ARQUITETURAS2016...

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ARQUITETURAS2016REHABNATION12-16OCTOBER

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ABOUTARQUITETURAS FILM FESTIVAL is an international showcase of documentary, experimental and fiction films on the theme of architecture. The program that has been developed for this festival, since its creation in 2013, feeds on the infinite possibilities for the communication and promotion of architecture through cinema and audiovisual production in general. The festival seeks to take advantage of the extensive network of contacts that has arisen among other Architecture Film Festivals around the world, to enhance the projection of films highly relevant to the transmission of Portuguese architectural culture, not only in Portugal but also especially internationally.

4TH EDITION - REHAB NATIONIn a broader sense, the word rehabilitation usually has a positive connotation. Especially in the context of architecture or the built environment: it always implies a process of regeneration, the termination of a previous condition of abandonment or destruction and the beginning of a new and improved stage in the life of a certain building or construction. However, when we see this word applied to a moment in a person’s life, we usually associate it with a condition that’s always difficult: it corresponds to an arduous process of recovery from addictions, compulsions or destructive behaviors. In this sense, rehabilitation suggests both a treatment and penitence. When we apply this concept of “rehabilitation” to a whole city, territory or nation, what are the implications that might be attached to it? As eventual citizens of a hypothetical “rehab nation”, might we be condemned to live in a permanent state of recovery? Always adapting to some sort of crisis, adversity or struggle, but never really expecting to definitively overcome it? For this edition of the program, ARQUITETURAS is presenting films that explore the wide range of connotations that might be associated with the expression “REHAB NATION”. From the rehabilitation of old city centers to the gentrification of touristy neighborhoods; from the dereliction of social housing to the construction of new senses of community; from the privatization of public space to the emergence of news forms of urban intervention. The possibilities are endless and “REHAB NATION” functions as an extensive pretext to think and debate the way we currently live in our spaces and our cities.

The festival will have its presentation on 5th October at 16:00, as part of the public opening program of the new building of the museum MAAT - Museum of Art, Architecture and Technology. As warm up, and in partnership with Roca Lisbon Gallery, ARQUITETURAS will present on 10th and 11th October the premiere of two documentaries about Portuguese architects of relevance: Álvaro Siza and Carvalho Araújo. The official opening night of ARQUITETURAS will take place in LISBON FORUM (formerly Cinema Roma) on October 12th at 19:00, with the screening of the film “Apropos of Leixões”. The film is accompanied by a soundtrack of the live band Torto.

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ÍNDICE

JURY

ARCHITECTURE FILM FESTIVAL GUEST - TURKEY

PRESENTATION SESSION

WARM UP

OPENING DAY

FILMS: FÓRUM LISBOA CINEMA CITY ALVALADE

CINEMATECA

GABINETE

RUA DAS GAIVOTAS 6

MUSIC BOX

CIM - (MOURARIA CREATIVE HUB)

PARALLEL ACTIVITIESExhibition I Round Table I Guided Tour I Talks I Thesis I Children’s Workshop I Film Workshop | Masterclass

SCHEDULE

FILMS IN COMPETITION

ADDITIONAL INFORMATIONVenues I Ticket prices I Box Office opening times

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Throughout this edition of the festival, there will be more than 20 films in Portuguese Premiere, 4 films in European Premiere and 5 films in World Premiere. The period for submission of films to join the competition was open from February to May 2016 and 135 productions from 42 countries were received. This reflects that the intersection between film and architecture is once more a global target of interest and research. The awards ceremony will take place at ARQUITETURAS’s Closing Session - 16th October I Sunday I 21:30 I Forum Lisbon. The films in competition will be evaluated and awarded in the respective categories by the following jury members:

JURY

Gabriela Raposo was born in Lisbon and graduated in Architecture from Faculty of Architecture - Lisbon’s Technical University (1998), she did a Master Degree in Scenography at Central St. Martins - College of Arts and Design in London, UK (2001). Since 2013 she is a member investigator of Art.Critics.Politics at IHA - Institute of History of Arts - in Faculty of Social Sciences and Humanities (FSCH). Lisbon. Since 1998 she collaborates with architecture offices in Lisbon - Gonçalo Byrne and Falcão de Campos Architects Aires Mateus, Fernando Salvador e Margarida Grácio-Nunes; London and Rotterdam - Erick van Egeraat Architects (1998-2001). Since 1997 she has established an individual practice as a free-lancer in architecture and scenography.

António Brito Guterres is a researcher at the DINAMIA’CET research center on socioeconomic change and the territory of the Lisbon University Institute. He has experience in various projects of territorial development, in particular as the Director of the Vale da Amoreira Operation of the Critical Urban Areas Initiative, and as the coordinator of the Performance Arts Center in the same neighborhood. He currently works for the Aga Khan Foundation Portugal, focusing on issues such as participation, governance, education, youth, diversity, and pluralism. He also works as an adviser, freelancer and volunteer with grassroots organizations and informal groups; he often lectures on participation, urban regeneration, gentrification, the commons, and about the role of arts and culture in urban development. He is a member of the International Network for Urban Research and Action (INURA).

GABRIELA RAPOSO ANTÓNIO BRITO GUTERRES

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Luís Ferro is an architect based in Évora, where he has practiced since 2012 (Atelier Luís Ferro, Arquitectos Lda.). He is a Researcher at the Center for Art History and Artistic Research at the University of Évora (CHAIA) since 2009, and at the Associacion des Amis de Analecta Cartusiana since 2011. He has published several papers and has presented communications in Portugal, Spain, France, England, Finland and USA. In 2013 he founded the group Cinema-fora-dos Leões which promotes film screenings, meetings and debates on auteur cinema.

Fernando Brízio graduated in Product Design (1996) from the Faculty of Fine Arts in Lisbon, where he lives and works. He has developed products for industry and small-scale handmade production, along with exhibitions, sets, interior and public spaces for companies and organizations such as Droog, Schréder, Torino World Design Capital, experimentadesign, Lisbon City Council, Il Coccio, Cor Unum, Fábrica Rafael Bordalo Pinheiro, Galerie Kreo and choreographer Rui Horta.

Bárbara Silva is an architect educated at the University of Coimbra ( FCTUC - DARQ 2003), PhD in Theory and Practice ofProject from the Universidad Politécnica de Madrid ( UPM- ETSAM 2016) with the thesis “Brazil, the reinvention of modernity; Le Corbusier, Lucio Costa, Oscar Niemeyer “. She lives in Lisbon and Rio de Janeiro, where she develops her work as a curator, editor and agent of cultural projects. Since 2010 she is the director of NOTE www.note.org.pt - an independent cultural platform dedicated to the dissemination of architecture through exhibitions, conferences and publications.

Nuno Lisboa is director of Doc’s Kingdom - International Seminar on Documentary Film and professor of Sound and Image in the School of Arts and Design of Caldas da Rainha. Currently he’s the programmer for the 63rd Robert Flaherty Film Seminar. He was selected to program the 2017 edition of this American historic seminar founded in 1955 by Frances Flaherty.

