APPLAUSE

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VOLUME XXVII | NUMBER 6 | MAR – MAY 2016

DISNEY’S NEWSIESAlso Playing:

Sweeney ToddRiverdance — The 20th Anniversary World Tour

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4 denvercenter.org

SREBEL, REBEL

Since the start of this theatre season, I’ve been asking questions in this column. Are we welcoming enough to tech-savvy audience members? Where do you get your arts and entertainment news? What’s important to you in a cultural facility? As a recent transplant to Denver, I have my share of observations. And I definitely have opinions on the questions I’ve posed. But I want to know what you think. You are my partners and, together, we’re going to shake things up. Now, you may not think of yourself as a rebel. Very few rebels do. The reality, though, is that simply by expecting a modern theatre-going experience, you’re shaking things up every time you attend a live event. Live theatre is an art form that has been around for over two thousand years. Over that time, it has continuously evolved and reconsidered its potential. There has never been a time like this, though. Personal (and professional) technology is upending everything about the theatrical experi-ence, from your first search for tickets on your smart phone to the last selfie you post before heading home. There’s something new seemingly every day and the DCPA wants to lead the way. That said, it’s not all new. We still have stages, actors, sets, props and wardrobe. We still have playwrights and directors and stage managers and crew. Mix well and you have theatre. But then again, now we have “immersive” theatre like our upcoming summer production called Sweet & Lucky that forgoes seats and stages for wandering through theatrical spaces. We have jukebox musicals, dance mash-ups, cirque and other forms traditionalists might not even recognize. Here at the DCPA, we’re even updating some of our theatres (currently The Space Theatre in the Bonfils Complex) to accommodate the new, high-tech, demands of modern theatre making. But here’s the big question — should live theatre stay the same or become something new? As we move forward, what do you think the future of live theatre should be? What kind of programming should we embrace? Should we stay rooted in the past with traditional stagings and scripts? Should we tear up the rulebook and see what happens? If we do either, will you attend more or less? Because whatever we do, you complete it. You are the reason we’re here and we want to hear from you. The revolution will not be televised — but it may be staged.

Let us know your thoughts at denvercenter.org/sightline.

SCOTT SHILLERPresident and CEO

SIGHTLINEB Y S C O T T S H I L L E R

LETTERS TO THE CEOIn Applause No. 4, CEO Scott Shiller gave an overview of the City’s plans to reimagine the Arts Complex and asked you to offer ideas for this “Next Stage.” Excerpts from your responses follow. To read all of the comments, visit denvercenter.org/news-center.

With a dedicated Family Theatre, Denver Center could become an innovator in works specifically for children, creating pieces that teach young audiences important life lessons without talking down to them… [and] provide a safe and fun respite for families to enjoy an unforgettable experience together. — Rebecca H.

A Music Arts Complex…which would include an award winning venue(s) capable of accommodating performances and music festivals...talented local musicians as well as established bands…. [It] would include a trendy bar…, a coffee house…, a small per-formance area, practice spaces and possible local artisan co-op area. — Kirsten A.

Totally rebuild the Buell Theatre audience area. Too many sound problems throughout the space. Grade the orchestra so that I can really see the stage even if a 6’ 5” man sits in front of me. Take out some of the seats. — Barbara D.

What a waste of money…. Put money, if you have it, into productions. — Bob

Replace the current parking garage…with an open public park-like space…. This would allow for gathering and event space, as well as give unobstructed views of the beautiful Ellie Caulkins Opera House and facades of other theatres. — Erica

A solution to the parking problem and some restaurants would be great improvements. — Steve S.

A coffee house sounds good to me!… And the idea of tearing down Boettcher and putting in an amphitheater sounds TERRI-BLE! Who wants to deal with traffic noise and fumes while trying to hear a concert? — Joellyn

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8 denvercenter.org

1. THEATRE COMPANY actor Adeoye participates in a video project to commemorate Black History Month. The cast of All the Way read the Civil Rights Act of 1964 for the project, which has received more than 64,000 views. Tune in at youtube/denvercenter. 2. DCPA supporter Phil Munishor is applauded by the cast of FADE for his recent gift from The Joan and Phill Berger Charitable Fund to support both the play and renovation of The Space Theatre. 3. DCPA EDUCATION welcomed a packed house of middle and high school students to its Student Matinee of As You Like It. 4. Westin Denver Downtown General Manager John Everett and Executive Assistant Debbie Smith peruse auction items at the SATURDAY NIGHT ALIVE Patron Party hosted by their hotel. 5. BROADWAY guests gathered for the 2016/17 season announcement, featuring the pre-Broadway debut of Frozen. Photos by John Moore and Amanda Tipton Photography.

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IN THE SPOTLIGHT

Denver Center for the Performing Arts’

biggest stars step into the spotlight — actors, designers, students and you.

2

BOARD OF TRUSTEESDaniel L. Ritchie,

ChairmanWilliam Dean Singleton,

Sec’y/TreasurerRobert Slosky,

First Vice Chair Margot Gilbert Frank,

Second Vice ChairDr. Patricia Baca Joy S. BurnsIsabelle ClarkNavin DimondL. Roger Hutson Mary Pat Link Robert C. NewmanHassan SalemRichard M. Sapkin Martin SempleTara Smith Jim SteinbergKen TuchmanTina WallsLester L. WardDr. Reginald L. WashingtonJudi WolfSylvia Young

HONORARY MEMBERSJeannie Fuller M. Ann PadillaCleo Parker Robinson

HELEN G. BONFILSFOUNDATION BOARD OF TRUSTEESLester L. Ward,

President EmeritusMartin Semple, President Judi Wolf,

Sec’y/TreasurerDaniel L. RitchieWilliam Dean SingletonRobert SloskyJim SteinbergDr. Reginald L. Washington

EXECUTIVE MANAGEMENT Scott Shiller,

President & CEOClay Courter,

Vice President, Facilities & Event Services

John Ekeberg, Executive Director, Broadway

Vicky Miles, Chief Financial Officer

Jennifer Nealson, Chief Marketing Officer

Kent Thompson, Producing Artistic Director, Theatre Company

Charles Varin, Managing Director, Theatre Company

David Zupancic, Director of Donor Relations

APPLAUSEM A G A Z I N E

VOLUME XXVI I | NUMBER 6 | MAR – MAY 2016

EDITOR: Suzanne YoeCREATIVE DIRECTOR: Rob Silk

ASSOCIATE EDITOR: John MooreSENIOR ART DIRECTOR: Adam Obendorf

ART DIRECTOR: Kyle Malone DESIGNERS: Kim Conner, Brenda Elliott

CONTRIBUTING WRITER: Carolyn Michaels

Applause is published seven times a year by Denver Center for the Performing Arts in conjunction with

The Publishing House, Westminster, CO. All rights reserved. Reproduction in whole or in part without written permission is

prohibited. Call 303.893.4000 regarding editorial content.

303.893.4000 | denvercenter.org                  Denver Center for the Performing Arts is a not-for-profit organization dedicated to creating unforgettable shared

experiences through Broadway musicals, world-class plays, educational programs and inspired events.

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Applause magazine is funded in part by

PERSONAL | BUSINESS | WEALTH MANAGEMENT

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Photo credits, L to R: Finding Neverland, Laura Michelle Kelly, photo by Carol Rosegg; Fun Home, Beth Malone, Sydney Lucas, Michael Cerveris, photo by Jenny Anderson; The Phantom Of The Opera, Chris Mann and Katie Travis, photo by Matthew Murphy; the 2016 national touring cast of Roundabout Theatre Company’s Cabaret, photo by Joan Marcus; the original Broadway cast of An American in Paris, photo by Matthew Murphy; The Curious Incident of the Dog in the Night-Time, Alex Sharp, photo by Joan Marcus.

JAN 10 – 22, 2017THE ELLIE

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12 denvercenter.org

“RIDICULOUSLY POLITE!” — BOX OFFICE AGENT

“Her TECHNOLOGICAL WIZARDRYkept my phone dim and silent!”

— MOM

“I’m SPEECHLESS! And she was, too” — THE PERSON IN FRONT OF YOU

“She gave her child FLAWLESS DIRECTION.” — THE GUY WITH THE BOW TIE

“A BOLD, BREATHTAKING REMINDER of the power of courtesy.”

— THE CAST AND CREW

We won’t tell you how to behave. But everyone’s a critic. Please remember, the theatre experience depends on all of us — not just the performers on stage.

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14 denvercenter.org

YOU DESERVE THE BEST. SUBSCRIBE TODAY!David Zupancic at 303.446.4811 • Melissa Olson at 303.446.4840

denvercenter.org/subscribe

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16 denvercenter.org16 denvercenter.org

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IIt didn’t take long for Broadway star Robert Petkoff to learn the DCPA Theatre Company would be performing his favorite musical, Sweeney Todd, with Colorado gypsy punk band DeVotchKa adding its own sanguine flavoring to Stephen Sondheim’s classic orchestrations. “DeVotchKa is my sister’s favorite band,” said Petkoff. “When she found out, she wrote me right away and said, ‘Oh my God, I have to get out to Denver and see this.’” Now Petkoff’s sister has two reasons come to Denver. Her brother, an award-winning veteran of six Broadway productions, is playing the title role of the barbarous barber. “But put DeVotchKa at the top of the list,” he said with a laugh. “I am reason No. 2.” The Petkoff siblings are not the only ones excited to see what happens when Sweeney Todd bleeds DeVotchKa’s Latin and Slavic-infused aural amalgam into Sondheim’s perhaps most powerful (and unquestionably most homicidal) score. “DeVotchKa will attract a completely different kind of audience,” Petkoff said. “And boy, anytime you can bring a whole new swath of people into the theatre who don’t normally come is a great, great thing.” Petkoff and DeVotchKa frontman Nick Urata have their own affinities for Sweeney Todd dating back to their very different childhoods. Petkoff remembers hearing the vinyl cast recording in 1979 when he was in high school and the record was hot off the presses. “I was blown away, both by how complex the story is, and by how incredible the music is,” Petkoff said. “I just instantly fell in love. I knew I wanted to play that role one day.” DeVotchKa has been blurring distinctions between art forms for more than 15 years, notably with its wildly popular annual concerts at Red Rocks with the Colorado Symphony Orchestra. Music fans have been spellbound by the band’s theatricality dating all the way back to its earliest appear-ances at small Boulder music clubs when Urata and bandmates Jeanie Schroder, Shawn King and Tom Hagerman would enter from the back of a darkened house guided only by the string of lights that line Schroder’s sousaphone. “I can’t think of a more perfect platform for us than Sweeney Todd,” Urata said, “being that we like coming from a dark and twisted place, and this is the ultimate dark and twisted musical opera.” Petkoff’s co-star is Linda Mugleston in the delicious role of Mrs. Lovett, maker of those curiously delicious meat pies. Petkoff and Mugleston have theatrical bloodlines that crisscross Denver and run deep down into Broadway’s sidewalk cracks. Petkoff appeared in the DCPA’s Tantalus, a 10-play epic Trojan War cycle in 2000 — nothing less than the largest theatre project in the 2,500-year history of the theatre. He returned in 2012 for the world premiere of Sense & Sensibility, The Musical and in the Broadway tour of Spamalot in 2007. Mugleston’s Theatre Company credits include The Unsinkable Molly Brown, Quilters and A Christmas Carol. When the Theatre Company forays into musicals, Mugleston said, they always have something in common with the company’s nationally-acclaimed world premiere plays: Even when telling a familiar story, there is something new about them. “The Denver Center is always innovative, no matter what they are doing,” Mugleston said. “The creativity is always very high-end, and it never feels like run-of-the-mill, normal fare. It’s always exciting.” The Sweeney Todd stars appeared together briefly in the 2011 Broadway revival of Anything Goes, during which they swear no throats were slashed. Surprisingly, neither has

SWEENEY TODD: A DELICIOUS TAKE ON THE BARBAROUS BARBER

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DCPA Trustee Judi Wolf has been playing in costumes since she was six. “I started in my mother’s ballgowns,” she said. “I would put them on and get completely lost in them.” Wolf has been a staunch supporter of the DCPA since the first opening night in 1979, and openings continue to be a very big deal to Judi Wolf. She wore a toga to the opening of the 10-hour epic Greek cycle Tantalus in 2000. She arrived at The Little Mermaid in 2007 dressed as Ariel’s mother where she held fish-shaped balloons while her household manager blew bubbles in her wake. There are method actors and there are method dressers. Imagine what the audience thought when Wolf arrived at The Man Who Came to Dinner in 1990 wearing a cocktail dress and riding in a wheelchair. Reminiscent of the play’s cranky protagonist Sheridan Whiteside who spends the play in a wheelchair, Wolf says she needed it. “I had tripped,” she said, “so I rode to the opening in an ambulance with ice on my knee and ankle. It was opening night. I wasn’t going to miss it.” Wolf is a Denver native with a master’s degree in international relations from the University of Denver. She taught Spanish at Graland Country Day School and was named as the Fine Arts Foundation Citizen of the Arts in 2012. She has sponsored the Costume Corner column in Applause magazine for the past five years because she believes the costume arts must be championed. “What is theatre without costumes?” she said. “It’s radio!” We would like to give Judi Wolf a round of applause for her generous contribu-tions toward our costumes and, of course, for her unflagging flair for the dramatic.

