Architect Nov 11 Volume 5

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    NEWS, DATA, ANALYSIS AND STRATEGIC INSIGHTS FOR ARCHITECTS IN THE GCC

    NOVEMBER 2011 / VOLUME 5 / ISSUE 11An ITP Business Publication

    INSIGHT

    Uncovering the latest

    trends in regional

    education

    design

    FEATURE

    Exploring the many

    benef its of Bu ilding

    Information

    Modelling

    ROUGH

    DIAMOND SheikhZayedDesert

    Learning

    Centre takesshape in Al Ain

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    The TWIN elevator system at ThyssenKrupps

    headquarters building Dreischeibenhaus in Dusseldorf(Germany):2 cabs, 1 shaft, 0 crowds. | Accept no Limits.

    What keeps us

    moving.

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    1

    NOVEMBER| CONTENTS

    www.designmena.com| 11.11| MIDDLE EAST ARCHITECT

    4FRONT

    Top stories in the world

    of architecture including

    Foster + Partners Kuwait

    airport and a Dubai-esque

    ski slope in Sweden

    8

    14THE BIG PICTURE

    Dubais Grosvenor House

    towers are at their best when

    the lights come on

    16ANALYSISSpeakers at the World

    Architecture Congress cal l

    for site specific design

    22OPINION

    Hisham Youssef asserts that

    clients should understand

    and support architects

    24COVER STORYOn site at the SZ Desert

    Learning Centre, which is

    taking shape in Al Ain

    34INTERVIEW

    58CASE STUDIESMaysan Residences by dwp,

    MZ Architects Lagos design

    and LEED Gold-rated Mirdif

    City Centre

    76CULTURE

    Cool products, clever ideas,

    and some of the latest gadgets

    in the design world

    80THE LAST WORDMuhannad Sh. Assam,

    managing director for BEAD

    Architects & Desig ners

    40INSIGHTDiscovering the ever-

    expanding possibilities

    of Building Information

    Modelling software

    48

    Murat Tabanlioglu describes

    the latest projects to emerge

    from his Turkish firms

    intrepid portfolio

    FEATUREMEA explores the latest

    trends and challenges when

    designing schools for the

    Middle East region

    PROJECTSA round up of the latest

    project news from MENA

    and the rest of the world

    NOVEMBER 2011 VOLUME 5 ISSUE 11

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    FSB is a global pioneer with its cross-range Environmental Product Declarations (EPDs) to ISO 14025

    for Public Project and electronic hardware and for barrier-free handle systems.

    www.fsb.de/ISO14025

    Lasting growth is a question of ongoing renewal

    rather than the resources available.

    Realgestalt,Berlin

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    Its in your hands.

    www.f

    sb.d

    e/en

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    MIDDLE EAST ARCHITECT| 11.11| www.designmena.com

    FRONT| NOVEMBER

    4

    FOSTER REVEALS DESIGNFOR KUWAIT AIRPORTUK architecture giant unveils designs for major airport redevelopment

    Foster + Partners has unveiled its

    design for Kuwait International

    Air port, a major hub with a yearly

    capacity of 13 million passengers.

    The firms passenger terminal

    design comprises three symmetri-

    cal wings of departure gates, each

    extending 1,200 metres from a

    25-metre-high central space.

    Sustainable measures, such as

    roof-mounted photovoltaic panels,

    will help the building

    become the worlds

    first terminal to

    achieve LEED Gold.

    Mouzhan Majidi, chief

    executive of Foster + Partners, com-

    mented: The scale of the airport

    shows Kuwaits great foresight in

    recognising the benefits of strategic

    investment in future infrastruc-

    ture. The environmental ambitions

    The new terminal

    will handle 13m

    per year.

    driving the project are

    equally impressive.

    The canopy extends to

    shade a large entrance plaza

    and is supported by tapering

    concrete columns which are said to

    be inspired by the traditional dhow

    sailing boats.

    The terminal is located to enable

    future expansion to accommodate up

    to 50 million passengers a year.

    1,200MLENGTH OF EACHDEPARTURE

    GATE WING

    Pearls for the Sheikh

    Zayed Desert Learning

    Centre(page 24)

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    NOVEMBER| FRONT

    www.designmena.com| 11.11| MIDDLE EAST ARCHITECT 5

    This months top stories on the online home

    of Middle East Architect

    Winners for 2011 Commercial Interior De-

    sign Awards announced

    25 essential iPad apps for interior design

    students

    In Pictures: Commercial Interior Design

    Awards winners

    Only 10% of ME construction professionals

    using BIM, says expert

    Head for Heights

    Plans have been revealed for a 700m

    indoor ski slope in Sweden which will

    surpass the 400m Ski Dubai.

    Located outside Stockholm, the

    70,000m2 Skipark 360 has been

    designed by Berg Arkitektkontor, the

    local branch of CF Moller Architects.

    A 21-storey residential tower in Istan-

    bul, designed by Turkish architecture

    firm Tabanlioglu, was among the 13

    winners of the RIBA International

    Awards 2011.

    The project, called Loft Gardens,

    was described by the RIBA judges

    as an extreme demonstration of

    elegance and restraint within a subtly

    modified t ypology.

    Another Middle East building to

    be recognised was Foster + Partners

    Masdar Institute in Abu Dhabi, a

    centrepiece of the zero-carbon city.

    Inaugurated in 2005, the RIBA In-

    ternational Awards honour outstand-

    ing buildings outside the UK.

    Turkish tower lauded by RIBA

    Sweden to trump Ski Dubai

    with 700m indoor slopeThe resort will also contain a

    3.5km cross-country skiing tunnel,

    a biathlon area, ice hockey and figure

    skating rinks, and a snow park for

    snowboarders.

    Skipark 360 is a reaction to

    reduced snowfall in Sweden, which is

    threatening the skiing industry.

    Construction is due to start in 2013

    or 2014 and will be completed within

    two years.

    Although there are around 30

    indoor slopes around the world, with

    several in Europe, the most famous is

    arguably Ski Dubai, located in Mall of

    the Emirates.

    WEIRD PROJECT OF THE MONTH

    BNKR Arquitectura has designed an earth-

    scraper to get around the height restriction

    in the historic centre of Mexico City. The

    inverted pyramid contains a central void to

    feed light to the underground storeys.

    Length of boulevard in

    Nigerias Eko Atlantic

    City(page 62)

    New schools

    planned in Abu

    Dhabis Future

    Schools plan(page 48)

    DESIGNMENA.COM

    DATASTREAM

    AEDAS MIDDLE EAST - PROJECTS BY REGION

    Sweden has experienced low snowfall.

    47%ABU DHABI

    29%DUBAI

    18%QATAR

    6%KSA

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    6

    The energy ef ciency o asupertall building is

    superior to theequivalentnumber o low-rise buildings.Adrian Smith, co-

    ounder o AS+GG,

    justifies his well-

    known specialism in

    cloud-piercing

    structures

    UK-based firm Broadway Malyan has ap-

    pointed director Stuart Rough as chairman

    and added new staf to its Shanghai o ce.

    Rough has led award-winning retail and

    workplace projects in China, Southeast

    Asia and Europe, including the BASF, Sony

    and Roche headquarter buildings.

    He said: As part o the practices senior

    management team I will ocus on develop-

    ing the global reach o our 15-strong net-

    work o bases rom So Paulo to Shanghai,

    enhancing the unrivalled diversity o our

    500+ sector experts, increasing our distinc-

    tive client ocus, with 80% o 2010 income

    rom repeat business, and widening our

    portolio o world-class projects.

    The move will see director Melvin Davis,

    who has come to the end o his tenure as

    chairman, relocate to the practices Shang-

    hai o ce rom 2012.

