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Transcript of Architecture Portfolio 2015
M A D E L I N E T O T H
Solomon Cordwell Buenz, Chicago, ILArchitecture Intern, August-December 2013 - Construction Documents through 95% completion for a High Rise Residential Tower in Austin, Texas - Schematic Design and Unit Marketing Plans for High Rises
Anderson Architects, New York, NYArchitecture Intern, January-May 2013 - Schematic plans and design development drawing set for a flagship retail store in London - Developed fixture designs for the retail store - Site documentation and field measuring - Construction details for residential projects
Panzica Building Corporation, South Bend, INArchitecture Intern, June-August 2011, May-August 2012 - Developed schematic designs, interior and material details - Developed master plans, floor plans and elevations - Processed submittals and bids - Design-Build firm experience
RELATED EXPERIENCEUniversity of Cincinnati Teaching Assistant, Spring 2015 - Furniture Design - Research and coordinate millwork projects - Review and grade student designsTeaching Assistant, Fall 2014 - Communication Skills III - Instruct 16 students in hand-drawing and digital techniques - Review and critique student work
Elkus Manfredi Architects, Boston, MAArchitecture Intern, May-August 2014 - Schematic design for residential renovation projects for Harvard University - Construction documents and administration including an extensive submittal review for a residential project
M M
EDUCATIONUniversity of Cincinnati, Cincinnati, OHMaster of Architecture, May 2015
Ball State University, Muncie, INBachelor of Arts in Architecture, May 2012GPA: 3.75 (Dean’s List), Cum Laude - Honors College - Study Abroad: Australia Center, Lennox, New South Wales, Spring 2012 Semester
CONTACTMadeline Toth371 Probasco Street, Cincinnati, OH 4522017812 Ashford Hills Ct., Granger, IN 46530
[email protected] 574.292.3203
MADELINE J. TOTH
LEADERSHIPTreasurer, Graduate Student Governance AssociationFall 2014-Current - Advocate for students in the architecture graduate program - Apply for grants to benefit the group
Treasurer, American Institute of Architecture StudentsSpring-Fall 2011 - Grant writing to bring principals in for lectures from nationally recognized firms - AIAS Conference Participation - Quad, Cincinnati, OH, October 2011 - Grassroots Leadership, Washington D.C., July 2011 - Forum, Toronto, December 2010
Vice President of Scholarship, Panhellenic CouncilJanuary-December 2010 - Developed and implemented programming for Scholarship, overseeing a community of 1,000+ women - Conducted Roundtable discussions and presented to groups
Honors College Peer MentorFall 2011 - Leader and mentor of an 8-week, 10 person class for freshman in the Honors College.
OTHER EXPERIENCEGirl Scouts of Northeast Texas, Denison, TXMay-July 2010 - Waterfront Director, Lifeguard, Sailing Instructor - Counselor at Camp Rocky Point on Lake
M A D E L I N E T O T H M A D E L I N E T O T H
HONORS + AWARDSFulbright Scholar FinalistTeaching Assistantship, Bulgaria, Spring 2012
Graduate AssistantshipFurniture/Millwork, Spring 2015Communication Skills III, Fall 2014, Environmental Systems 3, Summer 2013
Presidential ScholarshipBall State University, 1/2 Tuition for 4 Years
NCMA New Block Design Competition, Competition WinnerCripe Architects+Engineers, September 2011
Best and Brightest-CAP Class of 2012Cripe Architects+Engineers, September 2011
Cripe Design Competition, Competition WinnerPlaced 1st in Ball State’s Third Year Design Competition, Cash Prize, December 2011
SKILLSTechnical + Visual AutoCAD, REVIT, Rhino, V-Ray, SketchUp; Adobe: Photoshop, Illustrator, InDesign; Hand Rendering; Office: Excel, Outlook, Powerpoint
FabricationHand Modeling, Laser Cutting, 3D Printing
PersonalFocused, Team-Player, Listener, Personable
studios
w
i
a
immersion
CRANBROOK FABRICATIONSMALL FORMAT GROCERY “THRIVE” RECREATION CENTER“SUSTAINABLE LABORATORYJULIA CARSON CENTERTOWNHOUSEBRAND CHARACTER, COMMUNITY CENTER
studio6
142024283034
5254
RETAIL: FOSSIL FLAGSHIP STOREELKUS MANFREDI ARCHITECTSRESIDENTIAL HIGH RISEWHARF: ON THE RIVER
HAITI BLOCKecoREHAB
38424446
4850
work
immersion
art + designINSTALLATION: HUMANDRAWING + PHOTOGRAPHY
studioCRANBROOK FABRICATION
6
The comprehensive studio set out to join the practical with the poetic through research, practical technologies, and multiple-scale design strategies. The project was to design a fabrication lab for design students and researches, with studios, housing, and a gallery space at Cranbrook Academy of Art in Bloomfield Hills, Michigan. My design intent was to place the functions across the site, separating the public from the pri-vate, and in doing so, creating outdoor spaces usable to students or visitors for exhibitions. The project was approached by a series of studies, from model building to studies of spatial and material qualities.
