April 2015 Rapid River Magazine

Reel Takes Movie Reviews PGS 14-17 Local Dining Guide PGS 33-36

The Trio Cavatina PG 6 Weaverville Art Safari PG 12

Jonas Gerard PG 11 Asheville Gallery of Art PG 23

Spring Festivals & Studio Tours PG 4 LEAF's 40th Festival PG 29

Whole Bloomin’ Thing Spring Festival PG 24 Dining Out For Life® PG 35

What to Do Guide PGS 38-39™

2 April 2015 — RAPID RIVER ARTS & CULTURE MAGAZINE — Vol. 18, No. 8

Vol. 18, No. 8 — RAPID RIVER ARTS & CULTURE MAGAZINE — April 2015 3

PG. 2020

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APRIL 17 - MAY 3

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R A P I D R I V E R A R T S

spring festivalsSpring is a celebration of

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a great opportunity to reconnect with friends, relatives and neighbors.

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Spring Festivals & Studio Tours

Greening Up the Mountains FestivalSaturday, April 25 – Downtown Sylva. . . .PG 13

French Broad River FestivalMay 1-3 – Outdoor family music festival. Hot Springs, NC. . . . . . . . . . . . . . . . . . . . .PG 13

Weaverville Art SafariMay 2 & 3 – Weaverville Barnardsville, and surrounding areas. . . . . . . . . . . . . . . . . . . .PG 12

Whole Bloomin’ Thing Spring FestivalSaturday, May 9 – Waynesville. . . . . . . . . .PG 24

River Arts District Studio StrollMay 9 & 10 – Studio Stroll and Art Sale. .PG 13

Faerie And Earth Festival (FAE)May 16 & 17 – Explore magical realms! Highland Lake Cove, Flat Rock. . . . . . . . .PG 13

Toe River Arts TourJune 5-7 – Arts and crafts in Mitchell and Yancey Counties. . . . . . . . . . . . . . . . . . . . .PG 13



web exclusives

Publisher/Editor: Dennis Ray Marketing: Dennis Ray, Rick HillsStaff Photographer: Amber CombsCopyeditor: Kathleen Colburn Poetry Editor: Carol Pearce Bjorlie Layout & Design: Simone Bouyer Accounting: Sharon ColeDistribution: Dennis Ray

CONTRIBUTING WRITERS Carol Pearce Bjorlie, Scott Bunn, Cortina Caldwell, Chris Chromey, Kathleen Colburn, Michael Cole, Sarah Jones Decker, Amy Downs, Steven Forbes-deSoule, Amy Ammons Garza, Lucia Gray, Max Hammonds, MD, Phil Hawkins, Marilynne Herbert, Phil Juliano, Katie Kasben, Chip Kaufmann, Michelle Keenan, Jake Lanier, Peter Loewer, Tina Masciarelli, Ashley Van Matre, Jane Molinelli, Michael J. Morel, Lauren Patton, Dennis Ray, Zan Rose, Shelley Schenker, Erin Scholze, John Springer, David Craig Starkey, Greg Vineyard, Bill Walz, Dan Weiser, Robert Wiley, J. & R. Woods, Anna Lee Zanetti.

CONTACT USRapid River Arts & Culture Magazine is a monthly publication. Send all mail to: Rapid River Arts & Culture Magazine 85 N. Main St., Canton, NC 28716 Phone: (828) 646-0071 [email protected]

ADVERTISING SALES Downtown Asheville and other areas Dennis Ray (828) 646-0071 [email protected]

Hendersonville, Waynesville, Dining Guide Rick Hills (828) 452-0228 [email protected]

All materials contained herein are owned and cop-yrighted by Rapid River Arts & Culture Magazine and the individual contributors unless otherwise stated. Opinions expressed in this magazine do not necessarily reflect the opinions of Rapid River Arts & Culture Magazine or the advertisers found herein.

© Rapid River Arts & Culture Magazine, April 2015, Vol. 18 No. 8

Established in 1997 • Volume Eighteen, Number EightRAPID RIVER ARTS & CULTURE MAGAZINE

APRIL 2015www.rapidrivermagazine.com

Distributed at more than 390 locations throughout eight counties in WNC and South Carolina.First copy is free – each additional copy $1.50

6 PerformanceAsheville Chamber Music . . . . . . . . 6AmiciMusic . . . . . . . . . . . . . . . . . . . . 6Asheville Symphony Orchestra . . . . 7ACT . . . . . . . . . . . . . . . . . . . . . . . . . . 8Magnetic Theatre . . . . . . . . . . . . . . . 8HART . . . . . . . . . . . . . . . . . . . . . . . . 8

9 Fine ArtJohn Mac Kah at Addison Farms. . . 9Virginia Pendergrass . . . . . . . . . . . . 10Jonas Gerard . . . . . . . . . . . . . . . . . . 11Richard C. Baker. . . . . . . . . . . . . . . 11Zapow . . . . . . . . . . . . . . . . . . . . . . . 19Deborah Squier . . . . . . . . . . . . . . . 21Joyce Schlapkohl . . . . . . . . . . . . . . . 22Asheville Gallery of Art . . . . . . . . . 23

12 Festivals & ToursWeaverville Art Safari . . . . . . . . . . . 12The Faery And Earth Festival . . . . 13Greening Up the Mountains . . . . . 13River Arts Studio Stroll . . . . . . . . . 13Whole Bloomin’ Thing Festival. . . 24

14 Movie ReviewsChip Kaufmann, Michelle Keenan .14

18 ColumnsGreg Vineyard – Fine Art . . . . . . . . 18Wendy Outland – Business of Art 18Carol Pearce Bjorlie – Poetry. . . . . 30Book Reviews . . . . . . . . . . . . . . . . . 31Bill Walz – Artful Living . . . . . . . . 37Max Hammonds, MD – Health . . 37

28 MusicSound Waves . . . . . . . . . . . . . . . . . . 28LEAF . . . . . . . . . . . . . . . . . . . . . . . . 29

33 Dining GuideModesto: Wood, Fire, Kitchen . . . 33Dining Out For Life® . . . . . . . . . . . 35Classic Wineseller . . . . . . . . . . . . . . 36

38 What to Do GuideBest in Show by Phil Juliano . . . . 39 Callie & Cats by Amy Downs . . . . 39Corgi Tales by Phil Hawkins . . . . 39Dragin by Michael Cole . . . . . . . . 39Ratchet & Spin by J. & R. Woods . . 39

™

River Arts District . . . . . . . . PGS 10-11 Downtown Asheville . . . . . . PGS 19-21 Waynesville . . . . . . . . . . . . . . PGS 24-26Black Mountain . . . . . . . . . . . . . PG 41Points North . . . . . . . . . . . . . . . PG 42

SPECIAL SECTIONS

IF YOU GO: Tell them you saw it in Rapid River Magazine!

Discover More Exciting Articles, Short Stories & Blogs at www.rapidrivermagazine.com

ONLY ONLINE

SHORT STORIES

WELCOME ABOARD!This month we welcome another regular contributor to the Short Stories section. Ronya Banks is the founder of and lead Mindfulness Meditation teacher at the Asheville Insight Meditation Community.

New stories are added each month!

Knee Deep – in the StreamWritten by Ronya Banks

Eat That Okra; It’s Good For YouWritten by Tom Davis

Amos’s Wild Second ThoughtWritten by Anne Raustol

Eating Guinea Pig in PeruWritten by Jonathan Look

Mother TheresaWritten by Michael Landolfi

Hiking the PCT - It’s Come Time to Talk the Big “E” (as in equipment)Written by John Swart

Have Peach, Will ChurnWritten by Ashley English BlackBird Frame & Art was awarded

First Place in the Professional Picture Framers Association’s Carolinas Chapter Print Competition.

Refl exology has many benefits to enhance the body in various ways. Written by Linda Neff.

Book Reviews by Marcianne Miller

Shroom: Mind Bendingly Good Recipes for Cultivated and Wild Mushrooms, written by Becky Selengut.

The Woman Who Would Be King: Hatshepsut’s Rise to Power in Ancient Egypt, written by Kara Cooney.

The Kissing Booth, print by April Murphy. Custom frame by BlackBird Frame & Art.

On the Cover: Cathedral of Light, oil painting by Judith Rentner, a member of the Asheville Gallery of Art. PAGE 23


R A P I D R I V E R A R T S & C U L T U R E

chamber music concerts

AAmiciMusic is an award-winning chamber music organization dedicated to performing the highest quality music in intimate spaces and non-traditional venues.

CZECH MATESA program of great piano trios by the two

master Czech composers, Bedrich Smetana and Anton Dvorak. The performers for “Czech Mates” are Mary Irwin, violin; Frank-lin Keel, cello; and Daniel Weiser, piano and Artistic Director.

Saturday, April 4 at 11 a.m. at Isis Restaurant and Music Hall. Concert is $15 and brunch is available for $7-11. (828) 575-2737.

Saturday, April 4 at 7:30 p.m. House Concert in Hendersonville. Fabulous home with pan-oramic views, great acoustics, incredible food, and a beautiful nine-foot Knabe grand piano from 1892. Reservations required and seating is limited. To purchase seats, visit amicimusic.org or call Dan at 802-369-0856

Sunday, April 5 at 7:30 p.m. at White Horse Black Mountain. Tickets are $15 in advance

and $20 at the door. (828) 669-0816 or www.whitehorseblackmountain.com.

QUINTESSENCE A program of great woodwind quin-

tets and piano – great music by Mozart, Beethoven, and more. This program will feature members of the new Asheville Wood-wind Quintet as well as pianist Daniel Weiser.

Friday, April 24 at 7:30 p.m. at All Soul’s Ca-thedral in Biltmore Village, an historic church with great acoustics. Cost is $15 for Church members and $20 for general public – tick-ets available at the door. Advanced purchase discounts available at amicimusic.org.

Saturday, April 25 at 11 a.m. at Isis Restaurant and Music Hall, part of the Saturday Classical Brunch series. Concert is $15 and brunch is available for $7-11. (828) 575-2737

Saturday, April 25 at 7:30 p.m. House Concert in Hendersonville. Reservations required; seat-ing is limited. Purchase tickets at amicimusic.org or call Dan at 802-369-0856

AMICIMUSIC PRESENTS

Czech Mates & QuintessenceBy DAN WeiSeR

Trio Cavatina in concert, Friday, April 10 at 8 p.m. at the Unitarian Universalist Congregation in Asheville at the corner

of Edwin Place and Charlotte Street. Individual tickets are $38 and are available at the door, first come first served. Youth under 25 admitted free. For more information please visit www.ashevillechambermusic.org, call Nathan Shirley at (828) 575-7427, or email [email protected].

IF YOU GO

They made their Philadelphia debut as one of the youngest en-sembles to perform in the prestigious Philadelphia Chamber Music Society concert series.

Violinist Harumi Rhodes, pianist Ieva Jokubaviciute, and cellist Priscilla Lee formed Trio Cavatina in 2005 at the re-nowned Marlboro Music Festival in Vermont.

Deeply rooted in a strong sense of shared musical values, Trio Cava-tina has rapidly emerged as one of today’s outstanding chamber ensembles whose committed music-making prompted Harris Goldsmith to describe the trio, in his 2008 Musical America article, as offering ‘potent, intense interpretations’.

THE PROGRAM INCLUDESSchumann: Etuden in kanonischer Form, Op. 56 (selections)

Schumann: Piano trio in D minor, Op. 63

Schubert: Piano Trio in B-flat, D. 898

TThe final concert of the 62nd Asheville Chamber Music Series will feature the Trio Cavatina.

“This concert brings to an end a remark-able season for the Asheville Chamber Music Series,” says President, Polly Feitzinger. “We not only returned to the Unitarian Universal-ist Congregation our series home, we held a benefit concert for the UU’s Welcome Project, which will greatly enhance our performance opportunities in the coming years.

“In addition, the Asheville Chamber Mu-sic Series continues to bring world-renowned artists to Asheville and had the honor to hold the opening musical event in the Asheville Amadeus Festival, the Brentano String Quartet with violist, Hsin-Yun Huang, presented in conjunction with the Asheville Symphony Orchestra in March. It has been quite a year!”

Trio Cavatina has rapidly emerged as one of today’s outstanding chamber ensembles. As the winner of the 2009 Naumburg Interna-tional Chamber Music Competition, Trio Cavatina made its Carnegie Hall debut in 2010 with scintillating performances of two monu-mental Beethoven Trios, Leon Kirchner’s second trio, and the world premier perfor-mance of Faces of Guernica written for them by Richard Danielpour.

ASHEVILLE CHAMBER MUSIC PRESENTS

The Trio CavatinaBy mARiLyNNe heRBeRT

For more than a half a century the Asheville Cham-ber Music Series has taken it’s place as a valued cul-tural resource in Asheville, bringing world-renowned chamber artists to the city. As one of the nation’s oldest continuously performing chamber music organiza-tions, it has been recognized for its outstanding programs and for its unique education component through a col-laboration with the strings program of the Asheville Buncombe Schools and our other cultural partners in the community, including the Asheville Young Musicians Club.

Violinist Harumi Rhodes, pianist Ieva Jokubaviciute, and cellist Priscilla

Lee are Trio Cavatina.

Sunday, April 26 at 3 p.m. at White Horse Black Mountain. Tickets are $15 in advance and $20 at the door. Visit www.whitehorse-blackmountain.com or call (828) 669-0816

The Asheville Woodwind Quintet was formed in 2015. This show will include four of their members. Steve Loew, clarinet, is a former member of the U.S. Marine Band. He has also played with the New York Philarmonic. Carlton Alexander, Oboe, is the Principal Oboe with the Denver Pops Orchestra. Hobart Whitman, French Horn, is the Principal with the Blue Ridge Philhar-monic. Leslie Reim Zarnowski, Bassoon, has taught music in Western North Carolina for more than 22 years.

The Asheville Woodwind Quintet


PG. 18N


captivating performances

The Minneapolis Guitar Quartet has made its case as “one of the

major guitar ensembles in the world.”

~ Soundboard Magazine

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where he also conducts the University Cho-rus and Early Music Ensemble and teaches conducting and voice.

having urged him to burn the Persian capital, Persepolis; and Timo-theus, a musician whose art can manipulate the feelings of the king and his court. Although the poem is a third-person narrative, Handel uses the dramatic nature of the music to describe the actions of the char-acters.

Music Director Daniel Meyer says of the piece, “Alexander’s Feast is a musical party, as only Handel could imagine. A musical dramatist to his very core, Handel creates music that comes alive with soldiers boasting of their conquests, drink-ing and eating until they’ve had more than their fill, and of course, with the beauti-ful Thais within arm’s reach, love and lust reign supreme. I cannot wait to conduct the Asheville premiere of this amazingly vivid and life-embracing work and to share it with our audiences.”

Michael Lancaster directs both the Asheville Symphony Chorus and Western Carolina University’s Concert Choir. He is the director of choral activities in the School of Music at Western Carolina University,

AAlexander’s Feast

Asheville Symphony Chorus, WCU Concert Choir, and soloists join the ASO for Handel’s masterwork.

The Asheville Symphony Orchestra will take on a large-scale Handel choral work with the Asheville Symphony Chorus and Western Carolina University Concert Choir in Handel’s Alexander’s Feast on Saturday, April 18. The concert starts at 8 p.m. at Thomas Wolfe Auditorium.

ASO Music Director Daniel Meyer will lead almost 200 singers and musicians in Alexander’s Feast, Handel’s dramatic cantata. Soprano Kerri Caldwell, tenor William Fergu-son and bass-baritone Adam Fry will join the performance as soloists.

Alexander’s Feast, composed in 1736, is one of Handel’s lesser-known works but is comparable to his beloved and frequently performed Messiah. Alexander’s Feast was an experimental work based on a narrative poem by one of England’s greatest poets of the preceding century, John Dryden (1631-1700). The aim of Dryden’s poem, a dedica-tory ode to Saint Cecilia, the patron saint of music and musicians, was to proclaim the power of music.

The plot harks back to reconstructed and romanticized ancient history with the main characters Alexander the Great (during the Persian war); Thaïs, a courtesan and Alexander’s “partner,” credited in history as

Asheville Symphony performs Handel’s Alexander’s Feast, Saturday, April 18 at 8 p.m. Thomas Wolfe Auditorium.

Daniel Meyer, Music Director. The concert is sponsored by TD Bank. Tickets range from $22 to $62 for adults and $11 to $43 for youth, and are available through the ASO office or the U.S. Cellular Center ticket office. For more information go to ashevillesymphony.org or call 828-254-7046.

IF YOU GO

IMinneapolis Guitar Quartet Performs in Hendersonville

The MGQ has performed in recital throughout major U.S. cities, and at Princeton Univer-sity, the National Arts Center (Mexico City), Round Top International Guitar Festival, and at the Guitar Foundation of America Festival. Concerto appear-ances include the St. Paul Chamber Orchestra, Min-nesota Orchestra, and the Austin and Columbus sympho-nies. For the April 26 concert, the quartet performs the music of Joaquin Rodrigo,

Astor Piazzolla, Alberto Ginastera, David Crit-tenden, Maria Kalaniemi, Ben Abrahamson, and J.S. Bach.

Hendersonville Chamber Music is funded in part by a Grassroots Grant from

Imagination, artistry, and musical mastery.

Fresh from performing at the Guitar Art Festival in Belgrade, Serbia, the four-some will show off their amazing talent to close Hen-dersonville Chamber Music’s 2015 season Sunday, April 26 at 3 p.m.

One of the very few guitar ensembles performing the majority of its repertoire from memory, the Minneap-olis Guitar Quartet (MGQ) presents original works and commissions as well as its own brilliant arrangements of music by such composers as Ginastera, Piazzolla, Debussy, and the Finnish folk-based music of Maria Kalaniemi.

New arrangements showcase music by Jazz pianist Hiromi, Prince’s Purple Rain, and The Easy Beats’ Friday on My Mind. These ventures represent the quartet’s intention to bring its audiences distinctive and imaginative experiences.

Asheville Symphony Orchestra’s Music Director, Daniel Meyer, will lead almost 200 singers and musicians in Alexander’s Feast,

Handel’s dramatic cantata.

The Minneapolis Guitar Quartet brings its audiences distinctive and imaginative

experiences.

Hendersonville Chamber Music concert featuring The Minneapolis Guitar Quartet, Sunday, April 26 at 3

p.m. at the First Congregational Church, Fifth Avenue and White Pine in Hendersonville. Tickets are $ 20 including tax and are available at the door on the date of performance. Students admitted free of charge. More information on Facebook and hendersonvillechambermusic.org.

IF YOU GO

By RoBeRT WiLey

the North Carolina Arts Council, a division of the Department of Cultural Resources, which is administered by the Arts Council of Henderson County.


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R A P I D R I V E R A R T S & C U L T U R E M A G A Z I N E

captivating performances

Asheville Community Theatre

A Streetcar Named DesireBlanche DuBois is an attractive but

fading Southern belle who arrives at the New Orleans apartment of her sister Stella and her husband, the brutish and sensual Stanley. Conflicts build between the three in the small, steamy apartment, with Stanley becoming increasingly cruel and violent. As a result, Blanche’s already tenuous ability to separate reality from illusion becomes gossamer thin.

This is the first production of A Streetcar Named Desire in Asheville Community Theatre’s 69 year history. Performances April 17 - May 3. Friday and Saturday nights at 7:30 p.m., Sunday afternoons at 2:30 p.m. Tickets are avail-able online at www.ashevilletheatre.org, over the phone at (828) 254-1320, or at the theatre’s Box Office.

Seussical, Jr.Horton the Elephant, the Cat in the

Hat, and everyone’s favorite Dr. Seuss characters spring to life in this fantasti-cal musical extravaganza performed by students ages 7 to 13. Performances are Friday, April 3 at 7:30 p.m.; Saturday, April 4 and Sunday, April 5 at 2:30 p.m. Tickets are $5.

Happily Ever AfterOn April 18, Bright Star Tour-

ing Theatre brings to life some of the Grimm Brothers’ greatest tales, includ-ing Rapunzel, Little Red Riding Hood, Rumpelstiltskin, and The Elves and the Shoemaker. Performance begins at 10 a.m. Tickets are $5, available online or at the door.

Humble BoyThe Autumn Players’ Readers The-

atre presents this rich, quirky comedy. Playwright Charlotte Jones captures both the humor and the pathos of family life and the often convoluted, multi-textured, bittersweet relation-ships between parents and their adult children. Performances are Friday, April 24 and Saturday, April 25 in 35below, and Sunday, April 26 at UNCA’s Reuter Center. All performances begin at 2:30 p.m. Tickets are $6, available online or at the door.

Listen to ThisStories and original songs from locals.

April 30 at 7:30 p.m. in 35below. Hosted by Tom Chalmers. Tickets are $15.

Asheville Community Theatre, 35 E. Walnut St., downtown Asheville. For more information,

please call (828) 254-1320, or visit the website, www.ashevilletheatre.org.

IF YOU GO

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The plays are primarily comedic, poking fun at driving school, office culture, family life, hipster talk, and more. The exception is The Tug of Love, a haunting study of love gone tragically wrong. Gray describes the plays that were selected this year as “quirky, hilari-ous, and a little edgy. This year was differ-ent from years prior

because of the sheer amount of submis-sions, which was totally unexpected, but our community banded together and we worked through it to create a full evening of exciting new work for the stage.”

Jobs I Had For Only One Daymanager for the Jethro Tull “Bungle in the Jungle Tour,” as well as working with the Eagles, the Doobie Brothers, Neil Young, and Jackson Brown. As a DJ spinning late night Rock and Roll she was ‘CJ the DJ.’ She also worked as an airline stewardess, a profes-sional cheerleader, and a dog walker. This show

continues a life story of ups, downs, sex, drugs and Rock ‘n Roll; of what happened, and what it’s like now. There is possible, though not planned, adult language.

Last season, comic storyteller C.J. Deering brought her incredibly funny but all too true tall tales of life, recovery and survival to the HART Studio and packed the house.

She’s back by popular demand this time with Jobs I Had For Only One Day.

The former mega-rock group tour man-ager, Los Angeles major record label execu-tive, popular Texas radio deejay, nationally-acclaimed motivational speaker, hysterically funny comic, all-around wonderful person, and experienced summer camper CJ Deering, is not to be missed! The best comedy writers in Hollywood have cried their eyes out with both laughter and inspiration.