COSTUME COLUMN

ever before appeared in

a production of Sweeney

Todd. Sondheim,

now 86, has been uncommonly encourag-

ing of young artists wanting to experiment with Sweeney Todd, which first shocked Broadway audiences under the direction of Hal Prince in 1979. It has since been presented in forms ranging from

opera to an intimate chamber piece. The musical was revived on Broad-way in 2004 with only 10 actors all playing their own instruments. In 2014, Sondheim gave his permission for the Landless Theatre Company to concoct a “prog-metal” version in Washington D.C. That’s a form that blends classical music and jazz while using metal to highlight some of the darker elements of the story. Permission to let DeVotchKa envelop Sondheim’s score with DeVotchKa’s signature horns, accordion, violin and percussion was handed down by the master himself. Urata’s stated goal for the piece is “to make it loud and proud.” And if that sounds too experimental for theatre purists, Urata said, consider that West Side Story was once experimental theatre. “If I know anything about Sondheim, it’s that he is very open-minded,” said Urata. “I think that’s why we all love him.” That’s because “first and foremost, Sondheim is an artist,” Mugleston said. Anytime you tell a story, Petkoff added, “who is telling the story changes that story. So people who come to see this show may have an idea what should be in their heads based on what they have seen before. But we have this great opportunity in Denver to tell our own version of the story, and adding DeVotchKa will make it a really unique version of that story.

This is how theatre breathes and grows and evolves.” When you change the orchestra-tions, you are not changing the actual notes, Petkoff said, “you are changing how an audience hears them — the rhythm. The style.” “I get why a playwright might say, ‘Listen, you need to say every word that I wrote.’ But with a musician, you understand that while he wrote every one of those notes, there are so many different ways to play them. And yet, you are still playing the song.”

Imagine, he said, what Broadway audiences who grew up on Camelot and My Fair Lady thought when they first sat watching Jesus Christ Superstar in 1971. “They were outraged,” he said. “’That’s not a musical!’ they said. But there was an influx of younger people who came and became lifelong lovers of theatre. The same thing is happening with Hamilton on Broadway today. There are people who have never been to a Broadway musical and they are standing and screaming in fits of ecstasy watching Hamilton. It’s wonderful for theatre because we need to change and we need new blood, and this is how you do it.”

SWEENEY TODDAPR 8 – MAY 15 • STAGE THEATREASL interpreted, Audio described & Open Captioned performance: May 1, 1:30pmTickets: 303.893.4100 denvercenter.orgGroups: 303.446.4829

DCPA Founder Don Seawell refused to wear one of Judi’s furs to a costume benefit. So to complete the look of the Viking Warrior, he tossed her bathroom rug over his shoulder.

“The Denver Center is always innovative, no matter what they are doing,” Mugleston said. “The creativity is always very high-end, and it never feels like run-of-the-mill, normal fare. It’s always exciting.”

Celtic Tales of Love & WarMarch 11-13

Newman Center for the Performing Arts

303-832-HORN(4676) | www.denverbrass.orgwww.newmantix.com/denverbrass

Featuring Brass, Bagpipes,Fiddles, Irish Tenor, Irish &Scottish Dancers

Colorado Remembers

The Ultimate FreeAmerican Concert atthe Colorado FreedomMemorial!

May 28 - 2pm

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UPCOMING SHOWSRiverdance — The 20th Anniversary World Tour Now – Mar 13

How I Got Over: Journeys in Verse Mar 18, 19, 25 & 26

Disney’s Newsies Mar 23 – Apr 9

Dixie’s Never Wear a Tube Top While Riding a Mechanical Bull... Mar 30 – Apr 24

Sweeney Todd Apr 8 – May 15

Cult Following Apr 29 & 30, Jun 3 & 4

The Realish Housewives of Cherry Creek: A Parody May 3 – 22

once May 24 – 29

NETworks presents Disney’s Beauty and the Beast Jun 7 – 12

The Sound of Music Jun 21 – 26

Beautiful — The Carole King Musical Jul 19 – 31

The Phantom of the Opera Aug 25 – Sep 11

An Act of God Opens Fall 2016

The Glass Menagerie Sep 9 – Oct 16

Roundabout Theatre Company’s Cabaret Sep 27 – Oct 9

Frankenstein Sep 30 – Oct 30

A Christmas Carol Nov 25 – Dec 24

The SantaLand Diaries Nov 25 – Dec 24

Hedwig and the Angry Inch Dec 6 – 11

Finding Neverland Dec 20 – Jan 1, 2017

Fun Home Jan 10 – 22, 2017

The Christians Jan 27 – Feb 26, 2017

Colorado New Play Summit Feb 11 – 12 & 17 – 18, 2017

Motown The Musical Feb 15 – 19, 2017

An American In Paris Mar 8 – 19, 2017

Kinky Boots Mar 21 – 26, 2017

Disgraced Mar 31 – May 7, 2017

The Secret Garden Apr 21 – May 28, 2017

The Illusionists May 19 – 21, 2017

The Curious Incident of the Dog in the Night-Time May 30 – Jun 18, 2017

Frozen Coming Summer 2017

SCFD: YOUR TAX DOLLARS REFLECTED ON STAGEIn 1988, metro area voters approved a 1¢ on $10 sales tax to support arts and culture. The Scientific and Cultural Facilities District (SCFD) now distributes nearly $55 million to 275 organizations throughout our community. But how has this investment diversified as the community has evolved? At the Denver Center for the Performing Arts, SCFD funds have enabled us to better reflect the diversity of our community through a number of programs. Here are some recent examples:

DIVERSE VOICES In addition to a commitment to colorblind casting (as evidenced in the Theatre Company’s recent production of As You Like It), the DCPA is excited to feature a regular mix of programming by, for and starring individuals from a variety of backgrounds. Titles such as Kinky Boots, Drag Machine, One Night in Miami…, Jackie and Me, FADE and Just Like Us among many, many others reflect the diversity within our community and our commitment to new voices on our stages. But our biggest commitment to new voices is the Women’s Voices Fund — a first-of-its-kind endowment designed to foster the work of a clearly underrepresented voice in American theatre. This initiative has enabled our Theatre Company to commission 15 female playwrights, hire 17 female directors and contribute to 10 world premiere plays by women — all in the past decade.

ACCESSIBILITY Thanks in part to the SCFD, we have grown our accessibility services to include ASL interpretation, Audio description, Open Captioning, Braille and large print programs, and tactile tours. Improvements to seating, entry/exit routes and enhanced listening systems are planned as part of our Bonfils Theatre Complex renovation.

AFFORDABILITY Our brand new DCPAccess program provides twice as many $10 tickets to each Theatre Company production plus significantly discounted tickets to select Broadway shows. Plus, our popular $10 student ticket program, military and senior rush tickets help eliminate barriers to attendance. Finally our new Radvantage membership for guests ages 18-30 offers substantial discounts to a variety of programs all year round.

NEW AUDIENCES While performing arts are often viewed as having aging audiences, we’ve launched a variety of programs to attract a younger crowd. Kids Night on Broadway provides a minimum of 200 free tickets for youth to designated Broadway performances. In addition to extensive in-school and on-site school programs, we now host both a High School Playwriting Competition and a High School Musical Theatre Competition. And our newest focus on Millennial engagement is evidenced through our innovative Off-Center programming and our new off-site, immersive production scheduled for late Spring.

For more information on these programs and many more, please visit denvercenter.org. P

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PLUS TWO WORLD PREMIERE PRODUCTIONS!

ANNOUNCING THE 2016/17 THEATRE COMPANY SEASON

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Renew or subscribe today at denvercenter.org/subscribe

SEP 9 – OCT 16 SEP 30 – OCT 30 NOV 25 – DEC 24

JAN 27 – FEB 26, 2017 MAR 31 – MAY 7, 2017 APR 21 – MAY 28, 2017

SEASON SPONSORS

Due to the nature of theatrical booking, all productions, prices and dates are subject to change.

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Orchestrations by

DANNY TROOB

Music Supervised and Arranged by

MICHAEL KOSARIN

Choreographed by

CHRISTOPHER GATTELLIDirected by

JEFF CALHOUNWorld Premiere, Paper Mill Playhouse, in Millburn, New Jersey on September 25, 2011. Mark S. Hoebee, Producing Artistic Director, Todd Schmidt, Managing Director ©

Disn

ey

Starring

JOEY BARREIROSTEVE BLANCHARD MORGAN KEENE AISHA de HAAS STEPHEN MICHAEL LANGTON

ZACHARY SAYLE JOHN MICHAEL PITERA ETHAN STEINER

MARK ALDRICH JOSH ASSOR BILL BATEMAN JOSHUA BURRAGE KEVIN CAROLAN DEMARIUS R. COPES MICHAEL DAMESKI NICO DEJESUS JP FERRERI SKY FLAHERTY KAITLYN FRANK

MICHAEL GORMAN STEPHEN HERNANDEZ MEREDITH INGLESBY JAMES JUDY DEVIN LEWIS ERIC JON MAHLUM NICHOLAS MASSON BECCA PETERSEN ALEX PRAKKEN JORDAN SAMUELS

DANIEL SWITZER ANDREW WILSON CHAZ WOLCOTT IAIN YOUNG ANTHONY ZAS

Based on the Disney film written by BOB TZUDIKER and NONI WHITE

Music by Lyrics by Book by

ALAN MENKEN JACK FELDMAN HARVEY FIERSTEIN

Scenic Design Costume Design Lighting Design Sound Design

TOBIN OST JESS GOLDSTEIN JEFF CROITER KEN TRAVIS

Projection Adaptation Hair & Wig Design Fight Direction Casting

SVEN ORTEL DANIEL BRODIE CHARLES G. LAPOINTE J. ALLEN SUDDETH TELSEY + COMPANY JUSTIN HUFF, CSA

Associate Producer Technical Supervisor General Manager Production Stage Manager

ANNE QUART GEOFFREY QUART CAITLYN THOMSON JEFF NORMAN

Dance Music Arrangements Music Coordinator Music Director Associate Director Associate Choreographer

MARK HUMMEL JOHN MILLER JAMES DODGSON RICHARD J. HINDS LOU CASTRO

Disney Theatrical Productions under the direction of

Thomas SchumacherPresents

Original Broadway Projection Design

91182_Newsies_Tour_Playbill_Denver_A.indd 2 2/9/16 9:21 AM

AND SEASON SPONSORS

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(in order of appearance)