    PEOPLE

    New chairman forBroadway Malyan

    Norman Foster paystribute to Steve Jobs

    It has been an incredibleachievement to turn a small

    desert city state

    into a global

    tourism brand.

    We are going

    to see Dubai

    become more

    mature.Simon Crispe, Atkins

    commercial

    director

    The competitionin Qatar is huge,and that has drivendown some o theactual commercialattractivenesso it.Eamonn

    Kerr, MD,

    Sweett

    Group

    Stuart Rough takes the hot seat.

    Foster designed the new Apple campus.

    60 SECOND INTERVIEW

    DR HANAN M. TALEB,

    FACULTY MEMBER,

    BRITISH UNIVERSITY IN

    DUBAI (BUID)

    Why is it important to have

    enducation on sustainability?

    Education for sustainability has

    become an essential tool for

    achieving sustainable develop-

    ment and has been adopted in a

    number of countries throughout

    the world.

    What role can universities play?

    They need to equip higher

    education graduates, who

    are likely to occupy

    future management

    and leadership

    roles, with knowl-edge and skill

    sets that help

    them in making

    informed-deci-

    sions.

    Which universities

    ofer courses on

    sustainable architecture?

    I conducted a survey a few

    months ago and it was shocking

    to find a lack of courses devoted

    to sustainable architecture, withthe exception of the Masters

    course on Sustainable Design

    of Built Environment from BUiD.

    However, other universities have

    launched sustainability cur-

    ricula, such as KAUST and King

    Saud University in Saudi Arabia,

    and the UAEs Masdar Institute

    of Science and Technology,

    United Arab Emirates University

    and the University of Sharjah.

    Norman Foster paid tribute to Apples

    Steve Jobs, who died last month, citing him

    as an inspiration and role model.

    Foster + Partners is working or Apple

    on its new campus in Cupertino, Caliornia

    (pictured). Completion is slated or 2015.

    In a statement, Foster said: We were

    greatly privileged to know Steve as a per-

    son, as a riend a nd in every way so much

    more than a client. Steve was an inspiration

    and a role model.

    He encouraged us to develop new ways

    o looking at design to reflect his u nique

    ability to weave backwards and orwards

    between brand strategy and the minutiae o

    the tiniest o internal fittings.

    For him no detail was small in its sig-

    nificance and he would be simultaneously

    questioning the headlines o our project

    together whilst he delved into its fine print.

    Foster continued: He was the ultimate

    perectionist and demanded o himsel as

    he demanded o others. We are better as in-

    dividuals and certainly wiser as architects

    through the experience o the last two years

    and more o working or him...he was one o

    the truly g reat designers and mentors.

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    8

    3

    DUBAI

    Nature-focused Al Barari

    completes phase one villas

    Al Barari, a low-density development

    in Dubai that embraces nature, has

    announced the completion of its 189

    phase one villas. Around 80% of Al

    Bararis land is dedicated to open

    green space, making it the regions

    lowest density development. The

    project contains 14 kilometres of

    naturally filtered lakes, freshwater

    streams, cascades and waterways and

    six botanical themed gardens.

    MENA PROJECT SNAPSHOT

    2

    QATAR

    Construction starts on

    $1.65bn Doha Festival City

    Construction work has started on the

    QR6bn ($1.65bn) Doha Festival City

    retail destination which is slated for

    completion in the fourth quarter of

    2014. IK EA, part of the Al-Futtaim

    Group, will be developed under the

    first phase of construction and the

    32,000m2 store is set for completion

    in Q4 2012, with the remaining ele-

    ments of Doha Festival City due for

    delivery two years later.

    1

    ABU DHABI

    UAE Pavilion on Saadiyat

    nears completion

    Abu Dhabis dune-like UAE Pavilion,

    designed by Foster + Partners, will

    be completed in time to host an art

    event in mid November. The pavilion

    has been relocated to Saadiyat island

    after hosting the UAEs national

    exhibition at the World Expo 2010 in

    Shanghai. Reconstructed by TDIC

    and commissioned by the National

    Media Council, the structure will

    now act as a cultural venue.

    1

    2 3

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    TECHNICAL MIDDLE EAST| ADVERTISMENT FEATURE

    www.designmena.com| 11.11| MIDDLE EAST ARCHITECT 9

    Technal Middle East (TME) repor ts strong

    perormance this year, having achieved good

    results and on targets or the financial year in the

    first hal o 2011.

    The Bahrain-based company, which is the

    regional of ce or Technal, a leading international

    architectural aluminium systems supplier,

    continues to build on the strength o the French

    brand that was created more than 50 years ago.

    Over the past year, TME has redoubled eorts

    to achieve its sales targets and despi te the

    global credit crunch, has continued to invest in

    reinorcing its organisation, its logistics acilities,

    and its support teams in the region.

    Despite the global economic downturn over

    the past couple o years, TME is enjoying another

    good year in 2011, says Hesham Kameshki,

    marketing and business development manager

    o TME. This is thanks to our constant eorts

    to provide the most suit able cost-eect ive

    engineering solutions at competitive prices.

    TMEs eorts in the region are backed by

    the constant dr ive or innovation by its parent

    company in France, which continues to develop

    products that anticipate uture market needs and

    trends, to meet various architec tural aluminium

    requirements in both residential and commercial

    buildings construction.

    Technal has developed a range o high-tech

    systems with cut ting-edge designs or casement

    windows and doors as well as a new concept

    or sliders, both with thermal insulation options.

    These include Lumal sliders and patio-doors;

    Solal casement windows and entrance doors;

    Notal, a versatile range o casement and

    suspended sliding shutters used or the external

    building envelope; and Sunal aluminium sun

    shading systems.

    These new concept products aim to

    revolutionise the architectural aluminium

    segment. They oer global and ideal solutions

    that are cost eective and ensure high

    perormance, Kameshki says.

    In addition, at the end o 2010 and early this

    year, TME successully tested and acquired

    Strong year or

    Technal Middle East

    certifications or a number o its engineered

    solutions, including a blast-proo aluminium

    aade and window applications rom a specialist

    UK-based blast testing acility centre. One such

    blast-proo application that was developed to

    ulfil security requirements has been supplied

    and installed on a landmark institutional project

    in Kuwait and will be ollowed by another such

    project in Bahrain.

    Also tested at and certified by one o the most

    renowned test centres in the region is another

    specialised development to its Gode MX system

    or a fire-rated aluminium aade application

    designed to enhance saety in all commercial and

    residential buildings. The system has already been

    supplied to the housing complex project or male

    and emale students or Qatar Foundation.

    Another major success or the company was

    having its new-concept unitised aade system

    supplied and installed in some landmarks across

    the region, including the United Tower, which is

    currently the tallest tower in Jeddah.

    The United Tower is a striking project because

    o its 100% glass elevations, where no aluminium

    profiles are externally visible. For the project,

    we have developed a custom-designed unitised

    aade system with a unique glass replacement

    eature, he says.

    Technals brand research and development

    centre (R&D) is urther enhancing this high-tech

    product with additional innovative eatures and

    versatile design concepts, according to Kameshki.

    Technal brand entered the Gul markets

    some 33 years ago as the first international

    architectural aluminium system to be introduced

    in the region. It has been active in the Gul

    since 1978 serving all GCC markets rom the

    Bahra in headquarters, wi th regional of ces in

    Dubai (UAE) and Riyadh (Saudi Arabia), a strong

    network o metal builders commonly known

    as aluminium abricators, dedicated technical

    and sales teams and a logistics team with central

    distribution warehouse located in Bahrain. From

    this central warehouse, TME delivers its product s

    to all the GCC countries (described as local

    markets) and Yemen, Syria, Jordan, Iraq, Iran,

    Libya and Egypt (as export markets).

    Kameshki concludes: We will continue to

    capitalise on our achievements and sustain our

    business growth.