CJ’s credits include working as the tour

S TSix short, original plays at the Magnetic Theatre’s new home.

The Magnetic The-atre, known for their local hits The Bernstein Family Christmas Spectacular and Food and How to Eat it, will be opening a program of 6 short plays April 23rd at their new theatre, Mag-netic 375, in the River Arts District. These six scripts were selected from more than 300 submissions from across the country and right here in Asheville.

This production marks the return of the Magnetic’s Brief Encounters series, a semi-annual program of short work, which honors the Magnetic’s tradition of producing original plays. The show is co-produced by Katie Anne Towner, an Associate Artistic Director of the Magnetic Theatre, and Lucia Gray, Managing Director and also Associate Artistic Director.

“Brief Encounters is theatre for those with short attention spans,” says Towner, “Each play is totally different, and just long enough to tell a quick story, make you laugh, or pack an emotional punch before it’s over.”

Brief Encounters 2015 also serves as the soft opening for Magnetic 375, the Magnetic Theatre’s new venue at 375 Depot Street. This is the first time the Magnetic Theatre has had their own performance space since the Mag-netic Field closed in 2013.

This emotional drama of forbidden love and feuding families on New York’s West Side will be brought to life by the Asheville Lyric Opera.

Using a full classical orchestra with no electrical amplification, local and national singers, dancers, actors and musicians will expertly tell the tale of West Side Story. All new set design and choreography preserving the musical genius of Leonard Bernstein and Stephen Sondheim will make this production an unparalleled live theatre experience.

Bringing to life the central character of Maria is Kathryn Sandoval Taylor, an Asheville native. Fellow graduate of the New England Conservatory and North Carolina native, Joshua Collier, is playing the role of Tony, Maria’s forbidden lover. Director JJ Hudson will be making his Asheville Lyric Opera directorial debut.

West Side Story faced much criticism from the public when it was first released. The idea of a musical based on current events scared many people away from working on the project. Leonard Bernstein heavily emphasized the sweeping operatic lines in the music, and the elegant dance numbers are heavily influ-enced by drama and ballet. Asheville Lyric Op-era is prepared to produce this classic musical as Bernstein and Sondheim envisioned it.

Brief Encounters 2015 West Side Story

The hysterically funny CJ Deering.

Brief Encounters, Thursdays through Saturdays, April 25 - May 16. Low-priced previews are

Thursday and Friday, April 23 and 24. All performances begin at 7:30 p.m.Tickets are $15 in advance, $18 at the door. Preview tickets are $12 in advance, $15 at the door. Tickets can be purchased online at www.themagnetictheatre.org or in person at Magnetic 375, 375 Depot Street in Asheville’s River Arts District.

IF YOU GO

West Side Story, April 24 & 25 at 8 p.m., and April 26 at 3 p.m. at the Diana Wortham Theatre. Tickets are available

at ashevillelyric.org/tickets, or at the Diana Wortham Theatre Box Office, (828) 257-4530.

IF YOU GO

Jobs I Had For Only One Day, Friday and Saturday, April 3 & 4 at 7:30 p.m. in the Feichter Studio Theater at HART.

To make reservations call (828) 456-6322 or go online to www.harttheatre.org. HART Studio Theater, 250 Pigeon St. Waynesville, NC.

IF YOU GO

Construction of New Theatre Underway

The roof trusses go up on the new Daniel and Belle Fangmeyer Theater at HART Theatre in Waynesville. The building is expected to be completed sometime this summer and will give HART a second main stage performance space.

Photo by Christy Bishop

By LUCiA GRAy



fine arts & crafts

PG. 40mB

TVineyard Plein Air with John Mac Kah

Three days of plein air oil painting with eminent landscape painter and artist, John Mac Kah on location at Addison Farms Vineyard in Leicester.

Demo and painting instruction Friday through Sun-day, May 1-3 from 9 a.m. to 5 p.m. The day begins with an introduction and review of materials and methods. Detailed daily discussion; one-on-one instruction. Group critique at closing, followed by wine tasting.

All levels welcome. We can outfit and provide begin-ners with easel and supplies for an additional fee. Experi-enced painters? We will send you a materials list once you register so you are ready to go.

Workshop includes a catered lunch from Corner Kitchen Catering in Asheville. Workshop students will receive a special discount for purchases from Addison Vineyard.

Addison Farms Vineyard is a family-owned vineyard and winery situated in Leicester, NC approximately 17 miles northwest of Asheville. The property has been in the family for four generations, purchased by Addison Farmer and his parents in 1937.

To learn more about Addison Farms Vineyard accommodations and their wine, visit addisonfarms.net

Workshop sponsored by: M.Graham Paints, West Lynn, OR; The Starving Artist, Hendersonville, NC; Blackbird Art & Frame, Asheville, NC.

Painting by John Mac Kah

John Mac Kah painting at Addison Farms Vineyard

Vineyard Plein Air workshop with John Mac Kah, Friday through Sunday, May 1-3 from 9 a.m. to 5 p.m. Register online at www.JohnMacKah.com or call/text

(828) 225-5000 to sign up by phone or mail.

IF YOU GO

AAddison Farms Vineyard

Barrel Tasting Addison Farms Vineyard, our local winery in Northwest Asheville, has a fun and varied 2015 event season lined up.

They are working with local bands, artists and entertainers to create an exciting season at the vineyard, and Corner Kitchen Catering will be offering delicious picnic lunches at many of the events.

April will begin with their first Barrel Tasting. In May, local artist John Mac Kah will be offering a three-day painting workshop at the vineyard. Get the season start-ed with a Spring Bud Break Party on Saturday, May 16. Additional details and tickets are available at addisonfarms.net.

Addison Farms Vineyard is a family-owned vineyard and winery situated in Leicester, NC

Barrel Tasting at Addison Farms Vineyard, Saturday, April 11. A private tour, tastings of not yet released wines and current releases, and your choice of picnic

lunch. Reserve your tickets at addisonfarms.net

IF YOU GO

SpruceStreetMarket.com

PG. 40LA


Open Thurs. - Sat. 11 a.m. to 4 p.m.

Riverview Station #216 • Asheville, NC191 Lyman St. , South Entrance

Visit us during the River Arts District Studio StrollMay 9 & 10 from 10 a.m. - 5 p.m.

Goat Barns, 9x12 oil by Virginia Pendergrasswww.virginiapendergrass.com

NEW STUDIO IN THERIVER ARTS DISTRICT

SAHAR FAKHOURYSANDRA BRUGH MOOREVIRGINIA PENDERGRASS

French BroadArtists

344 Depot St., Suite 102 • 828-234-1616in the River Arts District, Asheville, NC

F i n e A r t a n d P o r t r a i t u r eRICHARD C. BAKER

BARBARA WADE Mixed Media Artist140d Roberts Street

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Virginia Pendergrass, Fine Artist

CCoastal Carolina, an oil painting by Brevard artist Virginia Pendergrass, has been selected for the 2015 juried exhibition of Women Painters of the Southeast.

The 2015 Women Painters of the Southeast (WPSE) exhibition will open at the Blue Ridge Arts Association in Blue Ridge, GA on Friday, April 10 from 6- 8:30 p.m.

“Coastal Carolina” is a view from the edge of a marsh in Mt. Pleasant, SC on a brilliant summer day. Pendergrass hoped to express the feel of the heat and the shimmer in the distance in the beautiful marshlands.

According to Pendergrass, “I believe we naturally respond with plea-sure to beauty in our environment.” Her goal is to capture her pleasure in nature, outdoors or painting from life and plein air sketch-es in the studio, and pass it on through her paintings.


The WPSE exhibition will continue through April 30, 2015. Blue Ridge Arts is located

at 420 West Main St., Blue Ridge, GA. For further information, visit their website at www.blueridgearts.net.

IF YOU GO

Pendergrass is a previous WPSE award-winner. Over her 15 year painting career, her paintings have also been selected for show in national competitions of the Oil Painters of America, the American Impressionist Society, and Paint The Parks. Her paintings have won many local, regional and national awards. Her paintings can be seen locally at the Asheville Gallery of Art in Ashe-ville, NC, and the Silver Fox Gallery in Hendersonville, NC.

Visit Virginia Pendergrass online at www.virginiapendergrass.com

Coastal Carolina, oil painting by Virginia Pendergrass


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Fearless Spontaneity

Richard C. Baker, Fine Artist

“Trusting the intuition” ...a captivating experience.

As Spring alights on the mountains of Western North Carolina, the energy is transforming at Jonas Gerard Fine Art Galleries. With the opening of the gallery at Riverview Station, Jonas’ work can now be seen in two beautiful gal-leries located in the heart of Asheville’s River Arts District. Both galleries are filled with conscious colorful expres-sions of a world filled with love, grati-tude and fearless spontaneity.

Come to Jonas’ next live painting performance on Saturday, April 11.

Richard Baker’s landscapes depict, with radiant light, the mountains and waters of western North Carolina.

He paints the southern Appala-chians in the Hudson River School style. His paintings are successful, he says, when they “glow,” whether it’s a brilliant sunrise or sunlight playing on the surface of a river or the soft-ness of moonlight

A self-taught artist, painting had been a sideline to other endeavors in life until five years ago when a heart attack made him prioritize his time. He felt that it was time to devote himself fully to his art as had been his dream since childhood. Now he paints every day in his Pink Dog

Creative studio in the River Arts District of Asheville.

He moved to N.C. from Florida in 2005, after a 30-year career with Tampa’s Busch Gardens where he was the zoo’s curator of mammals. His father was a U.S. Army major and the family traveled all over the world. Baker remembers, especially, adolescent years spent in Europe visiting museums and staying in places where fine

Free painting performances are held the second Saturday of every

month. Live Painting Performance Saturday,

April 11 at 2 p.m. in the Riverview Station Gallery at 191 Lyman St. River Arts District Studio Stroll, May 9 & 10. Jonas Gerard will be painting a large mural at the Riverview Station gallery all weekend.

IF YOU GO

By ChRiS ChRomey

While rhythmic music plays in the background, Jonas becomes completely absorbed in expressing what is in his heart with a gestural painting style that appears almost as a spon-taneously choreographed dance. To the viewer, it may seem that the painting is done by the music itself while the artist is simply holding the brush. However, the years of dedication to this trust allows an artistic

integrity to flow through his work.

“For me painting is an intense compul-sion motivated by the process itself, allowing me to become more comfortable with un-certainty and unpre-dictability. Painting fast and spontaneously has been extremely beneficial, allowing my mind to be quiet and relinquishing my attachment to any imagined result. This process welcomes the creative energy of the


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universe to come through with enthralling rhythms and patterns that connects us all.”

Another great opportunity to see the art spontaneously evolve will be at the River Arts District Studio Stroll on May 9 & 10. Throughout the weekend the public can watch Jonas paint a giant mural that will be perma-nently installed on the outside of the River-view Station Building.

Richard Baker in his studio at

Pink Dog Creative.

Jonas’ work can been seen in two beautiful galleries in the heart of Asheville’s River Arts District.

Molto Allegro, 36x72 painting by Jonas GerardJonas Gerard Fine Art

Two galleries open seven days a week from 10 a.m. – 6 p.m.

Asheville’s River Arts District 240 Clingman Ave.

Riverview Station Building 191 Lyman St. #144, Asheville

(828) 350-7711 [email protected] www.jonasgerard.com

continued on page 13PG. 10RJ, RV


1

E vides exclusive access into artists’ studios and a chance to see the creative process behind each piece.

“I love opening up my studio to visitors, and in the spring the gardens are in bloom. People not only come to see art and what in-spires me, they also enjoy the landscape. Their enthusiasm gives me energy to create,” says Cindy Ireland, the 2015 Art Safari Chair and a regular participating artist.

Experiencing art on such a personal level often creates unique and lasting relationships between regular attendees and artists. For participating artist Marcia Kummerle, the event blossoms into a family tradition for some. “I love working with ladies who are new grandmothers as they choose yarn for a knitting project to welcome their new grand baby. The real joy is when they bring their toddlers back to the Weaverville Art Safari to visit my Angora goats,” she says.

This year’s free event boasts 35 ac-claimed artists and the opportunity to pur-chase pieces from their newest collections. Offerings showcased include handmade

The first Weaverville Art Safari was organized in the spring of 2001 with the goal of attracting visitors to this vibrant art community on the northern out-skirts of Asheville, NC. Since then thousands of people have returned over and over each spring and fall to enjoy the shopping opportu-nities and the ambience.

Local Artists Welcome SpringExperiencing Western North Carolina’s incredible artist community is easier than ever with the Weaverville Art Safari’s spring tour.

Held May 2 and 3 from 10 a.m. to 5 p.m., the free event offers an incredible way to experience art on a personal level.

While most traditional art tours only showcase collections, this unique event pro-

Steven Forbes deSoule

Weaverville Art Safari, Saturday & Sunday, May 2-3. For more details visit www.weavervilleartsafari.com.

IF YOU GO

The French Broad River Festival takes place May 1-3 at the Hot Springs Campground & Spa. Early Bird tickets are $80 available online at www.FrenchBroadRiverFestival.com.

IF YOU GO

F I N E A R T P R I N T I N G

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spring festivals & fine art studio tours

pottery, glass, sculpture, jewelry, furniture, paintings, drawings, fiber art, and more.

A special preview party and fundraiser at the Weaverville Town Hall kicks off the event on Friday evening, May 1. The fun starts at 7 p.m. and includes live music, door prizes, hors d’oeuvres, a cash bar, desserts, and more. The highlight of the evening is a silent auction featuring art works donated by each participating artist. Event tickets are only $10 at the door, with additional door prize tickets available for $5 each. Event proceeds fund future Weaverville Art Safari tours, and promotes the arts and commu-nity in the Weaverville area. The goal is to expose locals and visi-tors alike to some of the most talented artists in the area.

Guests looking to plan their visit can pick up Weaver-ville Art Safari brochures containing maps and artist information at greater Asheville-area galleries, restaurants, and shops beginning in April. Brochures will also be distributed from an Art Safari information booth located on Main Street in Weaverville on May 2 and 3. A downloadable brochure with map and full details about participating artists is also avail-able at www.weavervilleartsafari.com.

About The Weaverville Art SafariThe Weaverville Art Safari is a 501(c)3

non-profit and is staged twice each year–the first full weekend in May and the last full weekend in October–by a group of Western North Carolina artists whose studios are located in and around the communities of Weaverville and Barnardsville, NC.

18th Annual French Broad River Festival

18 years ago a couple of friends thought it would be fun to “race” down Section 9 of the French Broad River and then have a party on its banks in Hot Springs. That “party” has grown into a weekend outdoor and family music festival featuring national and local record-ing artists on multiple stages, a mountain bike race, whitewater raft race, kids’ village, arts and craft vendors,

outdoor vendors, and great food. Musical acts include Larry Keel Experience, Sol Driven Train, Zach Deputy, Big Daddy Love, PGrass, and many more!

Photo by Joshua Timmerman

By STeVeN FoRBeS-DeSoULe

Top: Quilt by Susan LeeLeft: Howard Atwood

Above: Jewelry by Q Evon


E18th Annual Greening Up the Mountains Festival

Thousands of visitors from nearby and abroad interacting with some 180+ artists working and selling art in their River Arts Dis-trict studios.

The River Arts District of Asheville is a mile long cluster of working studios, galleries and eateries housed in the former industrial sec-tion of town surrounding the railroad along the banks

of the French Broad River. More than 180 working studio artists,

many with showrooms and galleries, are open throughout the year. During Studio Stroll, visitors are able to comb the district riding the Grey Line Trolley for free. River Arts District Artists work in such mediums as paint, pencil, pottery, metal, fiber, glass, wax and paper.


spring festivals & fine art studio tours

By SheLLey SCheNKeR

Asheville’s River Arts District Studio Stroll, Saturday and Sunday, May 9 and 10 from 10 a.m. to 6 p.m. For

more details visit www.riverartsdistrict.com.

IF YOU GO

TRiver Arts District Artists Celebrate Mothers’ Day

Two-day Studio Stroll and Art Sale, Saturday & Sunday, May 9 & 10.

The artists of Asheville’s River Arts District open their doors for a full weekend dur-ing the Spring Studio Stroll and Art Sale, welcoming the public to experience and col-lect amazing art in the studios and galleries in which the inspiration flows.

Come be inspired, shop, meet the artists and watch live demonstrations. This stroll replaces the June studio stroll.

The weekend will be packed with artists demonstrating their craft.

BToe River Arts Tour

Bi-annual premier open studio tour, June 5-7.

More than 100 artists, craftspeople, and galleries open their doors to visitors for an entire weekend of awe-inspiring art and craft in Mitchell and Yancey Coun-ties.

Hosted by the Toe River Arts Council this free studio tour takes place the first weekends in June and December.

Pitcher by Jon Ellebogen/Rebecca Plummer, Barking

Spider Pottery

TThis Faerie And Earth Festival (FAE) has been designed to bring people together representing the two realms of Faerie and Earth.

Discover new products, services, read-ings, performances, talents, presentations, and presence. This joyous celebration offers an amazing experience for all attending. Enjoy the Fairy Stories of Vixi Jil; see Wizar the Sorcerer, the Faerie Kin, Dr. Momento and his Dragon. Damira performs the Dances of Universal Peace, and Marta Martin enchants all with her Creative Fairy Dances.

Walk with Joel Windfox Boyle, learning about herbs or Heume and her walk with the Fairies, or spend time with Roger Bass or Skye Taylor to learn more about the honey bees.

Visit Earthshine Nature and his Critters; listen to the sounds of flutes and drums of David Serra; Freedom conducts a Drumming Workshop for Children; and check into Crystal Bowls with Laura Painter.

There will be Crystals by Shaman’s Dream from VA; Fairy Houses by Very Fairy Fun from TX; Soaps, Potions and Lotions by Fairy Giggles. Buy soap from FL, and much more. Wear your fairy wings, earth hat, or sparkle up with glitter, then follow the rabbit and the spinning flowers to our entry gate in beautiful Flat Rock, at the Highland Lake Cove Retreat Center.

The Faery And Earth Festival By JohN SPRiNGeR

Faery And Earth (FAE) Festival, Saturday &

Sunday, May 16 & 17 at Highland Lake Cove Retreat Center in Flat Rock. 10 a.m. to 6 p.m. Cost: $10 adult, $5 child (ages 5-15), under 5 free.

For more details please contact John Springer, Enchanted Walkabouts, (407) 620-1493, www.enchantedwalkabouts.com. Follow us on www.facebook.com/fairyandearthfestival

IF YOU GO

Experience Spring in the Blue Ridge Mountains.

Located in the Tuckase-gee Valley, Sylva is surrounded by the Balsam Mountain range, the Cowee Mountain Range and the Cullowhee Mountain Range. In spring, the green leaves begin in the valley and go meandering up the mountainsides as they mature. The Town of Sylva celebrates this very visible sign of spring with the Greening Up the Mountains Festival.

The free festival draws ar-tisans from within its commu-nity, spotlighting fine arts and crafts, unique small businesses, heritage demonstrations, and those who work with the natural environment,

sustainability and wellness. Now in it’s 18th year,

the festival will host a 5-K run, two full music stages featuring the many music styles of the area, children’s talent contest, dance perfor-mances, storytelling, craft demonstrations, community outreach, youth activities and lots of food and fun!

The festival also combines the past, present and future of mountain living by sponsoring the Heritage Alive! Mountain Youth Talent Contest. Youth from all over west-ern North Carolina come to play music, sing, and

dance.

One of last year’s contestants was Caleb Turpin, age 9. He hails from Robbinsville, NC, plays guitar, and sings old gospel songs.

Craft demonstrators will showcase their many skills: chair caning, quilting, doll mak-ing, jewelry making, loom beading, carving, and much more. Local authors will be on hand to autograph their books.

Enjoy a day full of old songs passed down, and hear some new music too, all while eating barbecue, kettle corn, and boiled peanuts.

Ya’ll come now!

Caleb Turpin, age 9, from Robbinsville, NC.

Greening up the Mountains Festival will take place on Main and Mill Streets in downtown Sylva, NC, on

Saturday, April 25, from 10 a.m. to 4 p.m. For more information, contact the Town of Sylva, (828) 586-2719.

IF YOU GO

art hung on the walls. “That’s probably why I paint today,” he said.

Born in Tennessee, Baker had been visiting this region’s mountains for many years. “This area is magical. Its views are magical. I couldn’t get over that beauty when I moved here. How could I not paint them?”

“I used to spend hours,” he said, “studying the rocks, the trees, the light as it moved through the forest.” He still travels the regional countryside with his camera, searching for beautiful land-scapes, returning to a scene again and again until he finds the perfect light. After that he uses photographs, memory and imagination to make a sketch of the planned painting.

Baker paints in oils, acrylics or wa-tercolors, and does commissioned work, including portraits.

‘Richard C. Baker’ cont’d. from pg. 11

Richard C. BakerFine Art and Portraiture

344 Depot Street, Suite 102in Asheville’s River Arts District

(828) 234-1616

Follow the Rabbit!

The Toe River Arts Tour begins on Friday, June 5 at noon. It goes until 4 p.m. when visitors return to

the Spruce Pine Gallery for a reception from 5 to 7 p.m. at 269 Oak Avenue. On Saturday and Sunday the tour continues from 10 a.m. to 6 p.m. Go to www.toeriverarts.org or call (828) 682-7215 for more information.

IF YOU GO


Reel Take Reviewers:CHIP KAUFMANN is a film historian who also shares his love of classical music as a program host on WCQS-FM radio.

MICHELLE KEENAN is a long time student of film, a believer in the magic of movies, and a fundraiser for public radio.

- Fantastic - Pretty darn good - Has some good points - The previews lied - Only if you mustM- Forget entirely

Questions/Comments?You can email Chip or Michelle at

[email protected]

who also shares his love of classical

For the latest REVIEWS, THEATER INFO and MOVIE SHOW TIMES, visitwww.rapidrivermagazine.com

Illustration of Michelle & Chip by Brent Brown.

BRENT BROWN is a graphic designer and illustrator. View more of his work at

www.brentbrown.com.

most thought provoking darkly raw films I’ve seen in a while.