BÁRBARA SILVA

FERNANDO BRÍZIO

LUÍS FERRO

NUNO LISBOA

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ARCHITETURE FILM FESTIVAL GUESTISTANBUL INTERNATIONAL ARCHITECTURE AND URBAN FILMS FESTIVAL (Turkey)

Since its establishment on 1954, the Chamber of Architects of Istanbul has presented a wide range of cultural events regarding the development of architectural culture, preservation of historical heritage, and the improvement of quality of life. To add a new dimension to these efforts, since 2007, it has launched an organization titled “Istanbul International Architecture and Urban Films Festival”. This organization is planned to ensure the participation of all diverse disciplines that are interested in this area, particularly architects.

The festival is programmed within the scope of the “Architecture and Urban Festival”, that is realized by the Istanbul Branch of the Istanbul Chamber of Architects on the occasion of the “World Day of Architecture.” The World Day of Architecture is widely celebrated in the world on the first Monday of the month of October.

The scope of the festival covers documentary films and animation. The films that have participated in the festival from Turkey and abroad, and which have been successful in the preliminary selection, are shown to the audience and a competition is applied among those films. Furthermore, in order to encourage exchange of ideas among the participants, various conversations and activities are organized.

This year we had the pleasure of hosting in Istanbul the films from our sister festival Arquiteturas Film Festival Lisbon with a special Gala opening and the screening of 7 movies in 5 sessions as part of our annual Urban Dreams Workshop parallel events. And now we are growing this relationship here in Lisbon with 4 films selected from our competition for the Lisbon audience:

(Selma Erdem, Istanbul International Architecture and Urban Films Festival)

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HAN I INN

Komşu Komşu Huu! I Hey Neighbour!

Koro I The Choir

Aşağı Yukarı Galata I Up and Down Galata

Highlighting the significance of heritage protection, Inn successfully investigates property issues through the story of a 17th century commercial building in the Historic Peninsula of Istanbul.

Hey Neighbour! Hits its audience with its creative characters that associate the conflict of social class struggles triggered by urban transformation.

The Choir is a symbol of friendship despite culture differences. One of the oldest churches of the World in South east cosmopolite Turkey in Hatay province represents a genuine example of peace.

An old bookstore in Galata neighbourhood had witnessed the changes in socio-cultural values that had been represented by places. These places had also been the symbols of cultural diversity in Istanbul. Such a documentation reveals the historical facts and incidents that disrupt such places as well as the common values.

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PRESENTATION’S SESSION

Festival’s theme and program presentation, followed by the screening of the film BLOCKCHAIN from the collective Space Caviar.

Blockchain is a digital docudrama set in the limitless universe of Minecraft. The film follows the ghost of Walter Gropius on an extended dèrive through ten of the game’s worlds, shadowing him as he ponders the social and political fundamentals of creativity. Fragments of conversations with the creators of maps and servers, memories from the past, observations, speculations and conjecturesof one of the 20th century’s great utopians intersect with a transnational digital universe in which learning, labor and play are all mediated by the basic shape of the block. Presented during the exhibition “The Bauhaus #itsalldesign” at VITRA Design Museum, Weil am Rhein, 2015.

Space Caviar is an architecture and research studio operating at the intersection of design, technology, politics and the public realm. Founded by Joseph Grima and Tamar Shafrir, the office uses built work, exhibitions, publishing, writing and film to investigate and document contemporary modes of habitation and the spatialisation of social and political practice. Space Caviar’s work has been shown at the Venice Architecture Biennale, the Victoria and Albert Museum, Biennale Interieur, Vitra Design Museum and the Munich Film Museum, among others.http://www.spacecaviar.net

BLOCKCHAINSpace CaviarJoseph Grima and Martina Muzi I 2016 I Italy I 35’

MAAT (Projection room, central Tejo)

5TH OCTOBER I WEDNESDAY I 18:00

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WARM UP

Talking architecture with Álvaro Siza Vieira - Architect, socialist, passionate smoker.

(re)GNRation is the first mini-documentary produced by Atelier Carvalho Araújo. Integrated in the Projeto CAdentro, these mini-documentaries aim to build a different look on the dynamics and processes that characterize the natural evolution of any project, running away from pictures that lead us to preconceived ideas, imputing to any building a wrong notion of perfection and infallibility. We want to show that architecture can also (and should) be understood through people and each building works as a living organism, whose beauty lies often in the weaknesses that are revealed over time. Why return to GNRation? GNRation was designed from the beginning as an unfinished project, a building whose characteristics allowed it to evolve over time and whose dynamics should result from more or less spontaneous acts of appropriation. It is important for us to understand how the building has been adapted to the different needs and especially to realize how the whole process of post-occupancy of the building has been conducted.

Having a Cigarette with Álvaro Siza Iain Dilthey I 2016 I Germany I 52’

(Re)GNRation Carvalho Araújo I 2016 I Portugal I 43’

ROCA LISBON GALLERY

10TH OCTOBER I MONDAY I 19:00 11TH OCTOBER I TUESDAY I 19:00

(Portuguese Pre-Premiere)

(World Premiere)

Sponsered by

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OPENING NIGHT

With the presence of the Directors and architect Luis Pedro SilvaApropos of Leixões, a commission by APDL and University of Porto, is a glance into Leixões harbor throughout the times -from the moment there are moving images representing the area till today- with a special focus on the construction of the new Cruise Terminal and University of Porto’s Research Center building. Result of an order to mark the inauguration of the new building, the film is divided into two parts: the first, based on a deep file research, looks at the process of construction and expansion of the port and its activity through the ages; the second looks at the construction of the building based on a timelapse (containing 156,000 photographs) in parallel with images of the diverse activities of the port. The film is accompanied by a soundtrack of the live band Torto.

Torto never walked in a straight line - the musical exercise trio which joins Jorge Coelho, Jorge Queijo and Miguel Ramos twists the traditional arrangement with challenging harmonies and melodies that do not stand out for their familiarity. In tension they find solutions, and in dissonance that they sing and delight each other, creating a confusing language that involves and develops on its own terms, but with frequencies that we all share. Torto suspend without falling and they reveal themselves as storytellers as few instrumentalists are: fluent and fluid.loversandlollypops.bandcamp.com/album/escabroso

APROPOS OF LEIXÕESAndré Valentim Almeida e Paulo Martins I 2016 I Portugal I 35’

12TH OCTOBER I WEDNESDAY I FORUM LISBOA

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PRESENTATION OF THE 4th EDITION OF ARQUITETURAS BY SOFIA MOURATO

PRESENTATION OF THE FESTIVAL THEME REHAB NATION BY ANTÓNIO BRITO GUTERRES

I 20:00 COCKTAIL BREAK

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FILMS FORÚM LISBOA

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13TH OCTOBER I THURSDAY

Iselsa and Cathy are chosen, along with 150 families, to be part of a social experiment: to be inserted in a middle class neighborhood in Valparaiso. As community leaders and friends they have worked together in the project and to be integrated in a neighborhood that rejected them because they are considered potential delinquents. 74 square meters observes the struggle to obtain their homes, the integration to the neighborhood and the challenge to overcome their deep inherited disagreements through this process. If they don’t, the neighborhood they have fought for over six years will be put at risk. The project is from Chilean Atelier Elemental.

74m2 Paola Castillo, Tiziana Panizza, Soledad Silva I 2012 I Chile I 68’

(Official Selection)

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This short documentary film provides a perspective on the plurality of modes of urban life in the present-day Maputo area, challenging the persistent idea that the city is divided in two unequal parts, and that the former cement corresponds to a normative urbanity that is lacking in the rest of the urban are.The film was created with a team of 4th year students of the Bachelor in Journalism at the School of Communication and Arts (ECA) of University Eduardo Mondlane at Maputo, Mozambique. It was produced in the frame of an exploratory research project titled Urban Aspirations in Colonial/Postcolonial Mozambique: Governing the Unequal Division of Cities, 1945-2010, funded by the Portuguese state Foundation for Science and Technology.