UC Comprehensive StudioFall 2012 I Professor Jeff Tilman
Fabrication Lab
88
Site Plan
Site Plan
10
Above is a study of materiality and spatial quality of the circulation spaces above and below, connecting the library and studio space to the fabrication lab. The connection of the exterior to interior was important.
Material and Spatial Collage
6” CONCRETE SLAB ON GRADE
2” EXTRUDED POLYSTYRENE INSULATION
6-MIL POLYETHYLENE MOISTURE BARRIER
6” GRAVEL
MTL PIPES 12” O.C.
10” RIGID INSULATION6” CONCRETE SLAB
W-FLANGE BEAMOPEN-WEB STL. JOIST @ 6’ O.C.
ALUM. MULLIONS
LIMESTONE CLADDING
DOUBLE GLAZINGWITH 3/4” AIR GAP
SPANDREL GLASS
CORTEN DOOR
16” DUCT
3” PRECAST LIGHTWEIGHT- AGGREGATE SLABS
EPDM ROOFING MEMBRANE2” GRAVEL
ALUM. BASE FLASHING
REINFORCED STL. REBAR
FABRIC FILTER3/4” SYNTHETIC DRAINAGE MAT
STABLE, DENSE SOIL BASE
1/16” BITUMINOUS COATING
CONCRETE FOOTING4” PERFORATED PIPE
12
Studio: StudentsStudio [Existing] Art Gallery
Bioswales
Art Gallery Studio: Artist in Residence Museum [Existing]
Site Section-Elevation
1 2 35 64
interactive
1 2 35 64
TP HO A specialty<<< user
studioSMALL FORMAT GROCERY
14
For a small format to be viable, it must go beyond a small grocery store. Key anchors such as a bakery and pharmacy bring additional customers into the store. Click+collect is a quick, satisfying service for the on-the-go user. Unexpected delights such prepped ingredients, a sampling center, and a play area encourage loyalty from customers and keeps them coming back. These programmatic features reach out to all types of users - the child [play area], a young teen walking in the neighborhood [bakery pick-up window], trendy adult [bulk goods], a busy parent [click+collect and “pick your plate”], and an older woman [pharmacy]. This small format will serve the needs of people living and/or working in the area.
Concept Collage
UC Elective StudioSpring 2014 I Professor Michael Zaretsky
1 2 35 64
interactive
1 2 35 64
TP HO A specialty<<< user
2 Trip Missions Parti
LINGER QUICK
2 Trip Missions Parti
LINGER QUICK
2 Trip Missions Parti
16
Grocery Interior
18
Prototype Plan
Pick Your Kit Pharmacy Bakery Click & Collect Lockers
Bulk Goods
Protype ‘Front’ Elevation
Protype ‘Side’ Elevation
natural light
circulation
massing
solid:void
structure
Circulation Diagram
Structural Diagram
Natural Light Diagram
Massing Diagram
Solid : Void Diagram
20
“THRIVE” RECREATION CENTER
Camp Washington is a place that thrived and survived on industry, supported by the highway net-work that surrounds, roads that pass though, and a rail yard that connects the industries to outside the neighborhood. The program and location of the Recreation Center recognizes the volume of peo-ple who circulate through and around the site, calling them to come into the site, stay a while, and enjoy a space that creates dynamic views into the rail yard and across Camp Washington. The Cen-ter creates a reason for people, both near (in the neighborhood) and far (tri-state area), to come to enjoy Camp Washington. Once a place to pass through, it becomes a destination, a place to thrive.
ProgramClimbing WallsFitness Gym + StudiosEquipment RentalVelodrome TrackJuice Bar
studio UC Design StudioSummer 2013 I With SHP Design
Site Section
Veledrome Track
22
Concept Sketch
Site PlanCamp Washington Recreation Center
and Land Bridge
The Marine Research and Education Center is on a 96-acre site, on Salt River Bay along the north coast of St. Croix. The 60,000-square foot campus will support research and education programs for university level and younger students. The project develops integrated design and engineering strategies that address the off-grid utility infrastructures, employing sustainable design strategies. The goal is to minimize natural resource consumption while enhancing social and economic benefits, addressed through my goals to Organize, Energize, and Acclimatize.
Design Competition Merit Award for the Sustainable Laboratory (1st Place)//Cripe Architects + Engineers, December 2011
SUSTAINABLE LABORATORY
24
1st Place I Design Competition, December 2012studio BSU 4rd Year StudioFall 2011 I Professor Robert Fisher
Site Plan Salt River Bay, St. Croix
Design Competition Merit Award for the Sustainable Laboratory (1st Place)//Cripe Architects + Engineers, December 2011
Museum
Laboratory Unit Section
Presentation Hall Classroom Laboratory Units
ORGANIZE: The labs, classrooms, housing, and support spaces are centered on a common area of green space for recreation and a ‘street’ for movement and activities. The design is modular, allowing for easy assembly and versatility among functions. ENERGIZE: Labs and classrooms are supported by social spaces adjacent to the area. Outdoorspaces are designed to promote collaboration among researchers and students alike. The lab opens up into the other lab through a dividing glass door, promoting idea sharing. ACCLIMATIZE: The site ad-dresses the need of freshwater, energy, and waste management. To utilize the year-round warm climate, there is a community garden. Arbor structures provide ample shading.