’71 is incredibly worthwhile but certainly not for everyone. It is confusing. It’s brutal and it’s profoundly sad on a number of levels.’71 is playing at the Fine Arts Theatre. I don’t imagine it will last for long, so if it’s of interest see it while you can.

Rated R for strong violence, disturbing images, and language throughout.

Review by Michelle Keenan

Cinderella ½Short Take: Disney’s live-action version of its animated classic, directed by Kenneth Brannagh.

REEL TAKE: Did we need a new live-action version from Disney of its beloved animated classic tale of Cinderella? I think not. But with Kenneth Brannagh at the helm, Cate Blanchett as the wicked stepmother, Helena Bonham Carter as the fairy godmother, and Downton Abbey’s Lily James as the titular character, it held promise. That is, it did until I got to the theatre.

Navigating a cinemuck-coated theatre, brimming with sticky, squirming, chatty chil-dren, I began having second thoughts about the whole thing. However, being armed with an adult beverage and a small bag of popcorn, I decided to settle into my seat and hope for the best. When the lights dimmed and a rash-inducing Frozen short played before the main feature, said small, sticky children tittered with glee and I gave thanks for adult bever-ages. I tell you all of this because, with that prologue, this review was in jeopardy of being cruelly biased. However, sometimes you just have to ‘let it go’ and enjoy the show.

Brannagh has created a Cinderella that is faithful to the 1950 animated classic (thank-fully sans the singing) and given it new life. It’s a lively, colorful and enjoyable, albeit slightly forgettable affair. Our ‘once upon a time’ tale begins with Cinderella’s back story - a happy young couple, blissfully in love and their cher-ished daughter. Their story book existence is torn apart when the mother takes ill, but when she leaves her daughter with parting words, “Always have courage and be kind,” she sets the tone for the rest of the film. The story then

Movies continued on page 15

‘71 ½Short Take: A historic action thriller about a young British soldier, separated from the rest of his unit, during ‘the troubles’ in 1971.

REEL TAKE: ’71 marks a powerful debut feature film for director Yann Demange. ’71 is a historical, fact-based action film that takes place over the course of a single night. A young Brit-ish solider (Unbroken’s Jack O’Connell) is accidentally sepa-rated from his unit following a riot on the streets of Belfast during ‘the troubles’ in 1971.

Unable to tell friend from foe or which side is which, Hook tries to get back to his barracks but is thwarted at every turn. Whether it’s the Protestants, the Catholics, or members of his own squadron, everyone thinks they are

doing what’s right, even when it’s playing both sides of the fence. The result is distrust, utter confusion and wasted life. We feel Hook’s confusion right along with him, thanks to Demange’s boots-on-the-ground, realistic ap-

proach. There are moments when the camera work makes Katherine Bigelow’s The Hurt Locker look like it was filmed with a steady cam. The film is dark and gritty. This also enhances the confusion, tension and suspense to great effect.

We don’t get to know the characters, but you get an intuitive sense of each charac-ters moral fiber. Jack O’Connell delivers a strong performance. (Although after this and Unbroken, I do hope he chooses something lighter for his next project.) Supporting cast members, including Richard Dormer, David Wilmot, Sean Harris and Velene Kane, all turn in strong performances. You can’t be in a project like this and turn in anything less.

The script by Scottish playwright Greg-ory Burke is stark but strikingly effective and bursting with humanity. Demange and Burke have managed to take a highly polarizing and political subject and strip it of all politics, ergo creating an incredibly powerful story and statement. There are no sides. It’s one of the

Jack O’Connell plays a soldier thrown into ‘the troubles’ in Ireland in the fact-based historical action-thriller ’71.

MTHE MONTHLY REEL

Many thanks to the good Professor Kaufmann for holding down the fort while I gallivanted off to Paris for a friend’s wedding last month.

Life has been such a whirlwind for both of us lately that we’ve paid little notice to that post award season cinematic lull that is usually so dreary for us critics. And, while there haven’t been any titles that have had either of us beating a path to the movie theatre, we have been fortunate to have a decent blend of art house, off-beat, and main stream titles in local theatres. That has been enough to keep most movie goers content, including us.

This month’s section is pretty repre-sentative of that mix of offerings. On the lighter side we review Disney’s blockbuster live-action version of Cinderella. On the heavy end we dive into the Russian depths of bleakness in Leviathan. The yin and yang of our cinematic sensibilities have been tested this month.

Chip reviews the Ed Harris, Liam

this is a rare treat. Because of the Easter

holiday, HFS is hosting just three screenings this month, but they are enjoyable goodies: Ladies in Lavender with Judi Dench and Maggie Smith, Orson Wells in Black Magic, and Fred Zinnemann’s riveting The Day of the Jackal from 1973.

In a sea of upcoming mainstream comedies, a handful of art house titles, and the next chapter in both The Avengers and the Fast and Furious franchises, there’s one documentary on the docket this month that may be of interest to some of our readers. It’s called Merchants of Doubt and is slated for a late April booking at The Carolina.

Until next time, enjoy!

Neeson crime thriller, Run All Night, the wildly entertaining Argentinean-Spanish anthology film Wild Tales, and the aforementioned bleak Russian drama Leviathan. I review the ‘controversial’ waist cinching Cinderella, the utterly unnecessary but aptly named Second Best Exotic Marigold Hotel, the uplifting family-friendly story of the unlikely cross country team that could in McFarland USA, and the most apolitical film to date about ‘the troubles’ in Ireland in ’71.

The Asheville Film Society (AFS) and Hendersonville Film Society (HFS) both offer an array of films this month. AFS kicks off with Norman Jewison’s film adaptation of Andrew Lloyd Weber’s Jesus Christ Superstar from 1973. AFS also welcomes Lisi Russell back for a special presentation of Ken Russell’s Mahler. If you’ve never seen it, or have never seen it on the big screen,

By miCheLLe KeeNAN



film reviews

shifts into entirely familiar territory and varies little from that well worn path.

Brannagh wisely enlisted the talents of production designer Dante Ferretti and costume designer Sandy Powell to make that path as visually appealing as possible and the results are sumptuous. The film is well cast, including Ben Chaplin as Ella’s heartbroken father and Derek Jacobi as the King. Lily James is the perfect embodiment of the fair Cinder-ella and she has a good chemistry with Kit (aka Prince Charming), played by Richard Madden. Personally, I wish they’d given Cate Blanchett just a little more to chew on, though the addi-tion of a scheming Duke (Stellan Skarsgard) is a nice balance for our wicked stepmother. Helena Bonham Carter’s narrative voice is pitch perfect for the telling of a fairy tale, but in her big scene as the fairy godmother she almost steals the show.

There was quite a brouhaha when the film was released over the size of Lily James’ waist. Detractors claimed it was sending a bad message to young girls. Get a grip, people. She’s a slim young woman, her waist-line corseted and given the illusion of being even smaller by the voluminous blue dress she wears. If only people would spend as much time focused on the moral of the story – have courage and be kind. Brannagh touchingly reinforces that message throughout.

Cinderella is a delightful trifle for the romantic and gentle at heart. Cynics and curmudgeons need not see it, nor ruin it for the rest of us.

Rated PG for mild thematic elements.Review by Michelle Keenan

Leviathan ½Short Take: Painfully long and drawn out Russian take on local politics and corruption with more than a few biblical references thrown in for good measure.

REEL TAKE: From its Koyaanisqatsi like opening through its parade of dismal char-acters to its ironically sanctimonious ending, Leviathan was, for me, an incredibly dreary experience. It would appear that I am in the distinct minority as it currently holds a 99%

I won’t be seeing it again anytime soon but you may feel differently especially if you appre-ciate the Russian literature of such 19th century writers as Dostoyevsky and Tolstoy. I admire those writers but you can take a break from Crime & Punishment or War & Peace anytime you want and then pick it back up again. Not so here. Incidentally the title comes from the skeleton of a whale found on the beach.

Rated R for language, sexuality, and graphic nudity.

Review by Chip Kaufmann

McFarland USA Short Take: Sports drama based on a true story about an unlikely cross country team and coach in need of a second chance.

REEL TAKE: McFarland USA may be finding its way to the second-run theatres by the time this issue comes out. It was overshadowed by bigger releases and received little praise from some of the other local critics. Because it’s an inspirational, family-friendly, underdog sports drama one could, understandably, have reser-vations. Because it’s also a Disney production and Kevin Costner is the lead actor, the film is automatic fodder for some critics.

I was curious and in need of a feel-good movie the night I went to see it, but still didn’t think it was going to be anything special. I was pleasantly surprised on both counts. Even more surprising was the audience applause at the end of the film.

McFarland USA tells the true story about Jim White, a hot tempered coach in 1987 who, after losing a cushy job in Idaho, finds himself teaching life science and PE in one of the poorest towns in America. McFarland, Cali-fornia is largely Hispanic, agrarian town. He doesn’t want to be there. His family doesn’t want to be there and no one else seems to want him there either. While assigning laps around the track to mouthy students, White begins to notice something. Some of these kids are fast. Really fast.

White decides to form a cross country team, a sport far more likely to be found in more affluent school districts and prep schools. Kids who work in the fields before school and after school are not exactly the target demographic for cross country. White is met with resistance from the kids and from some of their family members too, but he persists.

While the overall plot is fairly predictable, what evolves is not the conventional teacher-inspires-the-students story. Here White and the kids are on pretty equal footing. Say what you want about Costner, but he turns in a fine performance as do his young co-stars.

A wonderful sub-story involving White’s wife (Maria Bello), daughters and various townspeople evolves perfectly in direct relation-ship to the main story. Director Nicki Caro (best known for Whale Rider) pulls the whole thing together organically and with such earnest

warmth, it’s hard not to be moved. The honest humanity of the story is its greatest strength and it’s what gives the story staying power. While I very soon forgot about Cinderella or The Second Best Exotic Marigold Hotel, this one stayed with me.

McFarland USA is the kind of movie you root for. This is the kind of movie where the audience applauds at the end. (Speaking of the end, be sure to stay for the epilogue when they show the real Coach White and the real members of Mc-Farland’s 1987 cross country team.)

Rated PG for thematic material, some violence and language.


Run All Night ½Short Take: Despite some unnecessarily flashy camerawork, Run All Night is a solid crime thriller in the manner of The Drop with two strong performances from Liam Neeson and Ed Harris.

REEL TAKE: For the present, Liam Neeson seems perfectly content to play the aging action star following in the tradition of Clint East-wood, Sly Stallone or even John Wayne. While the Taken franchise (which is apparently over) racks up impressive worldwide box office totals, it is the other films like A Walk Among the Tombstones and this one that give him a chance to flex some acting muscle.

Jimmy Conlon (Neeson) is a broken down wreck who was once a top hit man but now survives only on the charity of his boss and former childhood friend Shawn Maguire (Harris). He has no friends and is especially despised by his son Michael (Joel Kinnaman) for abandoning the family years ago. When unexpected circumstances force him to kill Shawn’s son Danny (Boyd Holbrook) in order to save his son’s life, Shawn turns on Jimmy with a vengeance and orders Michael killed at any cost.

Shawn hires a ruthless hit man (rap star Common) to take Michael down. Compli-cating matters is the police think Michael killed Danny and Conlon’s long time nemesis Detective Harding (Vincent D’Onofrio) is de-termined to get them both. As a result Jimmy and Michael have less than 12 hours to stay alive and sort things out. The movie is told in flashback so you know how it turns out but, as

critical rating and an 82% audience approval on Rotten Tomatoes. It’s on occasions like this

that I ask myself “Did they see the same movie I did?”

Kolya (Aleksei Serebryakov) lives in a coastal town with his wife Lillia (Elena Lyadova) and his son (Sergey Pokhodaev) from a previous marriage. The local mayor Vadim (Roman Madyanov) desires Kolya’s property and tries to obtain it through devious legal means. Kolya enlists his old Army buddy Dmitri (Vladimir Vdovichen-kov) now a successful Moscow lawyer to help him.

In the beginning things go well but then Dmitri has an affair with Kolya’s wife and the Mayor brings in some local thugs to threaten Dmitri’s life. Kolya finds out about the affair but forgives his wife who is over-come with guilt. The mayor continues his

manipulations with the aid of the local church and Kolya is sent to prison. The mayor and the church get the property, tear down Kolya’s house, and erect a small cathedral in its place.

Take this grim scenario which has several Biblical overtones (most notably the Book of Job), add a healthy dose of contemporary cynicism then direct it at a snail’s pace and apparently you have a critical winner. It has also scored well at numerous international film festivals. The movie was nominated for Best Foreign Film at this year’s Oscar but fortu-nately lost out to the Polish film Ida.

The director Andrey Zvyagintsev (The Return) has said that the film is based on an incident that took place in Colorado in 2004 when a mechanic named Marvin Heemeyer, enraged over a local zoning ordinance, built a modified bulldozer and then went on a ram-page wrecking 13 buildings in his small city before committing suicide.

Leviathan is not without merit. It is well acted and beautifully and simply photographed but what should be a powerful 100 minute film is dragged out to 141 minutes blunting much of its effectiveness as far as I was con-cerned. I couldn’t wait for it to be over. I’m re-minded of what Ernest Hemingway reportedly said about Thomas Wolfe, “Why use 10 words when 100 will do?” Think of that in cinematic terms and you have Leviathan.

Keven Costner stars as a coach who leads an unlikely cross-country team in the likeable McFarland USA.

Movies continued from page 14

Aleksei Serebryakov as the put upon Job-like character at the heart of the

Russian film Leviathan. Movies continued on page 16

Bippety boppety boo! Cinderella (Lilly James) arrives at the ball.


WUSA (1970)Throughout cinema history there have

been a number of movies that were ahead of their time. There are movies that flopped when they were first released and found an audience many years later. Then there are those movies that are waiting to be rediscov-ered. WUSA is such a film.

When it first appeared in 1970, Paul Newman had just come off the biggest suc-cess of his career with Butch Cassidy and the Sundance Kid. Fans who expected more of the same were shocked and disappointed, for WUSA is the complete opposite of Butch being more in keeping with movies like Hud and The Hustler.

Newman plays a laconic drifter who winds up working for a patriotic radio sta-tion in New Orleans. He doesn’t believe in their right wing rhetoric but it keeps him in drinking money. He hooks up with fake preacher Laurence Harvey and then takes up with another drifter (Joanne Wood-ward). The other principal character is Peace Corps dropout Anthony Perkins who is unknowingly used by the Right Wing powers he despises.

What made WUSA so disturbing then and so forward looking now is not just the rise of talk radio but the total apathy and amorality of Newman and most of the other characters. Coming 2 years after the assassinations of Martin Luther King and Robert Kennedy, Robert Stone’s screenplay (based on his novel A Hall of Mirrors) was too much of a downer. Unlike M*A*S*H, which was released at the same time, there isn’t an ounce of comedy to be found.

The film is full of fine performances from up and coming performers like Cloris Leachman and Wayne Rogers to old pros Pat Hingle and Moses Gunn. The right wing rally which comes near the end of the film could have taken place yesterday not 45 years ago. As for the rhetoric, well certain radio

personalities and a certain news network could be quoting it verbatim.

WUSA is not without its faults. It occasion-ally loses its way and some of the writing is heavy handed but as a time capsule of the late 1960s that unfortunately looks forward to several aspects of the 21st century, it makes for compel-ling viewing and is ripe for rediscovery.

The Drop (2014)In my humble opinion one of the most

overlooked movies last year was The Drop. Based on the short story “Animal Rescue” by Dennis Lehane (and adapted for film by Dennis Lehane) The Drop is a highly satisfying crime drama with a slightly dented moral compass at its center.

Bob Saginowski (Tom Hardy) is a quiet, seemingly dull-witted bartender at Cousin Marv’s, a Brooklyn watering hole and cash drop site for the Chechen mob. Marv (James Gandol-fini) still runs the bar, but was muscled out of ownership by the Chechens. Together Bob and Marv run the place and navigate the tension in a neighborhood that seems to wax nostalgically for a bygone era.

Bob is the narrative voice and the story’s rudder. He is soft-spoken and reserved. He attends mass daily and lives alone in the house that is obviously the home where he was raised. When he finds a badly abused pitt bull puppy in a neighbor’s trash can one night, it seems his

loner routine is about to get sacked by man’s best friend and the pretty neighbor, Nadia (Noomi Rapace / Prometheus, Girl With The Dragon Tatoo). Soon however a local creep, and apparent psychopath, lays claim to the dog, to Nadia and to an unsolved murder from a few years back. Meanwhile the bar is robbed one night, leaving Marv on the hook with the Chechens for $5,000. With that, the wheels are in motion, building an intense, yet quietly simmering drama.

The Drop marks Belgian director Michael R. Roskam’s US debut. Roscam, who most notably directed 2011’s Oscar-nominated Bullhead, sets just the right tone to the film. Adding a wonderfully disturb-ing level of suspense to the proceedings is Bullhead’s lead actor Matthias Schoenaerts as Eric Deeds, the aforementioned psychopath. Naomi Rapace is another unusual but solid casting call. Tom Hardy as Bob will be a revelation to many. Hardy is a chameleon of an actor, best known to American audiences as Bane in The Dark Knight Rises, Fresh off his brilliant turn in Locke, he gives yet another performance that shows the depth and breadth of his talent.

Sadly, The Drop marks Gandolfini’s swansong. On the surface Gandolfini seems like just another version of Tony Soprano, but as with everything else in The Drop, the story isn’t about what’s on the surface. Marv is deceptively layered and vulnerable and [as always] Gandolfini brings a deceptive nuance to the character.

The Drop is a well crafted, ensemble effort. Unfortunately Roskam’s subtle directional reserve may have some thinking it’s not as great as it could have been, but it’s exactly that tone that made this movie work for me. It’s a moody, slow burn that draws the viewer in. Give it the time to let it unfold and it will quietly surprise you.

Rated R for some strong violence and pervasive language.

personalities and a certain news network could personalities and a certain news network could personalities and a certain news network could

April DVD Picks Michelle Keenan’s Pick: “The Drop”

Chip Kaufmann’s Pick:“WUSA”

despite the familiarity of the material. Rapper Common has been criticized in most reviews for his performance but I thought he was actu-ally quite good.

What I didn’t enjoy and what took me out of the movie on several occasions was the use of what I can only describe as a Google Earth approach of zooming in on a specific location from far away. Anything that cinematically interrupts the flow of the storytelling, earns a demerit in my book.

Another critical observation concerns something which didn’t bother me and comes with the aging action star territory but there is no way any normal man much less one of


film reviews

is often the case in this genre, it’s how it gets there that keeps it interesting.

Spanish director Jaume Collet-Sera (Orphan) had worked with Neeson once before on Unknown (2011) so the two knew what to expect from each other. Run All Night’s story is more traditional but the powerhouse performances of Neeson & Harris as well as D’Onofrio keep you engaged

Movies continued from page 15HENDERSONVILLE

FILM SOCIETYIf you think they don’t make them like they used to, you’ll enjoy these great classic films. Coffee and wonderful flicks are served up on Sundays at 2 p.m. at Lake Pointe Landing in Hendersonville. For more information call (828) 697-7310.

There are only three movies this month, a classic espionage thriller, an Orson Welles rarity (not directed by him), and a bittersweet romantic tale with Judi Dench and Maggie Smith. There is no show on Easter Sunday, April 5.

April 12: Ladies In Lavender

(2004) Set in 1936 Cornwall, Judi Dench and Maggie Smith portray spinster sisters Ursula and Janet Wid-

dington whose lives are changed when a young Polish violinist is washed ashore disrupting their lives and the serenity of their small vil-lage. The movie also features Daniel Bruhl and David Warner. Directed by Charles Dance.

April 19: Black Magic

(1949) Orson Welles (at his ab-solute thinnest) dominates this Italian made film about the life of 18th century magician and ad-

venturer Count Cagliostro who rose from humble origins to conceiving a plot to take over the French throne. Akim Tamiroff and Nancy Guild co-star. Directed by Gregory Ratoff.

April 26: The Day of The Jackal

(1973) From the director of High Noon comes this riveting account of an attempt to assassinate French President

Charles de Gaulle in the early 1960s. The movie is based on Frederick Forsyth’s international best seller. Edward Fox plays the assassin while Michael Lonsdale is the French inspector pursuing him. Directed by Fred Zinnemann.

Movies continued on page 17

Ed Harris and Liam Neeon meet one last time at their old neighborhood

restaurant in Run All Night.


Neeson’s age could take the kind of physical punishment he receives and still keep going.

If A Walk Among the Tombstones was too dark for you then you’ll find Run All Night a lot easier to take. It’s worth seeing for one scene alone where Ed Harris confronts Liam Neeson in their old childhood restau-rant. No action, no violence, just two old pros reminding us that in the end, acting is what it’s all about.

Rated R for strong violence, strong language, and drug use.


The Second Best Exotic Marigold Hotel ½ Short Take: The aptly titled, entirely unnecessary but ultimately affable, next chapter in the lives of our favorite British ex-pat pensioners.

REEL TAKE: The Best Exotic Marigold Hotel was the surprise hit of 2012. It was utterly charming and perfectly self-contained. To my knowledge there is not a sequel to its source material These Foolish Things. There was absolutely no need for a sequel. If the stellar, late-career ensemble of The Best Exotic Mari-gold Hotel was willing to come back for round two, then by gum, it must be really good. Critically, it’s – meh – at best. The storylines aren’t nearly as poignant as in the first film. Its mediocrity is made tolerable by the merits of its actors. That said, it’s certainly pleasant enough, and the sea of grey haired fans at the showing I attended certainly enjoyed it.

In the aptly titled Second Best Exotic Marigold Hotel, we find our pensioners a few months down the road from where we last saw them. Sonny (Dev Patel) is seeking investors in order to expand his retiree-hotel concept with the help of Muriel (Maggie Smith). But while on a business trip to the United States with Muriel, Sonny becomes convinced that one of his best friends is trying to steal Sunaina from him. This internal personal crisis turns him into an even crazier, hotter mess than he already is. In the meanwhile our pensioners are each

takes place in a diner and focuses on a roundabout form of revenge. The third story showcases the most unusual case of road rage you will ever see, taking the concept of Steven Spielberg’s Duel (1971) to unheard of levels.

