Aristotle’s Poetics c. 335 BCE (N. B. Written approximately 100 years after Sophocles’ Oedipus...
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Transcript of Aristotle’s Poetics c. 335 BCE (N. B. Written approximately 100 years after Sophocles’ Oedipus...
![Page 1: Aristotle’s Poetics c. 335 BCE (N. B. Written approximately 100 years after Sophocles’ Oedipus Rex)](https://reader036.fdocuments.us/reader036/viewer/2022082401/56649cec5503460f949b947a/html5/thumbnails/1.jpg)
Aristotle’s Poetics
c. 335 BCE
(N. B. Written approximately 100 years after Sophocles’ Oedipus Rex)
![Page 2: Aristotle’s Poetics c. 335 BCE (N. B. Written approximately 100 years after Sophocles’ Oedipus Rex)](https://reader036.fdocuments.us/reader036/viewer/2022082401/56649cec5503460f949b947a/html5/thumbnails/2.jpg)
Imitation (Mimesis)
--its origins
--the psychology behind it
--the objects of imitation (men in action)
--the medium of imitation (rhythm, tune, meter)
--the manner of imitation (narration, action)
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Tragedy vs. Comedy
• Tragedy: represents men as better than they are. Is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament; in the form of action, not narration; which prompts an excess of pity and fear necessary to the proper purgation of these emotions.
• Comedy: represents men as worse than they are; an imitation of characters of a lower type; deals not with the bad but with the ludicrous, reflecting some defect or ugliness that is not painful or destructive.
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The Six Elements of Tragedy• Plot: the soul of the drama, the arrangement of the incidents, the
action, to which all the other elements are subordinate
• Character: determines men’s qualities; that which reveals moral purpose. Four things to be aimed at: goodness, propriety, truthfulness to life, consistency.
• Thought: the faculty of saying what is possible and pertinent in
given circumstances; every effect produced by speech
• Diction: the expression of the meaning in words; the art of delivery
• Song: holds the chief place among the embellishments
• Spectacle: has an emotional attraction for the audience, but is the least artistic of the parts, since it derives not from the poet but from the machinist
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The Structure of the Plot
• Simple: the action is one and continuous with a change of fortune, but not reversal of the situation and without recognition
• Complex: a single, continuous action including-- Reversal of fortune (peripeteia): from good to bad-- Discovery (recognition): from ignorance to knowledge-- Scene of suffering (these 3 things involve surprise)-- Tragic irony: expectation vs. actual occurrence-- Unity: beginning, middle, end; logical, necessary sequence of
each scene-- Probability-- Temporal limitation: “Single revolution of the sun”
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The Structure of Tragedy
• Complication
• Unraveling or denouement
• Rising action, complication, climax (catastrophe), falling action, denouement
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Concept of the Tragic Hero
• Noble, but possessed of a tragic flaw (hamartia) that is his undoing
• Hybris (Hubris)
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What Happens to the Audience in Viewing a Tragedy
• Arousal of pity and fear– Pity: evoked by undeserved misfortune– Fear: that such misfortune can surely be
visited on ordinary people if it can be visited on a person of superior birth and position
• Catharsis
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The Quantitative Parts of Tragedy
• Prologue
• Episode
• Exode
• Choric song—– Parode– Stasimon