26
Resource Efficiency
Water Collection+ Collect, Store, Distribute
Maximize Wind Energy+ Turbines, Venturi Effect
Energy Use
Daylighting+ Filter Light Via Louvres
Single Loaded Corridors+ Natural Ventilation
Incr
ease
Dec
reas
e
JULIA CARSON COMMUNITY CENTER
28
studio BSU 3rd Year StudioSpring 2011 I Professor Olon Dotson
JULIA CARSON COMMUNITY CENTER
The Julia Carson Community Center is located in the Mapleton-Fall Creek Neighborhood of Indianapolis, Indiana. The 57,000 GSF multipurpose facility is in honor of the late U.S. Representative, Julia Carson. Her mission was to have a fa-cility that represents an inclusive society, commitment to community, and love of family. Community Center strives to engage the people and allow them once again to live in a place of beauty, trust, and hope, in the community and themselves.
Amplitheatre
TheatreBioswales Cafe GymLibraryGalleryOfficeMain Hall
Berm
TOWNHOUSE
30
The Santa Fe Townhouse is designed through the manipulation of modular units. Included is a living area, kitchen, bathroom, dining, and workspace. The structure is flat plate concrete with adobe walls, designed for the southwest climate of New Mexico. The house is placed as near to the street as possible, allowing for a private garden in the rear, enclosed by an 8’ high wall. With privacy as a necessity and townhouses on either side, ventilation and light are key to the placement of spaces, both interior and exterior. Terraces allow for an extension of space that is desirable in this environment.
studio BSU 2nd Year StudioSpring 2010 I Professor Dan Woodfin
32
34
I am adapting branding literature and phenomenology and their understandings of human sensory and emotional engagement, to the design of a flagship community service center for Proctor and Gamble to make an architecture that embodies the character of the company, and that will help them attract a diverse groups of users and visitors. My research looks at branding and how architecture is becoming part of a brand, as a touch point. As a critique of surface level and iconographic methods of expressing a brand architecturally, I chose to explore phenomenology (namely branded character and the seven senses) to better understand how a deeper understanding of human experience can be addressed in architecture for a corporate ‘brand’.
BRAND CHARACTERstudio UC Thesis Studio l In Process
Fall 2014 I Professor John Hancock, Advisor Edson Cabalfin
Proctor and Gamble
“Touching Lives, Improving Life”
“Everday Life Better”
Logo/Icon
Box of Boxes
Engage Human Senses
Program Mix/Community Services
Circle/ Blue/ Water
Part/ Whole, Open/ Closed
Materials/ Variety
Voids/ MovementSite/ Context
Aperture/ Patterning/ Scale
I am adapting branding literature and phenomenology and their understandings of human sensory and emotional engagement, to the design of a flagship community service center for Proctor and Gamble to make an architecture that embodies the character of the company, and that will help them attract a diverse groups of users and visitors.
My research looks at branding and how architecture is becoming part of a brand, as a touch point. As a critique of surface level and iconographic methods of expressing a brand architecturally, I chose to explore phenomenology (namely branded character and the seven senses) to better understand how a deeper understanding of human experience can be addressed in architecture for a corporate ‘brand’.
1. Specifically, Proctor and Gamble, as a house of many brands, I had the concept of “box of boxes”, revealed primarily as part:whole and open:closed. As a large company, powerful in its size, product selection, and in the market, it focuses on making “Touching Lives, Improving Life” and “Everyday Life Better.” 2. “Touching Lives, Improvig Life addresses the human individual’s senses, emotions, and intellect through materials. 3. “Everyday Life Better” is expressed through the program mix and community services, addressed through a design strategy of voids/movement, site/context.4. The circle motif and the color blue are used because of its known association with the brand, in apertures, patterning, and scale.
Through a manipulation of voids, openness, materials, circulation, the circle, and color blue, this community service center provides a community flex space and coffee shop combined with the following services: coin laundry, dry cleaning, shave shop, fitness center, spa, and community garden selected in part by location and lack of these services in the site vicinity and to align with the products and character of Proctor and Gamble.