    We have a long-

    term commitment

    to our customers

    and markets and

    are confident that

    our eorts will earn

    rich dividends in all

    markets.

    Technal is a leading supplier of architectural aluminium.

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    10

    1

    CHINA

    SOM to redevelop 2km

    Nanjing waterfront

    SOM has won a competition or a

    large scale redevelopment o Nan-

    jings Yangtze riverront, a orgotten

    two-kilometre stretch in the historic

    Chinese city. The development, by

    Beijing-based MCC Real Estate

    Co. LTD, is located between a river

    levee and the old city wall. Phase One

    will revita lise the Dama Road and

    Tianbaoli area and establish a new

    ramework o urban blocks.

    3

    SOUTH KOREA

    Cinema boasts worlds

    largest cantilevered roof

    A newly opened cinema complex in

    Busan, South Korea, contains the

    largest cantilevered roo in the world.

    The roo o the building has a ree

    span o 85 metres and a surace o

    60 x 120 metres. Desig ned by Coop

    Himmelb(l)au and Wol D. Prix, the

    complex contains 60,000m2 o per-

    ormance, event, ood and adminis-

    trative spaces and has a capacity o up

    to 6,800 visitors.

    2

    CHINA

    Beijings tallest building

    breaks ground

    A groundbreaking ceremony took

    place or Beijings tallest building, the

    510m China Zun developed by CITIC

    Group. The 108-story tower will

    dwar the nearby China World Trade

    Center Tower 3, a 330-meter-tall

    building that is currently the tallest in

    Beijing. Inspired by Zun, an ancient

    Chinese wine vessel, the tower will

    serve as both an of ce building and a

    tourist destination.

    1

    2

    GLOBAL PROJECT SNAPSHOT

    3

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    12

    5

    GLOBAL PROJECT SNAPSHOT

    4

    MALAYSIA

    Broadway Malyan delivers

    Media Village plan

    The concept master plan for GCD

    Media Village in Medini, Malaysia,

    has been delivered by Broadway

    Malyan. The scheme will support the

    new Pinewood Iskandar Malaysia

    Studios, a US$130 million film and

    television production facility project

    which is expected to create over

    3,000 jobs. The architect recently

    completed the concept masterplan for

    the wider Medini project.

    6

    CHINA

    German firm bags China

    financial centre

    German architecture firm Gerkan,

    Marg and Partners (gmp) has been

    commissioned to design a ten-tower

    complex for a financial centre in Nan-

    jing, China. Located on a 80,000m2

    site, the towers have an above ground

    floor space of 500,000m2. The

    masses are arranged in an outer ring

    of seven 120 to 200 metre hig h towers

    and an inner ring of three 130 to 150

    metre high buildings.

    5

    UNITED KINGDOM

    Southend pier develop-

    ment receives green light

    Planning permission has been grant-

    ed for a striking cultural centre at the

    end of the UKs historic Southend

    Pier, the worlds longest pleasure pier

    at 2,158m. The 364m2 centre was

    designed by Scandinavian firm White

    Arkitek ter and UK-based Sprunt

    and features a wave-shaped roof built

    from triangular panels. The building

    includes an artists studio and a caf

    and dining area.

    4

    6

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    NOVEMBER| FRONT

    15www.designmena.com| 11.11| MIDDLE EAST ARCHITECT

    THE BIG PICTURE

    Grosvenor House, Dubai

    This night shot in Dubai Marina,

    taken by ITP staf photographer

    Lester Ali, captures the Grosvenor

    House towers at their very best. The

    twin tower complex contains a hotel,

    which was finished in 2005, and a

    newly-completed residential build-

    ing that opened earlier this year. Ali

    remarked that architectural photog-

    raphers should ocus on the best or

    most interesting eature o a building.

    In the case o Grosvenor House, the

    most intriguing acet is most certainly

    the striking blue lights that sandwich

    each tower.

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    NEWS ANALYSIS| ARCHITECTURE CONGRESS

    ANALYSIS

    GEARED TOTHE GULFSpeakers at World Architecture Congress call for site-specific design

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    ARCHITECTURE CONGRESS| NEWS ANALYSIS

    This years Cityscape

    Global in Dubai was no-

    table for a markedly lower

    attendance than previous

    editions, and this was reflected in the

    conference hall. However, the two-

    day forum still managed to attract a

    small number of vociferous profes-

    sionals that were keen to keep their

    fingers on the pulse.

    One of the events highlights was the

    afternoon of the 28th September,

    which featured presentations and

    discussions led by experts on Dubai

    and Qatar.

    The first speaker was Rashad

    Bukhash, director of Architectural

    Heritage Department, Dubai Munici-

    pality, who talked about the emirates

    architecture in a presentation entitled

    Dubai: Evaluating the city s current

    architectural situation.

    Bukhash commented: I think

    Dubai went a little bit too fast and

    hundreds of towers went up on Sheikh

    Zayed Road and in the Marina. From

    2004 to 2008 I was director of the

    Projects Department and I was going

    crazy. At one point I remember we

    had more than 300 projects, just for

    the Municipality.

    Some good buildings emerged

    between 2000 and 2008, like the

    Emirates Towers, but we also got a lot

    of glass towers that dont have much

    relation to the climate or the identity

    of the area.

    Bukhash added that the situation

    has improved in the wake of the finan-

    cial crisis. T he economic problems

    in 2008 slowed the process down a nd

    I think that was a good th ing for the

    architecture of the whole Gulf.

    He continued: Architects need

    several months to study a nd analyse

    the architecture rather than coming

    up with the design in a week. Now ar-

    chitects can sit down, thin k about the

    project and come up with something

    suitable to the place.

    According to Bukhash, the Munici-

    pality seeks buildings that preserves

    the identity of Dubai and is in har-

    mony with the climate of the region.

    Bukhash believes that the Al Maha

    Desert Resort and the Madinat

    Jumeirah are quality contemporary

    interpretations of the vernacular, but

    added that the latter has too ma ny

    wind towers.

    Following Bukhashs presentation,

    Tim Makower, partner for architec-

    ture firm A llies and Morrison, gave a

    talk on Qatar: Escalating expansion

    and beyond 2022. Makowers firm

    is behind the upcoming US$5.5bn

    Musheireb scheme. He stated:

    Allies & Morrison

    is working on the

    35 ha Musheireb

    project in Qatar

    (bottom right).

    Some good buildings emerged between 2000 and 2008, like the

    Emirates Towers, but we also got a lot of glass towers that dont

    have much relation to the climate or the identity of the area.

    Rashad Bukhash, director of Architectural Heritage Department, Dubai Municipality

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    NEWS ANALYSIS| BUILDING TALLNEWS ANALYSIS| ARCHITECTURE CONGRESS

    Qatar needs a sense of belonging. We

    are speeding up history. It is a natural

    process that happened in the 19th century.

    But it is very da ngerous if there is no acknowl-

    edgment of human character.

    Makower added: Qatar needs to create the appropriate infra-

    structure for 2022. I think that the event is a great catalyst and

    motivator, but its not what its all about.

    Honestly I hope it isnt escalating expansion - I hope there is a

    very measured expansion within the available resources.

    According to Makower, the challenges include reducing pollu-

    tion and the use of carbon fuels and water while acknowledging the

    distinct facets of the country.

    He continued: If our work is not rooted [in the locale] then it may

    not stand the test of time, whether thats pre or post 2022.

    Makower praised the ambition of the countrys upcoming metro

    system. There is an extraordinary metro project underway in Qatar

    which is most impressive. The Dubai Metro is a splendid achieve-

    ment but the ambition of the Qatar system is at a wider level - it

    involves linking the causeway to Bahrain.

    The presentations by Makower and Bukhash were closed by con-

    ference chairman Dr John Alexander Smith, Professor of Architec-

    ture and Interior Design, American University in Dubai.