URBAN ASPIRATIONS Tiago Castela I 2016 I Portugal I 21’

(New Talents Competition)

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Home is the basic unit of the living space around us and how we inhabit and move into it is the expression of who we are. Social housing in Portugal has always been a reaction to an emergency, whether of people moving from the countryside to the city, or of people coming from the Portuguese colonies. With the overwhelming numbers of refugees now looking for a new home, and a new identity, what is the meaning and the role of social housing today?

DEBATE REHAB NATION #1 — FAMILY:Home is the basic unit

With: Ana Vaz Milheiro (Architect, Professor, Researcher) Isabel Raposo (Architect, Professor, Researcher) Jorge Mealha (Architect, Professor, Researcher) Tiago Mota Saraiva (Architect, Ateliermob)

What is the ultimate place where I would like to show my work? Echoing his exhibition in the Château de Versailles, artist Xavier Veilhan opens the doors of seven modernist houses, from California to Europe. Through his contemporary works he creates a dialogue with the singular architecture of these places. Architectones by Xavier Veilhan emerges in this new adventure and explores the creative process, the exhibitions and performances. The artist appropriates the architecture and revives these iconic houses thus offering a new and ultra-contemporary vision of modernism.

With the presence of the Director The portrait of a house without supporting walls. A bold dome made of concrete, an open space right in the middle of the bizarre rock formations of a rugged coast made of reddish granite.The house belonged to actress Monica Vitti and director Michelangelo Antonioni. The emptiness of the cupola and the deserted quality of the site are the starting point for speculating, seemingly at random, figures wind up in the image and enter the dome, and even today, the utopia of an alternative concept of living seems to float above its form.

Architectones by Xavier Veilhan François Combin I 2015 I France I 68’

La CupolaSattel Volker I 2016 I Germany I 40’

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(International Competition) (International Competition)

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14TH OCTOBER I FRIDAY

THESIS PRESENTATIONI 18:00

1 - Architecture and Cinema: The experience of architectural space through cinema Vera de Matos Beltrão

This research aims to study the influence of cinema in the creative process of architectural work as well as the role of architecture in the viewing of the cinematographic work. Addressed relationships are established based on concepts shared by both disciplines, relating to their conception. The chosen case studies, among a large number of examples that illustrate the evolution of both disciplines throughout the twentieth century, reveal related themes trough their concepts. Thus, - and through the work of Le Corbusier, Vertov; Koolhaas, Antonioni; Nouvel and Wenders -, the studied interaction between the two forms of art proposes, in first place, the statement of its possibilities; secondly, the recognition of concerns through demonstrated occurrences and thirdly, to suggest solutions which promote specific ways of living.

2 - The Influence of Cinema in European Architecture: from 1910s to 1930s Susana Maria Tavares dos Santos Henriques

This research aims to study the influence of European cinema on European architecture in the early twentieth century, between the years 1910s and 1930s. Inherent in their own reason, it is undisputed the relationship of architecture with the great revolutions of the late nineteenth and early twentieth century. If, in one hand, the early twentieth century shows architecture as a consolidated art naturally ever expanding and evolving, on the other hand, it shows the cinema asan emerging art. In order to attend the investigation, proceeded, to the analysis in situ, of specially selected architectural works: Villa Noailles (Hyères), from Robert Mallet-Stevens; Villa Savoye (Poissy) from Le Corbusier; and Villa Müller (Prague) from Adolf Loos. Relationships were established with, the viewing of films related directly to these iconic works, and the readings of reference works and texts written by the architects of the era, including also Robert Mallet-Stevens, Le Corbusier and Adolf Loos.

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Estate is a deeply moving portrait of a community struggling to survive in a boarded-up London public housing project, long slated for demolition. Multilayered and profound, Andrea Zimmerman’s film masterfully immerses us in a dreamlike lost-world of misfits, outcasts and survivors whom she films with love and aching tenderness.

Estate, a ReverieAndrea Luka Zimmerman I 2015 I United Kingdom I 83’


With the director’s presence The distopian city of Penúmbria was founded two hundred years ago, in a distant istmus -a place of arid soils, angry seas and violent weather. Penúmbria was due its name to the almost permanent shadows and cloudiness. One day, its inhabitants decided to leave, offering the city to time. This is the story of an uninhabitable place.

PenúmbriaEduardo Brito I 2016 I Portugal I 9’

(Portuguese Competition)

The touristic industry is taking over the center of the city, pushing the original inhabitants out of their neighborhood due to the rising prices of housing and services. At the same time, the dynamics generated by tourism are helping to rehabilitate our city centers, taking over where the city halls and the original owners couldn’t or wouldn’t act. What is happening now in Lisbon, and how can we learn from other cities’ experience?

DEBATE REHAB NATION #2 — COMUNITY: Neighborhood as neighborhood relationship

With: Helena Roseta (Architect, President of Lisbon’s Municipal Assembly) Fabiana Pavel (Architect, Researcher) Gonçalo Folgado (Architect) Jorge Silva Macaísta Malheiros (Geógrafo, Professor, Researcher)

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“Librairie de Pera” was one of the oldest bookstores of Istanbul. Located in Galata, the bookstore was reflecting neighborhood’s true cosmopolitan culture almost throughout a century. In 2013, the bookstore was closed down as a result of ongoing urban transformation process. Through the story of the bookstore, we are invited to see how demography of Galata is changed in the course of time. Locals, artisans, shop owners, and daily workers of “Yüksekkaldırım” make us capture the contemporary nature of this process.

Up and Down Galata Cagan Duran, Ali Uluç Kutal I 2015 I Turkey I 80’

(Official Selection - Festival’s guest: Turkey)

Büyük Valide Han is a Ottoman legacy from 17th century situated in Eminonu. It was subjected to many interventions leaving damages on its architectural structure. Still in our day no special care is given towards its preservation. The structure is wearing down day after day. How much longer can this place survive?

HanÇağrı İşbilir I 2015 I Turkey I 20’

(Official Selection - Festival’s guest: Turkey)

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15TH OCTOBER I SATURDAYI 11:30

After the crisis in 2008, it seemed urban development had come to a standstill for a while. But to some people the empty plots of land seemed to beg to be put to good use. Abandoned shipyard De Ceuvel was one of these places. In 2012 a multidisciplinary group took the initiative to turn this empty and polluted piece of land into a work- and meeting place. Proving that you don’t need money to develop an area, they decided to use a DIY approach and construct offices out of a very common Dutch waste product: scrap houseboats. Urban Tides documents the realization of a dream by an odd collection of visionary urbanites and how its unintended side effects are highlighting challenges familiar to cities and communities around the world.

With the presence of the Director and introduced by Marc GlaudemansIn recent years, Lisbon has become one of the European Cities with the largest tourism growth. In April 2016, Stadslab (Urban Design Laboratory of Tilburg University - Amsterdam) and Citizens Academy organized an international Masterclass on City Making & Tourism Gentrification for professionals and graduates: the urban intervention case-study was focused on Mouraria, one of the oldest of Lisbon’s neighborhoods. Originated as a 13th century Moorish neighborhood it remained a marginal, multicultural and poor downtown area; nowadays, parts of Mouraria are already affected by tourism: cheap property prices and proximity to other tourist destinations raise realistic assumptions that Mouraria will soon face large influx of investment in real estate and tourism infrastructure. Co-produced by Stadslab , Citizen Academy, Largo Residencias and Arquiteturas Film Festival.

