusive jurisdiction of the state courts located in Cook County, Illinois in connection with any matter regarding this auction.
Index
A Allington, Edward 296 Appel, Karel 244 Auerbach, Tauba 243
B Baldessari, John 251 – 253 Bengston, Billy Al 182 – 183 Bertoia, Harry 200 – 207 Bleckner, Ross 217, 246 Brown, James 220 Bruskin, Grisha 288 Buffet, Bernard 191
C Calder, Alexander 279 – 280 Clemente, Francesco 216
D Daphnis, Nassos 234 Davie, Alan 223 Dubuffet, Jean 276 Dwyer, Nancy 233
E Etrog, Sorel 196
F Falkenstein, Claire 190, 229 Falls, Sam 230, 249 Finkelstein, Nat 287 Förg, Günther 188 – 189 Francis, Sam 260 Frankenthaler, Helen 285 Friedman, Tom 241
G Gates, Theaster 199 Goldin, Nan 300
H Haring, Keith 261 – 263 Heinecken, Robert 265 Hirst, Damien 245 Holzer, Jenny 242 Hyon-Kun, Yoon 257
J Johnson, Rashid 211
K Katz, Alex 270, 284 Kruger, Barbara 273 Kusama, Yayoi 228
L Laing, Gerald 303 Lassaw, Ibram 195 Leicht, Don 290 – 295 LeWitt, Sol 264 Lichtenstein, Roy 231, 254, 267 Loughlin, Robert 198
M Main, Terence 275, 298 Manglano-Ovalle, Iñigo 306 Mangold, Robert 197, 271 Marclay, Christian 187 McGinley, Ryan 304 Misrach, Richard 301 Moore, Henry 214 Muller, Dave 247 Munari, Bruno 256 Music, Zoran Antonio 194
N Newson, Marc 225, 232, 281
P P., Paul 208 Palermo, Blinky 278 Pan American 308 Pesce, Gaetano 266 Pettibon, Raymond 258 Picasso, Pablo 184, 192 – 193, 209, 218 Pistoletto, Michelangelo 255 Prager, Alex 305
R Ray, Man 248 Remy, Tejo 222 Rickey, George 210 Rosen, Kay 274 Ruscha, Edward 250
S Scully, Sean 215 Sennhauser, John 286 Sherman, Cindy 297 Smith, Gary 302 Smith, Leon Polk 226 – 227 Soth, Alec 299 Soto, Jesús Rafael 185, 268 Stella, Frank 282 – 283 Studio Simon 269 Sultan, Donald 224
T Trockel, Rosemarie 186 Trova, Ernest 235 – 240
V van Dongen, Kees 289 Vasarely, Victor 213, 272 Vitali, Massimo 307
W Warhol, Andy 219, 221 Wesselmann, Tom 259 Woelffer, Emerson 277
Art Design 26 February 2015 noon cst
Chicago 1440 W Hubbard St Chicago IL 60642
312 563 0020
The Walter & Dawn Clark Netsch Collection Preview 3 – 6 February 2015, 10 am – 5 pm
Auction Highlights 17 – 26 February 2015, 10 am – 5 pm Monday – Saturday, Sunday by appointment
New York 980 Madison Ave New York NY 10075
212 585 0200
Selections from the Auction 17 – 26 February 2015, 11 am – 5 pm Tuesday – Saturday
Richard Wright President 312 521 7150 | rwright @ wright20.com
Michael Jefferson Senior Vice President
312 521 7165 | mjefferson @ wright20.com
Brent Lewis Director, New York
212 585 0200 | blewis @ wright20.com
Kelli Thoma Lenox Director of Operations 312 521 7161 | kthoma @ wright20.com
Peter Jefferson Specialist
312 521 7156 | pjefferson @ wright20.com
Cornelia Van Der Geest Specialist
312 521 7151 | cvandergeest @ wright20.com
Meghan McCarthy Associate
212 585 0200 | mmccarthy @ wright20.com
Emilie Sims Editor and Chief Researcher 312 235 4181 | esims @ wright20.com
Clare Meyer Registrar 312 235 4171 | cmeyer @ wright20.com
Melissa Riddle Director, Wright Now 312 235 4179 | mriddle @ wright20.com
Jennifer Mahanay Art Director 312 235 4185 | jmahanay @ wright20.com
Annaka Olsen Graphic Designer 312 563 0020 | aolsen @ wright20.com
Lucas Albrecht Graphic Designer 312 563 0020 | lalbrecht @ wright20.com
Todd Simeone Image Production 312 521 7158 | tsimeone @ wright20.com
Mason Kessinger Web Developer 312 521 7166 | mkessinger @ wright20.com
Devin Ehrenfried Photographer 312 563 0020 | dehrenfried @ wright20.com
Ross Floyd Photographer 312 563 0020 | rfloyd @ wright20.com
Charles Meadows Director of Property and Transport 312 235 4177 | cmeadows @ wright20.com
Denia Garcia Art and Property Handler
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Andrew Reichold Art and Property Handler
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Ian Barnard Art and Property Handler
312 563 0020 | ibarnard @ wright20.com
Jordan Brocker Art and Property Handler
312 563 0020 | jbrocker @ wright20.com
Alexa DeTogne Shipping Coordinator
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Jean Martin Client Accounts
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Contact
Bid Department t 312 563 0020 | f 312 235 4182 bid @ wright20.com
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Richard Wright Auctioneer Illinois No. 041000341 © 2015 Wright ISBN 978 0 9862138 2 3
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