Brand Branded Environments Experience Realms Branding Strategies
Phenomenology 7 Senses Character
Project Goals
Brand Identity ProcessBRAND IDENTITY PROCESS:Alina Wheeler
1. Conducting Research
2. Clarifying Strategy
3. Designing Identity
4. Creating Touchpoints
5. Managing Assets
Concept Sketch
BRAND CHARACTER
MASS ON SITE PROGRAM PARTI
COMMUNITYCENTER
SERVICES CARVE/ OPEN/ EXPOSE
EXTERIOR EXTERIOR VS.INTERIOR
PERFORATE AND STEPTO FIT IN CONTEXT
Program Diagram
Parti Diagram
36
Ground Floor PlanSite Analysis: Over-the-Rhine Cincinnati, Ohio
Ramp Program Experience
Meeting Room
Community Flex Space
Community Garden
CoffeeShop
Storage
Dry Cleaning
Coin Laundry
FITNESS CENTER
COIN LAUNDRY
PROGRAMS REVEALED IN SPACE DIAGRAM
SPA
SHAVE SHOP
HISTORYEXHIBIT
Courtyard Exterior View
model-11
ANDERSON ARCHITECTS work
Anderson Architects is a multi-disciplinary firm that design public spaces and special facilities to furniture and fixtures. There is a focus in creating a “place” and working with honest materials to express the identity of the client and their brand. From schematic design to design development, I contributed to the design of a flagship retail store in London, helping to realize the brand and express the identity of the company through spatial planning, plans, storefront design, fixture design, and material selection.
&derson
38
Fossil, LondonNovember 2013
Co-op I New York, New YorkSpring 2013 I Advisor Matt Greer
Store Interior
&derson
Fossil, LondonNovember 2013
This design of this retail project evolved from looking at the history of the brand and understanding how the company wanted to project their image to the world. With anderson architects, I came to understand the dialogue between the plan layout and the fixture design. The fixtures informed the layout and the spatial organization suggested the fixture design.
Fixture Design:Window Display Unit
40
Fixture Design:Window Display Unit
Harvard University Housing
SOLDIERS FIELD PARK DraftJune 10, 2014
Proposed Entry Improvements Concept
MASTER PLAN UPDATE
Main Entry - Building 2 Management Office
2
1
34
Metal Clad Canopy, Staggered Panels
Zinc Signage Panels, Textured
Harvard University Housing
SOLDIERS FIELD PARKchapter 4facility +
infrastructure
PB
DraftJune 10, 2014
Proposed Entry Improvements Concept
MASTER PLAN UPDATE
Typical Primary Building Entry - (Building 2 Shown, Buildings 1 and 3 Similar)
2
1
34
Zinc Signage Panels, Textured
Harvard University Housing
SOLDIERS FIELD PARK DraftJune 10, 2014
Proposed Entry Improvements Concept
MASTER PLAN UPDATE
2
1
34
Typical Secondary Building Entry - (Building 2 Shown, Buildings 1 and 3 Similar)
Metal Clad Canopy, Staggered Panels
Zinc Signage Panels, Textured
ELKUS MANFREDI ARCHITECTS work
42
Elkus Mandfredi Architects is a large firm with its office in Boston, Massachusettes. I worked in SketchUp, InDe-sign, Revit, and CAD. I worked on schematic design for residential renovation projects for Harvard University, including entry design and material selection. For another residential project, I worked on construction docu-ments and construction administration including an extensive submittal review. Responsibilities included rcps, electrical coordination and hvac coordination, and fixture review. I also had the opportunity to write a memorandum, work with an architecture photographer for a space, work on signage for a University.