Urban Tides Simone Eleveld I 2015 I Holland I 39’

You’ll Soon Be Here Fábio Petronilli I 2016 I Holland, Portugal I 38’


GOOD PRACTICES - Stories that have linked clients and architectsRound Table and Film screenings

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(International Competition)

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“Ver Artes/Arquitectura” was a TV show broadcast by the Portuguese public television channel RTP2 every two weeks from 1992 to 1996. Part of which was a set of programs on illegal architecture authored by architect Manuel Graça Dias and directed by filmmaker Edgar Feldman entitled Architecture without Architects. We invited both to talk about the pioneering experience of audiovisual programs about architecture and the stories of the people they encountered.

MASTERCLASS: Architecture without ArchitectsManuel Graça Dias + Edgar Feldman with moderation by João Sequeira

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Since the 1970s New Delhi’s magicians, puppeteers, and circus performers have called the Kathputli Colony, their home. Last year the government issued relocation permits to the colony residents; the slum is to be bulldozed, cleared for development. Experience the last remnants of a culture born out of folk art and molded by poverty.

A young couple goes on a day trip to an island next to Istanbul. They find themselves captivated by the never ending cityscape and sink into a contemplation on urban decay. Living in a concrete jungle is their future.

Tomorrow We Disappear Jim Goldblum, Adam M. Weber I 2014 I USA I 80’

Cosmorama Eren Aksu I 2015 I Germany I 8’


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Elevating its departed occupants considerably closer to heaven rather than entombing them six feet under, Memorial Necropole Ecumenica is the world’s tallest cemetery. Towering proudly alongside its fellow skyscrapers in the expansive São Paulo skyline, this one-of-a-kind mausoleum and its equally unique owner celebrate the high life in the afterlife.

Inhabiting for about a month the “8 House”, by Bjarke Ingels Group, Ila Bêka and Louise Lemoine recount in a diary style their subjective experience of living inside this experiment of “vertical village”. As a Lego game, the film builds up a collection of life stories all interconnected by their personal relation to the building. The film draws the lines of a human map which allows the viewer to discover the building through an inner and intimate point of view.

A Tomb With A View Ryan Noth I 2015 I Canada I 8’

The Infinite Happiness Ila Bêka and Louise Lemoine I 2015 I France, Denmark I 85’


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There are territories inside the metropolitan city that have been growing spontaneously and independently, changing use, without proper urban or social planning. The city centers in Europe are now for tourists and what was considered marginal territories inside the metropolitan area are now territories of opportunity for locals. The B-Side of the city is becoming its new energy, generating art, culture, music, social movements and a new idea of belonging? Which are the dynamics that are bringing new life to the city, and how can we learn from these experiences?

DEBATE REHAB NATION #3 — SOCIETY: The City as Infrastructure

With: Teresa Valsassina Heitor (Architect, Professor, Researcher) Inês Lobo (Architect, Professor, Researcher) Brito Guterres (Sociologist, Professor, Researcher) Pedro Campos Costa (Architect)


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16TH OCTOBER I SUNDAY

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With the presence of the DirectorThe film investigates the current state of architecture built or reconstructed in the aftermath of the 2004 Indian Ocean Tsunami in the five countries most affected –Thailand, Aceh/Indonesia, Sri Lanka, Maldives and India. Documenting the long-term effects of the disaster through conversations with survivors, eyewitnesses, aid workers and rescue personnel, we also looked at how the flood of aid money has transformed the affected regions, rebuilt and refashioned local economies and shaped communities.

Tsunami Architecture Heidrun Holzfeind and Christoph Draeger I 2012 I Austria I 60’

Presentation of the results of the film workshop – DISASTER MOVIE taught by Christoph Draeger.


A documentary portrait centered on a remote settlement of self-built shed and cabin homes, located on the sand dunes of England’s North West coastline, near Barrow-in-Furness. The film explores the social and ecological topography of this off-grid, outlying community. Existing on the margins of a rural, seaside idyll, and its surrounding industrial landscape, this unique place is an example of a plot land development: the improvised homes built in the early 20th century, on neglected, marginal or squatted sites, in response to increasing urbanization and financial hardship.

Last Acre Nick Jordan and Jacob Carthright I 2016 I United Kingdom I 11’


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With the presence of the DirectorLa Paz, the capital of Bolivia, merges with the mountain at 3500m. Opened in 2014, “Cable Car La Paz”, the largest cable car system in the world, crosses the city from one end to the other, facilitating the daily life of thousands of citizens, in alternative to a poor public transport network and chaotic traffic. A fascinating engineering work, in between the earth and the sky, connecting the poorest (El Alto) and the richest (La Florida) areas of the city. Along the journey between the two ends of the line, the film makes a democratic “scanning” of the city. This new opportunity of viewing the city from above brings a true moment of recreation and renovation of the idea that the citizens have of their own city.

Teleférico La PazCarlos Gomes I 2016 I Bolivia I 32’

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With the presence of producer Simon K.Chiu Frei Otto: Spanning the Future is about the life and works of Frei Otto, told in his own words and by those he inspired. Frei Otto’s understanding of architecture’s fundamental relationship to natural forces is the foundation of today’s architecture. As technology advances, his methods are now becoming more widely adopted, as are his broader philosophical concepts about solving the world’s most pressing issues. Featuring Zaha Hadid and Frei Otto in one of the last interviews given before his passing, this film takes architecture fans on a journey through a history of architecture that inspires the world of tomorrow.

Frei Otto: Spanning the FutureJoshua V. Hassel I 2016 I USA I 60’

With the presence of the DirectorFrom silent shades to the lines that pierce through the ideas and work of architect Wandenkolk Tinoco.

WandenkolkBruno Firmino I 2015 I Brazil I 18’


(National Competition)


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The animation film DLRG examines one of the outstanding buildings of post-war Berlin. Designed by the architect Ludwig Leo, it was completed in 1973 and served the German Life Saving Association (DLRG) both as a base for land and water rescue operations and as winter storage for their boats. The film visualizes the inventive mechanisms and complex spatial relationships of this unique work of architecture by animating parts of Leo’s original drawings.

DGLR (EP)Antje Buchholz, Sven Flechsenhar & Maja Weyermann I 2013 I Germany I 12’

The scientist James Lovelock (author of the Gaia theory) indicates a different development of the idea of sustainability, starting from the premise that it’s impossible to save the earth or predict how it will be transformed. The only realistic possibility is for communities to live in climate-controlled and self-regulating cities, where men eventually will merge with machine to better function. Can cities and their communities really learn from Nature and live organically as a biological entity, and how will the architect’s role change?

DEBATE REHAB NATION #1 - HUMANITY: Territory as Gaia

With: Ana Filipa Ribeiro Ramalhete (Anthropologist, Professor, Researcher) João Santa-Rita (Architect, President of the Architects Association) Luís Álvares Rosmaninho (Architect, Professor, Researcher)

I 21:30Awards Ceremony AFFL’16


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Hey Neighbour! captivates the viewer with its creative characters associated with the conflict of social class struggles triggered by urban transformation.