Jack Kelly ................................................................................................................................... JOEY BARREIROCrutchie .....................................................................................................................................ZACHARY SAYLERace ............................................................................................................................................ DANIEL SWITZERAlbert ..............................................................................................................................................SKY FLAHERTYSpecs....................................................................................................................................... JORDAN SAMUELSHenry....................................................................................................................................DEMARIUS R. COPESFinch...................................................................................................................................................... IAIN YOUNGElmer ................................................................................................................................................ANTHONY ZASRomeo .............................................................................................................................................NICO DEJESUSMush ......................................................................................................................................NICHOLAS MASSONKatherine ...................................................................................................................................MORGAN KEENEDarcy ....................................................................................................................................... JOSHUA BURRAGENuns ........................................................... AISHA de HAAS, KAITLYN FRANK, MEREDITH INGLESBYMorris Delancey ..............................................................................................................................DEVIN LEWISOscar Delancey ..........................................................................................................................ALEX PRAKKENWiesel .....................................................................................................................................MICHAEL GORMANDavey ............................................................................................................... STEPHEN MICHAEL LANGTONLes (March 23–27) ...........................................(Thurs., Sat. Eve., Sun. Mat.) JOHN MICHAEL PITERA

(Wed., Fri. Sat. Mat., Sun Eve.) ETHAN STEINERLes (March 29–April 3)......................(Tues., Thurs., Sat. Eve., Sun. Mat.) JOHN MICHAEL PITERA

(Wed., Fri., Sat. Mat., Sun. Eve.) ETHAN STEINERLes (April 5–9) ...........................................................(Tues., Thurs., Sat. Eve.) JOHN MICHAEL PITERA

(Wed., Fri., Sat. Mat.) ETHAN STEINERJoseph Pulitzer .................................................................................................................STEVE BLANCHARDSeitz ................................................................................................................................................ MARK ALDRICHBunsen .............................................................................................................................................BILL BATEMANHannah ...............................................................................................................................MEREDITH INGLESBYSnyder ................................................................................................................................................. JAMES JUDYMedda Larkin .............................................................................................................................. AISHA de HAASStage Manager ............................................................................................................................ BILL BATEMANMr. Jacobi ..............................................................................................................................MICHAEL GORMANScab .................................................................MICHAEL DAMESKI, SKY FLAHERTY, CHAZ WOLCOTTMayor ......................................................................................................................................MICHAEL GORMANSpot Conlon ..................................................................................................................................ANTHONY ZASBill ..........................................................................................................................................NICHOLAS MASSONGovernor Roosevelt .............................................................................................................. KEVIN CAROLANCitizens of New York ....MARK ALDRICH, JOSH ASSOR, BILL BATEMAN, JOSHUA BURRAGE,

KEVIN CAROLAN, DEMARIUS R. COPES, MICHAEL DAMESKI, NICO DEJESUS, SKY FLAHERTY, KAITLYN FRANK, MICHAEL GORMAN, MEREDITH INGLESBY,

JAMES JUDY, DEVIN LEWIS, NICHOLAS MASSON, ALEX PRAKKEN, JORDAN SAMUELS, DANIEL SWITZER, CHAZ WOLCOTT, IAIN YOUNG, ANTHONY ZAS.

SWINGSJOSH ASSOR, JP FERRERI, STEPHEN HERNANDEZ, ERIC JON MAHLUM,

BECCA PETERSEN, ANDREW WILSON

UNDERSTUDIESJack Kelly: DEVIN LEWIS, ALEX PRAKKEN; Katherine: KAITLYN FRANK, BECCA PETERSEN;

Davey: DEVIN LEWIS, DANIEL SWITZER; Crutchie: DEMARIUS R. COPES, IAIN YOUNG; Medda: MEREDITH INGLESBY, BECCA PETERSEN;

Pulitzer: KEVIN CAROLAN, JAMES JUDY; Roosevelt: MARK ALDRICH, ERIC JON MAHLUM; Seitz: ERIC JON MAHLUM, ANDREW WILSON; Snyder: BILL BATEMAN, ERIC JOHN MAHLUM;

Wiesel/Jacobi/Mayor: BILL BATEMAN, ERIC JON MAHLUM; Bunsen/Stage Manager: ERIC JON MAHLUM, ANDREW WILSON

DANCE CAPTAIN: Andrew WilsonASSISTANT DANCE CAPTAIN: Josh Assor

FIGHT CAPTAIN: Kevin Carolan

The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cellular phones, beepers and watches. The use of cell phones in the theatre is prohibited.

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ACT I

Prologue: Rooftop, Dawn “Santa Fe” (Prologue) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jack, CrutchieScene 1: Newsie Square “Carrying the Banner” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jack, NewsiesScene 2: Pulitzer’s Office, Afternoon “The Bottom Line” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pulitzer, Seitz, Bunsen, HannahScene 3: A Street CornerScene 4: Medda’s Theater “That’s Rich” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Medda “I Never Planned on You/Don’t Come a-Knocking” . . . . . . . . . . . . . . . . . . .Jack, Bowery BeautiesScene 5: Newsie Square, Next Morning “The World Will Know” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jack, Davey, Les, NewsiesScene 6: Jacobi’s Deli and Street, Afternoon “The World Will Know” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .NewsiesScene 7: Katherine’s Office “Watch What Happens” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KatherineScene 8: Newsie Square, Next Morning “Seize the Day” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Davey, Jack, Newsies Scene 9: Rooftop “Santa Fe” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jack

ACT II

Entr’acteScene 1: Jacobi’s Deli, Next Morning “King of New York” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Davey, Katherine, Les, NewsiesScene 2: The Refuge “Letter from the Refuge” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CrutchieScene 3: Medda’s Theater “Watch What Happens” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Davey, Jack, Katherine, LesScene 4: Pulitzer’s Office and Cellar, Afternoon “The Bottom Line” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pulitzer, Seitz, MayorScene 5: Brooklyn Bridge and Medda’s Theater “Brooklyn’s Here” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Spot Conlon, NewsiesScene 6: Rooftop “Something to Believe In” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Katherine, JackScene 7: Pulitzer’s Cellar “Seize the Day” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Newsies “Once and for All” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jack, Davey, Katherine, NewsiesScene 8: Pulitzer’s Office, Next Morning “Seize the Day” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .NewsiesScene 9: Newsie Square “Finale” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jack, Newsies

Place: Lower ManhattanTime: Summer, 1899

THERE WILL BE ONE 15-MINUTE INTERMISSION

Newsies was inspired by the book Children of the City by DAVID NASAW

TOURING ORCHESTRAConductor: James Dodgson

Associate Conductor: Faith SeetooAssistant Conductor: Chip Prince

Trumpet/Flugel: Paul Baron; Bass: Joe Wallace; Drums: Heinrich Kruse;

Keyboards: Faith Seetoo, Chip Prince

Electronic Music Programmer: Jeff MarderMusic Coordinator: John Miller

DENVER LOCAL ORCHESTRA Woodwinds: Art BoutonPercussion: Mark Foster

Trombone/bass trombone: James GrayGuitar: Daniel SchwindtSynth sub: Boko Suzuki

Violin: Britt SwensonCello: Jeff Watson

Local Musicians Contractor: James Harvey

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JOEY BARREIRO (Jack Kelly). Joey’s pretty jazzed to join these ranks. Regional: Witches of Eastwick (Ogun-quit), Ragtime (Westchester Broadway), A Chorus Line (Connecticut Rep) Into the Woods (Studio Tenn). Classy shout outs to Dave, Justin, Jeff, James, and of course, Walt.

STEVE BLANCHARD (Joseph Pulit-zer). Broadway: Beauty and the Beast (Beast), Camelot (Lancelot), A Christ-mas Carol (Fred), The Three Musketeers (Aramis u/s). National Tours: Little House on the Prairie (Pa), Camelot (Lancelot), Phantom of the Opera (The Phantom), A Funny Thing Happened on the Way to the Forum (Miles Gloriosus), Hans Christian Anderson (Hans Christian Anderson). Off-Broadway: Orphan Train (Rev. Brace), Johnny Guitar (Johnny), Frankenstein (The Creature), Treasure Island (Captain Smollett). Television: “Law and Order,” “Third Watch,” “Cupid,” “Ed,” “Sunset Beat,” “Police Story” “Goody, Goody.” Film: “Those Who Wander,” “By The Dashboard Light,” “When the Moon Was Twice As Big,” “Dark Vengeance,” “Savva,” “Rap Master Ronnie.” Mr. Blanchard can be heard on the original recordings of Johnny Guitar, Sundown, Frankenstein, and Northbound Train.

MORGAN KEENE (Katherine). Broadway 1st national tour debut! Regional: Next to Normal, Grease, Fat Camp, Happy Days, Annie, Sound of Music, Jane Eyre and Songs for a New World. Tons of love and gratitude to God, Mom and Dad, Yvonne, Patti, Disney creative team, Jeff Calhoun, Justin/Telsey and Jamie/Victoria at Abrams Artists Agency. “Be humble, be gracious, be patient and be confident.” www.morgankeene.com Twitter/Instagram/Snapchat: @Keen-eMorgan

AISHA de HAAS (Medda Larkin) most recently seen in Nora Ephron’s Love Loss And What I Wore, has appeared on Broadway, TV and Film, including Caroline, Or Change; RENT (Broadway & Movie) and “Law & Order.” She’s happy singing back-up for Oleta Adams and Patti Austin, and is thrilled to join the cast of Newsies!

STEPHEN MICHAEL LANGTON (Davey). National tour debut! Pace University MT ‘13. Thanks to the creatives, Justin/Telsey+Co, and About Artists. Shout out to my amazingly supportive friends, incomparable family, and the Ussies for being there since day one. Love to Andromeda, from Dad.

ZACHARY SAYLE (Crutchie) created the role of Ralphie Parker in the World Premiere of A Christmas Story, The Musical. Theatre: Chitty Chitty Bang Bang! (1st National Tour), The Sound of Music (Asian Tour), Dani Girl, Life on the Mississippi. Film/TV: “In the Family,”

“White Collar.” CAP21 Alumnus. Huge thanks: Disney, Jeff, Telsey, creatives, Bercy Talent, Innovative, Amelia, Bill, David, CAP21, teachers, family, loved ones. Proud to carry the banner! www.zacharysayle.com and @ZSayle

JOHN MICHAEL PITERA (Les at cer-tain performances) is incredibly excited to join the National Tour of Disney’s Newsies. He has previously been seen in productions with Kidz Theater and In the Wings Productions. He would like to send a big THANK YOU to his manager Lisa Calli and teachers: Amelia DeMayo, Kristen Caesar, Justin Reamy, and Regina Innocente. Much love to Mom, Dad, Julianna, Mimi and to all his family and friends for their support.

ETHAN STEINER (Les at certain perfor-mances) is 11 years old and lives in Ann Arbor, Michigan. He is thrilled to be join-ing the cast of Newsies for his national tour debut! Recent credits: The Music Man (Winthrop), Caroline, or Change (Noah Gellman) and Pippin (Theo). Ethan would like to thank his siblings – Shira, Oren and Dana – and, of course his parents and grandparents for their endless love and support! Special thanks to Cynthia, Mark, Linda, Jayme, Jake, and Nancy Carson. Go Blue! www.ethanjsteiner.com

MARK ALDRICH (Seitz, Ensemble). Broadway: Newsies (original cast), Ragtime. Regional credits: Paper Mill Playhouse, The Kennedy Center, Pioneer Theatre, many more. TV/Film: “Law & Order,” “L&O: SVU.” Webseries: “The Happy Hour Guys.” Thanks to family and Jennifer.

JOSH ASSOR (Ensemble). Broadway: Disney’s Mary Poppins. Other credits include: Mary Poppins 1st National Tour, Wizard of Oz National Tour, West Side Story, Cyrano De Bergerac (Stratford Shakespeare Festival), Peter Pan, Beauty and the Beast, The Little Mermaid, Aida. www.joshassor.com

BILL BATEMAN (Bunsen, Stage Manager, Ensemble). Broadway/Off-Broadway: Gypsy: Patti LuPone; Hello, Dolly! (twice); Peter Pan (twice); Bring Back Birdie; The Fantasticks. National Tours: 11. Lucky is the man who loves his work. Member: Actors’ Equity.