Proposed Entry ImprovementsSoldier’s Field Park, University HousingCambridge, Massachusettes
Co-op I Boston, MassachusettesSummer 2014 I Advisor Emily Paparella
A B C D E
6'
13
12
11
10
BB
CC
DD
EE
GG
HH
LL
FF
JJ
KK
J K
L
13E
12E
10E
11E
9.5E
MM'
11.4
11.6
FF.4
GG.4
BB.2
11.3E
11.7E
10.7E
87.5
B.4 B.6 C.5A.1
7.4
12' - 2"
GWB
FITNESS113
BIKESTORAGE
114
NSTAR116
DRY PIPEROOM/
STORAGE112
STAIR N11-SN1
SWITCHGEAR117
NORTHBUILDING
TRASHROOM
118
ELEVATORCONTROL
ROOM119
MAINTENANCE122
SERVICECORRIDOR
121
11' - 10"
GWB
11' - 0 1/2"
GWB
11' - 0 1/2"
GWB
LR-1
LR-1
NO CEILING
NO CEILING
3" OF SPRAYEDINSULATION IN HATCHED
AREAS AS INDICATED
LOADING120
LR-1
LR-1
LR-1
LR-1
LR-1
LR-1
LR-1LR-1
NO CEILING
NO CEILING
NO CEILING
NO CEILING
NOCEILING
NO CEILINGNO CEILING
LR-1
WS-6
WS-6
WS-6
TENANT C159
TENANT D160
GARAGERAMP
154
CORRIDOR104
3" OF SPRAYEDINSULATION IN HATCHED
AREAS AS INDICATED
WS-6
WS-6
WS-6
WS-6
WS-6
WS-6
WS-6
WS-6
WS-6
WS-6
WS-6
WS-6
WS-6
WS-6
WS-6
WS-6
7'
7.3
WS-6
WS-6
LR-1
LR-1
LR-1
LR-1
WS-6
WS-6
10.1
BB.5
11.5
GAMEROOM
110
16'-10 7/8"
12'-0"
7'-8"
4'-4"
13'-6"
10'-6"
10'-6"
9'-2"
4'-4"
24'-0"
24'-0"
12'-1 3/4"
5'-10 1/4"
6'-0"
160'-10 7/8"
14'-0
"
11'-7
"
2'-3
"
4'-7
"
11'-7
"
13'-9
"
3"
58'-0
"
14'-0
"11
'-7"
14'-0
"6'
-10"
3'-4
7/8
"8'
-2 1
/8"
14'-0
"
72'-0
"
15'-0" 26'-0" 34'-0" 11'-8"
86'-8"
30'-0"
30'-0"
60'-0"
9
8.6
K.2
DD.7
B.9
LOUNGE111
IT/AVCLOSET
141
P-4
P-4
P-4
P-4
P-4
P-4
P-4
P-4
P-4P-4
P-4
P-4
P-4
P-4
P-4
P-4
P-4
P-4
LR-1
LR-1
FP-1
FP-1
FP-1
FP-1
FP-1
PROJECTED BAYSABOVE
LINEAR DIFFUSERS- SEE MECHANICAL
RETUR AIR GRILLES- SEE MECHANICAL
LT-XLT-X
LT-X
LR-1
LR-1LR-1
LR-1LR-1 LR-1
LR-1
LT-X
LT-X
LR-1
LR-1
LR-1
LR-1LR-1
LR-1LR-1
LR-1
LR-1
LT-X
LR-1
LR-1
LR-1
LR-1LR-1
LT-XLR-1
LR-1LR-1
5'-6"
LR-1
XC
10' - 0"
GWB
XA
XA
XB
EQ
EQ
EQ
EQ
EQ
EQ
EQ
4'-9
"
4'-6
"
10'-0
"
10'-0
"
10'-0
"
10'-0
"
10'-0
"
EQ
EQ
7'-2
"
7'-2
"
EQ
EQ
EQ
EQEQ
EQ
EQ
T-1
EQ
EQ
2'-5
"
3'-6"
3'-6"
6'-10"
4'-6"5'-1
1"6'
-0"
6'-0
"5'
-4"
4'-0
"
5'-4
"
3'-0
"3'
-0"
2'-0
"2'
-0"
5'-4
"
5'-6"
5'-6"
5'-6"
EQ
EQ
EQ2'
-5"
3'-9
"4'
-11"
4'-6
"4'
-0"
LR-1
4'-9
"
EQEQ
T-1
T-12'
-0"
NO CEILING
19
3'-6"
3'-6"
11' - 0 1/2"
GWB
LC-5
LC-5
LC-5
LC-5
NO CEILING
8'-0
"
8'-0
"
20'-0
"
LC-5
LC-5
LC-5
8'-0"
6'-0"LC-5
7'-0
"
13'-0
"
13'-0
"
LC-5
LC-5
LC-5
LC-5
LC-5
NO CEILING
EQ
EQ
LC-5
WS-6
WS-6
WS-6
WS-6
EQ
12'-0"
12'-0"
12'-0"
EQ
EQ
EQ
LC-5
LC-5
LC-5
LC-5
4'-0
"
LC-5
EQEQ
EQEQ
EQEQ
EQEQ
EQEQ
4'-6"
EQ
EQ
4'-6"
8'-0"
6'-0"
6'-0"
8'-0"
EQ
EQ
18'-0
"
EQEQ
EQEQ
EQEQ
EQ EQ
P-4
20'-0"
20'-0"
20'-0"
4'-9"
EQEQ
TYP.
LR-1
19
19
19
19
19
EQEQ
EQEQ
19
EQ
EQ
19
EQEQ
6'-6"
8"3'-0
"
EQEQ
5'-6"
4'-1
0 5/
8"
3'-0"
2'-6"
EQEQ
2'-0"2'-0"
7'-7
3/8
"
10'-0
"
2'-0
"
EQEQ
1'-7
"
SCALE:
C
201
4, E
LKU
S |
MA
NFR
ED
I AR
CH
ITE
CTS
DRAWING NUMBER:
DRAWING NAME:
REVISIONS:
DATE:
PROJECT NUMBER:
ELKUS | MANFREDIARCHITECTS
BOSTON MASSACHUSETTS 02210
[ tel] 617-426-1300
[address] 300 A STREET
OwnerSamuels & Associates
333 Newbury StreetBoston, MA 02115617.247.3434
Geotechnical EngineerMcPhail Associates, Inc.
2269 Massachusetts AvenueCambridge, MA 02140617.868.1420
Civil EngineerVanasse Hangen Brustlin, Inc.