Komşu Komşu Huu! / Hey Neighbour!Bingol Elmas I 2016 I Turkey I 54’

One of the oldest churches of the World in South east cosmopolite Turkey in Hatay province represents a genuine exampleof peace.

Koro I The Choir Ahmet Bikiç and Nagihan Çakar I 2016 I Turkey I 20’

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FILMS CINEMA CITY ALVALADE

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In 1992 a wave of refugees from the war in Bosnia and Herzegovina reached Denmark. With refugee camps completely full, the Red Cross pulled a giant ship into the canals of Copenhagen. The ship, Flotel Europa, became a temporary home for a thousand people waiting for decisions on their asylum applications. Among them was a young 12 year old boy, Vladimir, who fled Sarajevo together with his mother and older brother. They spent two years in the limbo of Flotel Europa. Two decades later, Vladimir Tomic takes us on a journey of growing up on this ship filled with echoes of the war — and other things that make up an adolescence. The coming-of-age story is juxtaposed with personal VHS archive material shot by refugees who shared the “space-time vacuum” of the Flotel.

With the presence of the DirectorRosel, it is the name of a neighborhood near the city of Caen in Normandy but it is also a house, family house. This house was bought at the beginning of the XXth century by my great-grandfather and is going to be sold very soon. It is a pity. I try to tell behind closed door the link weaved between the building and his inhabitants using family archives and items of the house. The voice-over penetrates the theatrical space of the house: a real body, which speaks about his feelings of harmony or rebellion, friendship or disenchantment with the human being who lived there. From a golden age, idealized until the fall, right to the abandonment.

Flotel EuropaVladimir Tomic I 2015 I Denmark, Serbia and Montenegro I 70’

RoselAlexane Perrin I 2015 I France I 15’



I 19:30

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14TH OCTOBER I FRIDAY 15TH OCTOBER I SATURDAY

With the presence of the DirectorPeople meeting and talking, and everyday situations, telling their small tales that the image unravels, multiplies or just exhales: rehearsing worlds that are house-being (or being-house), moored in boxes, bodies, secrets, desires, glimpses or the ephemeral materiality. In this flux, we step into unstable territories, place of the work-of-being-in-progress — the inner home of each of us.

With the presence of the DirectorOver the past century, cultural destruction has wrought catastrophic results across the globe. This war against culture is not over — it’s been steadily increasing. In Syria and Iraq, the ‘cradle of civilization’, millennia of culture are being destroyed. The push to protect, salvage and rebuild has moved in step with the destruction. Legislation and policy have played a role, but heroic individuals have fought back, risking and losing their lives to protect not just other human beings, but our cultural identity — to save the record of who we are. Based on the book of the same name by Robert Bevan, The Destruction of Memory tells the whole story - looking not just at the ongoing actions of Daesh (ISIS) and at other contemporary situations, but revealing the decisions of the past that allowed the issue to remain hidden in the shadows for so many years.

With the presence of the DirectorOrnament and Crime is a thriller about crime, extortion and corruption. Based on a Noir aesthetic, this film tells the story of a private detective and his partner who engage in extortion schemes. But in a society dominated by the construction mafia, the bet may be too high. Councilors, contractors and femme fatales can hardly be defeated in this table game.

The House or a Machine for Living InCatarina Romano I 2016 I Portugal I 12’

The Destruction of MemoryTim Slade I 2016 I USA, Australia I 85’

Ornament and CrimeRodrigo Areias I 2015 I Portugal I 90’



I 19:30 I 19:30


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FILMS CINEMATECA PORTUGUESA

I 29

13TH OCTOBER I THURSDAYI 19:00

The cycle The Films of Charles and Ray Eames, comprised of two sessions, offers a unique opportunity to see and debate some of the duo’s most singular experiments with the moving image – a medium which they explored as an integral part of their design process, using it not only as a vessel to convey a message but also as a tool to research and develop new ideas. “Make the best, for the most, for the least” is one of Charles and Ray’s most famous mottos, which still remains remarkably pertinent in today’s design and architecture.

The first session, at 19:00, will screen a combination of landmark and rarely seen films, made between the 1950s and the 1970s. The programme ranges from the Eameses’ investigations into visual communication and storytelling to poetic studies of everyday rituals, commissions for corporate clients and seminal explorations and illustrations of the burgeoning ‘Age of Information’.

The second session, at 21:30, will be a visual conversation between Eames Demetrios and Eric Schuldenfrei, chaired by Justin Jaeckle, about the films, philosophy and imaginary of Charles and Ray Eames. Illustrated by clips and images from the Eames and others. The film will explore the Eameses’ pioneering use of film as a means to disseminate and create knowledge, foregrounding the duo’s experimentation with the formal and social possibilities of cinema.

Curated by Justin Jaeckle with Alexandra Areia, The Films of Charles and Ray Eames is a collaboration between Arquiteturas Film Festival, Cinemateca Portuguesa and MAAT - Museum of Art, Architecture and Technology. The events are both part of Arquiteturas Film Festival 2016 and public programme for the MAAT exhibition, The World of Charles and Ray Eames.

The conversation will be held in English. Films will be screened in English with Portuguese subtitles, from brand new digital transfers courtesy of the Library of Congress and the Eames Office, some of which have been kindly created especially for this screening.

The realisation of this cycle would not be possible without the invaluable support of the Cinemateca Portuguesa, The Library of Congress and The Eames Office, and the sponsorship of FAMO Working Together - Office Furniture Solutions.

The Films of Charles and Ray Eames I 110’Introduced by Eames Demetrios (Grandson of Charles and Ray Eames and Director of the Eames Office) and Eric Schuldenfrei (ESKYIU, Author of The Films of Charles and Ray Eames:A Universal Sense of Expectation; Routledge, 2014).

I 21:30 Eventually Everything Connects I 90’A visual conversation about the Films of Charles and Ray Eames, with Eames Demetrios and Eric Schuldenfrei.

Sponsered by

I 30

FILMS GABINETE

I 31

15TH OCTOBER I SATURDAYI 19:00 EXPERIMENTALISMS I 83’

Drifting along the empty diagonal and its suburban areas at the end of a hot summer. Some lucky encounters. Warehouses, roundabouts, colored logos, an exploration into the frozen waters of everyday life.

Cais is a contemplative film of everyday situations that take place at Pier of Columns in Lisbon. More than to make clear the urban perception of the space, it interested me to capture its abstraction.

This film is an anatomical tour of the public housing project, The Williamsburg Houses, in New York, and the life of its occupants.

Diagonale du VideGuillaume Ballandras I 2015 I France I 27’

CaisMarta Covita I 2015 I Portugal I 12’

The Williamsburg HousesTessa Rex and Irene Bartolomé I 2015 I USA I 14’

A contemporary city symphony where floating memories blend with urban sounds and the natural elements, where tales of loss and love are mirrored by the demolition and construction of new buildings, where death and birth stand next to each other, like the darkest hour of the night and the first lights of the day, and the net of the streets holds tight all the possibilities that life might unfold.

Based on classical texts describing the method of memorizing using “places and images” (loci et images), this film proposes a walk through the spaces and corridors of OBJECT D-0, Tito’s bunker in Konjic, Bosnia. The method of placing “effective” mental images representing words and notions inside a gallery of various spaces, to be thus engraved in the memory and later retrieved at wish, is put in the context of the cold war bunker - a decor made for a scenario which never took place - in its historical role, as well as in the present context of turning the bunker into a museum of art.