JOSHUA BURRAGE (Darcy, Ensemble). Josh is delighted to be making his debut with the national tour of Newsies! He would like to thank his parents, family, and teachers for all the love and sup-port!

KEVIN CAROLAN (Roosevelt, Ensemble). Broadway: Newsies (Original Cast), The Ritz, Dirty Blonde. Stage: Baloo in The Jungle Book (Goodman/Huntington-Winner IRNE Award-Best Supporting Actor) Television: “Boardwalk Empire,” “Good Wife,” “The Middle,” “OITNB.” www.kevincarolan.com.

DeMARIUS R. COPES (Henry, Ensem-ble). Touring and Equity debut - from Birmingham, AL. Regional: Richie - A Chorus Line (Maltz Jupiter Theatre), Marius - Les Misérables (RMTC). Love to God, Mom, Rae, Lynne, Troy Dance, and Rider MT.

MICHAEL DAMESKI (Scab, Ensemble). Grateful to be joining the cast of News-ies! Broadway: Billy Elliot in Billy Elliot the Musical. Winner of ‘So You Think You Can Dance’ Australia 2014. Shoutout to my amazing family, Disney, Kevin Levine & my mentor, the iconic Paula Abdul.

NICO DeJESUS (Romeo, Ensemble). UCLA Graduate. Dancer on Disney’s “Shake it Up.” Henry on “MTV’s Awk-ward.” Thanks to God, Family, Telsey and Company, MSA LA, Ms. Rachel, and big bro Jeremy M.

JP FERRERI (Swing). Broadway: News-ies (Swing). Regional: Paper Mill Play-house Newsies (Buttons). Film: Hairspray (Joey). The Radio City Christmas Spec-tacular. Montclair State University. Much love to Mom, Dad, Lori Ann, and Family! @jpferreri

SKY FLAHERTY (Albert, Scab, Ensem-ble). Thrilled to be a Newsie!! Broadway: The Grinch. Big Thanks to Richard Hinds, Deborah Zuke Smith, Bruce Winant, Kris-tin Reeves, Neil Schwartz, Tribe Body, Julianna (CTG), and my inspiring mom, family and friends.

KAITLYN FRANK (Ensemble). National Tour: Irving Berlin’s White Christmas. NYC: Signature Theatre, Joyce Theatre, City Center, Duke on 42nd. Regional: Café Variations (SITI Company). Thanks to Telsey + Co, Take3, Disney and the team! Shout out to my favorite Jonathan Fenton! Love to Mom, Dad, Em, David Rider, and Mike. www.kaitlynfrank.com

MICHAEL GORMAN (Wiesel, Mr. Jacobi, Mayor, Ensemble). Broadway/Nat’l Tours: A Chorus Line (Revival), Chicago (Revival), Harrigan ‘n Hart, Copperfield, A Chorus Line (Original Production) Bobby. Regional: years & years. Member: Actors’ Equity.

STEPHEN HERNANDEZ (Swing). Ste-phen is so grateful to be touring with Newsies! Most recently: We Will Rock You (National Tour), Open (Italian Tour), Chuthis. Endless thanks to my family, friends, Telsey+CO, Disney, and bloc for your love and support. @stevohernandez

MEREDITH INGLESBY (Hannah, Ensem-ble). Broadway: Beauty and the Beast (Babette), The Little Mermaid (Ursula u/s). National Tours: Disney’s On the Record, Little House. Regional: Paper Mill: Little House on the Prairie, Other: Chicago. Television: “Law and Order.”

JAMES JUDY (Snyder, Ensemble). Broad-way: Into The Woods, The Scarlet Pim-pernel, Jekyll & Hyde, A Christmas Carol.

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DEVIN LEWIS (Morris Delancey, Ensem-ble). Broadway national tour debut! Thanks to Disney creatives, Justin/Telsey+Co, and the team at Don Buch-wald & Associates. So much love to Robert, KJKTDS, and the ‘rents. Pace MT ‘15. @devinlewis7428

ERIC JON MAHLUM (Swing). Broad-way: Wicked. Tours: Young Frankenstein, Joseph...Dreamcoat, The Wizard of Oz. Regional: Goodspeed, Paper Mill Play-house, Pittsburgh CLO, KC Starlight, Atlanta Theatre of the Stars, The Arden, Riverside Theatre, Milwaukee Repertory. ericjonmahlum.com

NICHOLAS MASSON (Mush, Bill, Ensemble). Nicholas is ready to “Seize the Day” in his debut on a professional show. He would like to thank his friends and especially his mom and dad.

BECCA PETERSEN (Swing). Becca is thrilled to be joining Newsies! Credits: MUNY, MTWichita, and NYC develop-mental lab (Prom). Thanks to Disney, Telsey, Harden-Curtis Associates, BYU, and her wonderful family and friends!

ALEX PRAKKEN (Oscar Delancey, Ensemble). Tour debut! Regional: Les Miserables (Marius, MUNY); Next to Normal (Gabe, Farmers Alley). Train-ing: BFA University of Michigan, LAMDA. Thanks to Jeff, Telsey, CGF, Mark, MT15, and, as always, mom and dad.

JORDAN SAMUELS (Specs, Ensemble). Broadway: Dr Seuss’ How the Grinch Stole Christmas. Dance: Rasta Thomas’ Bad Boys of Dance. Thanks to the News-ies creative team, Disney, Telsey, Barry Kolker, Dedra Daniels Mount, all teachers and family for love and support.

DANIEL SWITZER (Race, Ensemble). Tours: Wicked (u/s Boq), Cats (Mungojer-rie) Regional: Musical Theatre West, 3-D Theatricals, MUNY. Originally from St. Louis, MO. BFA from Rockford University. Thank you to Jeff, Lou, Telsey, Justin, Craig, BBR, Jodie, Friends and loving Family, especially Mom. @DanyoSwitzer

ANDREW WILSON (Swing). Tours: Cathy Rigby is Peter Pan, Cats. Regional: PCLO, Sac. Music Circus, Casa Manana, River-side, NYC Opera, La Mirada, DCL. Thanks to Chris, Jeff, Lou, Ricky, Justin and CTG. It takes a village: Sarah, Eloise, Reese, Karma, Patti, Gorman and Bub.

CHAZ WOLCOTT (Scab, Ensemble). National Tour: Cats (Mr. Mistoffelees). Regional: Merry-Go-Round, Lyric, Gate-way, Fulton, MTWichita, Casa Mañana, Fireside, Gretna. OCU alum. Immeasur-able gratitude to the Newsies team & his theatrical family. For Mom, in loving memory of Dad. @dancinchaz

IAIN YOUNG (Finch/Ensemble). Thrilled to be joining Newsies on Tour! Broad-way: Newsies (Henry) Regional: Radio City Christmas Spectacular (Grand Ole

Opry). Thanks to Mom, Dad, Andrew, The Mine, Telsey & Co and the entire creative team. @iainyoung

ANTHONY ZAS (Elmer/Spot Conlon/Ensemble). This is Anthony’s National Tour Debut! New York Theater: Count to Ten (NYMTF), Home for the Holidays (HA!HA! Comedy Club). He would like to thank Barry, Justin, Disney, and all his friends and family!

ALAN MENKEN (Music). Theater: God Bless You Mr Rosewater, Little Shop Of Horrors, Real Life Funnies, Atina: Evil Queen Of The Galaxy, Kicks, The Apprenticeship Of Duddy Kravitz, Beauty And The Beast, A Christmas Carol, Weird Romance, King David, Der Glöckner Von Notre Dame, The Little Mermaid, Sister Act, Leap Of Faith, Aladdin and Newsies. Film: Little Shop Of Horrors, The Little Mermaid, Beauty And The Beast, Newsies, Aladdin, Poca-hontas, The Hunchback Of Notre Dame, Hercules, Life With Mikey, Lincoln, Home On The Range, Noel, Enchanted, Shaggy Dog, Tangled and Mirror Mirror. Songs: Rocky V, Home Alone 2 and Captain America. Awards: 8 Oscars (19 nomi-nations), 11 Grammys (including Song of the Year), 7 Golden Globes, Tony®, Drama Desk, Outer Critics Circle, New York Drama Critics, Olivier and Lon-don’s Evening Standard Awards. Honors: Songwriter’s Hall of Fame, Doctorates from New York University and University of North Carolina School of the Arts.

JACK FELDMAN (Lyrics). Broadway and Off Broadway: The Madwoman of Central Park West; Isn’t It Romantic, by Wendy Wasserstein; Beyond Therapy, by Chris-topher Durang; Coming Attractions, by Ted Tally; Miami (book by Ms. Wasser-stein). Regional: Music for Mr. Durang and Albert Innaurato’s Idiots Karamazov at the Yale Repertory Theatre. Film: Oliver & Company; Tribute; Thumbelina; Newsies; Home Alone 2: Lost in New York; Used People; Life with Mikey; A Goofy Movie; The Lion King II: Simba’s Pride; and 102 Dalmatians. TV: Music and lyrics for the PBS Theatre in America production of Eve Merriam’s Out of Our Father’s House; The Magic Hat; The Little Mermaid (TV special); Polly; “Sesame Street;” “Wub-bulous World of Dr. Seuss;” and “Out of the Box.” Also many pop songs, including the Grammy Award–winning “Copaca-bana,” the top-10 hit “I Made It Through the Rain,” and songs and special material for Sarah Vaughn, Carmen McRae, Liza Minnelli, Lily Tomlin, Dionne Warwick, and the Muppets.

HARVEY FIERSTEIN (Book) is the author of the current Broadway Tony-winning smash Kinky Boots and last season’s Tony-nominated Casa Valentina, as well as Torch Song Trilogy (Tony, Drama Desk and Obie Awards), La Cage aux Folles (Tony and Drama Desk Awards), A Catered Affair (12 Drama Desk nomi-nations), Safe Sex (Ace Award), Legs Diamond, Spookhouse, Flatbush Tosca,

Common Ground and more. His political editorials have been published in the New York Times, TV Guide and the Huff-ington Post and broadcast on PBS’s “In the Life.” His children’s book, The Sissy Duckling (Humanitas Award), is now in its fifth printing. As an actor, Mr. Fierstein is known worldwide for his performances in films including “Mrs. Doubtfire,” “Inde-pendence Day,” and “Bullets Over Broad-way,” on stage in Hairspray (Tony Award), Fiddler on the Roof, La Cage aux Folles, Torch Song Trilogy (Tony Award), and on TV shows such as “Smash,” “How I Met Your Mother,” “The Good Wife,” “Cheers” (Emmy nomination), “The Simpsons,” “Family Guy,” and “Nurse Jackie.”

BOB TZUDIKER & NONI WHITE (Original Screenplay) sold their first feature film pitch, Newsies, to Disney. They went on to write the hit animated films Tarzan, The Hunchback of Notre Dame and Anas-tasia. Their live-action credits include Newsies and 102 Dalmatians. Bob and Noni also contributed to the film The Lion King and have written screenplays for every major studio. They met as actors, members of the Ensemble Studio Theatre, LA, and were later cast as hus-band and wife in a play for LA Theatre Works. It took. Bob, a graduate of St. John’s College in Annapolis, appeared in Total Recall, Ruthless People and Hill Street Blues, among others. Noni’s TV credits include Taxi, Little House on the Prairie and 7th Heaven, to name a few, and her features include Memories of Me and The Prizewinner of Defiance, Ohio. Bob and Noni live in Los Angeles with their son, Ben.