The last three stories aren’t up to the level of the first three but they are still more than able to keep your interest. The fourth story involves a workaholic engineer who ignores his family. He becomes obsessed with justice when his car is mistakenly towed and enacts an ap-propriate revenge. The penultimate tale involves a rich man trying to persuade a poor neighbor to take the blame for his son’s hit-and-run accident.

The final segment is the longest of the set or at least it seemed that way. It is also the most conventional, as it deals with a couple at their wedding party, the secrets that are revealed, and the conse-quences that ensue. It is also a modern domestic variation on the old Laurel & Hardy formula of “tit for tat,” where things start small and then escalate out-of-control.

Two of the many producers on this film are Pedro Almodovar and his younger brother Augustin. Due to how some of the stories play out, it’s hard not to believe that they didn’t have more than just financial input into the film, which has already become Argentina’s most successful movie export.

The cinematography by Javier Julia is very creative, which can be a draw-back in some films (it was for me in Birdman), but here it perfectly comple-ments the material. The musical score by Gustavo Santaolalla is also a winner as it highlights each segment and keeps the viewer interested.

If you’re looking for something off the beaten track then Wild Tales certainly qualifies. At two hours it paces itself well and gives you your money’s worth, unlike the other foreign film re-viewed here. If you don’t like one story then another one immediately follows. This is one film that I will definitely be revisiting especially for the third story.

Rated R for violence, language, and brief sexuality.


having their own internal crises. All of this, combined with a farcical case of mistaken identity, serves as the foundation for The Second Best Exotic Marigold Hotel.

Ol Parker’s script is ok, but uneven. Our who’s who of British pension-aged actors do their best with the material, but even Bill Nighy, who can do uncomfort-able like nobody’s business, looks strained at times. Director John Madden is clearly relying on the talents of his players and likeability of their characters to carry the story, and by and large they do. Richard Gere is a good addition to the cast. David Strathairn, as the potential investor, is under utilized. The film is still very much an ensemble piece, but in this chapter of their journey it’s ultimately Maggie Smith’s show.

Madden smartly embellishes the film with some distractions, including a terrific Bollywood-style dance number. The vibrancy of India’s streets and its rich culture are on full display. The colors and production values make The Second Best Exotic Marigold Hotel a wonderful feast for the eyes.

In the final analysis, sequels have been made for much lesser films. It’s refreshing that a little film starring an ensemble of 60 and 70-something year old actors was beguiling enough to make a second. It’s certainly a pleas-ant enough way to spend a couple of hours.

Rated PG for some language and suggestive comments.


Wild Tales Short Take: Argentine-Spanish anthology film runs out of steam before the end but is still wildly creative, with one sequence that has to be seen t be believed.

REEL TAKE: I have always loved anthology films, from classics like Tales of Manhattan (1942) and The Yellow Rolls Royce (1964), to more recent offerings like New York Stories (1989) and Paris je t’aime (2006). I also enjoy old school horror anthologies like Tales from the Crypt (1972) and From Beyond the Grave (1974).

Wild Tales is an Argentine-Spanish co-production of six stories that borrow from both of the above genres. The stories are essentially comic in tone (al-beit black comedy) although there are some horrific overtones. It features an en-semble cast of international actors (but no big names) and a host of producers including one internation-ally recognized name.

The first story, which serves as a prologue, involves an airplane flight where the passengers discover that they all knew a particular individual who just happens to be flying the plane. The next one


film reviews

A flat tire leads to a most unusual case of road rage in one of the stories that make up

the Argentine anthoogy film Wild Tales.

Movies continued from page 16

April 7: Jesus Christ Superstar

(1973) Full blown, highly creative version of the once controversial Andrew Lloyd Webber musical is now an interesting time capsule of the early 1970s. Ted Neely stars as Jesus, with Carl Anderson as Judas and Yvonne Elliman as Mary Magdalene. Directed by Norman Jewison.

April 14: Excalibur

(1981) This dazzling version of the King Arthur legend remains the template that others must as-pire to. Beautifully photographed, sumptuously scored, and with a powerhouse cast that includes Nigel Terry, Nicol Williamson, and younger versions of Helen Mirren and Liam Neeson. Directed by John Boorman.

April 21: Love Letters

(1945) Interesting modern variation on the Cyrano de Bergerac story. Joseph Cotton writes love letters for a fellow soldier only to fall in love with the woman he’s writing to. Revelations and tragedy ensue. The screenplay was co-written by Ayn Rand. The film also

stars Jennifer Jones and Gladys Cooper. Directed by William Dieterle.

SPECIAL SHOWING! Wednesday, April 22: Mahler

(1974) The life of Gustav Mahler is given the Ken Russell treatment in one of the filmmaker’s best movies. A marvelous use of Mahler’s music with stunning visuals and certain scenes that can only be described as pure Russell. Directed by Ken Russell. The film will be introduced by Lisi Russell, the filmmaker’s widow. Tickets $8; $6 for AFS members.

April 28: For The Defense

(1930) Rarely seen early talkie has William Powell as a smooth talking lawyer whose specialty is keeping high profile criminals out of jail. His life is on a roll until he becomes romanti-

cally involved with a dancer (Kay Francis) who is two-timing him. Directed by John Cromwell.

ASHEVILLE FILM SOCIETY The Asheville Film Society will show the fol-lowing films on Tuesday nights at 8 p.m. in Theater 6 at the Carolina Cinema on Hender-sonville Road. Tuesday night screenings are free, but membership dues for the society are only $10. Membership gets you into any special members-only events and screenings.

Carolina Cinemas, 1640 Hendersonville Rd. (828) 274-9500.

For more information go to www.facebook.com/ashevillefilmsociety

Our favorite British ex-pat pensioners are back in the wholely unecessary but aptly titled The Second

Best Exotic Marigold Hotel.


their first thoughts were when they saw your work. Then ask if there is anything in particu-lar that drew their eye or held their interest.

Often the responses are surprising. Once the conversation heads in that direction, you can comfortably inquire about their occupa-tion with a remark such as, “That was an interesting comment…it makes me wonder what kind of work you do.”

By making a few notes after each chat, you will begin to gain a better understanding of what types of folks respond most favorably to your work. The next step is getting your art in places that they frequent.

Greg Vineyard is a marketing professional, and an artist and writer living in Asheville, NC. ZaPOW Gallery carries his illustrations, prints and cards, www.zapow.com.

www.gregvineyardillustration.com


fine art

ing each other through these battles, changing our psyches one incident at a time, reminding ourselves that it’s not just the skills we value, but also the activities themselves.

In many regions with vital arts and crafts scenes, many commercial-ly successful artists and non-artists alike connect with and support the community, regardless of how people label themselves regarding professional status. Wouldn’t it be amazing if everyone’s first instinct was to do that, nurturing the dreams of their colleagues, knowing that the rewards of an activity are some-times measurable on a spreadsheet, sometimes not; yet all are valuable, nonetheless. No one deserves Troll-ing; but it can happen, and we must remain vigilant.

I say let’s counteract the snobby, broad brush-bearing goblins that spring forth to dismiss the collective lot through their pens and keyboards – and internally through our memories. Some of the best ways to stave them off are to keep showing up every day for one’s art or craft or job, and to continually strive to grow in one’s chosen area of focus.

Sometimes we can’t fight the whole army, but we can slap back a Troll Within or two by simply saying: “This is who I am. This is what I do.”

T Musings on Worthiness

FIGHTING THE TROLL WITHIN By GReG ViNeyARD

Trolls in the movies are fun, with their attack-you-from-under-the-bridge lifestyle, keeping it interesting for characters like Willow and Madmartigan.

But in real life, there is a reason we’ve nicknamed those who constantly tear others down: it’s because Trolls are mean! The mod-ern version of that bridge is social media; how-ever, we also encounter some form of these monsters deep down within ourselves, too.

In a recent on-line discussion about how artists are potentially being edged-out of gentrifying areas, a stranger who appeared to be part of a successful gallery scene in another state commented something like: “just because someone puts paint to canvas, it doesn’t make them an artist.”

More than tinged with bias, this dismissal of huge swaths of people who contribute in large ways to their local economies with his simplistic comment demeaning their skills is all too common. Not only do statements like this miss the mark, they contribute to the fostering of our own Internal Trolls.

While there are of course distinctions between professional and amateur artists (and crafters, and hobbyists, and on and on – that’s another column for another day!), harshly indicating that artists or art groups are only worthy of taking up space under high-end commercially viable conditions is short-sighted, both on a personal level as

well as in the sphere of business.I’m reminded of my journey back into

the ceramic arts as a “Non-Traditional Age” student in the schools and clay centers of Southern California in the 1990’s. The Trolls of Times Gone By can rear their ugly heads, gurgling up simple but powerful phrases like: “You can’t do this.”

Many remember exactly when and where they were, what they were working on, and who said it, when they were told by a Troll casting its shadow across their little work table: “You’re not good at art.” It happens in other skill areas, too, but in the arts, it becomes a life-long battle about worthiness.

For many, it can take years to work up the nerve to give something another shot. I remember this woman in a ceramics class at a clay center in Monrovia, CA, where, after the weekly kiln unloading, she looked a bit forlorn. Both her colorful work and her sad expression caught my eye, and I walked over and asked her how she felt about her results. Her Inner Ogre had taken over, and she re-plied that her work was just no good compared to everyone else.

She recalled exactly when she was told she couldn’t do this – FORTY YEARS EAR-LIER. Believing she wasn’t good enough, be-coming timid and self-effacingly comparative as she moved through life, she waited. Many of us that day conveyed how much we liked her work, and the studio became her oasis. We saw ourselves in her. We often take turns help-

a working space in the River Arts District, chances are your work is on display most of the time to those that visit your building. But many of the creative folks working there learn that is not enough; you must also be seeking exposure throughout the downtown area and other places as well, if you are serious about increasing your exposure.

Perhaps you’ve already come to some conclusions about your target market. If not, here is my challenge. Talk with people as they are looking at what you’ve produced. Allow them a few moments to take it all in, and then mention that you are doing some market re-search and would be interested to know what

WWhen an artist wants to sell more work, the first conversation we have is about identifying their target market.

By answering a few questions, they begin to hone in on how to direct their energies.

Does your work appeal more to women or men? What age group? What income level? What type of occupation? What geographic locations?

These and several other factors can help an artist focus on the sector that is most profitable. Of course, to some extent, success depends on how and where you market your work. Here in Western North Carolina, artists have several options. There are many com-mercial galleries, as well as co-op galleries and retail rental establishments that offer a wide array of artwork.

In addition, there are a number of arts organizations that have ongoing exhibit programs that keep the artists’ work in the public eye. If you are fortunate enough to have

Your Target MarketTHE BUSINESS OF ART

By WeNDy h. oUTLAND

The Business of Art is written by visual arts consultant Wendy H. Outland. Contact her by email to [email protected]. With more than 30 years of arts administration experience, WHO Knows Art provides visual artists with career development resources and helps galleries and arts organizations function more effectively. Wendy H. Outland (“WHO”) is a qualified juror and curator, also offering personalized consultations and workshops. www.whoknowsart.biz

The Troll Within, 2015. Illustration by Greg Vineyard

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Creatives Sketched ARTISTS & WRITERS, PROMOTE YOURSELF

Artists and writers are invited to contribute to our new web exclusive section – “Creatives Sketched.”

With a rapidly growing readership, the Rapid River Magazine website is a great way to promote yourself, and a great way for potential buyers and readers to learn about you.

Rapid River Magazine’s copyeditor, Kathleen Colburn, is editor and curator of the section. Please contact her with questions and submissions by email to [email protected].

WWW.RAPIDRIVERMAGAZINE.COM


1 Page Avenue ~ Historic Grove ArcadeSuite 123 ~ 828.350.0307

[email protected] www.MtnMade.com

“After the Storm”

Porchoir painting by Rick Hills with handmade

bark frame

PG. 2018

PG. 20Ph

“French Cuisine“

Wedge Studios129 Roberts St.

River Arts DistrictBy appt.

Asheville Gallery of Art16 College St.16 College St.

Downtown

Seven Sisters Gallery

Black Mountain

Works byCheryl Keefer at:

828-450-1104 • www.CherylKeefer.com

PLEIN AIR ~ LANDSCAPES ~ CITYSCAPES

CHERYL KEEFER

PG. 105

PG. 207

PG. 25mS

Works on Display at:

Asheville Gallery of Art, Downtown

Seven Sisters, Black Mountain

CCedar Hill Studios, Waynesville

[email protected] ~ 828-456-4600

Jce Schlapkohl


WWonderland is the title of the next ZaPow Artist group show.

This unique exhibit will present viewers with the opportunity to walk through the complete text of Alice in Wonderland and Through the Looking Glass as retold via the illustrations created by ZaPow Artists. The opening reception will be held Saturday, April 4 from 7-9 p.m.

Alice’s Adventures in Wonderland (often shortened to Alice in Wonderland,) was originally published in 1865 and written by Charles Lutwidge Dodgson under the pseudonym Lewis Carroll. Dodgson was an intensely private academic who published scholarly articles on advanced mathematics and Symbolic Logic.

To understand the world of Wonderland and what inspired Dodgson’s nonsensical whimsy one must first consider the culture of Victorian England. According to his journals, Dodgson believed that “having sex was against God’s wishes for him.”

Many scholars believe that Dodgson’s imposed sexual repression contributed to his preference for the company of children. Children during the Victorian era were seen as pure creatures free from sex. Dodgson became a sort of uncle to the children of the Liddel family. One July afternoon in 1862 Dodgson told the children the story that would become Alice. The Mad Hatter, Chesire Cat, Caterpillar, Do Do and many other characters were born as allegory for figures in the real life of Alice Liddel.

Beginning in the 1960s artists drew similarities between the tales of Alice and their own experiences with illicit substances. Jefferson Airplane’s song Go Ask Alice and Mark McCloud’s blotter artwork of Alice Goes Through The Looking Glass are two of the most famous instances of drug inspired Alice art in contemporary American culture.

It is Dodgson’s use of creative allegory for universal concepts such as frustration, alienation, and abandon-ment that lend the Alice stories to vivid artistic inter-pretation. In ZaPow artist Rebecca Rouse’s words “The ZaPow group show will be an evolved Wonderland where things you’ve never imagined may appear right before your eyes!”

WonderlandDRUGS, SYMBOLIC LOGIC

AND VICTORIAN SEX

Shops, Galleries & Restaurants

Downtown

PG. 41mS

PG. 25WC

PG. 207

Wonderland, opening reception Saturday, April 4 from 7-9 p.m. Wonderland will run until the end of May 2015. ZaPow, 21 Battery Park Suite 101,

Downtown, Asheville. Visit zapow.com.

IF YOU GO


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GROVEARCADE

PACKSQUARE

1 - American Folk Art & Framing

2 - AppalachianCraft Center

3 - Ariel Gallery4 - ArtEtude Gallery5 - Asheville Area

Arts Council6 - Asheville Art

Museum 7 - Asheville

Gallery of Art8 - Bender Gallery9 - Black Mountain

College Museum & Art Center

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10 - Blue Spiral 111 - Castell Photography12 - Benchspace

Gallery & Workshop13 - The Haen Gallery14 - Horse and Hero15 - Jewels that Dance16 - Lexington Glassworks17 - Mora18 - Mountain Made19 - The Satellite Gallery20 - Susan Marie Designs21 - Van Dyke Jewelry

& Fine Crafts22 - Woolworth Walk23 - ZaPow

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First Friday Art Walks – April through December – 5 to 8 p.m.

Pack Square Park, Downtown AshevilleThe sculptural railing on Reuter Terrace was designed and built by Black Mountain artist Julia Burr.

21 Battery Park • zapow.comThat Fun Gallery in Downtown Asheville

Illustration and Pop Culture Art

23



FFor as long as I can remember, I have loved nature, music and art as fundamental expressions of the human experience which expand our awareness and connect us to something larger than ourselves.

I am moved and influenced by many artists past and present but early on it was the impressionists and the lesser known tonalist painters who seemed to resonate with the poetry in my own perceptions.

The early tonalist painters who in-fluenced my work and style are George Inness, James McNeill Whistler, and John Henry Twachtman, along with others. They were named tonalists in the late 1800’s and early 1900’s for their particular soft style of painting. Perhaps

it was the sense of mystery and atmosphere or the ephemeral faces of landscape that excited and stimulated my imagination. These were poetic landscapes subtle yet powerful.

Nature is fleeting. Tones are subtle and the light crossing the landscape illu-minates and transforms what could easily be overlooked into a dazzling symphony

of color notes and sublime atmospheric effects. Tonalism seemed to capture the mystery of the subject at hand. They were elegant landscapes, rich in mood and feeling.

DEBORAH SQUIER AT BLUE SPIRAL 1The pastels at Blue Spiral 1

are shown in conjunction with works by Will Henry Stevens (1881-1949). The eight pastel paintings included in the show are painted at locations in and around Asheville, including Beaver Lake, the Blue Ridge Parkway, and Warren Wilson College farmland.

My works are always in support of conservation and preservation of habitat and the disappearing landscape. It is my belief that as artists we have a responsibility to truth and authenticity whatever our subject matter.

Deborah Squier A CONNECTION TO THE LAND

Panel discussion with Deborah Squier, Friday, April 10 at 3 p.m. “Water” is on display through April

24, 2015. Blue Spiral 1, 38 Biltmore Ave., Downtown Asheville. Hours: Mon-Sat 10-6; Sunday 12-6. For more details, call (828) 251-0202 or visit www.BlueSpiral1.com

IF YOU GO

Opening Reception Friday, May 1, from 7 to 9 p.m. The Satellite Gallery, 55 Broadway, Asheville. (828) 505-2225, www.thesatellitegallery.com

IF YOU GO

Turning Point, 18x34 pastel by Deborah Squier.

Deborah SquierFine Art

Regional Landscapesin Oil and Pastel

www.DeborahSquier.com

828.216.8806

[email protected]

PG. 2010

29 Biltmore Ave. Parking access from S. Lexington Ave.

Look for signs to your left at back of building.

(828) 281-4044www.vandykejewelry.com

v Custom Designed Jewelry

v Local Arts & Crafts

v Jewelry Repair

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36 Haywood StreetDowntown Asheville

www.chocolatefetish.com (828) 258-2353

Visit our European style shop for handmade artisan chocolates,

chocolate art, and gifts.

Enjoy & Give the Best ™

Asheville’s Premier Chocolate Shop Since 1986

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63 Haywood Street • Downtown Asheville828-254-5088 • Hours: Mon - Sat 10:30 - 6

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FINE JEWELRY & DESIGN STUDIOPG. 2015

EExplorations in Dreams and Hypnagogia. New works, most created specifically for this show, by

Asheville artists Dona Barnet, Alisa Carswell, Hannah Dansie, Nicole McConville, Meg Reilley, and René Treece Roberts, explore the infinite landscape of dreams, dreaming, and the space between waking and dreaming. Mediums including photography, encaustics, collage, illustration, and drawing will be featured.

The Other Place We Live

The Best Shops, Galleries & RestaurantsMore of What Makes Asheville Special

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Read Deborah Squier’s full article at www.RapidRiverMagazine.com


HHere comes spring and color! We love the subdued neutral

hues of winter and the tranquility of watching snow fall and sitting by an open fire. However, with Spring around the corner, everything in nature seems to awaken. There is excitement in the air as the daf-fodils, tulips, and other blossoms start appearing and coloring our landscape.

I’ll be painting the flowers from our garden as they appear, including peonies, hollyhocks, dahlias, hydrangeas, and some wild flowers. I strive to capture their beauty with light and shadow showing their form.

Joyce Paints

Painting by Joyce Schlapkohl

Asheville Gallery of Art, 16 College Street, across from Pritchard Park in downtown Asheville. Call (828) 251-

5796, or visit www.ashevillegallery-of-art.com.

IF YOU GO


fine artBy JoyCe SChLAPKohL

Joyce Schlapkohl has works on display at:

Asheville Gallery of Art, DowntownSeven Sisters, Black MountainCedar Hill Studios, Waynesville

(828) 456-4600, www.joycepaints.com

I hope you will visit the Asheville Gallery of Art soon and see our new and exciting paintings.


PG. 25Wh

AAsheville Gallery of Art in downtown Asheville, provides a unique gallery experience to all who visit.

Walk in and you are greeted by one of the 28 member artists who will answer any ques-tions you might have about the pieces you see. This friendly, hands-on approach to viewing and purchasing art connects visitors to work-ing artists and offers a glimpse into Asheville’s thriving artistic community.

As you stroll through the gallery you will notice a remarkable diversity of styles and vision, all made by local artists. Traditional landscapes hang side-by-side with expressive abstracts, whimsical mixed-media paintings, figurative works, and still lifes. Along with original paintings in oil, pastel, watercolor, and acrylic, AGA also features artists’ reproduc-tions and a colorful array of note cards.

Founded as a co-operative in 1988, AGA is Asheville’s longest-established downtown gallery. The artists represented are co-owners who not only display their work throughout the gallery, but also take care of all respon-sibilities and duties of running the business. Members serve on committees that handle the day-to-day jobs of finance, advertising, house-keeping, and selecting new members.

Admission into the gallery is through a rigorous jury process. When AGA has open-ings in membership, the gallery calls for 2-D artists to apply and submit paintings for re-view. AGA’s jury committee selects members based on refined craftsmanship, diversity in styles, and professionalism. There are no limits to style or paint medium, as long as the body of work meets the gallery’s high standards, and the artist has a contribution to make to AGA. The gallery currently has a waiting list of juried artists from this region.

Sahar Fakhoury, AGA’s current president, believes the gallery has been an important art destination in downtown Asheville since its inception and strives to continue that tradition.

“We are very proud of our artists. We expect them to grow professionally by staying current and fresh. The gallery offers opportunities for monthly featured solo and group shows which allow artists to present new work. Many of our artists participate in workshops or conferences with well-known artists or join artist organiza-tions related to their medium. Some teach, and many travel nationally and internationally looking for new inspiration.”

Asheville Gallery of Art will feature the work of Bill Cole during the month of April. His show, titled “Art of the Angle,” celebrates the art hidden away in everyday buildings and structures. “I’ve tried to capture my feelings when I glance at scenes and realize that there are pieces of art in plain sight all around me. Most often, what catches my eye is a small part of a much larger scene,” says Cole.