Champ des PossiblesCristina Picchi I 2015 I Canada, Italy, Sweden I 14’

Mnemonic GymnasticsEffi Weiss I 2015 I Belgium, Bosnia e Herzegovina I 16’

I 32

FILMS RUA DAS GAIVOTAS 6

I 33

FILMS RUA DAS GAIVOTAS 6

15TH OCTOBER I SATURDAY

The film focuses upon the construction of an upscale apartment block in Barcelona’s Barrio Chino district, as swathes of the neighborhood are demolished in the city’s eradication of the physical infrastructure of vice as part of an EU funded urban development scheme. The neighborhood’s history of migration and flux is reflected in the film’s depiction of the urban site as a continual ‘work in progress.’This film is integrated in the European programs CinEd and Moving Cinema.

En Construcción José Luis Guerín I 2001 I Spain I 125’

I 21:00

With: José Manuel Martins (Dir. of the Philosophy Department of the EU) João Soares (Dir. of the Doctoral Programme in Architecture of the UÉ) Jorge Branquinho (Cinema-Fora-dos-Leões)


Henriqueta’s home will be rehabilitated to have minimum habitability. Around the transformation of this house, in Evora, in the architectural design follow-up , this documented practice is centered on the emotional rhythm of Henriqueta , the way she lives and feels the rhythm of transformation of her house. By accepting this challenge, we documented an emotional experience for its intimate cartography, through the poetics of her house: the place where furniture, utensils, clothes and objects lose their function and its use, but never their function of living, remembering and feeling.

Henriqueta, Uma Cartografia Íntima Susana Mourão, Marta Galvão Lucas I 2008-2012 I Portugal I 34’

I 17:00

With: Susana Mourão (Director) Marta Galvão Lucas (Director) José Alberto Ferreira (Dir. of the Writing Festival in Landscape and Colecção B Cultural Programmer) Rui Mendes (Architect - Atelier Rui Mendes - and professor in DA/UAL e DA/UÉ)

Sponsered by

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FILMS MUSIC BOX

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15TH OCTOBER I SATURDAYI 22:00 FILM CONCERT “Teleférico La Paz“ with live band EL Kordi soundtrack Tomás Gomes - Guitar and vocals I Lucas Melo - Drums I Vicente Molder - Bass I João Almeida - Trumpet

With the presence of the DirectorLa Paz, the capital of Bolivia, merges with the mountain at 3500m. Opened in 2014, “Cable Car La Paz”, the largest cable car system in the world, crosses the city from one end to the other, facilitating the daily life of thousands of citizens, in alternative to a poor public transport network and chaotic traffic. A fascinating engineering work, in between the earth and the sky, connecting the poorest (El Alto) and the richest (La Florida) areas of the city. Along the journey between the two ends of the line, the film makes a democratic “scanning” of the city. This new opportunity of viewing the city from above brings a true moment of recreation and renovation of the idea that the citizens have of their own city.

Teleférico La Paz Carlos Gomes I 2016 I Bolivia I 32’


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FILMS CIM(MOURARIA CREATIVE HUB)

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16TH OCTOBER I SUNDAYI 11:00 GUIDED TOUR

Meeting point: Mouraria Creative Hub (CIM)

Guided tour around rehabilitation works of the Mouraria district, headed by architect Nuno Simões and film director Fabio Petronilli

Registrations for tour-: [email protected]: 20 people max.Price per person: 5€

With presence of the Director and introduced by Marc GlaudemansIn recent years, Lisbon has become one of the European Cities with the largest tourism growth. In April 2016, Stadslab (Fontys School of Fine and Performing Arts - Tilburg) and Citizens Academy organized an international Masterclass on City Making & Tourism Gentrification for professionals and graduates: the urban intervention case-study was focused on Mouraria, one of the oldest of Lisbon’s neighborhoods. Originated as a 13th century Moorish neighborhood it remained a marginal, multicultural and poor downtown area; nowadays, parts of Mouraria are already affected by tourism: cheap property prices and proximity to other tourist destinations raise realistic assumptions that Mouraria will soon face large influx of investment in real estate and tourism infrastructure. Co-produced by Stadslab, Citizen Academy, Largo Residencias and Arquiteturas Film Festival.

You’ll Soon Be HereFábio Petronilli I 2016 I Holland, Portugal I 38’


I 13:00 BOOK LAUNCH

City-Making & Tourism Gentrification’ book launch followed by a screening of the film You’ll Soon Be Here at CIM (Mouraria Creative Hub).

Free entrance (subjected to space capability).

I 38

PARALLEL ACTIVITIES

EXHIBITION

REHABITHandmade structures FITACOLA COLLAGE

Fitacola Collage are a duo who makes collage artworks for illustration, site specifics, advertising and design. They collect and assemble mostly bits and scraps of paper, transforming them in new stories with different purposes.

“Collages of Fitacola Collage play with subversions of old images, whose identity was rescued, reordered, fragmented and simplified.Their geometric - surrealistic character also embodies itself through the “rehabilitation” of the paper and its fragments, in this case, inspired by the architectural representation.“

fitacola.com

12TH - 16TH OCTOBER I LISBON FORUM BAR

ROUND TABLE FILM SCREENINGS

GOOD PRACTICES - Stories that have linked clients and architectsArchitecture is full of life, and as such is proposed a round table between various promoters of architecture, where stories and links created around a design and implementation of work are explored. At the same time, we try to discuss how can these experiences be documented and transmitted between those who dream a house and those who design and transform it into a tangible reality.

Guests: Luís Fernandes (Coordenator - Canal 180) Luís Pereira Miguel (Architect) Mário Domingues (Cliente) Tiago Mota (Moderation - Board of OA-SRS)

www.escolha-arquitectura.pt/filmes

15TH OCTOBER - 11:30 I Lisbon Forum

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TALKS

GUIDED TOUR

In addition to the renovation of the physical built environment, urban regeneration requires a deep and invisible inner transformation. According to Pierre Nora, human memory is anchored to the spaces we inhabit physically and mentally ( Nora, 1989) , and its transformation involves a review of notions of identity and of individual and collective memory, since these places are wires that connect the past to the present. The film En Construcción (2001) and Henriqueta, Uma Cartografia Íntima (2008-2012 ) explores the notions of identity and memory associated with urban renewal and will be discussed by a panel of filmmakers and academics linked to the fields of architecture, Cinema, Philosophy and Sociology. Films integrated in No Pais do Cinema film sessions, a partnership between Os Filhos de Lumière and Cinema Fora dos Leões.

Guided tour around rehabilitation works of the Mouraria district, headed by architect Nuno Simões and film director Fabio Petronilli, which will end with a book launch of City-Making and Tourism Gentrification followed by the film screening of You’ll Soon Be Here (2016) by Fabio Petronilli, at CIM (Mouraria Creative Hub).