JEFF CALHOUN (Director). Broadway: Disney’s Newsies (8 Tony nominations including Best Director), Jekyll & Hyde (2013 Revival), Bonnie & Clyde (Tony nomination, Best Score), Grey Gardens (Tony nomination, Best Musical), Deaf West’s Big River (Tony Honor, Excellence in Theatre), Brooklyn, Annie Get Your Gun (Tony Award, Best Revival), Grease (Tony nomination, Best Choreography), Tommy Tune Tonite!, The Will Rogers Follies (Tony Award, Best Musical). US National Tour/West End/International: Maurice Hines’ Tappin’ Thru Life, Dolly Parton’s 9 to 5: The Musical, Disney’s High School Musical. Regional: Noah Racey’s Pulse, Asolo Rep.; Jane Austen’s Emma (Craig Noel Award, Outstand-ing Resident Musical), The Old Globe; Deaf West’s Pippin, Mark Taper Forum; Disney’s High School Musical: On Tour!, Disney Theatrical; The Civil War, Shenan-doah, and Violet, Ford’s Theatre. Jeff is an associate artist at the Ford’s Theatre in Washington, DC. Jeff loves to hear your thoughts on Twitter at @thejef-fcalhoun.

CHRISTOPHER GATTELLI (Choreogra-pher). Broadway: Godspell, South Pacific (Tony & Outer Critics Circle Nomina-tions ) Women on the Verge..., Sunday In The Park With George, The Ritz, Martin Short-Fame Becomes Me, 13, High Fidel-

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Callaway Awards, Drama Desk Nom.); Bat Boy (Lortel Award); tick, tick..BOOM!, West End: South Pacific; Sunday In The Park; tick, tick...BOOM!. Director/Chore-ographer: SILENCE! The Musical, world premiere of Emmet Otter’s Jugband Christmas, Radio Girl, How To Save The World..., Departure Lounge. Concerts: Hair w/Jennifer Hudson, Chess w/Josh Groban. TV: “The Rosie O’Donnell Show” (3 seasons).

TOBIN OST (Set Design). Broadway: Bonnie & Clyde (set and costume design), The Philanthropist (costume design) and Brooklyn—the Musi-cal (costume design). Off-Broadway: Nightingale (set design), Grace (set design), The Overwhelming (costume Design), Zanna–Don’t! (co-set and cos-tume design), Almost Heaven (costume design) and Fighting Words (set design). Selected Regional: Emma and Himself and Nora for the Old Globe; The Civil War and Shenandoah for Ford’s The-atre; Home for Williamstown Theatre Festival; Nightingale and Pippin for the Mark Taper Forum.

JESS GOLDSTEIN (Costume Design). Selected New York credits include Jersey Boys, Lincoln Center’s The Rivals (Tony Award) and Henry IV (Tony nomination), The Merchant of Venice (Tony nomina-tion), The Columnist, Take Me Out, Proof, Love! Valour! Compassion!, The Apple Tree with Kristin Chenoweth, Enchanted April, Julius Caesar with Denzel Wash-ington, How I Learned to Drive, Dinner With Friends, Buried Child, The Mineola Twins (Lortel and Hewes Awards) and Il Trittico for The Metropolitan Opera. Graduate and current faculty at Yale School of Drama.

JEFF CROITER (Lighting Design). Broad-way: Newsies, Mothers and Sons, Peter and the Starcatcher (Tony Award), A Time to Kill, Soul Doctor, Jekyll and Hyde, The Anarchist, The Performers, The Pee-wee Herman Show, Next Fall, Kiki and Herb. Other NYC: Fly By Night; Much Ado and King Lear, in Central Park; Last Five Years; Old Jews Telling Jokes; Silence; Love, Loss, and What I Wore; Meet Vera Stark; Rapture Blister Burn; A Lie of the Mind; Ordinary Days; Family Guys Sings; The Voysey Inheritance; The Internation-alist; Jacques Brel; Almost Maine; The Dazzle; Jennifer Muller The Works. Jeff is a producer of Submissions Only.

KEN TRAVIS (Sound Design). Broad-way Designs: Aladdin, Jekyll and Hyde, A Christmas Story the Musical, Scan-dalous, Newsies, Memphis, The Three-Penny Opera, Barefoot in the Park, Steel Magnolias. Numerous New York and regional theaters and companies including: The Old Globe, The 5th Avenue Theater, McCarter Theater, Seattle Rep, La Jolla Playhouse, LA Center Theater Group, ACT Seattle, Guthrie Theater, KC Rep, Dallas Theater Center, Playwrights Horizons, The New Group, NYSF Public

Theater, CSC, Signature Theater NYC, SoHo Rep, Vineyard Theater, The Civil-ians, Mabou Mines, and national and international festivals and tours.

SVEN ORTEL (Original Broadway Pro-jection Design). Broadway: Deuce, Faith Healer, Jumpers, The Woman In White (realization & system design), The Little Mermaid, Women On the Verge..., Won-derland. West End: The Sea, Marguerite, As You Desire Me, Jumpers, Hitchcock Blonde (realization), The Woman in White. Elsewhere (selection): A Dis-appearing Number (Barbican & World Tour), Measure For Measure (National Theatre & world tour), Tiefland, (Zurich, Barcelona), Rebecca (Vienna, Stuttgart), The Three Musketeers (Berlin, Stuttgart), Richard II (Old Vic, Recklinghausen) Swan Lake for SF Ballet, TFANAs Hamlet, The Ring Cycle (St.Petersburg, Russia). Carrie off-Broadway.

DANIEL BRODIE (Projection Adaptation) designed the projections for Christopher Wheeldon’s Winter’s Tale (Royal Ballet) and Cinderella and worked regularly with puppeteer Basil Twist, on Twist’s Behind the Lid, Arias with a Twist and The Rite of Spring. Broadway credits: Motown the Musical, Jekyll & Hyde and Disney’s Aladdin. Created video designs for Kanye West and the Bonnaroo Music and Arts Festival. Received the United States Insti-tute of Theatre Technology’s Rising Star Award (2011). He has also worked as a guest lecturer at Yale University.

MICHAEL KOSARIN (Music Supervisor and Arranger). Thirty years on Broadway as music director, arranger, and conduc-tor: Nine (1982), Grand Hotel, Mayor, The Secret Garden, King David, Triumph of Love, Beauty and the Beast, Little Shop of Horrors, The Little Mermaid, Sister Act, Leap of Faith. Alan Menken’s music director for twenty years; films include Captain America, Tangled, Enchanted, Hercules, Home on the Range, Shaggy Dog, Pocahontas. TV: Emmy Award for Outstanding Music Direction for “A Christmas Carol,” nomination for “The Music Man.” Has concertized, arranged, and recorded with the Boston Pops, St. Luke’s Orchestra, Carly Simon, Barbara Cook, Jane Krakowski, Kristin Che-noweth, and many others.

DANNY TROOB (Orchestrations). It was twenty years ago today….Danny began work as musical director and orchestra-tor of Newsies the motion picture. Now, after a long life as a cult movie on the internet, Newsies comes to Broadway, which is where Danny’s career began, with such shows as Pacific Overtures (dance music) Big River (musical super-vision) Footloose (orchestrations) and many others. Other films include Beauty and the Beast and Aladdin and there are too many other Broadway shows to mention. Thanks, Kenny Ortega and our original Newsies, and thanks Disney The-atricals for keeping the faith and bringing Newsies to a wider audience.

MARK HUMMEL (Dance Music). Broad-way musicals: Newsies, Hugh Jackman: Back On Broadway, Sister Act, Platinum, The First, Merlin, The Goodbye Girl, Legs Diamond, Guys & Dolls (1992), The Boy From Oz, Chita Rivera: The Dancer’s Life. Radio City Christmas Spectacular 75th celebration, composer/arranger. A 3-time Emmy Award nominee, Hummel creates music with Liza Minnelli, Tommy Tune, Bernadette Peters, Rufus Wainwright, Donna Murphy, Shirley MacLaine, Julie Wilson, Amra-Faye Wright, Peter Allen, Barbara Cook, Marcia Lewis, and Brian Stokes Mitchell.

JOHN MILLER (Music Coordinator). Broadway (over 100 shows, including): Jesus Christ Superstar; Leap of Faith; Once; On A Clear Day; Godspell; Follies; Porgy and Bess; Jersey Boys; Priscilla; Sister Act; Catch Me If You Can; Rock of Ages. Studio Musician (bass): Michael Jackson, Madonna, Peter, Paul and Mary, Eric Clapton, Sinatra, Carly Simon, Pete Seeger, NY Philharmonic. His album Stage Door Johnny – John Miller: Takes on Broadway is available on PS Classics Records. www.johnmillerbass.com

JAMES DODGSON (Music Director) is based in New York and has worked on productions throughout the US, Canada, Brazil, Holland, Spain, Australia, South Korea and London’s West End. Musi-cals: Mary Poppins, Les Misérables, Chi-cago, Miss Saigon, The Phantom of the Opera, Disney’s Beauty and the Beast, The Secret Garden, On A Clear Day You Can See Forever and Stiles and Drewe’s Peter Pan with The Royal Philharmonic Orchestra. National Theatre London: Oh What A Lovely War and The Villains Opera.

CHARLES G. LaPOINTE (Hair & Wig Design). Broadway: Clybourne Park, The Columnist, Magic/Bird, Bonnie & Clyde, The Mountaintop, Women on the Verge…, Merchant of Venice, Memphis, Henry IV, The Rivals, Cymbeline, Lombardi, Fences, Looped, Miracle Worker, Supe-rior Donuts, 33 Variations, Guys & Dolls, In the Heights, Jersey Boys, The Color Purple, Martin Short: Fame Becomes Me, Good Vibrations, The Apple Tree, A Raisin in the Sun, Cat on a Hot Tin Roof, Lieutenant of Inishmoor, Sight Unseen, High Fidelity, Xanadu, The Mountaintop. Signature Theatre’s Angels in America, Intelligent Homosexual’s Guide… Love to James.

J. ALLEN SUDDETH (Fight Director). Newsies is Allen’s tenth Broadway show, ranging from Angels in America, to Gem Of The Ocean, to Jekyll and Hyde. He is a master teacher at Rutgers, and SUNY Purchase, author, and works worldwide. He has logged over 800 Television shows, and several hundreds of productions in regional theater, and off-Broadway, over a 35 year career. Many thanks to his teachers, students, family and friends for the support all these years.

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STELSEY + COMPANY (Casting). Broad-way/Tours: Fiddler on the Roof, China Doll, Misery, Allegiance, On Your Feet!, Sylvia, Spring Awakening, Hamilton, Something Rotten!, An American in Paris, Finding Neverland, The King and I, Hand to God, Kinky Boots, Wicked, The Bridges of Madison County, If/Then, The Sound of Music, Love Letters, Pippin, Motown, Rock of Ages. Off-Broadway: Atlantic, MCC, Signature. Film: Fun House, Tal-lulah, Ithaca, The Intern. TV: “Grease: Live,” “The Wiz Live!,” “Flesh and Bone,” “Crazy Ex-Girlfriend,” “Masters of Sex,” commercials. www.telseyandco.com

RICHARD J. HINDS (Associate Director). Broadway: Newsies, Jekyll and Hyde, Il Divo: A Musical Affair. Off-Broadway: Here Lies Love. Tours: 9 to 5, High School Musical. Regional: Capital Repertory The-atre, New Theatre, Kansas City Repertory Theatre. Television: Macy’s Thanksgiv-ing Day Parade, America’s Got Talent, The Bethenny Show and Good After-noon America. Training: Interlochen Arts Academy.

LOU CASTRO (Associate Choreogra-pher). Bway/NY: Newsies, Women on the Verge, 13, Sunday In The Park With George, Altar Boyz. International/US Tours/Regional: Newsies (Paper Mill), 13 (Goodspeed), Altar Boyz (1st & 2nd Korean companies, 1st & 2nd US tours, Detroit, St. Louis, Cincinnati, Bristol, and Chicago companies), Sunday In The Park With George (Seattle’s 5th Ave Theatre). Thanks for everything X!!!