99 High StreetBoston, MA 02110617.728.7777
Landscape Architect - Ground PlaneReed Hilderbrand
471 Mount Auburn StreetWatertown, MA 02472617.923.2422
Structural EngineerMcNamera Salvia, Inc.
160 Federal StreetBoston, MA 02110617.737.0040
MEP EngineerCosentini Associates
Building 200, 2nd Floor
Cambridge, MA 02139617.494.9090
One Kendall Square, SuiteB2204
Keith LeBlanc LandscapeArchitecture, Inc. - Green Roof
535 Albany Street No. 5ABoston, MA 02118617.426.6475
CONSTRUCTION DOCUMENTS
Allston, Massachusetts
7/31
/201
4 11
:02:
43 A
M
1/8" = 1'-0"
A609
NORTH BUILDINGFIRST FLOORENLARGEDREFLECTED CEILINGPLAN
MARCH 24, 2014
11030
Barry's Corner
SCALE: 1/8" = 1'-0" 002
Level 1 N1 RCP1
19 CCD-025 7-22-201422 CCD-026 7-21-2014
ELKUS MANFREDI ARCHITECTS Barry’s Corner, Residential Allston, Massachusettes
SOLOMON CORDWELL BUENZ work
44 LEGENDCEILING HEIGHTS
UNDERSIDE OF SLAB (VARIES)
SUSPENDED GYPSUM DRYWALLCEILING 8'-10"
SUSPENDED GYPSUM DRYWALLCEILING 8'-4"
SUSPENDED GYPSUM DRYWALLCEILING 8'-0"
TYPICAL FLOOR TO CEILING HEIGHT 9'-6"
SUSPENDED GYPSUM DRYWALLCEILING 7'-61/2"
SUSPENDED GYPSUM DRYWALLCEILING 9'-6"
SUSPENDED GYPSUM DRYWALLCEILING 11'-4"
FIXTURE LEGEND
LIGHT SCONCE IN CORRIDOR
CEILING FAN
LIGHT TRACK 4'-0"
DOWNLIGHT RECESSED CAN6" INCANDESCENT - 120 V
RETURN AIR GRILLE14" X 24"
BATHROOM EXHAUST FAN12" X 12"
ACCESS PANELCLOSET CEILING TYP. 30" X 30"
ACCESS PANELABOVE TUB TYP. 3'-0" X 4'-0"
SURFACE MOUNT FIXTUREIN ELEVATOR LOBBY
GENERAL NOTES
THE INFORMATION SHOWN ON THISSHEET IS APPROPRIATE FOR ALL OF THEUNITS IN THE PROJECT IDENTIFIED BYTHIS UNIT “TYPE”. FOR ALL CONDITIONSRELATIVE TO A PARTICULAR FLOOR’SSTRUCTURAL OR MECHANICALUNIQUENESS, REFER TO THE A2 AND A7SERIES DRAWINGS. TO LOCATE SIMILARUNIT "TYPES" THROUGHOUT THEPROJECT, REFER TO THE UNIT MATRIXON SHEET A0.20. REFER TO SHEETA6.95 AND A6.96 FOR UNIT RELATEDCASEWORK AND MILLWORK DETAILSAND SHEET A8.40 FOR ALL UNITSCHEDULES.
DOOR NUMBER TYPE
DOOR
R1A
DOOR SCHEDULE - RESIDENTIAL UNITS
A
1. DOORS APPLICABLE TO ALL TYPES OF RESIDENTIAL UNITS ARE INCLUDED IN THIS SCHEDULE2. SEE A8.20 FOR DOOR TYPES AND A8.25 FOR TYPICAL DOOR DETAILS3. PROVIDE PRE-FINISHED SATIN NICKLE HINGES4. PROVIDE 1" UNDERCUT FOR ALL INTERIOR UNIT DOORS5. DOOR NUMBER R3B AND R3C - NOT USED
R2A
R2C
R3A
R3E
R4A
R4B
R4C
R4D
R4E
R4F
R4G
R4H
R4I
R4J
R4L
R5A
R5B
MATERIAL
FRAME
HM
R5C
R5D
R5F
A1
B1
L
B1