Asheville Gallery of Art Showcases Local Artists

Mt. Mitchell Morning, oil by Peggy Horne Taylor

Fragments of Time and Space, oil painting by Sahar Fakhoury

100 Cherry Street, Black Mountain, NC828.669.0065 VisionsofCreation.com

ROBERTO VENGOECHEA

PG. 41mV


fine art

By JANe moLiNeLLi

Asheville Gallery of Art 16 College Street, in the heart of downtown

Asheville, across from Pritchard Park.

Hours: Mon-Sat 10-5; Sun 1-4

(828) 251-5796www.ashevillegallery-of-art.com

After 27 years in the same location, Asheville Gallery of Art will lose their lease at 16 College Street by the end of the year. Parsec Financial, who owns the building, is expanding their office space. AGA is currently looking for a new location in downtown Asheville.

President Sahar Fakhoury states, “We see this as both an opportunity and challenge for the gallery. All our members are working toward finding a new home as we look forward to continuing to be a prominent presence in the Asheville art community.”

Asheville Gallery of Art Seeks New Home



T This year’s Whole Bloomin’ Thing Spring Festival will be held Saturday, May 9 in Waynesville’s Historic Frog Level.

Local growers will furnish plenty of herbs, flowers, and trees, while artisans will provide a plethora of nature-related items. From birdhouses to baskets, and pottery to plants, this festival is the best way to jump-start the growing season.

The Haywood County Master Gardeners will be on hand to help you with any gardening questions. Musical groups will perform all day and include the Frog Level Philharmonic, Bohe-mian Jean, and more. There will also be wonderful food vendors to keep you in sustenance while you enjoy your day.

Parking is available at the nearby public garage on Branner Ave., at Hay-wood Builders, and all public parking areas. Bring your family and friends; enjoy the day with us. Admission is

free; held rain or shine. Don’t forget to visit our one-of-a-kind shops in the Historic Frog Level District, open year ”round.

HISTORY OF FROG LEVELIn 1884, the railroad came to Waynesville.

The tracks were laid in a low-lying area along-side Richland Creek. Up til then, the area had little development, being mostly swampland with only a few scattered buildings. All that

ended with the advent of tourism brought in by the new railway. Liveries lined up and down Commerce St. to take the visitors to their destinations as board-ing houses and inns grew. Since the creek occasionally flooded when the heavy rains came, townsfolk started calling the area “Frog Level.”

The first train depot burned in 1900, but was soon replaced with another that remained standing until 1987. Up til the early ’40s, Frog Level remained the commercial center of town. Folks walked up the hill to what was then called Pleasant Hill, now downtown Waynesville.

The focus changed to Main Street when automobiles became popular and the train was no longer the main source of transportation. The last passenger train arrived in Waynesville in 1949, however, freight trains pass through Frog Level twice daily, with most trains con-tinuing on to Sylva.

Even though the waterways were rerouted and Richland Creek no longer flooded the area, Frog Level declined for several decades as businesses came and went. However, there is one store at 244 Depot St. that has been in continu-ous business since it was built in 1900. Known as “The Waynesville Candy Company,” the business has been owned by the Stovall family since 1925. It served as the main distributor for the Stovalls’ 5 and 10 stores in western NC and northern Georgia in the prosperous ’30s and ’40s. It is still run by descendant Dewey Stovall today.

Whole Bloomin’ Thing Spring Festival

Sponsored by Haywood Tourism Authority

www.VisitNCsmokies.com800-334-9036

Facebook.com/wholebloominfestival

Haywood County’s Official Kick-off to Spring

Local growers and crafters offer a bevy of garden starts and unique, nature-related treasures. This outdoor festival features

food, music, and much more!

Visit our one-of-a-kind shops in Frog Level, open year ’round.

“Whole Bloomin’ Thing” Spring FestivalFREE • Frog Level • Waynesville, NC

SATURDAY, MAY 9, 2015

WAYNESVILLEWILD ABOUT

continued on page 27 Waynesville Depot circa 1890.



“Old Homeplace” Candler NC. Colored pencil drawing.

ARTIST OF THE BLUE RIDGE

98 N. Main Street, Waynesville828-456-1940 www.twigsandleaves.com

A Gallery Where Art Dances with Nature

Mark your calendar to join us as we kick off the season’s first Art After Dark on May 1st featuring jewelry artist

Becky Burnette and clay artist Crystal Allen.

etching by Andrea Wilson

Bursting with Spring

Twigs & Leaves Gallery is

WAYNESVILLE

Mon-Sat 6am-2:30pm • Sun 7am - 2:30pm1092 N. Main Street • Waynesville, NC

Fresh Southern Homemade Meals & Desserts

Carryout+ Catering

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24 Hour Emergency Service 828-646-7422

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91 Smokies Ridge, Waynesville, NC

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145 Wall Street

Downtown Waynesville

828.550.3610

Locally Crafted Wines

B&C Winery

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~ FROG LEVEL ~

Presenting Sponsor:

The inaugural event begins

on Main Street in beautiful

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winds through neighborhoods

& scenic farmlands to finish in

Frog Level, a revitalized railroad

district listed on the National

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Registration Open!

Fresh Air,

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& Local Swag!

SaturdayMay 2

SmokiesHalfMarathon.com

Presented by the Haywood Chamber of Commerce

Ad sponsored by Haywood Tourism Authority

VisitNCSmokies.com

Certified Course Designed by Runners for Runners WAYNESVILLE

You need to know if your advertising is paying off.

When it came to publicizing our meet the artist tours, concerts, or storytelling in the park, the overwhelming response was “We read about it in Rapid River Magazine.”

Thank you for supporting the arts and entertainment community.

~ Ruth Planey

MBlue Ridge BooksMessages to the Heart, with Elise and Phil OkrendSaturday, April 4 at 3 p.m. – Elise, a pastel painter and Phil, a writer and professional life coach have incorporated the art and words from their book, Messages to the Heart, Reflections of Beauty and Truth, into a one hour program.

Where All Light Tends to Go, with David Joy Saturday, April 11 at 3 p.m. – In Da-vid Joy’s “Appalachian noir” coming of age story, Where All Light Tends to Go, blood is thicker than water and Jacob McNeely is drowning in it. This debut novel has already garnered praise from authors Daniel Woodrell, Ron Rash, Tawni O’Dell and Ace Atkins.

incorporated

hour program.

PG. 25WD

Held at Blue Ridge Books, 152 S. Main St. Waynesville. (828) 456-6000, www.

blueridgebooksnc.com

IF YOU GO



artful living

is no exception. Enter cool weather crops like garden fresh kale!

Some varieties of kale winter-over better than others. If you have some growing in your garden, this is the time to enjoy the small tender leaves raw. Hearty kale is easily elevated to dinner status by adding grilled farm-raised chicken. For a twist on local, try infusing your salad with Asian flavors by adding honey, rice wine vinegar, sesame oil and toasted sesame seeds to your vinaigrette. Throw in spring on-ions or green garlic, dried cranberries, crunchy Asian noodles and top with local grilled chicken (optional).

With each bite, you will feel your spring madness slowly transform into spring delight!

Haywood County is home to a vibrant community of agripreneurs, offering farm fresh ingredients year round. Visit our online directory at www.BuyHaywood.com

on the second Tuesday of each month. Guided Classic Hikes are $35 and include a complimentary membership to Friends of the Smokies. Current Friends members hike for $10. Members who bring a friend hike for free.

age to do for yourself. A phone conversation with a friend. A load of laundry done. Sitting still for a few minutes. A good night’s sleep.

Strive to be easy with yourself as you continue to do whatever you can for yourself. Strive to be honest and real with yourself and others. Realize that unless someone has done what you’re doing, they may not fully know the extent of what’s needed for an aging par-ent. Have compassion for them as they try to understand.

Know that what you’re doing for this per-son is beautiful, even if they don’t always want your help. You accomplish a lot. Sit down with a few bites of chocolate and breath!

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We all know what March Madness is — it involves a heated tournament, brackets and that pool of money you don’t mind losing if your inner sports guru is off the mark.

April Madness is a phenomenon that regularly occurs every spring among local food lovers. Everything that was canned, preserved or frozen from last season is nearly gone and the promise of the season ahead is still weeks away. Essentially, we find ourselves so hungry for the bold flavors of a bountiful growing season that a sort of madness sets in.

Just when you think you are ready to breakdown and buy produce grown thousands of miles away, spring wakes up in Haywood County. Luckily, we have the luxury of enjoy-ing four beautifully balanced seasons— each with something unique to offer. Early spring

Hike through history in Great Smoky Mountains National Park’s Cataloochee Valley.

Hikers will enjoy scenic views, wildflowers, rush-ing creeks, a gravesite and a historic home along Caldwell Fork Loop on Tuesday, April 14. This hike is led by hiking guide and author Danny Bernstein.

Caldwell Fork Loop is 9.4 miles in length with a total elevation gain of 1,650 feet, and is moderately difficult. Hikers will visit the historic Woody House and a union gravesite.

Friends of the Smokies hikes are offered

I’ve been thinking about the challenge of caregiving.

Many of us in our fifties and into our sixties are caring for aging parents. Fortunately there’s a lot written about being a caregiver. Just in our area, many compassionate people share their experiences and offer insights and suggestions. I could write a book just about the gifted professionals that devote their days to elder care. Perhaps some of them will read this and hear once again, how thankful I am.

Here are my “Good Thoughts” about self-care for the caregiver. When even reaching out and asking for help seems like another thing on a long to-do list, I encourage you to simply acknowledge the little things you man-

April Madness

Spring Hike in Great Smoky Mountains National Park

Healthy, Good Thoughts

Whole Bloomin’ Thing Spring Festival, Saturday, May 9 from 9 a.m. to 4 p.m. in Waynesville’s Historic

Frog Level. Visit us at Facebook.com/wholebloominfestival

IF YOU GO

To register contact [email protected]. For more information, please visit www.

friendsofthesmokies.org.

IF YOU GO

Organic kale grown by King Harvest Farm and sold at Haywood's Historic Farmers

Market in downtown Waynesville.

In 2003, Frog Level was added to the Na-tional Register of Historic Places for its con-tribution to the history of Haywood County and the architectural features of its buildings. It is now known for being home to Panacea, a popular coffeehouse/roaster, and Frog Level Brewing Company, noted for its “Frog Pee” brew. The area has attracted many art and antique businesses in the past few years.

The Historic Frog Level Merchant’s Association began the local annual tradition called The Whole Bloomin’ Thing Spring Fes-tival in 2002. More than 8,000 people attend the festival which marks the beginning of the season for many locals.

Frog Level business owner and artist at the mahogany house art gallery and studios (which opened in October of 2013), t.e. siew-ert says, “It will be the first time many people will see what Frog Level has to offer them, and with so many art and antique businesses added, I believe they will want to return many times. There’s a nostalgic feel to the buildings and an ambiance you can’t find everywhere – it definitely leaves an impression.”

Make plans to attend The Whole Bloo-min’ Thing Spring Festival and see for yourself what is so special about Frog Level!

Sponsored by the Haywood Tourism Authority, 800-334-9036, www.VisitNCsmokies.com.

‘Whole Bloomin’ Thing’ cont’d. from pg. 24

By TiNA mASCiAReLLi

By ANNA Lee ZANeTTi

Enjoy scenic views, wildflowers, and rushing creeks.

By KAThLeeN CoLBURN


sound experience

Band of Lovers: Tuesday, April 21 at 9 p.m. at Jack of the Wood; and Thursday, April 23 from 6-8 p.m. at

French Broad Brewery.

IF YOU GO

Andrew Combs with Nicki Bluhm, Saturday, April 18 at New Mountain, 38 N. French Broad Avenue, Asheville.

(828) 785-1701, www.newmountainavl.com.

IF YOU GO

The Honeycutters, Friday, April 17. Doors open at 5 p.m.; show at 9 p.m. All ages. General

admission $15; standing room, some balcony seating. Isis Music Hall, 743 Haywood Road, Asheville. Call (828) 575-2737, or visit www.isisasheville.com

IF YOU GO

The Honeycutters Release New CD

Andrew Combs

Band of Lovers

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BThe Asheville-based American Country Roots Band releases Me Oh My this month through Organic Records.

The Honeycutters include Tal Taylor on mandolin, Rick Cooper on bass, Josh Milligan on drums, and Matt Smith on pedal steel, elec-tric guitar, and dobro. Fueled by the powerful songwriting and vocals of founder Amanda Platt, Me Oh My moves her into the spotlight as producer, band leader, and principal creative force behind the band.

With songs that are honest and relatable, part chagrin and part hope, Platt’s voice carries a timeless appeal. Me Oh My is threaded with themes of love, loss, acceptance and regrowth. It kicks off with “Jukebox,” an engaging southern swingin’ song. The up-tempo, beer-raising, danceable “Ain’t It The Truth” will fuel audiences at live shows, while melancholy ballads like “Texas ‘81” balance the album both in meter and mood. “Little Bird” gained Platt notoriety at MerleFest’s prestigious Chris Austin Songwriting Contest in 2011.

For more information about the Honeycutters, please visit www.thehoneycutters.com.

Andrew Combs’ new album, All These Dreams, is out now on Coin Records/Thirty Tigers (iTunes).

Released to widespread acclaim, NPR Music’s Ann Powers praises, “The arrange-

ments on All These Dreams have a retro qual-ity, evoking 1970s Laurel Canyon and 1980s Austin as well as 1960s Music Row. With the singer’s sagebrush-rough but always carefully calibrated vocals at the center, the album works on one level

as a history of the troubadour figure from the classic-rock era onward, with Combs as charming antihero.”

Band of Lovers is an indie/folk duo from Upstate NY with guitar, ukulele, and vocal harmonies

The band is currently on a national tour celebrating the February 2015 release of their debut full-length album, the Coast.

With a folk heart full of harmonies, Band of Lovers are modern day troubadours. Hail-ing from Upstate New York, Dave Strumfeld (guitar and vocals) and Sabina Beachdell (uku-lele and vocals) formed the band in California in the fall of 2013. They recorded the Coast, near Woodstock, NY last summer.

Learn more at www.bandoflovers.net

By eRiN SChoLZe


will also be a special performance by guest artists acclaimed percussionist River Guer-guerian and multi-instrumentalist Chris Rosser of Free Planet Radio, plus a raffle of gift certificates, artworks, event tickets, and more. A portion of the night’s dinner sales also goes back to the school.

Sound Effects brings good tunes to the stage for a good cause. Sponsored in part by Mark Fields Real Estate and 98.1 The River.

AA benefit concert for the Asheville Music School.

There’s no shortage of musical talent at the Ashe-ville Music School. Some 35 professional musicians and teaching artists train more than 600 students of all ages in using an array of instruments each year.

The sessions are primar-ily one-on-one, yet what you might not know about AMS is that since late 2012 the school has operated as a nonprofit. It has provided hundreds of music scholarships to under-served youth and adults through the Paul Thorpe Music Education Fund, and operates the Sound Education Outreach Program, comprised of six ensembles that perform free of charge for youth, seniors and people living with disabilities at community sites through-out Buncombe County.

“It’s all an effort to further the school’s mission of strengthening our communities through music education and outreach,” says Director Amy Rae Stupka.

On Thursday, April 9, AMS presents the Sound Effects benefit concert at Isis Restau-rant & Music Hall in West Asheville. The concert is a showcase of the school’s talented students and faculty, and a fundraiser for its scholarship and outreach programs. There

Sound Waves

Rock band performing at Sound Waves 2014.

The Honeycutters are Rick Cooper, Tal Taylor, Amanda Anne Platt, Josh Milligan,

and Matt Smith. Photo by Sandlin Gaither

Sound Effects: A Benefit Concert for the Asheville Music School, Thursday, April 9 from 6-9 p.m.

$12 advance at isisasheville.com or AMS; $15 door. Isis Restaurant & Music Hall, 743 Haywood Rd., Asheville. For more information, call (828) 252-6244 or visit ashevillemusicschool.org

IF YOU GO

James Cassara’s “Spinning Discs” will return next month.


• Xavier Rudd & The United Nations

• Bombino • Charles Bradley

& His Extraordinaires• R. Carlos

Nakai • Karsh Kale • The Duhks • Ganga Giri• Lágbája • Martha

Redbone Roots Project

• Donna The Buffalo• Natalia Clavier (vocalist of

Thievery Corporation) • Secret Agent 23 Skido• Kinobe & The Wamu Spirit • Diali Cissokho & Kaira Ba

• Sierra Hull • Proyecto

Jirondai • Masankho

Banda • Free Planet

Radio • Chief

Shaka Zulu• Poetry Slams

• Preston Frank Zydeco • Grandfather Mazatzin

Aztekayolokalli • Bailey Spiritual Sounds

FKA Madisson Elites • Contra w/ Free Raisins • Buddy System • Clayfoot Strutters • Adina Gordon • Charlotte Crittenden• The Warriors of Anikituhwa• Unifire Theater • Kickin It’ Jelly Dome • Toy Boat Circus• Fox & Beggar Theater • Numatik • Travers Brothership • Sirius B • Juan Benevides Group

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The Spring 2015 LEAF Festival takes place May 7-10 at the majestic Lake Eden in Black Mountain.

Spread “Global Gratitude” at LEAF Festival and experience tribal tribute art-ists from 30 different countries. The stel-lar lineup of performing artists includes Xavier Rudd & The United Nations making their 2015 debut, Rolling Stones Top 100 Guitarist Bombino, and Charles Bradley & His Extraordinaires known as “The Screaming Eagle of Soul.”

“Moving into our 40th Festival this Spring, LEAF is embracing 20 years of momentum to give our amazing commu-

nity a truly unique experience,” states Ehren Cruz, LEAF Performing Arts Director. “Over the past two decades we have es-tablished time honored traditions that now rest at the heart of our com-munity – from contra to poetry, family adven-

ture to late night drum circles, roots music to world music – this Spring LEAF aims to bring the very best of all we have created these many years into a celebration of epic proportions!”

The 40th LEAF features Arizona Music & Entertainment Hall of Famer R. Carlos Nakai (Native American flautist), Donna the Buffalo (Americana Roots Rock) returning since play-ing the inaugral LEAF Festival in 1995, and Sierra Hull (Bluegrass), who performed at the Grand Ole Opry and Carnigie Hall by the age of 12. The LEAF experience is rounded out with showcases from the 2nd Annual New-song: LEAF Singer Songwriter Competition,

sound experience

The Spring 2015 LEAF Festival, May 7-10 at Lake Eden in Black Mountain.Purchase adult tickets, starting at $40

for the day or $147 for the weekend, online at www.theLEAF.org or by phone at (828) 686-8742. Additional discounts available for local, commuting residents, and youth 10-17 years of age. Children under 10 years of age admitted free with parent/guardian.

IF YOU GO

Moon Hooch, Saturday, April 4 at 9 p.m. $15; 21+. New Mountain, 38 N. French Broad Avenue, Asheville.

(828) 785-1701, www.newmountainavl.com. Learn more at www.moonhooch.com

IF YOU GO

LEAF Celebrates its 40th Festival by Spreading Global Gratitude

By CoRTiNA CALDWeLL

Xavier Rudd & The United Nations

Bombino

the Pisgah 10th Year Anniversary Happy Hour Jams, the Global Gratitude Mural Project, and much more.

In addition to music from three stages and various art displays, the LEAF Festival also features healing artists, local craft brews, a kids village, a poetry slam, lakeside activities, camp-ing, cabins, dance parties and food from local independent restaurants and vendors.

Moon Hooch

BBrooklyn sax-and-drums dance music trio Moon Hooch released their second album, This Is Cave Music.

While Moon Hooch’s debut album was almost entirely instrumental, the new album features Mike Wilbur singing on four of the album’s ten tracks. And while the core of their sound still revolves around the saxes and drums, the band supplemented their sound with live digital effects, resulting in a more lush and progressive sound.

The looping, maniacal sax melodies and James Muschler’s furious drumming are fierce and trance-like. Sometimes McGowen switches over to a contrabass clarinet or inserts objects into the bell of his sax to create the deep, throbbing womp of a dubstep bassline.

Mike Wilbur (saxophone), Wenzl McGowen (saxophone), James Muschler (drums).

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Sierra Hull

R. Carlos Nakai

Spring LEAF 2015 Performing Artists



authors ~ poetry ~ books

www.aptitudeforwords.com 828-581-9031

KathleenColburn

A sharp eye for the big picture and the small details.

Books • WebsitesShort Stories • Cookbooks

Assistance with Self Publishing

PROOFREADING SERVICESCOPYEDITING &

SHORT STORY WRITERS WANTED

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Rapid River Magazine Web Exclusive

Rapid River Magazine is looking for writers to con-tribute to the online edition’s short story section. We’re accepting submissions of a variety of works including flash fiction, articles, travel journals and short stories in more than 20 genres.

Writers are encouraged to submit works that have been properly edited.

All submissions will be reviewed for appropriateness and quality. If editing is required, the writer has the option of working with the section editor.

Submission guidelines and special editing rates are available at www.rapidrivermagazine.com.

Rapid River Magazine’s copyeditor, Kathleen Colburn, is editor and curator of the section. Please contact her with questions and submissions by email to [email protected] is a freelance copyeditor available for a variety of literary projects. Visit her website, www.aptitudeforwords.com

April is National Poetry Month

The Southern Poetry Anthology, VIIFriday, April 24 at 7 p.m. A projected twelve-to-sixteen volume project celebrating estab-lished and emerging poets of the American South. Hosted by William Wright, with read-ings by contributors Hannah Bonner, Keith Flynn, Luke Hankins, Katherine Soniat, and Matthew Wimberley.

Thomas Rain Crowe Discussion & SigningWednesday, April 29 at 7 p.m. Local author, publisher, and environmental activist Thomas Rain Crowe is the author and editor of many books of poetry, fiction, and nonfiction. His latest is Living Legacy: In Their Own Words, a collection of interviews with dozens of poets from the 60s generation including Beat poets, performance poets, eco-poets, and many more.

FThe Poet’s Voice

ily Dickinson, H.D., William Stafford, and Bill Holm… for starters. Voice distinguishes them.

This quote opens Mary Oliver’s, A Poetry Handbook. It is by Basho (1644 - 94), trans-lated by Robert Bly (the one who kisses books).