GEOFFREY QUART (Technical Super-visor) is the technical supervisor for Hudson Theatrical Associates. B’way credits include Newsies, The Trip to Bountiful, A Night with Janis Joplin, Aladdin, and Skylight. Previously with Troika Entertainment, worked on over 60 productions Including national tours of Come Fly Away, Fiddler on the Roof, 42nd Street in Asia, 101 Dalmatians, Chita Rivera: A Dancer’s Life, Joseph…, and Evita. Love to Anne, Madelyn, Zoey and Tucker.

JEFF NORMAN (Production Stage Manager). Las Vegas-Disney’s The Lion King, Mamma Mia!, Cirque du Soleil’s “O” at the Bellagio, Toronto-Disney’s Beauty and the Beast, Miss Saigon, Les Misérables, Opening team-Disney Cruise Lines. Proud member of Actors’ Equity Association.

CHRISTOPHER C. CHILDS (Stage Man-ager). Las Vegas: Mamma Mia!, JABBA-WOCKEEZ PRiSM and müs.i.c, Jersey Boys, Donn Arden’s Jubilee!. Tours: Phantom of the Opera, Dirty Rotten Scoundrels, Jesus Christ Superstar. Other: Heart of a Dog (Kiev, Ukraine). Much love and thanks to Ellen, Josie, and Zach. Proud member of Actors’ Equity Association.

PATRICIA L. GRABB (Assistant Stage Manager). Broadway: The Cripple of Inishmaan starring Daniel Radcliffe.

Tours: We Will Rock You, Mary Poppins, A Christmas Story, Young Frankenstein, 101 Dalmatians, Jesus Christ Superstar, Evita, Cats 25th Anniversary, Miss Saigon, A Christmas Carol and Swing! (Japan tour). Regional: Paper Mill Playhouse, Pennsyl-vania Centre Stage, Surflight Theatre. Proud graduate Penn State University. Love to her family.

KRISTEN TORGRIMSON (Assistant Stage Manager). Broadway: Rocky, Ghost the Musical, Man and Boy. Off-Broadway: Cotton Club Parade (Encores!), The Common Pursuit (Roundabout), How I Learned to Drive (Second Stage). BFA in Stage Management from The Theatre School at DePaul University.

DISNEY THEATRICAL PRODUCTIONS, a division of The Walt Disney Studios, was formed in 1994 and operates under the direction of Thomas Schumacher. Worldwide, its eight Broadway titles have been seen by over 133 million the-atergoers and have been nominated for 57 Tony Awards®, winning Broad-way’s highest honor 20 times. With 15 productions currently produced or licensed, a Disney musical is being per-formed professionally somewhere on the planet virtually every hour of the day. The company’s inaugural produc-tion, Beauty and the Beast, opened in 1994. It played a remarkable 13 year run on Broadway and has been pro-duced in 28 countries worldwide. In November 1997, Disney opened The Lion King, which received six 1998 Tony Awards including Best Musical. In its 18th smash year on Broadway, it has welcomed more than 80 million visitors worldwide to date, and can currently be seen in ten productions worldwide. Having played 22 countries on every continent except Antarctica, The Lion King’s worldwide gross exceeds that of any film, Broadway show or other entertainment title in box office history. Elton John and Tim Rice’s Aida opened on Broadway next, winning four 2000 Tony Awards. It was followed by Mary Poppins, a co-production with Cameron Mackintosh, which opened in London in 2004 and went on to enjoy a six year Tony-winning Broadway run. Tarzan®, which opened on Broadway in 2006, is now an international hit with an award-winning production in its 6th year in Germany. In January 2008, The Little Mermaid opened on Broadway and was the #1-selling new musical of that year. Disney Theatrical Productions opened two critically acclaimed productions on Broadway in 2012, receiving seven Tony Awards between them: Newsies, which is currently on tour throughout North America, and Peter and the Starcatcher, which enjoyed a two year New York run. Other successful stage ventures have included the Olivier-nominated London hit Shakespeare in Love, stage produc-tions of Disney’s High School Musical, Der Glöckner Von Notre Dame in Berlin, and King David in concert. DTP has col-

laborated with the country’s leading regional theatres to develop new stage titles including The Jungle Book and The Hunchback of Notre Dame. Aladdin is its most recent Tony Award-winning Broadway hit with upcoming produc-tions in Tokyo, Hamburg, and additional cities yet to be announced.

PAPER MILL PLAYHOUSE, a pioneer in the not-for-profit regional theatre move-ment. opened its doors in 1938 and has been recog nized throughout the industry for the artistry of its productions and commitment to sup porting the develop-ment of new works and emerging artists. A nationally recognized center for musi-cal theatre education and per formance, its award-winning arts education, artist training and outreach programs impact thousands of students each year. Paper Mill productions have moved to Broad-way, toured nationally, been filmed for Showtime and PBS and produced origi-nal cast recordings.

DISNEY THEATRICAL PRODUCTIONSPresident & Producer. . . . . . . . . . . . . . Thomas SchumacherEVP & Managing Director . . . . . . . . . . . . . . . David Schrader

Creative & ProductionExecutive Music Producer . . . . . . . . . . . . . . . . Chris MontanSVP, Production . . . . . . . . . . . . . . . . . . . . . . . . . . Anne QuartVP, Creative Development . . . . . . . . . . . . . . Ben FamigliettiDirector, Production . . . . . . . . . . . . . . . . . . . .Mimi IntagliataDirector, Production Development. . . . . . . Seth MarquetteDirector, Labor Relations . . . . . . . . . . . . . . . . . .Scott KardelAssociate Director . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jeff LeeProduction Supervisor. . . . . . . . . . . . . . . . Clifford SchwartzSr. Manager, Creative Development. . . . . .Jane AbramsonDramaturg & Literary Manager . . . . . . . . . . . .Ken CernigliaSr. Manager, Labor Relations . . . . . . . . . . .Stephanie CheekSr. Manager, Education & Outreach . . . . . . . . .Lisa MitchellManager, Education & Outreach . . . . . . . . . . . Sarah Kenny General Manager. . . . . . . . . . . . . . . . . . . . . . . . . . Myriah BashManager, Teaching & Learning/  Resident Teaching Artist. . . . . . . . . . . . Lauren ChapmanManager, Physical Production . . . . . . . . . . . . James GarnerGeneral Manager. . . . . . . . . . . . . . . . . . . . . .Caitlyn ThomsonGeneral Manager. . . . . . . . . . . . . . . . . . . . . . Thomas SchlenkAssociate General Manager . . . . . . . . . . . . . .Kerry McGrathAsst. Manager, Creative Development . . . Colleen McCormack

Marketing, Sales & PublicitySVP, Marketing, Sales & Publicity . . . . . . . . . . Andrew FlattVP, Sales, CRM & Partnerships . . . . . . . . . . .Bryan DockettVP, Marketing . . . . . . . . . . . . . . . . . . . . . . . . . . . Robin WyattDirector, Worldwide Publicity . . . . . . . . . . . .Michael CohenDirector, Sales & Ticketing . . . . . . . . . . . . . . . . . Nick FalzonDirector, Licensed Brands . . . . . . . . . . . . . . . . . . Gary KaneDirector, Partnership Development . . . . . . . . . .Lisa ScottoSr. Manager, Publicity & Communications . . . Lindsay BravermanSr. Marketing Manager. . . . . . . . . . . . . . . . . . Lauren DaghiniSr. Manager, Sales & Ticketing. . . . . . . . . . . Jenifer ThomasSr. Manager, Data Modeling & Consumer Insights . . . . . . . . . . . . . . . Craig TrachtenbergSr. Marketing Manager. . . . . . . . . . . . . . . . . . . Jason ZammitManager, Creative Services . . . . . . . . . . . . . . . . . .Eric EmchSales Manager, Groups & Tourism . . . . . Nicholas FarandaManager, Digital Marketing & Social Media. . Greg JoskenManager, Publicity & Communications . .Brendan PadgettManager, Digital Marketing. . . . . . . . . . . . . . . . . Peter TulbaAsst. Manager, Sales & Ticketing . . . . .Simon de CarvalhoAsst. Design Manager . . . . . . . . . . . . . . . . . . . Brandon FakeAsst. Manager, Partnership. . . . . . . . . . . . . . . . . . Julie Lavin

DomesticVP, Domestic Touring & Regional Engagements . . . . . . . . . . . . . . . . . . . Jack EldonDirector, Domestic Touring . . . . . . . . . . Michael Buchanan

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THE BUELL THEATRE is part of the Denver Performing Arts Complex, owned and operated by the City and County of

Denver, Arts and Venues.

CITY & COUNTY OF DENVER Michael Hancock, Mayor

ARTS AND VENUES Kent Rice, Director

For information call: 720.865.4220

DENVER CENTER FOR THE PERFORMING ARTS GRATEFULLY ACKNOWLEDGES THE FOLLOWING

SUPPORT IN ITS 2015/16 BROADWAY SEASON

PLEASE BE ADVISED Please be advised that once the show begins:

• LATECOMERS and those exiting the theatre are seated at predetermined breaks in designated areas.

• PHOTOS, RECORDING & CELL PHONE USE are prohibited.

• CHILDREN 4+ are welcome in our theatres and must be ticketed.

• DRINKS are allowed in provided containers.

• ASSISTIVE LISTENING DEVICES, LARGE PRINT PROGRAMS & BOOSTER SEATS are available in most theatres. Ask an usher to direct you.

• BRAILLE PROGRAMS are available with 2 weeks’ notice to ckrueger@dcpa.org or 303.893.4836.

Members of Denver Theatrical Wardrobe, Wigs, Hair and Make-up, Union 719

Linda AckerschottCarrie BreidenbachVonnie CloughJanel CloughCraig CoryCyndie CoryLaura CotugnoSteve DaviesAnne DavisCarolyn DoreDeborah Guess

AnnSue GunterJudy HolabirdLeslie LambertSharon Millikan-HaleCallie MorrowYolanda PollockDave PooleLiz SpadiAmy TepelMarybeth TscherpelBarb Wilson

Director, Regional Engagements . . . . .Scott A. HemerlingDirector, Regional Engagements . . . . . . . . . . . . .Kelli PalanSr. Manager, Theatrical Licensing . . . . . . . . .David R. ScottManager, Domestic Touring & Planning . . . . . . .Liz Botros

InternationalSVP, International . . . . . . . . . . . . . . . . . . . . . . . . . . Ron KollenVP, International, Australia . . . . . . . . . . . . . . . . James ThaneVP, International, Europe . . . . . . . . . . . . . . . . Fiona ThomasDirector, International Production . . . . . . . . Felipe GambaManager, International Production . . . . . . . . . . . Lee Taglin

Business & Legal AffairsSVP, Business & Legal Affairs . . . . . . . . . . .Jonathan OlsonVP, Business & Legal Affairs . . . . . . . . . . . . . . . . .Seth StuhlSenior Counsel . . . . . . . . . . . . . . . . . . . . . . . . Naila McKenzieManager, Business & Legal Affairs . . . . . . . . Jessica WhiteParalegal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Erin Browne

Finance & OperationsVP, Finance, Operations & Technology . . . .Mario IannettaVP, Operations . . . . . . . . . . . . . . . . . . . . . . . Dana AmendolaDirector, Production Accounting & Analysis . . Matt CraigDirector, Financial Planning & Analysis . . . . . . Matt MartinDirector, Accounting . . . . . . . . . . . . . . . . . . .Brigitte PascualManager, Finance . . . . . . . . . . . . . . . . . . . . . Jennifer AugustManager, Finance . . . . . . . . . . . . . . . . . . . . . . . Jessica BilmesManager, Operations . . . . . . . . . . . . . . . . . . . . . . . . Erin ClarkManager, Finance . . . . . . . . . . . . . . . . . . . . . . . . Chris EkizianManager, Technical Services & Support . .Michael FigliuloManager, Finance . . . . . . . . . . . . . . . . . . . .Mikhail MedvedevManager, Accounting. . . . . . . . . . . . . . . . . . . . . Arlene SmithSenior Production Accountant . . . . . . . . . . Angela DiSantiSenior Technical Support Engineer . . . . Kevin A. McGuireSenior Business Analyst . . . . . . . . . . . . . . . . .Noel Moore Jr.Production Accountant. . . . . . . . . . . . . . . . .Samantha SorinAssistant Production Accountant . . . . . . . . . . Isander Rojas