B1
B1
L
L
D
C
D
C
C
WIDTH
3' - 0"
2' - 10"
3' - 0"
2' - 10"
2' - 6"
2' - 0"
1' - 6"
4' - 6"
3' - 0"
1' - 0"
4' - 0"
5' - 0"
5' - 8"
6' - 0"
5' - 0"
2' - 6"
2' - 10"
4' - 0"
2' - 8"
3' - 0"
2' - 10"
HEIGHT
7' - 2"
6' - 8"
6' - 8"
6' - 8"
6' - 8"
6' - 8"
6' - 8"
6' - 8"
6' - 8"
6' - 8"
6' - 8"
6' - 8"
6' - 8"
6' - 8"
6' - 8"
6' - 8"
6' - 8"
6' - 8"
6' - 8"
6' - 8"
6' - 8"
THICKNESS
1 3/4"
1 3/8"
2"
2"
2"
MATERIAL
SCWD
HC
HC
HC
HC
HC
HC
HC
HC
HC
HC
HC
HC
HC
HC
HC
HC
SCWD
HC
HC
HC
FINISH
WD
WD
WD
WD
WD
WD
WD
WD
WD
WD
WD
WD
WD
WD
WD
WD
WD
WD
WD
WD
JAMB
J1
HEAD FINISH
H1
J2 H2
J2 H2
J2 H2
J2 H2
J2 H2
J2 H2
J2 H2
J2 H2
J2 H2
J2 H2
J2 H2
J2 H2
J2 H2
J2 H2
J2 H2
J2 H2
J2 H2
SILL HARDWARE FIRE RATING LOCATION
UNIT ENTRY
BEDROOM
BEDROOM
BATHROOM
BATHROOM
CLOSET
LAUNDRY
LAUNDRY
LAUNDRY
UTILITY /MECH ROOM
LAUNDRY
CLOSET
CLOSET
CLOSET
CLOSET
CLOSET
CLOSET
CLOSET
CLOSET
CLOSET
CLOSET
COMMENTS
GENERAL NOTES FOR UNIT DOORS:
1 3/8"
1 3/8"
1 3/8"
1 3/8"
1 3/8"
1 3/8"
1 3/8"
1 3/8"
1 3/8"
1 3/8"
1 3/8"
1 3/8"
1 3/8"
1 3/4"
1 3/8"
1 3/8"
1 3/8"
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
A1
B1
A1
A1
A1
A1
A1
RIFT CUT RED OAK DOORS WITH APPLIED WOOD CASINGS
R3D 3' - 0" 6' - 8" HC WD J2 H2 BATHROOM1 3/8"A1
R1B A 3' - 0" 8' - 0" 1 3/4" SCWD HM J1 H1
STAINED
STAINED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PT-12
PT-12
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
PAINTED
UNIT ENTRY RIFT CUT RED OAK DOORS WITH APPLIED WOOD CASINGS
7
7
A A
B B
A.2 A.2
8
8
1' -
8"
1'-9" 5'-0" 5'-0" 1'-9"
2'-4" 13'-6" 4'-4"11' - 0"
5'-4
"
4'-8
"
1'-8
"
A.9 A.9
R2A R3A
R5A
R4A
R1A
2
1
6120
4
1
11
LIVING ROOM/DINING ROOM
BEDROOM
KITCHEN
CL
BATH W/D
CL
LIVING ROOM/DINING ROOM
BEDROOM
ENTRY
CL
BATH W/D
CL
3'-1
1/8
"6'
-4 7
/8"
2'-1
1/4
"1'
-2 3
/4"
5'-5 7/8" 5'-0 1/8" 3'-6 1/4" 3'-7" 2'-2 1/2" 6'-10 3/8"
15'-2
1/4
"
8.4
8.4
7.4
7.4
A6.732
11
1
5
1
20
11
1
61
5
3'-5 1/2" 1'-3"
R4F
2R3S
1R2S
2R3S
A6.602
SIM
30
30
35
SIM
1'-3
"6
3/4"
7'-1
1 7/
8"
55A55A55A
55A
1'-2 7/8"6 1/4"
1'-2 1/4"
1'-3
"
2"
2'-6 5/8" 2'-9 3/4" 1"
7/8"2'-1 1/2"
UNIT A71 BEDROOM
1'-6
"4'
-0"
2'-1
1 3/
4"1
3/4"
3'-0
"
1" 5'-0" 1"
7
7
A A
B B
A.2 A.2
8
8
A.9 A.9
8.4
8.4
7.4
7.4
U-VCT-01 U-WF-01
U-CPT-01 U-WF-01
U-WF-01 U-TIL-01
2"
ACCENT WALL COLOR
ACCENT WALLCOLOR
ACCENT WALL COLOR
A A
B B
A.2 A.2
8
8
A.9 A.9
CEILING HT.8' - 0"
CEILING HT.8' - 4"
CEILING HT.8' - 10"CEILING HT.