Curator: Luís Ferro Production: Teresa Garcia e Rossana Torres - Os Filhos de LumièreInstitutional partnerships: Colecção B e RUA DAS GAIVOTAS 6

Registrations: [email protected] Capacity: 20 people máx. Participation fee: 7€Entrance for book and film (at 13:00) is free subjected to space capacity

15TH OCTOBER - 21:00 I 16TH OCTOBER - 17:00 I RUA DAS GAIVOTAS 6

16TH OCTOBER I 11:00 I Meeting point - Mouraria Creative Hub (CIM)

THESIS PRESENTATION

1- Architecture and Cinema: The experience of architectural space through cinema Vera de Matos Beltrão

2 - The Influence of Cinema in European Architecture: from 1910s to 1930s Susana Maria Tavares dos Santos Henriques

14TH OCTOBER I 18:00 I LISBON FORUM

(More information in page 33)

(More information on page 16)

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CHILDREN WORKSHOP

Viewing of two short films and arts and crafts workshop.Teachers: Graça Santos e Teresa Moreira

15TH OCTOBER I 10:30 I LISBON FORUM

If it anytime happens that you find a monster just by your bed... Don’t let him go!!! Something extraordinary could happen to you...

A lab abandoned in the middle of the Arctic, a lost Eskimo and a discovery that will change his life forever ... Fresboi - The story of an unusual friendship, mysteries and some surprises...

Una Aventura de Miedo - A Terrific AdventureCristina Vilches Estella I 2015 I Spain I 10’

Fres-BoiCristina Vilches Estella I 2015 I Spain I 7’

WORKSHOP - ATELIER COLLAGE

Learn the joys of mixed media collage! The objective of the workshop is to explore new mixed media techniques creating a collage incorporating fabric. We’ll use simple construction techniques, and everyday objects to create some unusual outcomes.

Teachers:

Graça Santos studied fine arts at FBAUL and ESAD in Caldas da Rainha between 2002 and 2007. She is part of the Fitacola Collage project along with Carlos Quitério.

Teresa Moreira studied Graphic design at ESAD in Caldas da Rainha (2001-2006). Today works as a digital nomad in the areas of illustration and graphic design in countries like Korea, Japan, New Zeland, Malasia and England.

Registrations: [email protected] until 10th OctoberCapacity: 10 children máx. (from 6 to 12 years)

Participation fee: 5€Duration: 2h

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FILM WORKSHOPwith Christoph Draeger

DISASTER MOVIE

Morbid events such as catastrophes are, of course, intrinsically medial: faithful to the journalistic motto that only bad news is good news, natural catastrophes (earthquakes, erupting volcanoes, etc.) and human ones (atomic bombs, car accidents, murder, riots, etc.) generate much higher ratings and greater coverage than any other issues. In addition, catastrophes are unforeseen negative events, which take place very quickly and therefore do not accommodate the gradual emergence of visuals. There are pictures before and after a catastrophe, but the event itself is elusive. In this workshop, the mechanics of medial construction and reception will be examined from a rather detached documentary and/or experimental perspective. Lisbon had suffered one of the greatest disasters in history - the great earthquake and tsunami from 1755 - yet few tourists are even aware due to the temporal distance. We will discuss various possibilities of how to approach the subject of “shooting disaster”. Each participant is invited to document/cover/experiment with a catastrophe.

Various strategies that deviate from the classic documentary like the remake or even by simulating one will be examined. Footage can be found “Live” in the city, on DVD’s, collected on the internet or from parts of my own digital archive that I will open to the participants. The aim is to produce small pieces that differ dramatically from the daily media coverage of calamities that we are so used to, while having an engaged discussion within the group about the mediatisation of catastrophe.

Christoph Draeger has been working on themes of disaster and destruction for the past twenty years. His conceptual projects take form in installation, video, and photo-based media. Draeger received the Swiss National Art Award in 1994. In 1994 and 1995 he was awarded the Kiefer Hab-litzel grant and in 2004 the Bessie Award of the New York Performance Arts Association for best stage design on Miguel Guettierez’ Damnation Roat at the Kitchen in New York. Since 2015, Draeger is a full professor at Umeå Academy of Fine Arts in Sweden. He lives and works in Umeå and New York.

13TH - 14TH OCTOBER I THURSDAY - FRIDAY I 9:00 - 17:00 - Shooting and discussion with participants 15TH OCTOBER I SATURDAY I 9:00 - 17:00 - Editing and discussion with participants 16TH OCTOBER I SUNDAY I 14:00 - Presentation of the results in Fórum Lisboa

Registrations: [email protected] until 10th OctoberCapacity: 10 people max.Participation fee: 40€All participants must have their own equipment (camera and computer with editing program).

13TH - 16TH OCTOBER I LISBON FORUM

Sponsered by

Guided TourI 11:00


CIM (Mouraria Creative Hub)

Exhibition “Rehabit” by Collective Fita-Cola

FÓRUM LISBOA BAR PP - PRE-PREMIEREPP - PORTUGUESE PREMIEREEE - EUROPEAN PREMIEREWP - WORLD PREMIERE

Book Launch and Film Screening:Youʼll Soon Be Here I 38'

I 13:00


CINEMA CITY ALVALADE

Flotel Europa I 70'Rosel I 15' I PP

I 19:30

14TH OCTOBER I FRIDAYOrnament and Crime I 90'The House or a Machine for Living In I 12'

I 19:30

15TH OCTOBER I SATURDAYThe Destruction of Memory I 85' I PPI 19:30

15TH OCTOBER I SATURDAY

GABINETE

Competition Session: ExperimentalismsI 19:00

A+A Pop-up book store with special selections for AFFL'16

BOOK STORE (FÓRUM LISBOA)15TH OCTOBER I SATURDAY

RUA DAS GAIVOTAS 6

Talks - En Construcción I 125ʼI 21:00

16TH OCTOBER I SUNDAYTalks - Henriqueta I 34ʼI 17:00

12TH OCTOBER I WEDNESDAY

FÓRUM LISBOA

Presentation of the theme REHAB NATION by Sofia Mourato and António Guterres

I 19:00

COCKTAILI 20:00

Opening Film Aprops of Leixões - with live soundtrack by the band Torto

I 21:00

13TH OCTOBER I THURSDAYFilm Workshop with Christoph Draeger - Disaster Movie

I 9:00 - 17:00

74m2 I 68' I PPUrban Aspirations I 21' I WPDebate curated by La Mipa

I 19:00

Architectones I 68' I PPLa Cupola I 40' I PP

I 21:30

14TH OCTOBER I FRIDAYFilm Workshopwith Christoph Draeger - Disaster Movie

I 9:00 - 17:00

Up And Down Galata I 80' I PPHan I 20' I PP

I 21:30

Thesis PresentationI 18:00

Estate, A Reverie I 83' I PPPenumbria I 9' Debate curated by La Mipa

I 19:00

15TH OCTOBER I SATURDAYFilm Workshopwith Christoph Draeger - Disaster Movie

I 9:00 - 17:00


Urban Tides I 39' I PPYouʼll Soon Be Here I 38' I WP

I 15:00

Tomorrow We Disappear I 80' I PPCosmorama I 38' I PPDebate curated by La Mipa

I 19:00

The Infinite Happiness I 85' I PPA Tomb With A View I 8' I EP

I 21:30

Tsunami Architecture I 60' I PPLast Acre I 12' I PPTeleférico La Paz I 30'

I 15:00

Frei Otto: Spanning the Future I 60' I PPWandenkolk I 18' I EPDGLR I 13' I PPDebate curated by La Mipa

I 17:00

Hey Neighbour I 54' I PP The Choir I 20' I PP

I 19:00

Festival Awards and Closing Ceremony

I 21:00

Film Concert Teleférico La Paz at Galeria Zé dos Bois with live soundtrack of the band El Kordi