The temple bell stops –but the sound keeps comingout of the flowers.

In a chapter on Sound, Mary writes, “To make a poem, we must make sounds. Not random sounds but chosen sounds.” She continues with a selection from a textbook of grammar published in 1860 which divides the alphabet into categories: vowels, consonants, semivowels and mutes – poet’s tools. She writes that poets select words for sound as well as meaning. (We knew this, right?) Mary continues with devices of sound: alliteration, assonance, and onomatopoeia.

I am dazzled by details. Not only do they identify poets, they place them on the map. Mary Oliver has left New England, and moved to Florida! How will this change her words? She will continue to pay attention, be aston-ished, and tell about it. In A Poetry Handbook, she writes, “Poems are not language, but the content of the language.” And for advice: “Good poems are the best teachers.”

I taught music history at the Univer-sity of Wisconsin in River Falls. Most of my students grew up on farms. I played Bach for them. I played Mozart, Handel, and the hinge in music history, Beethoven. Every class listened to the last movement of Beethoven’s ninth symphony. One of my students returned from a weekend and told me he’d played the fourth movement of the Ninth Symphony for his parents. His mother said, “I’m going to lis-ten to this every day for the rest of my life.” I admit to quoting poets in class, good stuff, the Beethoven and Brahms of the poetry world.

For children, grandchildren, and friends, memorize a favorite poem. Say it aloud for yourself. Share it. You never know whose life you will change.

Write on!ReferencesPoetry Speaks, edited by Elise Paschen and Rebekah P. Mosby

Singing School: Learning to Write (and read) Poetry by Studying the Masters, Robert Pinsky

A Poetry Handbook, Mary Oliver

Poets and Writer’s magazine, March/April 2015

FINGERPRINTSWhen we write poetry, we leave verbal fingerprints behind.

The Voice of the poem identifies us. When Robert Frost wrote, “Sound is the gold in the ore,” he was writing about voice.

Voice identifies, etches indelibly, stamps, and inscribes. Our words make us present for readers today, and the future. In an essay from Poets and Writers (March/April), publisher, Jennifer Noel remarks, “Publica-tion is a means to an end. And the end is being read.” I agree. Nothing pleases me more than to know someone has read my work. : )

Poems are the “glue” that cement me to the past, and connect me to the future. (I give Tracey K. Smith credit for this idea – again from Poet’s and Writers magazine.)

“The sound of the author’s voice resur-rects the poet. The force of a poem is empow-ered by the voice behind the poem.” These are two thoughts from Poetry Speaks, a volume containing poems – you can listen to the poets reading on an accompanying CD.

I lost my voice for eight years. My first mother-in-law, a Yankee (bless her heart) decided I sounded ignorant. (I was born in Richmond, Virginia.) She insisted that her son, my new husband, rid me of my “awful accent.” Husband managed an opera company, taught diction, considered himself “a singer,” (at least he wasn’t a tenor). With his guidance, I learned to speak “correctly.” You’ll be glad to know that when I decided to figure out where Carol had gone, my voice found me. I declare, my Southern accent hasn’t deserted me since. I wallow in it.

I received my MFA from Hamline University, in St. Paul, Minnesota. When the professor or another student read my poetry, the class would nod and say, “That’s Carol’s.” At first I thought they could hear my Southern accent, but it wasn’t my accent. It was word choice, syntax, details – “voice.”

I consider poets I can’t do without – they contain multitudes. Here’s a short list: Gerard Manley Hopkins, Walt Whitman, T.S. Eliot, lucille clifton, Basho, Stanley Kunitz, Mary Oliver, William Shakespeare, Bill Holm, Jane Hirshfield, William Butler Yeats, both Brown-ings, Seamus Heaney, Gwendolyn Brooks, Em-

By CARoL PeARCe BJoRLie – The PoeT BehiND The CeLLo

I want to meet you all, writers, dreamers, readers and listeners. We need each other. Contact Carol at [email protected]

POETRIOSunday, April 12 at 3 p.m.Readings by poets Katherine Soniat (The Goodbye Animals), Grace Ocasio (The Speed of Our Lives), and Megan Sexton (Swift Hour).

IF YOU GO: Malaprop’s Bookstore, 55 Haywood Street, Asheville. Call (828) 254-6734, or visit www.malaprops.com.

Enter any unpublished poem 35 lines or less.

RAPID RIVER ARTS & CULTURE MAGAZINE

Deadline May 31, 2015. Winning poems will be published online. Reading fee: $5 for three poems; $1 for each additional poem.

Details at (828) 646-0071.

Send poems to: Rapid River Poetry Contest

85 N. Main StreetCanton, NC 28716

18th Annual Poetry Contest5 WINNERS! Prizes Include: Tickets to local concerts; Mellow Mushroom Gift

Certificates; and books from Malaprops.

“Writers need to understand the distinction between wanting to be published and what they really want. Publication is a means to an end. And the end is being read.”

~ Jennifer Noel, from Poets and Writers magazine, March/April 2015

In this dream the typewriteris a piano and I playwith unplanned accuracy and such fluency you would think I was a Southerner whose tradition recommended continues telling.

from “In This Dream” by Grace Paley

AdviceSomeone dancing inside us has learned only a few steps:the “Do-Your-Work” in 4/4/ time, the “What-Do-You-Expect” Waltz.He hasn’t noticed yet the woman standing away from the lamp,the one with black eyes who knows the rumbaand strange steps in jumpy rhythms from the mountains of Bulgaria.If they dance together, something unexpected will happen;if they don’t the next world will be a lot like this one.

by Bill Holm

Readings held at Malaprop’s Bookstore & Café, 55 Haywood St., Asheville.

(828) 254-6734, www.malaprops.com.

IF YOU GO


WI was curious to read her, since we were both educated by Catholic nuns, a fact that differentiated us from most other American writers, but also made us spiritual sisters. Alas, upon learning that Ms. Godwin had moved to Woodstock, New York, and thus was no

longer a “local,” I put her on my literary back burner.

Flash forward a decade and a half. Attracted by its lovely cover, I “acciden-tally” discovered one of Godwin’s non-fiction books, Heart: A Personal Journey Through Its Myths and Meanings (William Morrow,

2001, 328 pp.) It was an extraordinary look at the body’s blood-pumping organ and its symbology through the ages. The audacity of the book’s scope, its depth, and the sheer beauty of its language was mind-blowing. Gail Godwin was again on my radar.

This year Godwin, at age 77, came out with Publishing: A Writer’s Memoir. (B&W illustrations by Frances Halsbrand, Blooms-bury, 2015, 209 pp.) In her words, it is about “wanting for a long time to be a published writer and about the condition of living as a writer for a long time after you are published.” She was referring, not to the millions of published words of non-fiction someone like I had accomplished, but to the publication of fiction, of novels, the highest goal of a writer.

The slim volume was interesting to me as a history of what the publishing industry used to be like (writer advances, close rela-tionships with agents and editors, book tours, marketing strategies). That world is long gone, but Godwin’s experiences are relevant to today’s writers.

I arrived at the third and fourth stops in my Godwin odyssey because I’m a big fan of Rob Neufeld, who, among his other accom-plishments, is the book reviewer and local Monday-Saturday 9AM to 9PM

Sunday 9AM to 7PM

(828) 254-6734 • 800-441-982955 Haywood St.

Monday, April 6 from 6:30 to 8:30 p.m. Small Press reception and signing.

Wed., April 8 at 7 p.m. NINA MACLAUGHLIN, Hammer Head: The Making of a Carpenter.

Thursday, April 9 at 7 p.m. WENDY WAX, While We Were Watching Downton Abbey.

Friday, April 10 at 7 p.m. DADA VEDAPRAJINANANDA, From Brooklyn to Benares and Back, spiritual memoir.

Saturday, April 11 at 7 p.m. CAT WARREN, What the Dog Knows, search and rescue.

Monday, April 13 at 7 p.m. PETER VAN BUREN, We Meant Well, Iraqi war.

Wed., April 15 at 7 p.m. JOSEPH BATHANTI, Half of What I Say is Meaningless.

Thursday, April 16 at 7 p.m. STEVEN SHERRILL, Joy, southern perspective.

Sunday, April 19 at 5 p.m. ABIGAIL THOMAS, What Comes Next and How to Like It.

Monday, April 20 at 7 p.m. CHRISTIAN HAGESETH & JOSEPH D’AGNESE, Big Weed: Adventures in the Legal Marijuana Business.

Tuesday, April 21 at 7 p.m. CHRIS HOKE, Wanted: A Spiritual Pursuit; BRYAN BLISS, No Parking at the End Times, YA novel.

Thursday, April 23 at 7 p.m. AMY GREENE, Long Man, 1936 clash between traditions.

Saturday, April 25 at 7 p.m. TIM SPIRA, Waterfalls and Wildflowers in the Southern Appalachians: Thirty Great Hikes.

Tuesday, April 28 at 7 p.m. AMY REED, ROBIN CONSTANTINE, DELILAH DAWSON & JAYE ROBIN BROWN, YA novels.

Thursday, April 30 at 7 p.m. CHRIS McDOUGALL, Natural Born Heroes.

We host numerous Readings & Bookclubs, as well as Salons! Visit www.malaprops.com

APRILPARTIAL LISTING

READINGS & BOOKSIGNINGS


authors ~ books ~ readings

PG. 20m

On the Trail of a Famous Writer’s Journey – Part OneWhen I first came to town, a friend told me about the famous novelist and short story writer Gail Godwin, who grew up in Asheville and often used local characters and settings in her work.

history writer for the Asheville Citizen-Times. It turns out that Godwin, long before Julia Cameron had made Morning Pages de rigueur for Asheville’s creative enclave, had been keep-ing a journal since her years at Chapel Hill in Raleigh.

Urged by her friend Joyce Carol Oates (certainly no slouch in the publication de-partment), Godwin decided to publish these journals. Volume 1 (out in 2007, Random House, 333 pp.) covered years 1961 to 1963 (college, journalism, working in Europe and more). Volume 2 (published four years later in 2011, Random House, 319 pp.) included years 1963 to 1969, ending with the acceptance for publi-cation of her Ph.D. thesis, The Perfectionists, when she was age 31.

Neufeld served as editor of the journals, which means he was “The Great Explainer,”

the compiler of numerous footnotes that made the connections from Godwin’s journals to what would become her published work. Without Neufeld’s contribu-tion, the journals would have remained merely the ruminations of a youthful person, albeit one who was more literary than most. “True, time is the villain and we are trapped in him. True, love is sometimes not returned. True, friends are sometimes false. But to be aware of this—all of it—and still want to go on living, that is the triumph. It is the reward.”

The most touching aspect of these journals is Godwin’s relationship with her mother, Kathleen Krahenbuhl Godwin Cole, who always wanted to write more than romance novels, but whose ambitions were thwarted by family responsibilities. The young woman who emerges from Godwin’s journals is someone I wanted to throttle many times, commiserate with at other times, and mostly admired for her passionate insistence to grab life and keep writing. With the help of mentors, such as writer Kurt Vonnegut, and keeping body and soul thanks to an education, Godwin survived personal and professional disappointments that would have squelched a less ambitious writer. “I want to be everybody who is great; I want to create everything that has ever been created.”

By now I’m dying with curiosity about Godwin’s life after 1969, especially how she recovered from the many early Mr. Wrongs and found long happiness with composer Robert Starer, who died in 2001. And the time is right, at long last, to seek out Godwin’s fiction. The stack of her novels and short story collections in my living room is over two feet high. In the following months I’ll be sharing with you more steps on my journey to discover Gail Godwin.

By mARCiANNe miLLeR

Gail Godwin, author Photo by Dave Hermon

Marcianne Miler is a local writer and critic. She hails from Junction City, Ohio and came to Asheville via Los Angeles. You can reach her at [email protected]

Book Discussions & SigningsWriters at Home Reading SeriesSunday, April 19 at 3 p.m. Join host Tommy Hays for this monthly reading series from the folks at the Great Smokies Writing Program and The Great Smokies Review.

IF YOU GO: Held at Malaprop’s Bookstore & Café, 55 Haywood St., Asheville. (828) 254-6734, www.malaprops.com.

SSmall Press & Self Published Author EventMonday, April 6 from 6:30 to 8:30 p.m. Join us for a wine reception, discussion, and sign-ing with several local authors. This is a great opportunity to meet and mingle with writers, discuss writing and publishing. Support our local creative community, and purchase signed copies of some terrific books.

Among her many awards and accom-plishments, Gail Godwin is the author of four-teen novels. Three were National Book Award finalists, five were New York Times bestsell-ers. Her most popular novel is A Mother and Two Daughters (1982) which sold millions of copies. Her latest novel is Flora (2013).

Check out her excellent website,www.gailgodwin.com

longer a “local,” I put her on my literary back burner.

a decade and a half. Attracted by its lovely cover, I “acciden-tally” discovered one of Godwin’s

Journey Through Its


EEnjoy a 100% organic meal on Root Bottom Farm.

Madison County farmers, Morgan & Sarah Decker, are teaming up with local Ashe-ville business owner, Dava Melton of Blessed to Cook, to present a Farm to Table Dinner Series at Root Bottom Farm. Dinners will be held Saturday, July 11, August 8, and Septem-ber 5 at 6 p.m. in beautiful Marshall, about 3o minutes north of Asheville. Guests will enjoy a 100% local, organic Madison County meal that is gluten free (bread served separately) and vegetarian friendly.

Produce is organic and harvested the same day as the dinner. If we didn’t grow, raise or make it; a fellow Madison County farmer did. Seats are limited. Tickets are $50 a plate and include a farm tour. Farm stand produce and cook books will be available for purchase.

Please visit Rootbottomfarm.com for more information.

Jackson County Farmers Market April 4, Saturdays 9 a.m. - 12 p.m.

Leicester Farmers Market April 4, Saturdays 9 a.m. - 2 p.m.

Madison County Farmers & Artisans Market April 4, Saturdays 9 a.m. - 1 p.m.

Mills River Farmers Market May 2, Saturdays 8 a.m. - 12 p.m.

North Asheville Tailgate Market April 11, Saturdays 8 a.m. - 12 p.m.

Oakley Farmers Market May 7, Thursdays 3:30-6:30 p.m.

River Arts District Farmers Market May 6, Wednesdays 2-6 p.m.

Spruce Pine Farmers Market May 6, Wednesdays 2-5 p.m.

Transylvania Farmers Market April 18, Saturdays 8 a.m. - 12 p.m.

Original Waynesville Tailgate Market May 13, Wednesdays and Saturdays 8 a.m. - 12 p.m.

Weaverville Tailgate Market April 8, Wednesdays 2:30-6:30 p.m.

West Asheville Tailgate Market April 7, Tuesdays 3:30-6:30 p.m.

Yancey County Farmers Market April 18, Saturdays 8:30 a.m. - 12:30 p.m.

For a complete list of the 90+ tailgate markets in the region visit appalachiangrown.org.

Wednesday, April 15 - Crest Mountain Canteen USO TributeStep back in time and enjoy the big band sounds of the ’40s with Betty Grable, The Andrews Sisters, and more! Featuring live music, song and dance by professional local performers and, of course, your host, Bob Hope (local favorite, Mondy Carter).

the region. But the season changes quickly, with new offerings sprouting up each week.

WNC Farmers Markets Opening DatesAsheville City Market April 4, Saturdays 8 a.m. - 1 p.m.

Asheville City Market South April 1, Wednesdays 12-4 p.m.

Bakersville Farmers Market April 4, Saturdays 8 a.m. - 12 p.m.

Black Mountain Tailgate Market May 2, Saturdays 9 a.m. - 12 p.m.

East Asheville Tailgate Market May 1, Fridays 3-6 p.m.

Flat Rock Farmers Market May 7, Thursdays 3-6 p.m.

French Broad Food Co-op Wednesday Tailgate Market April 15, Wednesdays, 2-6 p.m.

Haywood’s Historic Farmers Market April 25. Wednesdays and Saturdays 8 a.m. - 12 p.m.

Henderson County Tailgate Market March 14, Saturdays 7 a.m. - 12 p.m.

Historic Marion Tailgate Market May 5, Tuesdays 3-6 p.m. and Saturdays 9 a.m. - 12 p.m.

.AB. • S’ F • S 712-B Merrimon Ave • Asheville, NC • (828) 285-0515

Let Asheville Brewers show you how affordable, enjoyable and delicious

homebrewing can be!Mon-Sat 10-6

Sun 11-4Plenty ofParking!

PG. 40mW


noteworthy

Doors open at 5:30 p.m. for cocktails, 6 p.m. buffet, and 7 p.m. showtime. Visit www.

crestmountaindinnershow.com or Crest Mountain Dinner Show on Facebook for upcoming events. Contact the office at (828) 252-2637, for any questions regarding the reservation process.

IF YOU GO

Excellent Entertainment, Fine Food, and Spectacular Views

Farmers Host Local Dinner

Tailgate Tents Going Up

A

T

Crest Mountain Dinner Show announces two April preview events!

Enjoy the elevated ex-perience of a buffet dinner provided by M7, one of the premiere catering firms in the region (full bar available), and live music by local and regional performers, while surrounded by panoramic views of the mountains and valleys of the Blue Ridge, in our 300-seat windowed pavilion.

Friday, April 10 - The Legacy Motown Revue Paying tribute to legendary icons of Motown, four talented performers dance and sing, with an amazing six-piece horn band, transporting you back to one of the most influential periods of American musical history with R&B, Beach, and Soul music that will have you dancing in the aisles.

Area farmers markets begin opening outdoors this April.

Spring is here and the growing season is upon us! Tailgate tents are going up, and area farmers markets are opening outdoors for the season. Celebrate spring by getting a taste of what is growing in your community.

At early spring markets, expect fresh greens, spring onions and asparagus; meats, cheeses, baked goods, value-added farm products like preserves, and a wide selection of plant starts. Produce offerings will differ from market to market based on the location of vendor farms—microclimates vary greatly in

By KATie KASBeN

By SCoTT BUNN


33 Town Square Boulevard, Asheville • 828.651.8481

GREAT FOOD! GREAT BEER! GREAT SERVICE! ANYWAY YOU LIKE IT!PG. 40BT

50 Broadway ~ Asheville, NC

(828) 236-9800Open 7 Days a Week

Wireless Internet Access!

Specialty Pizzas • Spring Water Dough • Salads Vegan Soy Cheese, and other Vegetarian Options!

Hoagies & Pretzels

Fresh-Baked Calzones

Delicious

15% Off

Bring in this Ad and We’ll Take

Your Order Excluding Alcohol

1 Coupon Per Table

PG. 20B


PG. 25WA

Modesto 1 Page Avenue, #138Asheville, NC 28801

(828) 225-4133

Weekdays 11:30-4 p.m. & 5-9 p.m.Fridays ’til 10 p.m.

Saturdays Noon-4 p.m. & 5-10 p.m.Sundays Noon-4 p.m. & 5-9 p.m.

AArriving at Modesto Wood Fire Kitchen, we chose the corner window table, enjoying the fresh air from the open door.

Our server was knowledgeable about the vast menu and was helpful in giving suggestions along the way. She presented the wide array of menu items offering a slant on traditional Italian food. We took our time ordering and decided to try some of the most unique dishes.

We could see the entire restaurant from our seats, including the small bar where a couple pleasantly engaged with the bartender. Soon, more tables filled in and the hush became a cozy stir of conversation and liveliness. The sun was setting and cast a warm hue through the windows before the wire-framed chandeliers took over for the passing daylight.

Our cocktails ar-rived quickly. The North Carolina Martini was crisp and refreshing, with subtle ice thins floating on top. My partner’s Mountbatten gin cocktail was a fruity bubbly infusion of Chambord and house-made Assam tea syrup and Prosecco. These were soon followed by a wood-fired romaine salad from Modesto’s Mugnaini oven, a respected Italian vessel, and fried duck confit ravioli served with lemon aioli. The crisp, slightly tart salad was the perfect counterbalance to the fried shell of the ravioli and the rich filling. A few currants in the filling introduced a trace of sweetness and the lemon aioli added creaminess and acidity. The two dishes together hit the spot.

For our entrees, I ordered the herb garlic grouper and my partner, the braised lamb. The grouper was plated with cream-colored corona beans in a satisfying toma-to sauce, wood-fired vegetables – winter squash, zucchini, creamy eggplant – and squid ink risotto, along with a confetti of colorful vegetable strips and orange relish. The shiny black finish of the risotto stood out beautifully next to the white grouper, and offered a meaty bite. The vegetables were succulent and perfectly roasted.

The lamb shank, braised until it pulled away from the bone, glimmered

with a caramelized sauce. The mouthwatering meat was highlighted with or-ange and dark fruit notes. The polenta evoked just as much richness as the lamb, crisp on the outside, creamy in the middle with a crumbling of chevre on top. Succulent wood-fired vegetables rounded out the meal.

After such a spread, we had to try dessert, even though we could have left jubilant at that moment. We went with the tiramisu because it was our server’s favorite. The lightness and

decadence of the tiramisu paired well with the decaf Americano, the best I’ve had in town. The dessert and ambience reminded me that in addition to a wonderful dinner spot, Modesto is a great place to go simply for dessert and coffee.

I enjoyed going for dinner on the early side of a weeknight to enjoy the quiet bustle of the restaurant and take advantage of the excellent service. This place has a cozy yet classic atmosphere with a bend towards intimate – a great date spot.

Modesto: Wood, Fire, Kitchen

Modesto has a cozy yet classic atmosphere.

Fried duck confit ravioli with lemon aioli.

Herb garlic barrel grouper with corona beans, wood-fired vegetables, and squid

ink risotto.

LOCAL FOOD & DINING GUIDE Your Guide to Excellent Local FoodYour Guide to Excellent Local Food

Eat, Drink, Explore

Modesto's tiramisu and Americano for dessert.

By miCheLLe RoGeRS


Your Guide to Excellent Local FoodYour Guide to Excellent Local FoodEat, Drink, Explore

PG. 40BX

Arts&CultureRAPID RIVER MAGAZINE

Please go to www.wncap.org for a list of participating restaurants.