    Which proposals are uniquely belonging to Qatar or Dubai? This

    is a serious question. If you cannot find the solution and persuade

    your clients then youre actually failing, concluded Smith.

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    MIDDLE EAST ARCHITECT| 11.11| www.designmena.com

    COMMENT| EDITORS LETTER

    20

    For me, the recent news

    about the delays to the

    museums on Saadiyat is-

    land are disappointing to

    say the least. Like many expats, one

    of the things I miss about my home

    country is the plethora of cultural in-

    stitutions, and I am eagerly awaiting

    the likes of Frank Geh rys Guggen-

    heim and Jea n Nouvels Louvre.

    Althoug h not cancelled , the flag-

    ship projects will be delayed beyond

    their 2013-14 completion dates,

    according to a statement from the

    developer Tourism Development and

    Investment Company (TDIC).

    The developer did not give a new

    date for completion, but said this

    necessary review wi ll only have a

    I have no doubt that the Sheikh Zayed Desert Learning

    centre will be one of the Emirates architectural treasures

    when it opens next year.

    EDITORS LETTER

    moderate impact on the delivery

    time line of the museums.

    More positively, the UAE has two

    landmark cultural projects that are

    much closer to delivery.

    The first is Foster + Partners

    UAE Pavilion, which is a lso located

    on Saadiyat island. The glowing

    sand dune-like building featured at

    the 2010 Shanghai Expo has been

    reconstructed in time to host this

    months Abu Dhabi Art show.

    Reconstructed under the instruc-

    tion of TDIC, the building is the

    developers first project to achieve a

    Two Pearl Rating for Estidama.

    The second cultural project is

    the Sheikh Zayed Desert Learning

    Centre in Al A in, a scheme that I

    CULTURE CLUBvisited as par t of this months cover

    story. While I was expecti ng a mod-

    est pavilion in the sand, I was blown

    away by the scale of the project and

    its monumental concrete form.

    Designed by Austrian firm

    CAP, the building twists out of the

    surrounding desert like a giant

    mushroom, with a spiraling ci rcula-

    tion route thats not unlike Fran k

    Lloyd Wrights classic Guggenheim

    museum in New York.

    Not only is it a stunni ng piece of

    architectural sculpture, it is a lesson

    in sustai nability. The complex is one

    of the pilot projects for Estidama and

    is the only building in the emirate

    to achieve a Five Pearl rating in the

    design stage.

    This rating was attained through

    its careful orientation, water saving

    techniques, and use of solar heating

    and photovoltaics.

    I have no doubt that the building

    wil l be one of the Em irates a rchitec -

    tural treasures when it opens next

    year, and will be a major attraction

    for the sleepy town of Al Ain .

    However, the success of the

    project as a cultural venue wi ll rely

    on the quality of its contents. As a

    tribute to the late Sheikh Zayed, the

    project is a cross between a museum

    and a science centre and will contain

    exhibits on the UAEs wildlife and

    cultural life.

    Yet the mere fact that a stu nni ng

    buildi ng is ta king shape in the desert

    means that its not all doom and

    gloom for museums and cultural

    projects in the UAE.

    Its not all doom and gloom for UAE museums

    GOT A

    COMMENT?

    If you have any

    comments to

    make on this

    months issue,

    please e-mail

    oliver.

    ephgrave

    @itp.com

    The Desert

    Learning Centre

    in Al Ain is due

    for completion

    in 2012.

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    MIDDLE EAST ARCHITECT| 11.11| www.designmena.com

    COMMENT| HISHAM YOUSSEF

    22

    We all know that the best projects have

    strong clients who understand the role of

    an architect and provide support.

    OPINION

    Clients need to trust and support architects

    HELPING

    HANDHisham Youssef

    AIA, is project

    director at

    Gensler and a

    founding board

    member of

    the American

    Institute of

    Architects Middle

    East Chapter.

    Great buildings, such as SOMs Rolex

    Tower, are driven by savvy clients.

    Architects are the ring

    masters o the design

    arena. They are proes-

    sionally trained to make

    a clients vision a reality.

    They listen, they lead, they create,

    coordinate and ultimately ensure a

    dream is realised. And eventually, a

    projects success is evaluated based

    on the architects ability to deliver

    a well executed project that reflects

    the clients primary vision.

    An architects ability to execute,

    however, is dependent on several ac-

    tors. We all know that architects are

    expected to deliver on time and on

    budget, so I will not dwell on these

    obvious basics.

    However, there are other actors

    that are oten overlooked, or not

    given suf cient importance, which

    are equally crucial or a successul

    project execution.

    The first o these is a clear client

    brie. Oten a client is not clear on

    what they want and hence the archi-

    tect does not have a clear direction

    or its work. This leads to misun-

    derstandings, dissatisaction and in

    some circumstances, legal action.

    Another crucial actor is the tight

    coordination o consultant deliver-

    ables. Coordination is about bringing

    together the dierent trades and

    pieces o the project. This can ail

    with a change in project direction

    by the client at advanced stages, or

    unreasonably tight deadlines.

    The less sophisticated the market,

    the more this is likely to happen. Its

    worth noting that the Middle East

    region is slowly maturing in this re-

    gard, by comparison to other emerg-

    ing and rapidly developing regions,

    most notably China and India.

    Thirdly, Id like to highlight the

    need or architect control. Where

    work is being executed away rom

    the design architects base o prac-

    tice, an associate design team is oten

    brought on board.

    This team may not share the same

    understanding or vision o the design

    architect, which may oten lead to

    compromises in the realisation o

    the design. However, an educated

    client, who believes in the mission

    o the design architect, can set the

    project direction by ensuring that the

    architect remains the leader o the

    project execution.

    Last but not least is the manner

    o project execution. Contractors,

    driven primarily by cost, may not

    have the best interest o the project

    at heart.

    A smart client who heeds his

    architects advice would go a long

    way to stay the course o the design

    and vision o the project. With larger

    and more complex projects being

    executed, this is oten not such an

    easy and clear cut task.

    So where do we go rom here?

    Theres no simple answer. As the

    leaders and proessional advisers, we

    must remain true to our oath and the

    mission we set out on.

    We all know that the best projects

    have strong clients who understand

    the role o an architect, and provide

    the necessary support and leadership

    to ensure the successul realisation

    o their vision. This is not only the

    case in the Middle East; this is uni-

    versal throught the world.

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    24

    COVER STORY| DESERT LEARNING CENTRE

    MIDDLE EAST ARCHITECT| 11.11| www.designmena.com

    The twisting form of the Sheikh Zayed Desert Learning

    Centre has started to take shape in the Al Ain Wildlife Park &

    Resort. Oliver Ephgrave visits the site

    wildsideWALK ON THE

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    25

    DESERT LEARNING CENTRE| COVER STORY

    www.designmena.com| 11.11| MIDDLE EAST ARCHITECT

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    MIDDLE EAST ARCHITECT| 11.11| www.designmena.com26

    Currently best known or

    its abundance o round-

    abouts, the sleepy UAE

    town o Al Ain will soon

    be synonymous with a stunning piece

    o sustainable architecture. As well

    as being the first building to achieve a

    five pearl rating at the design phase o

    Estidama, the monumental structure

    certainly exudes the elusive wow ac-

    tor, even as a construction site.

    Located in the middle o the vast Al

    Ain Wildlie Park & Resort (AWPR),

    the building seems to grow out o the

    ground like a giant mushroom. This

    efect will be accentuated urther

    once the grey concrete is ully con-

    cealed by the sand-coloured cladding,

    which is made up o diamond-shaped

    marble panels. The structure in now

    complete, although delivery is not

    expected until August 2012.