I 22:00

Presentation of the results of the Film Workshop - Disaster Movie

I 14:00

MASTERCLASS: Architecture without Architects Manuel Graça Dias + Edgar Feldman with moderation of João Sequeira

I 17:00

Childrenʼs Workshop with film screening:FRES BOI I 7' I PPA Terrific Adventure I 10' I PP

I 10:30

Round Table and Film ScreeningGood Practices - Stories that have linked clients and architects

I 11:30

5TH OCTOBER I WEDNESDAY

MAAT (Projection room, Central Tejo)

Presentation of the festival’s program with screening of the film Blockchain I 35ʼ I PP

I 18:00

10TH OCTOBER I MONDAY

ROCA LISBOA GALLERY

Having a Cigarette with Álvaro Siza I 52' I PP

I 19:00

11TH OCTOBER I TUESDAY(re)GNRation I 43' I WPI 19:00


CINEMATECA

The Films of Charles and Ray Eames

I 19:00

Eventually Everything ConnectsI 21:30

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FILMS IN COMPETITONPORTUGUESE COMPETITIONINTERNATIONAL COMPETITION

(Re)GNRation (WP)Carvalho Araújo I 2016 I Portugal I 43’

Aspirações Urbanas (WP)Tiago Castela I 2016 I Portugal I 21’

Architectones by Xavier Veilhan (PP)François Combin I 2015 I France I 68’

La Cupola (PP)Sattel Volker I 2016 I Germany I 40’

PenúmbriaEduardo Brito I 2016 I Portugal I 9’

Urban Tides (PP) Simone Eleveld I 2015 I Hollana I 39’

Cosmorama (PP)Eren Aksu I 2015 I Germany I 8’

Last Acre (PP)Nick Jordan I 2016 I United Kingdom I 11’

Teleférico La Paz (WP)Carlos Gomes I 2016 I Bolivia I 32’

Wandenkolk (PP) Bruno Firmino I 2015 I Brazil I 18’

DGLR (PP)Antje Buchholz, Sven Flechsenhar & Maja Weyermann I 2013 I Germany I 12’

Flotel EuropaVladimir Tomic I 2015 I Denmark, Serbia and Montenegro I 70’

Rosel (PP)Alexane Perrin I 2015 I France I 15’

A Casa ou Máquina de HabitarCatarina Romano I 2016 I Portugal I 12’

Destruction of Memory (PP)Tim Slade I 2016 I USA, Australia I 85’

Ornamento e CrimeRodrigo Areias I 2015 I Portugal I 90’

Em Breve Estarás Aqui (WP)Fábio Petronilli I 2016 I Hollana, Portugal I 38’

A Tomb With A View (EP)Ryan Noth I Canada I 2015 I 8’

NEW TALENTS COMPETITION

EXPERIMENTALISMS COMPETITION

AUDIENCE AWARD

Diagonale du Vide (PP)Guillaume Ballandras I 2015 I France I 27’

Cais (WP)Marta Covita I 2015 I Portugal I 12’

The Williamsburg Houses (EP)Tessa, Irene Rex, Bartolome I 2015 I USA I 14’

Champ des Possibles (PP)Cristina Picchi I 2015 I Canada, Italy, Sweden I 14’

Chosen by the audience votes.

Mnemonic Gymnastics (PP)Effi Weiss I 2015 I Belgium , Bosnia and Herzegovina I 16’

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Lisbon ForumAv. de Roma, 14 P, 1000-265 LisboaMetro & Train: Roma and Areeiro (Green Line) I Bus: 767, 735

Cinema City AlvaladeAv. de Roma, 100, 1700-352 LisboaMetro: Alvalade (Green Line) I Bus: 767, 735

MAAT -- Museum of Art, Architecture and TechnologyAv. Brasília, Central Tejo, 1300-598, Lisboa Bus: 728, 714, 727, 729, 751 I Tram: 15 | Train: Cascais Line, Belém Station Boat: Belém Boat Station

Rua das Gaivotas 6Rua das Gaivotas 6, 1200-202, LisboaMetro & Train: Cais do Sodré I Bus: 28, 201, 706, 714, 727, 732 Tram: E15, E18, E25

CIM- Mouraria Creative HubRua dos Lagares, 23, Travessa dos Lagares, 1 - 1100-022 LisboaCar: Up to Rua dos Cavaleiros, turn left at Largo das Olarias then right, and CIM will be on your right at Rua dos Lagares, 23.Metro: Green Line, Martim Moniz station, go up to Rua dos Cavaleiros and turn left at Largo do Terreirinho to Travessa dos Lagares, 1.

Cinemateca Portuguesa – Film MuseumR. Barata Salgueiro 39, 1269-059, LisboaMetro: Avenida (Blue Line), Rato (Yellow Line)

ROCA Lisbon GalleryPraça dos Restauradores 46, LisboaMetro: Restauradores (Green and Blue Line)

GABINETERua Ruben A. Leitão 2, 1200 -165 Lisboa (Príncipe Real)Bus: 773

ADDITIONAL INFORMATION

I Venues

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TICKET PRICES I FILM SCREENINGSLisbon ForumPublic: 3.50€Youth discount, students, unemployed, seniors,groups of over 10 people and partnerships: 3.00€Forum Free Pass: 25.00€

Cinema City AlvaladePublic: 4.50€Youth discount, students, unemployed, seniors,groups of over 10 people and partnerships: 4.00€

Cinemateca Portuguesa – Museu do CinemaPublic: 3.20€Friends of Cinemateca, cinema students, unemployed: 1.35€Students, Cartão Jovem, seniors older than 65 years andpensioners: 2.15€

TICKET PRICES I PARALLEL ACTIVITIESFilm Workshop with Christoph Draeger 40€ (max.10 participants)

Children Workshop5€ (max.10 participants)

Guided Tour 5€ (max.20 participants)

Lisbon Forum11th October: 18h30 - 20h30 12th October until 14th October: 18h00 - 21h00 15th October: 14h30 - 22h0016th October: 14h30 - 19h30 Tickets are on sale from 11th October

Cinema City AlvaladeFrom13h00 until the beginning of the last screening. Tickets are on sale from 1st October

Cinemateca Portuguesa – Film MuseumFrom 14h30 to 15h30 and from 18h00 to 22h00The Cinemateca Portuguesa only sells tickets on the day of the screening.

CINEMA’S SCHEDULE

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TEAM

ORGANIZATIONDo You Mean Architecture

DIRECTION E PROGRAMINGSofia Mourato

PRODUCTION MANAGEMENTVera Beltrão

PROGRAM CURATORSLaMipa (Projecto Associado), António Brito Guterres, Inês Monteiro,

Alexandra Areia,Justin Jaeckle, Luis Ferro

FINANCIAL MANAGEMENTIsabel Andrade

COMMUNICATION AND PRESS OFFICEJoão Nunes

SPONSORSHIPSofia Machado e Veronica Baraldi

DESIGNTeresa Moreira

ILLUSTRATION AND VIDEO DESIGNFita Cola, Gonçalo Santos e Miguel Marques

WEB DEVELOPMENTJorge Rocha

FILM COPIES MANAGEMENTSofia Mourato

VOLUNTEER COORDENATORJoana Matos

ITINERANT CIRCUIT COORDENATOR Maria João Barcelos

ARQUITETURAS2016...

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