Dining Out For LifeTM Rapid River Magazine, along with our generous advertisers, are committed to helping the Western North Carolina Aids Project (WNCAP) raise awareness and find a cure for HIV/AIDS. You can help by making a donation and dining at a participating restaurant on Thursday, April 30, 2015. By

dining out, 20% of your dining total will be donated to WNCAP.


Breakfast • Lunch • DinnerArtisan Crafted Scrumptious FoodMade Fresh with Local Ingredients

536 N. Main Street • Hendersonville

828.692.6335 TheGreenRoomCafe.biz

NEW MENUNew Wine, Beer

& Coffee BarIntroducing

Chef Nicolas DeSorbo

Caffeinated Art

Grandee Revival

Thursday, April 2Reception 4:30-6:30 p.m.

Art Show & Maundy Thursday Dinner

6:30-8:30 p.m. Reservations onlyArt exhibit runs month of April

Breakfast: Tues-Sat 8:30-10:30 am • Lunch: Everyday 11 am - 3 pmDinner: Friday & Saturday 5:30 - 8:30 pm

PG. 40hG

1 Page Ave. in the Grove Arcade

Downtown Asheville

Sun-Thur 11:30- 9:30 • Fri and Sat 11:30-10Closed Daily from 4-5 • 828-225-4133

Yummy Wood Fired PizzaCreative Salads • House Made Pastas

Fresh Seafood • Fine Meats

W O O D F I R E K I T C H E N

PG. 20P



777 Haywood Road, Asheville (828) 225-9782www.westvillepub.comBar & Grill · Pool & Billiards

Eclectic Homemade CuisineMon - Fri 11:30am - 2am

Sat & Sun 10:30am - 2am Kitchen open until 1am Daily

PG. 40hW

Oil & Vinegar Asheville8 Town Square Blvd., Suite #150,

Asheville, NC 28803

www.asheville.oilandvinegarusa.com(828) 676-1678

Advertise with Rapid River Magazine

Free Web Links & Ad DesignCall (828) 646-0071

WWhether you’re new to Dining Out For Life® or have dined with us for years, I challenge you to think of a better way to spend a Thursday dining out for breakfast, lunch or dinner.

On Thursday, April 30 thousands of caring individu-als in WNC will join with the Western North Carolina AIDS Project (WNCAP) for the 13th annual fundraiser. Participating restaurants all over the region will be generously donating 20% of their proceeds for the day to the organization and just by picking up a fork, you can help save a life.

Dining Out For Life® (DOFL), voted #1 Fundraising event in the Best of WNC 2014, will take place in seven counties of WNC with restaurants in Asheville, Arden, Black Mountain, Brevard, Candler, Hendersonville, Mag-gie Valley, Saluda, Spruce Pine, Sylva, Waynesville, Weaverville, and Woodfin. You can join over 55 cities in the US and Canada to help support their local AIDS organizations.

Since 1986, WNCAP has provided HIV/AIDS Outreach Education & Prevention programs across 18 counties in WNC, and case management services to those affected by the disease. Dining Out for Life® is a vital fundraiser neces-sary for WNCAP to carry on their criti-cal services throughout our region.

Last year, DOFL raised more than $176,000 in a challenged economy to help with the shortfall of funding at the federal and state levels, while expanding much needed services to other counties. Consider your participation as a win-win-win situation for everybody — a

win for you as you enjoy a great meal out, a win for the restaurant of your choice, and a win for the clients of WNCAP and future generations who will continue to benefit from their many prevention programs.

This year, Subaru of America, DOFL national sponsor, has partnered with celebrity designer Mondo Guerra, of Project Runway, for their Love Respon-sibly social action campaign. Together they are working to encourage patrons in cities all over the country to get involved, support Dining Out For Life®, and “Love Responsibly.” You can see more about the

campaign at www.takepart.com/love-responsibly.

“Volunteers and sponsors are key to the success of any event of this magnitude” says Harry Brown, veteran volunteer chairperson for Dining Out for Life. “This year the community has really stepped up in support of WNCAP thanks to over 250 Ambassador/Volunteers, our generous sponsors and the best restaurants in Western North Carolina.”

Call your friends, clients and neighbors and put together a gathering at your favorite

restaurant, or use this opportunity to try a new restaurant. As an added bonus this year, you will have an opportunity to win several great prizes including roundtrip airfare tickets for two, plus other exciting prizes just for dining out.

Make your plans now to dine out on Thursday, April 30 and you just might help save a life!

Dine Out, Fight AIDS!

Dine out on Thursday, April 30 and you just might help save a life!

Make plans now to enjoy a meal with a group of friends at your favorite restaurant.

LOCAL FOOD & DINING GUIDE Your Guide to Excellent Local FoodYour Guide to Excellent Local FoodEat, Drink, Explore

For a complete list of sponsors and other participating restaurants, please visit www.wncap.org/dofl

IF YOU GO


828-676-1678

asheville.oilandvinegarusa.com

8 Town Square Blvd.Asheville, NC 28803

a CulinaryGi Shop

PG. 40BC

PG. 20C

PG. 40WB

Advertise in Our Dining Guide ~ Free Web Links~ Free Ad DesignCall now for a great deal!(828) 646-0071 T person, call (828) 452-6000 for tickets

Friday, April 24 - Dan Shearin vocals, guitar. Folk, pop, originals.

EVERY SATURDAYJoe Cruz – Piano, vocals. Cruz performs the music of the Beatles, Elton John, and James Taylor every Saturday this month. As a child he began singing and playing piano in church. By the time he reached his early twenties he was a regular on the New York City club circuit. He has toured internationally and opened for Chicago, Bonnie Raitt, Santana, and the Average White Band.

The Wineseller’s retail shop and wine bar opens at 11 a.m., Tuesday through Saturday. The kitchen opens at 4 p.m. Friday and Saturday serving small plate and tapas-style cuisine. Dinner and music reservations are taken anytime by calling (828) 452-6000. Seating is guaranteed until 7 p.m. on non-ticketed evenings. After 7 p.m. seating is on a first come, first served basis.

Visit www.classicwineseller.com for additional information about wine dinners, tastings, and weekly live music events.

The Classic Wineseller, Waynesville’s premier small plate restaurant, retail shop, and intimate live music venue, will feature jazz, pop, rock, and original music this month. Wednesday, April 1 - 65th Birthday Party for Classic Wineseller owner Richard Miller. Live music by Jay Brown; guitar, piano, harmonica, vocals. Blues, bluegrass, American roots, pop, originals.

Friday, April 3 - Sean Bendula; piano, vocals. Folk-Americana, pop, originals.

Friday, April 10 - ‘Round the Fire; guitar, bass, drums, vocals. Rock n’ roll, blues, originals.

Friday, April 17 - The 9th Street Stompers; guitar, bass, vocals. Swing, gypsy jazz, blues, rockabilly, tango. The 9th Street Stompers are well-dressed “no-counts,” playing acoustic in-struments and singing about life, death, love, and liquor. Hailing from Chattanooga, Ten-nessee, the group brings to mind the music of an era when the lines between swing, gypsy

jazz, blues, rockabilly, and tango weren’t nearly as hard and fast as the drinking and dancing.

Features Skip Frontz Jr. (string bass), Lon Eldridge (blues fingerstyle resona-tor guitar, ukulele, kazoo), and Dalton Chapman (guitar). Tickets: $10 per


Live Music at the Classic WinesellerBy KAy STeGALL miLLeR

Dan Shearin

Dalton Chapman of the 9th Street Stompers.

Sean Bendula

The Classic Wineseller20 Church Street in Waynesville

828-452-6000, www.classicwineseller.com

LOCAL FOOD & DINING GUIDE Your Guide to Excellent Local FoodYour Guide to Excellent Local Food

Eat, Drink, Explore


T“just this,” meaning, as a poet might

write: the Universe in a flower, a moment, a breath.

It is often said in these “perfect moments” it is as if time has stopped, yet, we have the problem that we cannot sustain stopped time. Often, the

perfection begins disap-pearing the moment we remember time, when we anticipate the ending of the “perfect” experi-ence. We re-introduce

the thought of our separate self into the moment, and like a magic spell being broken, the

perfection begins to dissolve. We are back in our

separate self, back in time, the moment lost, now only memory, a part of the story of me.

So what is Thich Nhat Hanh saying to us? It would seem that our usual perspective is rather the opposite of what he is saying. Our usual perspective is that there sometimes occur moments that have the quality of perfection - if conditions are perfect. Thich Nhat Hanh is telling us this moment is perfect, this moment has the capacity to be refuge. There are no qualifiers as to the quality of content of the moment. He is even implying that moments in which the content of the moment may be very challenging can be experienced as perfect and can constitute a refuge. How can that be? This sounds bizarre to our rational minds, yet we all know there is truth to this. We have

even experienced it - sometimes exactly in the midst of personally shattering moments – mo-ments that shatter our personal story in time.

Perhaps the key to the puzzle is in the concept of time. Let us return to the question: what is this moment? An analogous question is: what is the here and now? – that ubiquitous New Age, consciousness community phrase, another koan, so to speak, that has become clichéd. Just what is the “here and now”? And what mystical power does it possess to merit its clichéd standing? Does it not, like “this moment,” have an ungraspable yet transcen-dent quality? “Just where,” I sometimes like to ask, “is the boundary of here and now?” Where does it begin, where does it end? The same question can be asked of “this moment.” Is it really a snap of the fingers, a blink of an eye? This is the small egoic experience of this moment. Thich Nhat Hanh and mystics of all spiritual traditions are calling us to a greater, vaster experience of this moment. They are calling us to this moment in the realm of eternal Beingness. Here, the experience of the timeless space of perfection is certainly not the blink of an eye. It is far more like being on raft, flowing on a river and we have no sense of its


artful living

By BiLL WALZ

for the experience has always been there, yet not seen, hidden within the routines of ordinary life.

The person who is loved is usually around us quite a bit, beautiful settings in Nature are not that hard to find. It is we who are seeing, hearing, feeling in a manner pro-foundly different from our ordinary way, our usual self-centered, egoic way. Our usual manner of perception has been suspended in a moment of connected transcendence, of love. It is not the person or the natural setting that becomes perfect, it is we who realize qualities of inherent perfection that are always there, usually lost in a blur of projected ordinariness in the hurry of time. Perfection is realized in this moment when in this moment there is no longer a separate self experienc-ing the person or the natural setting “out there.” We and they and it are all folded into a seamless entity that is this moment, a unity of experience, and it is this unity that is perfect. When we think about it, it is gone, lost again in the blur of time, for thought is structured in time. No, “perfect” cannot be an intellectual experience. It is, as Zen calls it, a “felt sense.” It is the felt sense of non-duality, of oneness, of completeness, of “thusness” or “isness.” It is

“This moment” seems like a simple concept. A snap of the fingers. A blink of an eye.

How then could “this moment” be a refuge? It seems hardly sufficiently substantial to provide a refuge from the vicissitudes of life. The mind of thought can’t quite grasp it, yet these words echo some truth we hold deep inside. Why does this seemingly inscrutable Asian utterance both puzzle and reassure us? This little declaration by the great Vietnamese Zen Master is a koan, a verbal device intended to take us beyond the world of thought and into intuitive understanding of an experience that is mystical, unfathomable, yet right here, right in front of and all around us. And yes, when fully realized, its promise is not empty.

What is this moment? It is, first of all, conventionally ungraspable. We all know the bitter-sweet desire to grasp and hold a mo-ment when we are in the midst of a “perfect” experience, knowing it will pass. Our idea of a perfect experience, however, is a concept of the mind, a concept of the ego. It is based in judgment, an ordering of our experiences by subjective criteria from worst to best to “perfect.” Yet, that we experience perfection implies there is something happening that is even deeper than judgment, deeper than our capacity to categorize. It is perfect, yet, wheth-er a moment with a loved one, or a moment in a sublime setting in Nature, the stimulus

“This moment is a perfect moment, this moment is my refuge.” – Thich Nhat Hanh

continued on page 40

“just this,” meaning, as a poet might write: the Universe in a flower, a

moment, a breath.It is often said in these

“perfect moments” it is as if time has stopped, yet, we have the problem that we cannot sustain stopped time. Often, the

perfection begins disap-pearing the moment we remember time, when we anticipate the ending of the “perfect” experi-ence. We re-introduce

the thought of our separate self into the moment, and like a magic spell being broken, the

perfection begins to dissolve. We are back in our

for the experience has always been there, yet not seen, hidden within the routines of ordinary life.

The person who is loved is usually around us quite a bit, beautiful settings in Nature are not that hard to find. It is

who are seeing, hearing,

of connected transcendence,

This Moment

eat a well-balanced diet of those named items derive absolutely no benefit whatsoever from alcohol consumption. This also is confirmed by the scientific studies.

In fact, most of the diseases that afflict us in Western society do not need a pill or a supplement or a special food. Most of the diseases, including heart disease, high blood pressure, diabetes, cancer, and stroke, can be prevented or severely curtailed by adopting a healthy life style: regular adequate sleep, suffi-cient exercise, a well-balanced diet to maintain ideal weight, regular significant social contacts, no smoking, no alcohol, and wearing seatbelts.

We don’t need a “pill.” We need common sense and the willingness to use it.

I the day’s activities.Most Americans are sure that the answer

to what ails them is available as a pill, as a supplement, or as special substance eaten or applied that has special powers to cure and correct the problem. As a society, including our doctors, we have come to believe in the myth of the “pill.”

A good example of this phenomenon is the belief that consuming some alcohol each day is protective for the heart. Scientific studies have shown this to be true, yes? Yes, al-coholic beverages are made from grains, fruits, and vegetables. Many of the anti-oxidents and micro-nutrients that were in the original plants are still in the spirits made from them. And yes, these nutrients still do what they do for the heart.

But for what kinds of people is this true? In those people who have such a poor diet that they are deficient in good nutrition (fruits, nuts, vegetables, and whole grains), these people do derive some small benefit from their alcohol consumption. But people who

“I’m having a hard time getting to sleep.” Isn’t there a pill for that?

“My cholesterol is higher than it should be.” Isn’t there a pill for that?

“I have a headache every Monday morn-ing.” Isn’t there a pill for that?

“I have type II diabetes that is not well controlled.” Isn’t there a new pill for that?

For every human ailment, every bodily discomfort we turn to the medicine chest, or the pharmacist, or the nutritionist, or the medical practitioner and say, “Isn’t there a pill for that?”

But it doesn’t have to come in pill form. We eat tomatoes because we are sure that they contain substances that will prevent cancer. We drink wine because we are sure the wine contains substances that will protect our heart. We take male hormones because we are sure that they will increase our male func-tions. We examine the labels on our food and drink to make sure it is fortified with 100% of whatever it is we think we need to perform

Isn’t There a Pill for That? By mAX hAmmoNDS, mD

Most of the diseases that afflict us do not need a

pill or a supplement or a special food.


Now through April 18 Downton Abbey Afternoon High Tea Full Tea Service with live classical and romantic music. Enjoy English teas, savory tea sandwiches, scones, cakes, tea cookies, fresh fruits, and champagne or sherry served in the vintage style of Downton Abbey. Fridays 1 p.m - 3:30 p.m.; Saturdays 1 p.m. - 3:30 p.m. Lex 18, 18 N. Lexington Ave., Asheville. (828) 575-9494, www.lex18avl.com

Wednesday, April 1Museum Opening DayThe Swannanoa Valley Museum opens for the season. 10 a.m. - 5 p.m. Free. 223 West State Street, Black Mountain. www.swannanoavalleymuseum.org, (828) 669-9566.

Saturday, April 4 Easter on the GreenShare the beauty of spring and listen to the squeals of sheer joy as the little ones play in the bounce house or run to gather eggs in the Easter Egg Hunt. From 1:30 p.m. to 5 p.m. Roger McGuire Green at Pack Square Park in downtown Asheville.

Saturday, April 4Mountain MarionettesA collection of yarns about life in the Blue Ridge. Features traditional mari-onette variety acts and music ranging from bluegrass to classical. Show begins

Saturday and Sunday, May 9 & 10River Arts District Studio Stroll10 a.m. to 6 p.m. For more details visit www.riverartsdistrict.com.

Saturday & Sunday, May 16 & 17Faery And Earth (FAE) Festival10 a.m. to 6 p.m. Highland Lake Cove Retreat Center in Flat Rock. $10 adult, $5 child (ages 5-15), under 5 free. Face-book.com/fairyandearthfestival

through May 26 New Artists, Old FriendsSuzy Shultz and Grant Penny share the show-case with gallery luminary Karen Titus Smith. First Friday Art Walk, open-ing reception April 3, from 5-8 p.m. Artetude Gallery, 89 Patton Ave., downtown Asheville. (828) 252-1466 www.artetudegallery.com

Call for Artists56th Annual Art on Main Fine Art / Fine Craft FestivalJuried and judged show produced by the Arts Council of Henderson County. Festival takes place Saturday and Sunday, October 3 and 4, from 10 a.m. to 5 p.m. Download an application from www.acofhc.org. email [email protected], or call (828) 693-8504.

at 2 p.m. Tickets are $8, available at www.whitehorseblackmountain.com. White Horse, 105C Montreat Road, Black Mountain.

Saturday, April 4Crimson Laurel Gallery “New Work” by featured artist Pat-rick Crabb, and two person exhibition “American West”

by Jason Bohnert and Steven Schaeffer – through April 28. “Close Quarters” exhibition with Mark Errol and Lindsay Rogers, through June 3. Bakersville, NC. (828) 688-3599. www.crimsonlau-relgallery.com

Monday, April 6 Take Two JazzPianist Bill Bares and Vibraphonist Matthew Richmond. Show begins at 7:30 p.m. $12. White Horse, 105C Montreat Road, Black Mountain. www.whitehorseblackmountain.com.

Tuesday, April 7Gallery OpeningThe Odyssey Cooperative Art Gallery opens a new show celebrating the ceramic art of Mary Jimenez and Ed Rivera and other gallery members. 2238 Clingman Avenue, Asheville.

April 8-11UNC Asheville 2nd Annual Arts FestMusical and theatrical performances, exhibits, creative workshops and more. Free and ticketed events. More details at arts.unca.edu/arts-fest.

April 8, 10, 12Almost, MaineA whimsical romantic comedy, per-formed by UNC Asheville students. 7:30 p.m. April 8; 10 a.m. April 10; 1 p.m. April 12. Free and open to the public. UNC Asheville’s Carol Belk Theatre. Visit arts.unca.edu/arts-fest

Friday, April 10 Trio CavatinaConcert at 8 p.m. at the Unitarian Universalist Congregation in Asheville. Tickets are $38. Under 25 admitted free. For more information please visit www.ashevillechambermusic.org.

Saturday, April 11 Fiddlin’ 5K“Run for the Music” race in Mars Hill begins at 9 a.m. Local musicians

perform at locations along the course. More details at lunsfordfestival.com/home/fiddlin-5k, or contact Hannah Furguiele at [email protected].

Saturday, April 11Barrel TastingA private tour, tastings of not yet released wines and current releases, and your choice of picnic lunch. Held at Addison Farms Vineyard, 4005 New Leicester Hwy., Leicester, NC. (828) 581-WINE (9463). For more details, or to reserve your tickets, please visit addisonfarms.net

Saturday, April 115K/10K Road RaceBegins at 2 p.m. Benefits the Blk Mtn Greenways trails and paths. The race starts and finishes at Pisgah Brewery. Awards to winners after the race. This Grand Prix event is hosted by the Black Mountain Greenways Commission. Go to IMAthlete.com to register.

Saturday, April 11Second Saturday EventThe Odyssey Cooperative Art Gallery joins the River Art District’s Second Saturday Event. Demonstrations, refreshments, music, and art. 238 Clingman Avenue, Asheville.

Sunday, April 12Harmonia by The WaterFundraising event from 2 p.m. to 2 a.m. Raffle, live music, vendors, food and more. All ages. $5 donation. Bywa-ter, 796 Riverside Dr., Asheville. (828) 232-6967, www.bywaterbar.com

Friday, April 17Echoes in RhythmBand plays live swing dance, 8-11 p.m. at the Twisted Laurel, 10-A S. Main Street in Weaverville.

April 24 & 25Creative Sector Summit The 5th Annual Summit will look at ways to incorporate the arts into com-munity and economic development in significant ways. Anne Gadwa Nico-demus is the keynote speaker. Email [email protected]. Hosted by the Asheville Area Arts Council. (828) 258-0710, www.ashevillearts.com

Wednesday, April 29Music Video AshevilleAnnual event showcases collabora-tions between filmmakers and local musicians. Reception at 5 p.m. Panel at 6 p.m. Film screening 8-9:30 p.m. Awards ceremony 9:30 p.m. $15; $12 adv. $25 VIP tickets. Purchase at www.musicvideoasheville.com

Saturday & Sunday, May 2-3Weaverville Art Safari10 a.m. to 5 p.m. Free tour of galleries and art studios. Details, maps, and more at www.weavervilleartsafari.com.

APRIL EVENTS ~ ANNOUNCEMENTS ~ OPENINGS ~ SALES


what to do guide™

How to place an event/classified listing with

Rapid River Art MagazineAny “free” event open to the public can be listed at no charge up to 30 words. For all other events there is a $14.95 charge up to 35 words and 12 cents for each additional word. 65 word limit per event. Sponsored listings (shown in boxes) can be purchased for $18 per column inch. Deadline is the 19th of each month. Payment must be made prior to print-ing. Send to: 85 N. Main St, Canton, NC 28716; call (828) 646-0071; or email [email protected] to place your ad.

– Disclaimer –Due to the overwhelming number of local event submissions we get for our “What to Do Guide” each month, we can not accept entries that do not specifically follow our publication’s format. Non-paid event listings must be 30 words or less, and both paid and non-paid listings must provide infor-mation in the following format: date of event, title, description and time, cost, location, and your contact info. Please do not type in all caps. Any entries not following this format will not be considered for publication.

Lindsay Rogers

An Example of How Simple it Must be to

Build a Bridge, collage by Grant Penny.

The Writers’ WorkshopSaturday, April 11: Science Fic-tion writing with Norris Orbach.

Saturday, April 25: Screenplay writing with Bob Hardison.

Saturday, May 2: Short Fiction workshop with Richard Krawiec.

Each workshop is $75; $70 mem-bers. Classes meet from 10-4 p.m.