8' - 4"
4'-4 7/8"
EQ
2'-8"
2'-4
"4'
-5"
1'-4
"1'
-4"
8"
8"
1'-8"
2'-1
5/8
"
4'-1 1/4"
4'-6
"2'
-2"
UNIT A71 BEDROOM
8.4
8.4
7.4
7.4
8"
2'-0 3/8" 2'-0 3/8"
ACCESSPANEL
LIVING ROOM/DINING ROOM
BEDROOM
ENTRY
CL
BATH W/D
CL
CRCRCSCS
CS
Drawn By:
Checked By:
Project Number:
Sheet Number:
© 2013 Solomon Cordwell Buenz
UNIT A7CONSOLIDATEDPLANS ANDSCHEDULES
Austin, Texas
GREEN WATER
Mixed-use Development
U-A7Author
Checker
2011041
NO. DATE DESCRIPTION
11.21.2013 FINAL GMP/CONSOLIDATED UNITPLANS
1 12.18.2013 CONSOLIDATED UNIT PLANS UPDATE
SCALE: 1/4" = 1'-0"1 UNIT A7 FLOOR PLAN
SCALE: 1/4" = 1'-0"2 UNIT A7a FINISH PLAN
SCALE: 1/4" = 1'-0"3 UNIT A7 REFLECTED CEILING PLAN
Solomon Cordwell Buenz is a multi-disciplinary firm that specializes in residential high-rises and education. It is a large firm, with offices in Chicago and San Francisco. This was my first introduction to a large firm, with over one-hundred sixty people in the Chicago office. I worked primarily in Revit, with some work in CAD. This co-op experience exposed me to residential high-rise design. My responsibilities included plans, unit plans, interior elevations, rcps, and door schedule coordination, primarily on the Green Water project in Austin, Texas. Some time was spent in producing marketing plans for a new high rise in Chicago. As a member of the Green Water project team, I worked with up to 10 people at times, coordinating the project to the 95% CD set. I learned how to coordinate with a project team, in the context of a large project.
Co-op I Chicago, IllinoisSpring 2013 I Advisor James Young
SOLOMON CORDWELL BUENZ Green Water, High Rise Residential Austin, Texas
PANZICAwork
46
Construction Begins,Spring 2014
Internship I South Bend, Indiana Summer 2011 + 2012 I Advisor Philip Panzica
Waterfront Development Schematic Design
At Panzica, a small Design-Build Firm, I devloped schematic designs, interior, and material details. I processed submittals and bids, developed client relations through meetings and presentations. I worked on the development of master plan and space planning for the Wharf project, situated on the St. Joe River in South Bend, Indiana. The condos are for families and couples interested in living downtown, away from the suburbs and into the city. As developer, architect, and builder, Panzica’s hope is to provide a place to live, activating the river walk and promoting an urban lifestyle. The hope is to enrich the city, support local businesses and engage with the people, culture, and place of South Bend.
Site Concept Sketch
Site Concept Sketches
immersion
The Haiti Block was developed for the New Block Design Competition. Our team won 1st Place at the local level for Indiana in December 2011. We refined the block design . The project received 3rd Place at the National Concrete Masonry Association, awarded in Traverse City, Michigan.Group Members: Colin Marshall, Kevin Snyder, Madeline Toth, Caleb Wild
HAITI BLOCK1st Place I ICMA , December 2011
48
BSU Elective SeminarFall 2011 I Professor Tony Costello
As part of an elective course, the Haiti Block was inspired by the need of the Haitian people and the real -world implications of a new block design. The objective is to design an original concrete block that has aesthetic qualities, cost-efficient production, and high strength and stability.
Throughout the many iterations, the final design was informed by the challenges facing Haiti and their reconstruction efforts. It is in the basic form of the block, with the interlocking keys that drives the success of the block. From a basic 8” x 8” x 16” block, the form was derived. The interlock-ing keys of the block allow the block to overcome the two most critical issues of structural failure in unit masonry: shear and diagonal cracking.
1st Place I ICMA , December 2011
Photograph: Physical Model of Haiti Block Formwork Mold
Construction Diagram
ecoREHABimmersion
50
BSU ecoREHAB Summer ProgramSummer 2011 I Professor Jonathan Spodek
Working for ecoREHAB was a dynamic learning experience that not only gave me the comfort of handling power tools, hanging drywall, mixing mortar, and working in the wood shop, but gave me the opportunity to get involved in the community. By working in the neighborhood, I gained a deeper understanding of the Muncie community, met local specialists in historic preservation, and toured a local building undergoing restoration. ecoREHAB has 4 goals: 1. Rehabilitate existing houses 2. Immersive learning experience 3. Establish a design assistance center 4. Offer training programs to communities.
Promotional Exhibit //Soup Kitchen Benefit, July 2009
HUMAN: AN INSTALLATION art + design
52
Each year, first years are assigned an installation project. My partners, Michael Bramer and Claire Thomison, and I wanted to create an intervention that activated space through play of light and a human-like figure. To create a play on light, we used colored stones. Through careful manipulation of chicken wire, metal duct, silverware from every thrift store in the area, wire, and a light bulb, the three of us created a human silverware man. This title and many others have emerged across CAP. He was kept as a permanent installation outside the Architecture Library for 3 years. Maintenance moved “him” and we discovered him in a closet off of the main hallway. We kidnapped human and now he rests as a piece of art in my partner, Claire Thomison’s, home.
BSU 1st Year StudioSpring 2009 I Professor Paul Folger
Promotional Exhibit //Soup Kitchen Benefit, July 2009
HUMAN: AN INSTALLATION
54
DRAWING + PHOTOGRAPHY
Sketch, Exeter Library, Louis Kahn
DRAWING + PHOTOGRAPHY