    A cross between a museum and a

    science centre, the scheme is a tribute

    to the late Sheikh Zayed and will

    contain interactive displays about the

    UAEs wildlie and culture. While

    some the digital renderings suggest a

    modest pavilion in the sand, the proj-

    ect is truly grand in scale with a huge

    29.4m cantilever over the entrance

    and a vast centrepiece volume.

    Concept and detailed design was

    provided by Austrian firm Chalabi

    Architect & Partners. The architects

    circulation strategy eatures

    a shallow ramp spiralling

    around a central space

    akin to Frank Lloyd

    Wrights Guggen-

    heim in New York.

    The route wont

    eel like a slope - its a

    continuous journey ull

    o exhibits. The journey

    culminated in a great view o the

    upcoming saari park and the Jebel

    Haeet mountain, adds Bassam Al

    Otaibi, director project management

    at AWPR.

    The visitor route also spirals

    down around a unnel-like inverted

    courtyard space which will be filled

    236MWHENERGY GENERATED

    BY THE PVS

    PER YEAR

    COVER STORY| DESERT LEARNING CENTRE

    The structure

    of the Sheikh

    Zayed Desert

    Centre is now

    complete.

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    27

    with water to evoke the tradition alaj

    irrigation. This system is used exten-

    sively in Al Ain. The water will also

    reflect of the walls, says Al Otaibi.

    Structurally, the cantilever proved

    to be a one o the projects biggest

    challenges, according to Al Otaibi.

    Its a triangular cantilever - we call it

    a mushroom type. It takes the weight

    o three storeys above, and this was a

    challenge, he says.

    Despite its heavyweight con-

    struction, the building is filled

    with light thank s to large openings

    and diamond-shaped windows. Al

    Obtaibi adds: One o the Estidama

    requirements is lots o windows to

    maximise on daylight. They also give

    the building its architectural shape.

    We will use double glazing to reduce

    heat loss.

    Acquiring five pearls with Esti-

    dama is no mean eat. The centre is

    one o the pilot projects or Estidama

    www.designmena.com| 06.11| MIDDLE EAST ARCHITECT

    and its one o the most sustainable

    projects in the whole country, says

    Humaid Al-Hammadi, associate

    planner or the Abu Dhabi Urban

    Planning Council (UPC), who was

    also present on the site tour.

    Accordingly the building will

    contain a wealth o energy saving

    DESERT LEARNING CENTRE| COVER STORY

    measures to cut consumption by

    40%. The roo is covered in photovol-

    taics which will generate 236MWh

    a year and shave 17% of the energy

    usage. A 1100m2 solar arm generates

    hot water or a Korean-built absorp-

    tion chiller - a first or the UAE - that

    requires no additional power.

    Photovoltaics

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    the roof of the

    centre.

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    MIDDLE EAST ARCHITECT| 11.11| www.designmena.com28

    include vacuum

    toilets - as used in

    aeroplanes - as well as

    high ef ciency appli-

    ances. Rainwater is collected in

    underground tanks while grey water

    recycling will save 12m3 per day.

    Trees and plants are irrigated using

    treated seawater.

    Materials were chosen in line with

    Estidama, such as renewable wood,

    Al Obtaibi explains that LED lights

    are used or their energ y ef ciency

    while all lights are controlled by a

    BMS system. Other measures include

    an earth heat exchanger that reduces

    the ground air temperature by 10 de-

    grees and cold water cooling coils that

    are embedded in the concrete slabs.

    Water savings are also a crucial

    consideration or Estidama and

    several techniques are utilised. These

    The centre is one of the pilot projects for Estidama and its

    one of the most sustainable projects in the whole country

    Humaid Al-Hammadi, associate planner Abu Dhabi UPC

    1,100M2TOTAL AREA OF THE

    SOLAR FARM

    The design,

    by CAP, is

    notable for its

    diamond-shaped

    openings.

    COVER STORY| DESERT LEARNING CENTRE

    and local materials

    were used wherever

    possible, such as marble

    rom Oman. Sea tran spor-

    tation is used or all non-UAE

    materials. A sophisticated waste

    management system requires that all

    waste is segregated.

    The buildings impressive list

    o eatures includes a 200-seat

    auditorium, an educational library,

    and a caeteria with an open terrace

    overlooking the saari park. From

    this view you cant see any signs o the

    the city. It is surrounded by the local

    gha trees - we are manually watering

    them so they appear as green and lush

    as possible. The roo steps down to

    an area that can be used or special

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    Highest durability and ecology provides best sustainablilty.Web: www.foamglas.ae Email: [email protected] Dubai office Tel: +9714 434 7140 Doha office Tel: +974 465 5360

    Just a few yards from the national soccer stadium, the Arzanah Sports Medical Center is prominentlylocated within a new mixed-use community in Abu Dhabi, UAE. The project set out to designa sustainable building which responded to this very public site while balancing the need for acalming, healing environment and a facility organized to provide an integrated multi-disciplinaryhealthcare facility to serve the community and region. The new LEED Gold designed, 78-bed medicalcentre will form part of the US$6 billion Arzanah development near Zayed Stadium on Abu Dhabi

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    MIDDLE EAST ARCHITECT| 06.11| www.designmena.com30

    One of the Estidama

    requirements is lots of

    windows to maximise

    on daylight. They also

    give the building its

    architectural shape.

    Bassam Al Otaibi, director

    project management at

    AWPR.

    FEATURE| DESERT LEARNING CENTRE

    events. All in all, Im convinced that

    this project will be one of the UAEs

    landmark buildings when complet-

    ed, added Al Obtaibi.

    UPCs Humaid Al-Hammadi

    agrees: Many people are waiting

    for this project to be finished. Its the

    subject of national pride. The UPC

    Estidama team is very proud of the

    building and we always refer to it in

    our presentations. Its a crucial part

    of the 2030 plan to make Abu Dhabi a

    sustainable city.

    Al-Hammad i adds that t he UPC

    Estidama team has

    been int imately

    involved with the

    design soon after

    the pilot programme

    was in itiated. He

    continues: We were

    regularly consulted

    and held workshop ses-

    sions with key members

    of the design team to ensure

    a seamless design rating applica-

    tion and assessment process. The

    involvement of the Estidama tea m

    from the conceptual development re-

    view process proved to be inva luable

    in agreeing susta inable pathways.

    By achieving the highest Pearl

    Rating, A l-Hammadi believes that

    200NUMBER OF SEATS IN

    THE CENTRES

    AUDITORIUM

    The lower levels

    will contain

    pools of water

    (right).

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    MIDDLE EAST ARCHITECT| 11.11| www.designmena.com32

    FEATURE| DESERT LEARNING CENTRE

    Client Al Ain Wildlife Park & Resort

    Architect Chalabi Architect & Partners

    Main contractor ED Zublin AG

    MEP works IC Consulenten

    Architectural Energy

    Corporation (AEC)

    Commissioning and Estidama review

    services

    AldrichPears AssociatesConcept, detailed design and construction

    administration (interpretive elements)

    BUILDING CREDITS

    A terrace

    (below) boasts

    a sweeping view

    of Jebel Hafeet.

    the Sheikh Zayed Desert Learn-

    ing Centre will be the catalyst

    for all upcoming sustainability-

    driven projects.

    It will prove incredibly rel-

    evant to our region given that the

    Estidama Pearl Rating System

    is a programme ta ilor-made to

    tackle the needs of the region

    from the environmental, eco-

    nomic, cultural and social

    perspectives, he concludes.

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    MIDDLE EAST ARCHITECT| 11.11| www.designmena.com34

    INTERVIEW| MURAT TABANLIOGLU

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    www.designmena.com| 11.11| MIDDLE EAST ARCHITECT 35

    MURAT TABANLIOGLU| INTERVIEW

    When we built the project in Tripoli I saw a very organised

    system that wasnt there many years ago. Libya had very

    good planning of ces that have similarities to Europe.