Strategy and Business DevelopmentDirector, Strategy & Business Development . . Clive ChangSr. Manager, Strategy & Business Development . . Ryan Pears

Human ResourcesDirector, Human Resources . . . . . . . . . . Marie-Pierre VarinManager, Human Resources & Labor Relations . .Valerie Hart

Administrative StaffZachary Baer, Caitlin Baird, Caley Beretta, Gregory Boilard, Elizabeth Boulger, Melody Byron, Hunter Chancellor, Brian DeCaluwe, Adam Dworkin, Bradley Eckerson, Meghan Flaim, Qadir Forbes, Sarah Funk, Phil Grippe, Matt Hagmeier Curtis, Frankie Harvey, Julie Haverkate, Chad Hornberger, Christina Huschle, Pearl Kermani, Chantal Lopez, Timothy Maynes, Jeffrey Metzler, Sunny Ng, Misael Nunez, Kelly Perez, Jessica Petschauer, Matt Quinones, Elizabeth Rublein, Janey Sherlock, Mark Shultz, Bri Silva, Ariel Stein, Lee Taglin, Mark Topley, Jennifer F. Vaughan, Angela Voelker

DISNEY THEATRICAL MERCHANDISE, L.L.C.VP, Licensed Brands & Merchandising. . . Steven DowningDirector, Merchandise & Sales Operations . .Alyssa SomersDirector, Licensed Brands . . . . . . . . . . . Mayumi YokomizoMerchandise Manager . . . . . . . . . . . . . . . . . . . Neil MarkmanCorp. Sales & Product Development Manager. . . . . . . . . . .Ellete PoulinBuyer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Violeta BurlazaOn-Site Retail Manager . . . . . . . . . . . . . . . . . . . . . .Mario MeyAssistant On-Site Retail Manager . . . . . . . . . . .Dana Collins

Disney Theatrical Productionsdtg.guestservices@disney.com

Opening Night - March 23, 2016

STAFF FOR NEWSIESGENERAL MANAGER . . . . . . . . . . . . . CAITLYN THOMSONCOMPANY MANAGER . . . . . . . . . . . . . . . . .CHRIS DANNERProduction Stage Manager . . . . . . . . . . . . . . . . Jeff NormanAssociate Company Manager . . . . . . . . . . . Brendan BeggsStage Manager . . . . . . . . . . . . . . . . . . . Christopher C. ChildsAssistant Stage Manager. . . . . . . . . . . . . . . Patricia L. Grabb Assistant Stage Manager. . . . . . . . . . . . . Kristen Torgrimson Dance Captain . . . . . . . . . . . . . . . . . . . . . . . . .Andrew WilsonAssistant Dance Captain . . . . . . . . . . . . . . . . . . . . Josh AssorFight Captain. . . . . . . . . . . . . . . . . . . . . . . . . . . . Kevin CarolanProduction Assistants . . Chet H. Craft, Patrick David Egan,

Kurchta Harding, Gabrielle Nieporent, Lauren Pennington, Mark A . Stys, Kristen Torgrimson

DISNEY ON BROADWAY PUBLICITYSenior Publicist . . . . . . . . . . . . . . . . . . . . . . . . Dennis CrowleyNational Press Representative . . . . . . . . . . Gregory Hanoian

Associate Scenic Designer . . . . . . . . . . . . . . Christine PetersAssociate Costume Designer . . . . . . . . . . . . . . Irma Brainard Assistant Costume Designer . . . . . . . . . . . . Tina McCartney Costume Shopper. . . . . . . . . . . . . . . . . . . . . . Adam AdelmanCostume Interns . . . . . . . Kathryn Bailey, Elizabeth DonelanAssociate Lighting Designer. . . . . . . . . . . . . . . . Cory PattakAssistant Lighting Designer . . . . . . . . . . . . . Wilburn BonnellMoving Light Programmer . . . . . . . . . . . . . . . . . . .Alex FogelAssociate Sound Designer . . . . . . . . . . . . . . . Alex HawthornProjection Assistant . . . . . . . . . . . . . . . .Michael F. Bergmann Media Programmer. . . . . . . . . . . . . . . . . . . . . Olivia D’Angelo Assistant Hair and Wig Designer . . . Gretchen AndrosavichMake-Up Consultant . . . . . . . . . . . . . . . . . . . Fred WaggonerAssistant Fight Director . . . . . . . . . . . . . . . . .Mitchell McCoyProduction Carpenter . . . . . . . . . . . . . . . . . .Andrew SullivanHead Carpenter. . . . . . . . . . . . . . . . . . . . . . . . . . . . .Noah KernAssistant Carpenter . . . . . . . . . . . . . . . . . . . . . Dave Burgdorf Assistant Carpenter . . . . . . . . . . . . . . . . . . . . . . . . Seth LarkinAutomation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ryan YortyProduction Electrician . . . . . . . . . . . . . . . . . . . Michael Brown Head Electrician . . . . . . . . . . . . . . . . . . . . . . . . . . Kurt KrohneAssistant Electrician. . . . . . . . . . . . . . . . . . . . . . Andrew Dyer Assistant Electrician. . . . . . . . . . . . . . . . . . . . . .Nicole Laeger Production Properties . . . . . . . . . . . . . . . . . . . Emiliano ParesHead Properties . . . . . . . . . . . . . . . . . . . . . . . . . . .Dan BoeschAssistant Properties . . . . . . . . . . . . . . . . . . . . Jennifer KramerProduction Sound. . . . . . . . . . . . . . . . . . . . . . . . . .Colle BustinHead Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ian P. CarrSound Assistant . . . . . . . . . . . . . . . . . . .Jared “Head” UllmanCrew Swing . . . . . . . . . . . . . . . . . . . . . . . . . . . Jonathan CobbCrew Swing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jes HalmWardrobe Supervisor. . . . . . . . . . . . . . . . . . . . . Gillian AustinAssistant Wardrobe Supervisor . . . . . . . . . . . . . Renee JonesHair Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . Kaylan PaisleyAssociate Music Director. . . . . . . . . . . . . . . . . . . Faith Seetoo Additional Orchestrations . . . . . . . . . . . . . . Steve Margoshes Additional Orchestrations . . . . . . . . . . . . . . . . . . .Dave Siegel Music Preparation . . . . . . . . . . . Anixter Rice Music ServicesElectronic Music Programming . . . . . . . . . . . . . . Jeff MarderAssistant Synth Programmer . . . . . . . . . . . . . . . . . . . Brian LiAssociate to Mr. Menken . . . . . . . . . . . . . . . . . . . . . Rick KunisAssistant to John Miller . . . . . . . . . . . . . .Jennifer CoolbaughRehearsal Pianist. . . . . . . . . . . . . . . . . . . . . . . . . . . Chip Prince Rehearsal Drummer . . . . . . . . . . . . . . . . . . . . . Heinrich Kruse Music Production Assistant . . . . . . . . . . . . Brendan WhitingDialect & Vocal Coach . . . . . . . . . . . . . . . .Shane Ann YountsAssistant to Mr. Calhoun . . . . . . . . . . . . . . . . . . Derek HerseyChildren’s Guardian . . . . . . . . . . . . . . . . .Bernadette Jusinski On Location Education . . . . . . . . . . . . . .Bernadette JusinskiPhysical Therapist. . . .NEURO TOUR Physical Therapy, Inc.

Gena Thurston, DPT Medical Director . . . . . . . . . . . . . . . . . . . . . .Craig E. Weil, MD

CASTINGTELSEY + COMPANY

Bernard Telsey CSA, William Cantler CSA, David Vaccari CSA, Bethany Knox CSA, Craig Burns CSA,

Tiffany Little Canfield CSA, Rachel Hoffman CSA, Justin Huff CSA, Patrick Goodwin CSA, Abbie Brady-

Dalton CSA, Cesar A. Rocha CSA, Andrew Femenella CSA, Karyn Casl CSA, Kristina Bramhall, Conrad Woolfe CSA,

Rachel Nadler, Rachel Minow, Scott Galina, Rikki Gimelstob, Madison

Sylvester, Lauren Harris, Laura Wade, Ally Kiley

Advertising. . . . . . . . . . . . . . . . . . . . . . . . . . Serino Coyne, Inc. Production Photography . . . . . . . . . . . . . . . .Deen Van Meer Production Travel . . . . . . . . . . . . . . . . . . . . . . . . . Jill L. Citron Payroll Managers . . . . . . . . Anthony DeLuca, Cathy Guerra Counsel–Immigration . . . . . . . . . . . . . . . . . Michael Rosenfeld

CREDITSCustom scenery and automation by Hudson Scenic Studio, Inc. Lighting equipment by Production Resource Group, LLC. Sound equipment by Masque Sound. Video projection equipment provided by WorldStage. Soft goods by iWeiss. Costumes by Carelli Costumes, Jennifer Love Studios, Claudia Diaz Costumes, Bethany Joy Costumes, Arel Studios, Brian Hemesath. Shoes by T.O. Dey; Capezio; WORLDTONE. Smoke effect by Jauchem & Meeh, NYC. Special thanks to Bra*Tenders for undergarments and hosiery. Ricola cough drops courtesy of Ricola USA, Inc. Fabric painting and distressing by Juliann Kroboth and Brian Robles.

NEWSIES rehearsed at the New 42nd Street Studios

THANKS Paper Mill Playhouse

The actors and stage managers employed in this production are members of Actors’ Equity Association, The Union of Professional Actors and Stage Managers in the United States.

Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).

United Scenic Artists • Local USA 829 of the I.A.T.S.E. represents the Designers & Scenic Artists for the American Theatre

The Press Agents and Company Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers.

The Director and choreographer are members of the Stage Directors and Choreographers Society, a national theatrical labor union.

This production is produced by a member of The Broadway League in collaboration with our professional union-represented employees.

Buell Theatre House CrewHead Electrics . . . . . . . . . . . . . . . . . . . . . . . . Tim DainesHead Carpenter . . . . . . . . . . . . . . . . . . . . . . Perry ElliottHead Audio . . . . . . . . . . . . . . . . . . Maximillian PetersonHead Props . . . . . . . . . . . . . . . . . . . . . . . Albert Sainz Sr.

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IIf not for the spunky street urchins who pedaled papers on Denver’s street corners in the early 20th century, Mile High Stadium might not be named after the Sports Authority retail giant today. Nathan Gart, patriarch of the Gart Brothers sporting goods empire that has since morphed into Sports Authority, was an entrepreneurial Denver Post newsboy who owned the corner of 16th and Lawrence streets. He learned at age 12 how profitable it could be to buy watches and rings from his regular customers, mark them up and re-sell them. He opened his first store in 1928 selling fishing rods with $500 he saved from hawking one screaming headline at a time. Gart is just one notable character in the colorful history of Denver’s newsboys, whose plight was positively Dicken-sian. In 1901, The Denver Times claimed that most newsboys, almost all of whom were orphans, cripples or runaways, made 10 to 15 cents a day selling papers they sold for a nickel. The newsies looked on one boy who made 40 cents a day as “a bloated aristocrat,” the paper reported. America’s most famous champion of newsboys was Horatio Alger, whose stories presented newsboys as exploited young heroes who succeeded through a mixture of pluck and luck. That is until Disney released Newsies, the 1992 musical film that introduced Christian Bale. The story, inspired by the real-life New York newsboys strike of 1899, was made into a Broadway musical in 2012 with music by Alan Menken, lyrics by Jack Feldman and a book by Harvey Fierstein. But if legend is to be believed, Denver’s newsboys were a much tougher lot than those striking, high-stepping New Yorkers.