The Writers’ Workshop387 Beaucatcher Rd., Asheville

(828) 254-8111, www.twwoa.org

Asheville Art Museum Spring Workshops

Friday, April 10 - Drawing Faces

Saturday, April 11 - Collage

Friday, April 17 - Altered Books

Taught by San Francisco artist Pamela Lanza. For details, contact the Museum at (828) 253-3227 or email [email protected].

Back to the Drawing Board

Artists “take-over” the Bench-space Gallery & Workshop for a 24-hour period. Each project begins with a public reception from 6-9 p.m. Friday evening and continues from 10 a.m. to 6 p.m. on Saturday.

April 3-4 – Hand in Hand, Tanya Aguiñiga, Community Felt-In.

May 1-2 – In Song Sing On: The Songbook Project, David Wilson

The Center for Craft, Creativity & Design

67 Broadway Street, Asheville(828) 785-1357

www.craftcreativitydesign.org

David Wilson, Arrivals, 2013. Photo by Dominic Santos, courtesy of SFMOMA.

Pan Harmonia’s Sonata Series

Renowned harpist Jacquelyn Bartlett joins flutist Kate Steinbeck to perform works by Lowell Li-ebermann, opera master Gaetano Donizetti, and Roumanian harpist Carmen Petra-Basacopol.

Thursday, May 1 at 7:30 p.m. White Horse, 105 Montreat Rd., Black Mountain.

Sunday, May 3 at 3 p.m. First Presbyterian Church, 40 Church Street, Asheville.

Tickets: $16.50 advance; $22 at the door; $5 students. For more information, or to purchase tick-ets, visit www.pan-harmonia.org

Kate Steinbeck, and Jacquelyn Bartlett

Photo: Lisa Ringelspaugh-Irvine


what to do guide™

Get Paid to Drive Around with Our Custom Vehicle WrapsPaid to Drive, Inc. seeks people – regular citizens, not professional drivers – to go about their normal routine as they usually do, only with a big advert on their vehicle. If interested please contact [email protected] for details.

Medical GuardianTop-rated medical alarm and 24/7 medical alert monitoring. For a limited time, get free equip-ment, no activation fees, no commitment, a 2nd waterproof alert button for free and more – only $29.95 per month. 1-800-892-4631.

Live Music Every Friday and Saturdayat the Classic WinesellerRestaurant serves small plate and tapas starting at 4 p.m. Friday and Saturday. Live music at 7 p.m. 20 Church Street, Waynesville. Details (828) 452-6000, www.classicwineseller.com.

2nd Tuesday Ukelele JamMeets 2nd Tuesday of each month at Lourey’s Catering on Biltmore Ave. from 5:30 to 7 pm. Beginners and stringed instruments welcome.

Arrowhead Artists and Artisan LeagueEvery Sunday, 2-4 p.m. For those interested in painting, drawing, pastels, or other media. Materials provided free of charge for the first two sessions. To continue, join the league for $25 per year. At the Arrowhead Gallery & Studios, 78 Catawba Ave., in Old Fort. Contact Helen Sullivan at [email protected].

Vendors WantedFor the third annual Art in the Park…ing Lot. Monthly art and jewelry show held the second Saturday of each month, May through Septem-ber, 10 a.m. to 3 p.m. This is a juried show. Cost to participate is $40 per show. For more informa-tion, call Michele Sparks, (828) 693-4545. Art MoB Studios & Marketplace, 124 4th Ave. East, Hendersonville. www.artmobstudios.com

Call for Artists10th Annual Come to Leicester Art Tour to be held in August. We are looking for new artists to join the tour. Write to [email protected] for more information.

CLASSES ~ AUDITIONS ~ ARTS & CRAFTS ~ READINGS


by Amy DownsCallie & Cats

Dragin by Michael Cole

Best in Show by Phil Juliano

Corgi Tales by Phil Hawkins

by Jessica and Russ WoodsRatchet and Spin

www.jackiewoods.org • Copyright 2015 Adawehi Press

Haywood County Public Library Spring Events

Thursday, April 9 – Planting with the Seasons, 5:30 p.m. with Master Gardener Hughes Roberts.

Tuesday, April 21 – Square-Foot Garden-ing, 5:30 p.m. Get a great yield from a small amount of space. With Master Gardener Hughes Roberts.

Canton Public Library, 11 Pennsylvania Ave. (828) 648-2924, www.haywoodlibrary.org

Opening at HART Brighton Beach Memoirs – Opens April 24. Director Wanda Taylor.

Nunsense – Opens May 22. Directed by Suzanne Tinsley.

The 39 Steps - Opens June 19. Directed by Julie Kinter.

Oklahoma! – Opens July 10. Directed by Steve Lloyd. Chorus and dance auditions May 3 & 4 at 6:30 p.m.

HART, 250 Pigeon Street, Wayensville (828) 456-6322, www.harttheatre.com

Diana Wortham Theatre Tuesday and Wednesday, April 7 & 8 – Pilobolus, 8 p.m.

Saturday, April 11 – Mainstage Series presents New York Voices at 8 p.m.

Tuesday and Wednesday, April 14 & 15 – Theatreworks USA’s Curious George, 10 a.m. and 12 p.m.

Friday, April 17 – Carl Sandburg’s American Songbag. 6:30 p.m. in the Forum. Led by Beth & Jim Magill.

Thursday, April 30 –The Barra MacNeils at 8 p.m.

Diana Wortham Theatre2 South Pack Square, downtown Asheville

(828) 210-9837, www.dwtheatre.com

Live Music at The Strand Theater

Thursday, April 16 – Pat Donahue, old blues, swing, R&B, and original tunes. 7:30 p.m. $20; $18 adv.

Friday, April 17 – The Hillbenders, diverse bluegrass with 3- and 4-part harmonies. 8 p.m. $20; $18 adv.

The Strand Theater38 N. Main St., Waynesville, NC 28786

www.38main.com

Spruce Street MarketParticipate in a weekly artist vending area located in Downtown Asheville! It takes place every Saturday in July, August, and September from 11 a.m. to 5 p.m. For more information please visit www.SpruceStreetMarket.com

Art ClassesClasses in painting, pastels, watercolors, drawing, encaustic, and more. 310 ART, River’s Edge Stu-dio, 191 Lyman St., Asheville. www.310art.com.



artful livingAddison Farms Vineyardwww.addisonfarms.net

AmiciMusic, www.amicimusic.orgArt on Depot, (828) 246-0218Asheville Brewers Supplywww.AshevilleBrewers.com

Asheville Chamber Musicwww.AshevilleChamberMusic.org

Asheville Community Theatrewww.ashevilletheatre.org

Asheville Gallery of Artwww.ashevillegallery-of-art.com

Asheville Locksmith Nowwww.AshevilleLocksmithNow.com

Asheville Symphony Orchestra www.ashevillesymphony.org

B & C Winery, (828) 550-3610

Barbara Wade140d Roberts Street

BlackBird Frame & Artwww.blackbirdframe.com

Black Box Photographywww.blackboxphoto.infowww.doteditions.com

Black Mountain Swannanoa Chamber of Commercewww.exploreblackmountain.com

Blue Ridge Biscuit Company www.facebook.com/BlueRidgeBiscuitCompany

Bogart’s Restaurantwww.bogartswaynesville.com

Brixx Pizza, www.brixxpizza.com

BT’s Burgerjointwww.btsburgerjoint.com

Cafe 64, www.cafe-64.com

The Chocolate Fetishwww.chocolatefetish.com

Cheryl Keeferwww.CherylKeefer.com

Classic Winesellerwww.classicwineseller.com

Deborah Squier Fine Artwww.DeborahSquier.com

Double Exposure Giclee www.doubleexposureart.com

Faerie And Earth Festivalwww.enchantedwalkabouts.comFacebook.com/fairyandearthfestival

Faison O’Neil Gallerywww.faisononeilgallery.com

French Broad Artistswww.virginiapendergrass.com

Frugal Framerwww.frugalframer.com

Gallery of the Mountainsgalleryofthemountains.blogspot.com

The Green Room Caféwww.thegreenroomcafe.biz

Greening Up the Mountainswww.greeningupthemountains.com

HART Theater, www.harttheatre.comHearn’s Bicycle, (828) 253-4800

Heart & Soulwww.thesingingtelegram.com

Jewels That Dancewww.jewelsthatdance.com

John Mac Kahwww.johnmackah.com

Jonas Gerard Fine Artwww.jonasgerard.com

Joyce Schlapkohlwww.joycepaints.com

Kirk’s Collectables, (770) 757-6814

Kornerstone Kafe, (828) 550-2265

Malaprops Bookstore/Cafewww.malaprops.com

Mellow Mushroom, (828) 236-9800

Mountain Area Information Networkmain.nc.us

Mountain Madewww.MtnMade.com

Mountain Top Appliancewww.mountainviewappliance.com

LEAF (Lake Eden Arts Festival)www.theleaf.org

Linda Neff, [email protected]

Modesto Trattoria, (828) 225-4133

Norbury Bookswww.facebook.com/norburybooks

O’Charley’s, www.ocharleys.com

Octopus Garden, www.theOG.us

Oil & Vinegar Ashevilleasheville.oilandvinegarusa.com

On Demand Printingwww.ondemandink.com

The Pink House, www.facebook.com/ThePinkHouseAshevillePoints of Lightwww.pointsoflight.net

Richard C. Baker(828) 234-1616

Ron Maffett(828) 450-2177

Seven Sisters Gallerysevensistersgallery.com

Smokies Half Marathonwww.SmokiesHalfMarathon.com

Smoky Mountain Foot Clinic, PAwww.smokymountainfootclinic.com

Southern Highland Craft Guildwww.craftguild.org

Spruce Street Marketwww.SpruceStreetMarket.com

Starving Artistwww.StarvingArtistCatalog.com

Susan Marie Designswww.susanmariedesigns.com

Teresa Penningtonwww.tpennington.com

Twigs and Leaves Gallerywww.twigsandleaves.com

Van Dyke Jewelrywww.vandykejewelry.com

Visions of Creationwww.visionsofcreation.com

Weaverville Art Safariwww.weavervilleartsafari.com

Westville Pubwww.westvillepub.com

Western North Carolina Aids Projectwww.wncap.org

Whole Bloomin’ Thing FestivalFacebook.com/wholebloominfestival

Zapowwww.zapow.com

Interactive Maps are on our website! www.RapidRiverMagazine.com/maps

Find It Here

Bill Walz has taught meditation and mindfulness in university and public forums, and is a private-practice meditation teacher and guide for individuals in mindfulness, personal growth and consciousness.

He holds a weekly meditation class, Mondays from 6:30-7:30 p.m., at the Friends Meeting House, 227 Edgewood in Asheville. By donation. Information on classes, talks, personal growth and healing instruction, or phone consultations at (828) 258-3241, e-mail at [email protected]. Learn more, see past columns, video and audio programs, and schedule of coming events at www.billwalz.com

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beginning or end. The river flows and we flow with it. River, raft, person – all flowing.

The “this moment” that Thich Nhat Hanh is directing us to flows not down a river, but through eternity, and the “perfec-tion” he offers is a glimpse of eternity. It is non-duality, unity, and in non-duality there is no edge of beginning or ending, for it is without an opposing other, out there. There is only the awareness of the moment, flowing. It is “thusness, isness.” It cannot be grasped with the intellect, for the intellect is the men-tal faculty that divides the Universe into this and that, and the “this moment” that Thich Nhat Hanh calls us to is this moment as the Universe, perfect. Perfect because it is the Universe. It is a refuge from the up and down, the pain of the this and the that in time that comes and goes. It is the perfect mystical, spiritual realization of union with a flower, with all flowers, with a per-son, with all persons, with all Life, with the Universe. It is this moment as the raft of our personal life flowing on the eternal river of here and now, a river without beginning or end.

“This moment” stops time as a unit, as a snap of the fingers, and opens us into what Eckhart Tolle has called “the power of Now,” liberating us from the unsatisfactory quality of our ordinary existence. “This” is the Universe. “Moment” is awareness. “This Moment” is the Universe in awareness fo-cused through the lens of a person, now experiencing a moun-tain vista, a flower, a fellow human, a street corner, the bird outside your window, the collapse of a dream, anything at all.

You can even close your eyes – and look – and what can be seen? It’s not nothing. We see awareness without content. We can see, in effect, Eternity, this moment. Open your eyes and “this moment” arising in eternity can be seen, and ordinari-ness and difficulty fall away. There is just “this,” as vast and wondrous as eternity - “This moment is a perfect moment, this moment is my refuge.”

Is it not right in front of and all around you? You can’t think it, you have to feel it. All the beauty, all the tragedy, all the ordinary, not hidden in time, rather right here, this mo-ment. The Universe opens and there is nowhere to hide, and strangely, we are safe, we are complete, we are whole. We have found the refuge from the this and the that.

There is only This. Perfect.

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GET ON THE MAP, CALL(828) 646-0071



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ExploreBlackMountain.com 800.669.2301

Black Mountain Swannanoa Chamber of Commerce

T h e L i t t l e To w n T h a t R o c k s

Thursday, May 7

5:30-7pm

Sample a Variety of Local Food, Brews, and Wines. Tickets Available May 1st

Arts, Crafts, Fine Gifts

FAISON O’NEIL

[email protected] Hours: Wed-Sat. 11-4; Closed Sun-Tues 828.357.5350

128 Cherry StreetBlack Mountain, NC

www.faisononeil.com

Queen’s Guard by Dan Reiser

Night in the Mountains by Linda Johnson

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CCREATIVE MOUNTAIN FOOD TOURS April 4 - Ultimate Foodie Tour

April 10 - Pub & Grub Crawl

April 11 - Ultimate Foodie Tour

April 17 - Pub & Grub Crawl

April 18 - Ultimate Foodie Tour

April 19 - Dessert Tour

Tours begin at 2 p.m. Advance reservations required. Call (828) 419-0590, or visit www.creativemountainfoodtours.com

April 2 - Annual Bake Sale. Wide range of baked goods, preserves and candy. Proceeds benefit local nonprofits. Hosted by Givens Highland Farms Resident Corporation. 7 a.m. - 5 p.m. in back of dining room.

April 4 - Easter Egg Hunt. All ages. Free. 1 p.m. at Marjorie McCune Memorial Center, 101 Lion’s Way.

April 9 to April 10 - Plien Air Painting Work-shop with Cheryl Keefer. $150. 9 a.m - 4 p.m. Contact: Black Mountain Center for the Arts, (828) 669-0930, www.blackmountainarts.org

April 11 - Black Mountain Greenway Challenge 10K & 5K. Run, walk, or volunteer for the 8th annual event. Presented by The Blk Mtn Gre-enway Commission and Pisgah Brewery. (828) 775-9251, [email protected], www.imathlete.com

April 11 - 2nd Annual Spring Plow. Demon-strations include draft horse work and logging competition. Kids activities throughout the day. BBQ lunch w/vegetarian option. For more de-tails contact R. Truitt, (304) 268-6252, [email protected].

April 12 - Art exhibit by residents at the Black Mountain NeuroMedical Treatment Center. Opening reception 3-4 p.m. On display through May 1, 2015. Black Mountain Center for the Arts, Upper Gallery. (828) 669-0930, www.blackmountainarts.org

April 18 - Robin Bullock Concert, 7:30 p.m. $20; reserve tickets online. Black Mountain Center for the Arts, (828) 669-0930, www.blackmountainarts.org

April 24-26 - Owen High Spring Comedy Production, The Foreigner. Award-winning comedy by Larry Shue. 7 p.m. Reserved seating $7 (online). General seating, pay at door: $10 adults; $5 Students. www.cdowenhs.ticketleap.com/foreigner

April 24 - Brown Bag Pinhole Photography presentation with Lynette Miller. Free. Noon.Black Mountain Center for the Arts, (828) 669-0930, www.blackmountainarts.org

Black Mountain Events – April 2015April 24 & 25 - Mary Poppins. Performed by students. The Learning Community School at Owen High School auditorium. $13 adults; $7 children 5 and under. Purchase tickets at www.thelearningcommunity.org

April 26 - Worldwide Pinhole Photography Day. 1-4 p.m. at Black Mountain Center for the Arts. For more details call (828) 669-0930, www.blackmountainarts.orgList provided by the Black Mountain-Swannanoa Chamber of Commerce, 201 E. State Street, Black Mountain. (828) 669-2300, 1-800-669-2301, or visit www.blackmountain.org.

MG

MV

601 W. State Streetin Black Mountain

Tues-Fri 7am-2pm • Sat-Sun 8am-3pm

Biscuit Cuisine • Pastries • BreadCinnamon & Pecan Rolls

Baked Fresh In-House

Blue Ridge Biscuit Company

Breakfastin the Mountains

mB

117 Cherry St., Black Mtn.Mon-Sat 10-6 & Sun 12-5

SevenSistersGallery.com • 828-669-5107

c r a f t g a l l e r y

A Destination in Black Mountain Since 1981

mS


www.thesingingtelegram.com 828.290.5715

Heartfelt & Memorable

Same Day Service

Birthday

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Songs & Comedy Skits Celebrating Life’s Special Events

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Mon-Thur 10-6 • Fri & Sat 10-7 • Closed Sunday

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62c North Main St.Weaverville, 28787

New Books • Lenox Gifts

Large Selectionof Used BooksBOOKS

❖ Vintage Furnishings❖ Workshops

Monday - Saturday 10-5 www.Facebook.com/ThePinkHouseAsheville

ReLove YourFurniture withChalk Paint®

178 Weaverville Rd.Asheville, NC 28804

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WEAVERVILLE HWY.

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artful living

S puppies, cats, and kittens each day. For more information about Brother Wolf Animal Rescue visit www.bwar.org.

Grovewood Gallery is a family owned, fine crafts destination that showcases traditional and contempo-rary crafts, all handmade by American artisans. Grove-wood Gallery is located in a beautiful, historic setting, adjacent to the Omni Grove Park Inn in North Asheville. Free parking for gallery pa-

trons is available on the Grovewood grounds.

Grovewood Gallery’s Charity SaleSupport our fuzzy friends by buying American made craft!

Grovewood Gallery’s annual charity sale kicks off on Friday, April 17. During the sale, customers will be able to save 10% on all regular priced items, including studio furni-ture and outdoor sculptures, and up to 50% on sale items. Everything in the gallery will be marked down!

10% of all proceeds from this two-day event will go directly to Brother Wolf Animal Rescue’s “Help Me Heal Fund” for animals with special needs. Grovewood will also be hosting an adoption drive during the sale from 12 to 4 p.m. on Friday and Saturday

Brother Wolf Animal Rescue (BWAR) is a No Kill organization offering free spay/neu-ter assistance and a pet food pantry. The Joyce B. Cambron Adoption Center, located at 31 Glendale Avenue, is home to up to 100 dogs,

By AShLey VAN mATRe

Thanks to the “Help Me Heal Fund” Annie was treated for

heartworm disease.

Grovewood Gallery’s annual charity sale, April 17 & 18 from 10 a.m. to 6 p.m. For more information, contact

Grovewood Gallery at (828) 253-7651 or visit www.grovewood.com.

IF YOU GO


WWW.CRAFTGUILD.ORG

Milepost 382 - BlueRidge Parkway, Asheville, NC828.298.7928

26 Lodge Street, Asheville, NC828.277.6222

930 Tunnel Road/Hwy 70, Asheville, NC828.298.7903

The Southern Highland Craft Guild is an authorized concessioner of the National Park Service, Department of the Interior.

Tradition. Vision. Innovation.

WWW.CRAFTGUILD.ORG

Milepost 382 - BlueRidge Parkway, Asheville, NC828.298.7928

26 Lodge Street, Asheville, NC828.277.6222

930 Tunnel Road/Hwy 70, Asheville, NC828.298.7903

The Southern Highland Craft Guild is an authorized concessioner of the National Park Service, Department of the Interior.

Tradition. Vision. Innovation.Located inside

Omni Grove Park Inn

Gallery of the Mountains290 Macon Avenue • Asheville, NC

www.galleryofthemountains.blogspot.comTOLL-FREE (800) 692-2204 (828) 254-2068

Local and Regional Handmade Crafts

Now in our 30th year of supporting

American handmadePendant by

Niki Fisk

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Preserve Your Memories with a Custom Frame

1-770-757-6814 [email protected] 11-8 Sunday 12:30-6

140 Airport Road • Arden, NC1 mile East of I-26, across from IHOP on left, next to Subway

We’ll Beat Any Advertised Price on Custom Framing!Mention this ad to receive 25% OFF our Regular Low Price

For Mothers Day, Give a GiftMom Will Always Cherish

If a picture is worth a thousand words, then the frame that surrounds it may be

worth a thousand more.

KIRK’S COLLECTIBLES& Custom Framing

PG. 40hS

Linda Neff, NCBTMB #582633-0968 Sugar Grove Ct., Clyde, NC 28721

513-675-2819 • 828-565-0061

Bowen Training Instructor ~ Reiki Master / Teacher

Health & Healingare Just 2 Feet Away

One Hour Session: $40FREE Session the First Thursday of the month.

Reflexology ~ Reiki ~ Reiki Drumming

Cotton Mill Studios122 Riverside Drive, Studio H

www.JohnMacKah.com(828) 225-5000

Vineyard Plein Air May 1-3Addison Farms Vineyard

Ongoing Plein Air& Studio Classes

Enroll Now!

John Mac Kah

36 Haywood StreetDowntown Asheville, NC

(828) 258-2353

Voted Best Chocolate Shop in Western North Carolina Twelve Consecutive Years!

®

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We Ship NationwideOrder Online Now

www.chocolatefetish.com

Voted Best Chocolate Shop in Western North Carolina Twelve Consecutive Years!

Enjoy and Give the Best

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© Copyright The Chocolate Fetish

www.amicimusic.org

Contact Daniel Weiser, AmiciMusic Artistic Director, (802) 369-0856, or e-mail [email protected] performance details.

Great Chamber Musicin Intimate Venues andNon-Traditional Spaces

PG. 20e

PG. 40hF

PG. 10RC

PG. 40TC

Advertise with Rapid River MagazineFree Web Links ~ Free Ad Design

Call (828) 646-0071 www.AshevilleLocksmithNow.com

[email protected]

Emergency Service 24/7828-236-1901

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April 2015 Rapid River Magazine

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