    The portolio o Tabanlio-

    glu is perhaps atypical

    or a Middle East firm.

    Instead o the usual

    splattering o schemes in the oil rich

    Gul states, the projects are primarily

    located in the firms native country

    o Turkey and a handul o unusual -

    and perhaps daunting - destinations

    such as Tripoli, Astana and Malabo,

    Equatorial Guinea.

    Despite the lack o built projects in

    the Gul, the firm has not been short

    o attention due to a very successul

    year in the regional awards. In 2010,

    Tabanlioglu won Architect o the Year

    at the Middle East Architect Awards,

    while its Tripoli Congress Centre was

    lauded at the Cityscape Awards.

    At this years Cityscape Awards in

    September, the firm was shortlisted

    or the Asmacati Shopping & Meeting

    Point in Izmir, Turkey and the Sipopo

    Congress Center in Malabo, Equato-

    rial Guinea.

    Middle East Architect caught up

    with Murat Tabanlioglu the day ater

    the awards were announced, and

    it seemed that the co-ounder and

    partner was disappointed not to have

    picked up a prize. He started by pas-

    sionately describing the merits o the

    Izmir project.

    Its an open air retail scheme thats

    not in a typical shopping box. It has

    the same shops as you find in many

    places, but the environment is difer-

    ent. The roo protects against the sun

    and rain, but it allows in breezes and

    you can see the sea and the moun-

    tains. This is a project or the site - it

    merges the inside with the outside.

    The second project that was up

    or a Cityscape award was a conven-

    tion centre or the Arican country

    o Equatorial Guinea. Located in the

    capital city o Malabo, the conerence

    centre was completed in time or the

    Ar ican Union Summit in June 2011

    a meeting o 53 leaders rom across

    the continent.

    The design eatures a glass box

    clad with a tactile aluminium shad-

    ing system that is inspired by the

    surrounding woodland. Tabanlioglu

    comments that constructing in Equa-

    torial Guinea was not easy. We had

    to bring all the necessary materials

    rom Turkey by ship or plane. It was

    a diferent experience and we had to

    work closely with the contractors.

    According to Tabanlioglu, the

    challenges were compounded by the

    clients short timerame o seven

    months in order to host the sum-

    mit. He continues: The president o

    Equatorial Guinea liked our Tripoli

    Congress Centre and wanted some-

    thing similar. We decided to make it

    more Arican. Its very important to

    relate a building to the site.

    The fir ms Tripoli project has so

    ar remained unscathed during the

    recent turmoil in Libya. Perhaps

    surprisingly, Tabanlioglu observed

    the emergence o a structured plan-

    ning system under Gaddifis regime.

    When we built the project in Tripoli

    I saw a very organised system that

    wasnt there many years ago. Libya

    had very good planning o ces that

    DESIGNTHE INTERVIEW

    With new projects in Libya, Kazakhstan and Equatorial Guinea, Tabanlioglu is a

    Middle East firm that likes to work outside of its comfort zone

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    36

    INTERVIEW| MURAT TABANLIOGLU

    have similarities to Europe. I hope

    they stay with the same system.

    Another unusual market that Ta-

    banlioglu has tapped into is Kazakh-

    stan. In conjunction with Foster +

    Partners, the fi rm worked on the 77m

    high pyramid, the Palace o Peace

    and Reconciliation in Astana. More

    recently, in June 2011, the practice

    completed the Astana Arena.

    Tabanlioglu comments: The client

    requested a ootball stadium. How-

    ever, Kazakhstan does not have many

    big ootball games so we suggested

    to make the stadium into a multipur-

    pose arena that can be used or other

    unctions such as large gatherings,

    concerts and other sporting events.

    Its not a typical ootball stadium. We

    added a roo because the city s climate

    is extreme - it can be plus 40 in the

    summer and minus 40 in w inter. In

    one night it can change 15 deg rees.

    In addition to those projects

    penned by the Turkish firm, As-

    tana contains many other grandiose

    schemes such as BIGs National Li-

    brary o Astana and the deconstruc-

    tivist Kazakhstan Central Concert

    Hall. Tabanlioglu compares the citys

    penchant or showcase projects to

    Dubai, and adds: Astana is a very

    modern city, but like Dubai, it s not a

    typical city. The population o Astana

    is around one million. Its the capital,

    but its not on the sea. I you dont

    have business, theres no reason to be

    in Astana.

    When it comes to Dubai itsel, the

    company is working on the concept

    or a new project, a lthough Tabanlio-

    glu is unable to disclose the details.

    He reers back to North A rica:

    Egypt and Libya are very diferent

    markets to Dubai and Qatar. The Gul

    has more showcase projects.

    The countries in North Arica

    have had their problems but they are

    now more democratic. This w ill be

    reflected in the architecture - there

    will be more projects or the people.

    Tabanlioglu also believes that his

    home country is buoyant and adds:

    Turkey is a good market - it is plays

    the role o a bridge between Europe

    and Asia. Istanbul a nd other cities

    remain very stable.

    He pointed out that the country is

    in the runni ng or the 2020 Olympics.

    It could be good or the city, he says.

    Barcelona is an example o how city

    can change or the better. The plan-

    ning didnt stop ater the Olympics.

    Yet he also notes the danger o

    white elephant buildings. Oten the

    stadia and acilities are used or a ew

    weeks and then let empty as they do

    not think about the uture. The same

    is in London - they are making this

    huge Olympics Village.

    Regarding Qatars hosting o the

    2022 World Cup, he remarks: Every

    architect and construction firm wants

    to be in Qata r right now. Qatar has

    many stadium plans or the World

    Cup, but these projects are or the

    moment, not or the uture.

    Cairo has 15 million people and

    there is more o a need or better

    buildings. In Qatar you can build a

    very nice, shiny building but what will

    happen aterwards? I think it is more

    important to build in the countries

    that need real architecture.

    MIDDLE EAST ARCHITECT| 11.11| www.designmena.com

    For the Arican project we had to bring all the materials

    rom Turkey by ship or plane. It was a diferent experience

    and we had to work closely with the contractors.

    Murat

    Tabanlioglu is

    co-founder and

    partner of the

    Turkish firm.

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    ASTANA ARENA

    Astana, Kazakhstan (completed)

    Intended to be a symbol of the new capital of Kazakhstan, the

    Astana Arenas retractable roof can be closed in the harsh

    winter to protect the players and spectators.

    TRIPOLI CONGRESS CENTER

    Tripoli, Libya (completed)

    Surrounded by woodland, the rectangular two-storey block

    is nested in a metal envelope that opens up to the external

    landscape with a wide portico that defines the main entrance.

    www.constructionweekonline.com| 11.11| MIDDLE EAST ARCHITECT 37

    MURAT TABANLIOGLU| INTERVIEW

    IanLawson

    PORTFOLIO:

    Murat Tabanilioglu

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    INTERVIEW| MURAT TABANLIOGLU

    MIDDLE EAST ARCHITECT| 11 .11| www.designmena.com38

    ASMAATI SHOPPING AND MEETING POINT

    Izmir, Turkey (completed)

    Located in the largest city of the Aegean Coast of Turkey, the

    semi-open shopping facil ity is designed to fit the al fresco

    lifestyle of Izmir. The roof features a semi-covered space

    created by a metal mesh that is inspired by leaves and ivy.

    SIPOPO CONGRESS CENTER

    Malabo, Equatorial Guinea (completed)

    Situated next to the ocean and surrounded by trees, the

    Sipopo Congress Center is nested in a semi-transparent metal

    envelope which protects from the interiors from the harsh rays

    yet allows in the optimum amount of daylight.

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    MIDDLE EAST ARCHITECT| 11.11| www.designmena.com40

    FEATURE| BIM

    MEA discovers the ever-expanding possibilities of Building Information Modelling

    MODEL OF PROGRESS

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    www.designmena.com| 11.11| MIDDLE EAST ARCHITECT 41

    BIM| FEATURE

    I

    n the age o pods, pads a nd

    tweets, its hardly surprising

    that the technology boom has

    spread to the world o architec-

    ture. The addition o a Building In-

    ormation Modelling (BIM) category

    to this years Middle East Architect

    Awards is indicative o the impact

    o Revit by Autodesk, Graphisots

    ArchiCAD and other BIM sotware.

    The award went to NAGA Architects

    and Engineer s, whose Dubai of ce

    ully embraced BIM in 2008.

    NAGA was lauded or its work

    on the Sawari Residences project, a

    large-scale housing scheme on the

    shores o Al Khobar, Saudi Arabia,

    close to Bahrain. The judges noted

    that the project demonstrated a ully

    integrated use o BIM throughout all

    design phases and disciplines.

    Dr Ahmed Elkady, associate direc-

    tor, adds: Weve been using sot ware

    or a long time but three years ago we

    decided to switch to Revit. There are

    so many advantages.

    Diyane Koseoglu, Middle East

    sales manager or specialist con-

    sultant BIMES, elaborates on the

    undamental benefits o the sotware.

    The manuacturing industry has a

    waste actor o 26% while the ratio in

    the construction industry is 57%, ac-

    cording to McGraw Hill. BIM allows

    users to ollow the automotive indus-

    try by creating a prototype on your

    computer beore doing it or real on

    the site - you can see all the problem-

    atic areas in advance and solve them

    earlier, beore they incur a cost.

    She added that there is a common

    misconception on the role o BIM.

    Most people think that you just

    use BIM to understand your design

    better and make 3D drawings or pre-

    sentations, but this is not true. Your

    model should be smart and contain

    construction inormation. Previously,

    architects used to create 3D models

    or presentation purposes. With BIM,

    you can define the materials you are

    using, such as brick and glass, as well

    as the U-values or energy analysis

    and project management inormation

    such as completion dates. All o this

    inormation can be extracted rom

    the model.

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    MIDDLE EAST ARCHITECT| 11.11| www.designmena.com42

    We see a lot of people that have BIM tools but they are not

    actually using them extensively and extracting information.

    BIM goes a lot further than just doing a 3D building.

    Daniel Pinheiro, general manager BIMES ME

    FEATURE| BIM

    Once you have

    created the model, all

    o the drawings will be

    generated automatically and

    you can create sections and eleva-

    tions. It really minimises the amount

    o manual drating work. And i you

    make a design change, it will be up-

    dated on all the documentation.

    Koseoglu states that BIM aids

    the coordination between diferent

    disciplines, such as architecture,

    structures and MEP. In many

    companies, the diferent departments

    have their own sets o drawings or

    the same project, and its quite likely

    that they dont match. I n BIM you

    can have all the parts on the same

    model, with diferent filters to view

    the diferent disciplines. You can ask

    the sotware to detect collisions - i

    a pipe is going through a structural

    wall then it will noti y you. Its very

    easy or a human eye to miss details,

    and a typical project may have 3,000

    clashes. I you discover these clashes

    on site then you will sufer extra costs

    and project delays.

    She adds that the technology is

    constantly being improved, with

    many recent innovations. Now there

    is a shell tool to create reeorm

    designs - it can be used or modelling

    a building in which it s di cult to

    define what is a wall, a slab or a roo.

    Another recent improvement is a

    system called a BIM server, which

    helps to counter the issue o large

    files sizes. Koseoglu continues: With

    the old technology , the synchronisa-

    tion o the files involved carrying the

    whole project rom one computer

    to the main server, then back to the

    computer. The problem with BIM

    is that the file sizes are huge. When

    consultants are busy then they will

    not synchronise every day - it will

    be a weekly process. This means the

    design changes were not be seen by

    the other team members.

    Graphisot recently developed

    Delta Server to overcome this prob-

    lem. This server is intelligent enough

    to see a project by element, not as a

    file. When you make a change - or

    instance you add new chairs - it only

    carries the relevant inormation, so

    it reduces the data transer size rom

    100MB to 10-20KB. The whole pro-

    cess has become much aster.

    Koseoglu also points out the recent

    development o a ree app which al-

    BIM was used

    throughout all

    design stages of

    NAGAs Sawari

    Residences,

    KSA.

    25%RATIO OF MIDDLEEAST INDUSTRY

    THAT USES BIM

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    MIDDLE EAST ARCHITECT| 11.11| www.designmena.com44

    The switch to BIM is

    very hard - companies

    have to be committed.

    Most engineers andarchitects are not

    trained in BIM and it

    is a challenge to train

    everyone.Dr Ahmed Elkady, associate

    director, NAGA Architects

    and Engineers

    FEATURE| BIM

    lows users to import a simplified BIM

    model onto an iPad or iPhone. There

    was a huge demand for such a device

    and everybody is blown away. Now

    people are going round the site check-

    ing everything with their phones.

    According to a 2010 Middle East

    BIM Report, by buildingSMART, the

    percentage of construction profes-

    sionals using BIM was found to be

    49% in the USA, 36% in Western

    Europe and 25% in the Middle East.

    Yet Daniel Pinheiro, general manager

    BIMES ME, believes that 10% is a

    more realistic figure for the region.

    He adds that even fewer are properly

    utilising the 3D software.

    We see a lot of people that

    have BIM tools, such as Revit and

    ArchiCAD, but they are not actually

    using them extensively and extracting

    information. They might use them for

    the conceptual design and then carry

    on with the traditional 2D process.

    BIM goes a lot further than just doing

    a 3D building, he comments.

    The UAE is the most advanced

    GCC nation in terms of BIM aware-

    ness, according to Koseoglu. In the

    UAE, there arent many people that

    NAGA Architects

    made the switch

    to BIM in 2008.

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    www.designmena.com| 11.11| MIDDLE EAST ARCHITECT 45

    Advantages

    of BIM include

    improved

    coordination

    between

    disciplines.

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    BIM| FEATURE

    are unaware o BIM, but when you

    go to places like Kuwait, Qatar and

    Oman its still a secret, she says.

    When asked about the reason or

    the slow uptake o BIM in the region,

    Pinheiro replies: In the Middle East,

    the lack o BIM skills is an issue, as

    is the large scale o the projects. The

    sotware is not really conducive to

    big project files and people become

    rustrated w ith the tools.

    Koseoglu agrees: In this region,

    the main issue is the availability o

    skilled users. For instance, i youre

    searching or an engineer with BIM

    knowledge then you wont receive

    many CVs, and you will struggle to

    find any experts.

    A big obstacle or Gul companies

    is the investment in BIM training.

    Koseoglu explains: Many individu-

    als come rom regions where BIM is

    not common. Companies that want to

    implement BIM have to train people.

    Many companies want to

    avoid this - they dont

    know i the engineer

    will continue working

    with them or the

    next five years. They

    cant eel the return in

    investment.

    NAGAs Elkady concedes

    that the migration is not plain sail-

    ing. The switch to BIM is very hard

    - companies have to be committed.

    Most engineers and architects are not

    trained in BIM and it is a challenge

    to train everyone. The norm is Auto-

    CAD - people dont want to change.

    Yet he insists that the move was the

    correct decision and adds: We use

    BIM throughout the whole design

    process. We are trying to push it to

    the limit a nd were discovering new

    things all the time.

    Majid Hamid Saleh, senior struc-

    tural engineer, NAGA, agrees: It was

    a great decision to go or BIM. It was

    dif cult, due to the lack o expertise,

    but it was an investment. Our man-

    agement elt that the uture is BIM

    and I believe thats the case. We had

    to put the obstacles aside. We now

    consider ourselves to be a pioneer o

    BIM in this region.

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    MIDDLE EAST ARCHITECT| 11.11| www.designmena.com

    ADVERTISEMENT FEATURE| PHILIPS

    46

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    PHILIPS| ADVERTISEMENT FEATURE

    www.designmena.com| 10.11| MIDDLE EAST ARCHITECT 47

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    MIDDLE EAST ARCHITECT| 11.11| www.designmena.com48

    FEATURE| EDUCATION DESIGN

    With a number of big budget

    facilities springing up across

    the Gulf, MEA explores the

    latest trends in school design

    BUILT FOR

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    MIDDLE EAST ARCHITECT| 11.11| www.designmena.com50

    FEATURE| EDUCATION DESIGN

    as well as Doha College, which has

    shortlisted five top UK based firms

    including Broadway Malyan. Mean-

    while Saudi Arabia, w ith its huge and

    growing population, has pledged to

    build a whopping 10,000 schools.

    According to the CEO o Sam-

    mon Group, a specialist education

    consultant and contractor behind

    five ADEC schools, the quality o the

    UAEs education buildings have taken

    a huge leap orward.

    Micael Sammon comments: The

    vision o ADEC is world class and

    its Future Schools programme is

    antastic. It is producing phenomenal

    buildings designed by the likes o

    Broadway Malyan and Dewan Archi-

    tects & Engineers.

    Sammon reels of an enviable list

    o eatures in the Abu Dhabi West

    School. The acility is designed by

    Broadway Malyan and I think its

    quite astonishing.

    It contains 45 classrooms, our

    art rooms, our science labs, a library

    and a 500-seat auditorium. It also has

    300 solar panels that help to power

    the school. The project has achieved

    a Three Pearl Rating with Estidama

    and its a real success story or the

    Middle East region.

    Broadway Malyan has designed

    a urther six ADEC schools that are

    due to open this academic year. The

    schools account or a total o 7,000

    student places and 120,000m2 o new

    floor space.

    Director Ian Apsley remarks: The

    completion o the schools marks a key

    milestone or education in the region.

    They create a new breed o spatial

    Schools can be operational challenges, but this the case in a

    lot o buildings with diferent uses, such as hospitals.

    Ammar Al Assam, executive director, Dewan

    The oasis in Al

    Bateen School.

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    MIDDLE EAST ARCHITECT| 11.11| www.designmena.com

    FEATURE| EDUCATION DESIGN

    52

    and learning environments in Abu

    Dhabis schools and blend inter-

    national best design practice with

    contemporary sustainable principles,

    and the result is testament to the

    practices successful approach to

    integrated place-making in the wider

    Middle East region.

    Breakout spaces are a key consid-

    eration in a school project, according

    to Sammon. Children have to be

    stimulated and people in the West

    dont always realise that. In this

    climate, outdoor spaces can prove to

    be a challenge.

    Sammon describes how Abu

    Dhabi West School contains an eco

    court with a n inventive living wall

    - essentially a vertical garden that is

    attached to the structure. Children

    can also help in the upkeep of plants

    in a meshed cone in the centre

    of the courtyard space.

    Al Bateen Secondar y

    School, designed by

    Dewan for Aldar Acad-

    emies, also contains a

    stunning al-fresco break-

    out area which is dubbed

    the oasis.

    Ammar Al Assa m, executive direc-

    tor, Dewan, says: The oasis is an

    educational courtyard that is meant

    to be the sou rce of rejuvenation for

    the school in a desert. Its internal fea-

    tures help to make the learning area

    more interactive and experimental.

    It has low benches, bean bags as

    well as IT wireless and multimedia.

    Its not a classroom environment,

    but a place where you can learn. The

    teaching environment is important.

    The breakout area has bean bags and

    is used for storytelling.

    Sammon notes that the climate can

    limit the type of outdoor space that is

    provided. Its challenging to provide

    the outdoor classroom environment

    in a hot climate like GCC. Its even

    harder for those schools that dont

    have government funding.

    For those without huge budgets,

    CLASSROOMS

    IN ABU DHABI

    WEST SCHOOL

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    EDUCATION DESIGN| FEATURE

    www.designmena.com| 11.11| MIDDLE EAST ARCHITECT 53

    Abu Dhabi West

    School (far left

    and bottom); Al

    Bateen School

    (left).

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    FEATURE| EDUCATION DESIGN

    54

    Sammon Group has devised an

    afordable smart school that can

    be built anywhere in the world.Sam-

    mon adds: Not everyone can spend

    AED150m on a school so we have de-

    veloped the Sammon Smart School,

    which is IT compatible and low cost.

    We can provide a 16 classroom school

    in 18 weeks, anywhere in the world.

    He cites Saudi Arabia

    as one market in need

    o low-cost options.

    We have started to

    build three proto-

    type schools in Saudi

    Arabia. Its ollowing

    Abu Dhabis lead and has

    moved education to the ront

    o its priorities, but it needs expertise.

    The country has committed to build

    10,0000 schools.

    According to Sammon, one o the

    key challenges in school design is

    allowing the right amount o daylight-

    ing. In the West, there is a drive or

    an extensive use o light, and in places

    like the UK you need solar gain. Over

    here, we have to protect against it.

    You cant have kids sitting in the sun.

    Dewans Al Assam adds that colour

    choice is extremely important and

    that a tremendous amount o work

    and studies have gone into explor-

    ing the impact o colour in

    schools. Sammon adds

    that the trend in the

    West is to use bright

    colours.

    Al Assam states

    that security needs

    attention, especially

    when younger children

    are involved, and Al

    Bateen School contains barriers and

    systems to determine the adults that

    are admitted.

    He also points out that tra c is a

    challenge in any school project dur-

    ing opening and closing time. In the

    case o Al Bateen School, there are

    multiple entrances or the diferent

    age groups so that the streets are not

    overloaded with cars.

    He adds that the segregation

    between the diferent age groups can

    present di culties. Schools can be

    operational challenges, but this the

    case in a lot o buildings with diferent

    uses, such as hospitals.

    Sammon notes that segregation

    is more extreme in the Middle East,

    particularly Saudi Arabia, with the

    required separation o genders.

    Globally, there is now an appetite

    or architects to design school proj-

    ects, according to Sammon. Theres

    a real opportunity or architects,

    he comments. Nobody will ask an

    architect to build a school project and

    then not pay them. Schools are com-

    missioned by good clients which are

    oten visionary.

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    EDUCATION DESIGN| FEATURE

    www.designmena.com| 11.11| MIDDLE EAST ARCHITECT 55

    Aside rom the financial draw,

    Sammon states that school design is

    no longer viewed as boring by archi-

    tecture firms and that he is no longer

    a closet school builder.

    We now have some o the best

    architects in the world designing

    schools. It wasnt the case at all

    beore. Previously they might have a

    school or two hidden in their porto-

    lio. Now architects are proud to show

    their achievements in education.

    A recent example o quality school

    design is the UKs Evelyn Grace

    Academy, by Iraq-born Zaha Hadid.

    Last month, the Brixton school won

    the 2011 RIBA Stirling Prize.

    Sammon cites the GEMs World

    Academy in Dubai as a great example

    o school design in the region. It has a

    very utur istic approach and its a an-

    tastic efort or uture generations.

    He concludes that, when it comes

    to education design, unction is ar

    more important than orm.

    Creating a spaceship-like building

    is one thing but its better to build

    one that fits the unction. We need

    to ocus on that rather than just the

    architecture, and also make sure it is

    uture prooed.

    Al Bateen

    School (top);

    Abu Dhabi West

    School (left and

    bottom).

    Theres a real

    opportunity for

    architects. Nobody

    will ask an architect to

    build a school project

    and then not pay them.

    They are commissioned

    by good clients which

    are often visionary.Micael Sammon, CEO of

    Sammon Group

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