Benny Bee, a crackerjack Denver Post newsboy in his time, was arrested while visiting New York and charged with “disturbing the peace and tranquility of Manhattan,” according to Bill Hosokawa’s enthralling history of The Denver Post, Thunder in the Rockies. His crime? “Demonstrating to New York newsboys how papers were sold in Denver.” Benny Bee reportedly introduced the profitable practice of “bootjacking” to his Big Apple counterparts. That’s when newsboys would mix in outdated editions of the daily paper with those that were hot off the presses and sell them to unsuspecting customers as the latest news. This was at a time when apocalyptic shouts of “Extra! Extra!” were ubiquitous on Denver street corners. Extras were special mid-day updates to the daily newspaper that would trumpet breaking and often trumped-up news scoops. According to Hosokawa’s book, Denver’s five competing daily newspapers would issue an “extra” at the least provocation, sometimes several times a day. Burn-ing oil fields, the bubonic plague or stolen babies were all handy tools to help newsboys sell more papers. But as soon as any new edition was printed, hundreds of now dated editions were relegated to the trash heap. Until bootjacking. The decade after World War I was a time when news-papers were Americans’ only source of reasonably real information. TV was unknown and radio was still a novelty. This was the golden era of yellow journalism, and Denver’s dailies were quick to embellish any story or stoke any flame to sell more papers. In the 1890s, The Denver Post’s down-town office became known as “The Bucket of Blood.” It may have been a period of contemptible journalism, but it also was the best show in town. The Post, co-founded

EXTRA! EXTRA! DENVER’S OWN “NEWSIES” HAD A COLORFUL PASTB Y J O H N M O O R E

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by Frederick Bonfils and Harry Tammen, once hired comedian Charley Murray to jump off its 12-story building. A crowd of 25,000 gathered to watch what turned out to be a dummy thrown off the roof. Tammen’s mantra: “The public not only likes to be fooled — it insists upon it.” And newsboys were part of the show — literally. They regularly got together and staged corner minstrel shows for spare change. Denver’s newsboy tradition dates back to 1870, when young carri-ers would deliver copies of the Rocky Mountain News on horseback to houses that were considered far out on the prairie in those days — we’re talking what is now 7th Avenue and Broadway. “More than once, herds of antelope sped out of my way as I rode out,” Theodore De Harport once said of his earliest newsboy days.

On October 14, 1925, Denver Mayor Benjamin Stapleton signed an ordinance making it illegal for newsboys to sell papers on the street. Newsboys over age 12 — “and newsgirls over 21” — would be permitted to sell papers, but only with a free license. And the practice of calling out headlines was made a criminal offense. In a 1959 retrospective, the Rocky Mountain News interviewed Edward J. Keating, presiding judge of Denver’s District Courts, about his days as a newspaperboy 35 years earlier. He claimed “the majority of judges in Denver and Colorado courts today earned their first dollars toward their educations by delivering newspapers.” Keating used his earnings to pay his tuition at Cathedral High School, which he parlayed into a college scholarship. “The newspaperboy of today has raised his work to such a high level of respect,” he said, “it has become a mark of pride for every prominent businessman and civic leader who can link his early career with the profession.”

DISNEY’S NEWSIESMAR 23 – APR 9 • BUELL THEATREASL interpreted, Audio-described and Open Captioned performance: Apr 3, 2pmTickets: 303.893.4100 • denvercenter.org • Groups: 303.446.4829

COMING UP FROM BROADWAY:

NETWORKS PRESENTS DISNEY’S BEAUTY AND THE BEASTAfter playing for more than 35 million people worldwide in 13 countries, it’s hard to imagine that the music from 1992’s Beauty and the Beast (returning to The Buell June 7 – 12) was never supposed to be written. Here are some little known facts about the beloved Disney soundtrack from animation historian and critic Charles Solomon.

• Artists began to submit storyboards for the film in 1983, which was originally slated to be non-musical. Husband and wife Richard and Jill Purdum were chosen to develop their idea, but after 10 weeks of storyboarding, it was deemed too dark.

• The Little Mermaid premiered in the middle of the process, and its success shifted the focus of the project. Walt Disney Studios head Jeffrey Katzenberg “envisioned the concept of a Broadway musical brought to animation by Howard Ashman and Alan Menken,” said writer Linda Woolverton.

• The song “Human Again” was cut from the movie because it added 11 minutes to the length and created a strange time gap for the supporting characters.

• The title song “Beauty and The Beast” won the 1992 Oscar for Best Original Song. Producer Don Hahn recalls Angela Lansbury’s recording session: “She went into the booth and sang ‘Beauty and the Beast’ from beginning to end and just nailed it. We picked up a couple of lines here and there, but essentially that one take is what we used for the movie.” And the rest, they say, is history.

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“The public not only likes to be fooled — it insists upon it.” — DENVER POST CO-FOUNDER, HARRY TAMMEN

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A group of children, probably delivery boys and girls, pose outside of The Denver Post on 16th Street. A sign reads: “The Denver Post, Every Day in the Year.” By Harry H. Buckwalter (between 1890 and 1910).

A portrait of Tom Payne, a Denver Post newspaper delivery boy (between 1900-1920).

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Join our Women with Hattitude benefit for the Women’s Voices Fund at the Denver Center for the Performing Arts. Enjoy a delicious lunch, a surprise musical performance and a colorful parade of the day’s best hats — all to help

women playwrights and directors be heard.

THU, MAY 5 • SEAWELL GRAND BALLROOM • 11:30AM DENVERCENTER.ORG/HATS • 303.572.4593

Sponsored by MARGOT & ALLAN FRANK

JAMIE ANGELICHE VENT CHAIR

WOMEN with HATTITUDE

WEAR A HAT THAT SPEAKS VOLUMES

Photos by Custom Creations Photography

Helping to Support Culture in Our Community and in Our State

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IIt began as a one-time, seven-minute performance: the intermission entertainment at the music sensation Eurovi-sion, a yearly contest that has launched the likes of Celine Dion and ABBA. The segment opened with the haunting sounds of the Celtic choir Anuna. Then a lone dancer came center stage in a simple black dress. Arms flush at her sides, she cavorted across the boards in an intricate pattern of steps and kicks, accompanied by a fast fiddle. Next came a leaping Michael Flatley, his shoes keeping time with a corps of Irish drums. And out of the shadows emerged two dozen more Irish dancers, storming the stage in a lightning-quick precision of steps, heels tapping in percussive rhythm and giving a performance of Irish dance unlike anything anyone had ever seen. Julian Erskine, senior executive producer of Riverdance, remembers that night. “It’s hard to describe just how enormous [the audience reaction] was. Not just in the Eurovision venue, where the entire audience let out a spontaneous roar and jumped to [its] feet, but also across all the Irish radio and TV stations and newspapers where it was the number one topic of discussion.” Such a buzz was created that by the time the routine was repeated live on Irish national television the following Saturday, nearly the entire country was watching to see what the fuss was about. Erskine and the rest of the creative team didn’t quite know what they had on their hands. With the instant popularity of the act, they planned to follow up the Eurovision performance with a full-length dance show to play Dublin. “The original hope,” he said, “was for a one-month run.”

That was 1994. Twenty-two years later the worldwide phenomenon of Riverdance continues to play to enthusiastic audiences across the globe. To Americans today, the immense and immediate popularity of River-dance in Ireland may seem odd. Why the fuss? Isn’t Irish dance ingrained in the culture? Not like this, said Erskine. “It was a unique event, especially for Irish audiences. We were not used to seeing Irish dancing as a form of entertainment, and never on such a big scale. Prior to Riverdance, Irish dancing was a low-key cultural pastime, reserved for competitive amateurs and now and then for small-scale tourist attractions…. This show was the first of a new kind of entertainment.” Immediately upon opening the show in Dublin in February 1995, the creative team was invited to bring it to London. Soon, worldwide invitations began pouring in and, Erskine said, “it was clear that the show had a much wider appeal and was not limited to playing to Irish audiences.” Celtic music and culture were already gaining fresh popularity in the US, so taking the show across the pond seemed like a natural step. Erskine: “Our first taste of the American reaction was in March 1996 when we came to Radio City Music Hall for St. Patrick’s week. It was fantastic! We were sold out before we arrived and the whole week was one long celebration.” So just what is so fascinating about Riverdance? To start, there’s the music of composer Bill Whelan, which includes Irish Uilleann pipes and the Bodhran, a handheld drum covered with goat’s skin and played with a wooden stick. When joined with the fiddle, these instruments form

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the traditional Irish “seisiun” trio, but to quote Erskine, “Perhaps the least known instruments in the show are the dancers’ shoes. With their hard heels, soles and tips, the dancers are not only able to beat out a rhythm, but they can also make music by using their shoes to create bass and tre-ble notes.” The steps, multiplied by 20 dancers all moving in time together, create music of their own. Those dancers are the heart of the show — skilled athletes whose precise execution may be rivaled only by the Rockettes. When asked if that point-perfect unison is achieved by endless hours of rehearsal or great choreographic direction, Erskine assessed it as a bit of both. “Mostly it’s down to the competitive background of Irish dance. All of our performers are championship-winning dancers and as such, perform with extreme precision and exceptional timing, usually under intense pressure.” As most of the dancers have been competing since they were toddlers, this precision and style are deeply rooted. “What seems extraordinary to the audience seems ordinary to the dancers,” he said.

Riverdance returns to Denver after a seven-year absence during which the show toured Asia. During its 2008 engagement, Erskine was uncertain about what lay ahead for the show, but given the enthusiastic embrace Americans have for the show he then said, ”I would never rule out Riverdance, in some form or other, returning to the US in the future. We’re just happy that that future ended up including a stop in Denver during its 20th anniversary world tour.

Genevieve Miller previously served as the DCPA’s Director of Publicity & Promotions and is now General Manager at Broadway Across America in Cincinnati.

RIVERDANCE — THE 20TH ANNIVERSARY WORLD TOURMAR 8 – 13 • BUELL THEATRETickets: 303.893.4100 • denvercenter.org • 303.446.4829

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COMING UP FROM BROADWAY:

ONCEThe film once became a sleeper hit of 2007, winning over the hearts of critics and audiences alike with its intimate look into the unrequited romance of two musi-cians. The simple plot, shoestring budget and minimal acting credits gave the movie a sense of reality that most Hollywood affairs miss. Its award-winning soundtrack (Oscar for Best Original Song for “Falling Slowly”) was the magical thread that con-nected the plot and punctuated its most emotional moments. After all of this, then, it might seem like it would feel out of place on the Broadway stage (returning to Denver May 24 – 29), not necessarily known for subtlety and intimacy. But like the movie, the magic lies in the music and in the people who are playing it. “once has a very huge fan base for the movie and these songs,” said Music Super-visor and Orchestrator Martin Lowe. “[It’s] a huge responsibility to me and to the cast, to deliver those songs to the audi-ence as people remember them while still giving them something that’s new.” The actors have gotten to bond as a band as well as a company. The excite-ment to perform as musicians is palpable in the show. “The fact that we put all of our feeling and love into our instruments, you can sense it in the air,” said Cristin Milioti, who starred in the original Broadway produc-tion. “I have never been lifted so much by an action on stage as I have playing an instrument, making a sound.” We invite you to be lifted with the cast on a journey into the passionate, magical story of once.

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30 denvercenter.org

“ For five years, we’ve sponsored the [DCPA’s Saturday Night Alive] silent auction and helped raise thousands of dollars for Arts in Education programs.… We appreciate the opportunity to align our bank with this important access to the arts.”

— BILL SULLIVAN, CSBT PRESIDENT & CEO

AAt Colorado State Bank and Trust (CSBT) we believe that people do business with people they like and respect. It’s about similar values. “That’s why we are pleased to support the Denver Center for the Performing Arts and Saturday Night Alive,” said Bill Sullivan, CSBT President and CEO. “For five years, we’ve sponsored the silent auction and helped raise thousands of dollars for Arts in Education programs. The DCPA uses proceeds to take arts to the classroom, so in many cases, children are seeing a theatre performance for the first time. We appreciate the opportunity to align our bank with this important access to the arts.” In 2003, CSBT joined forces with BOK Financial (BOKF), one of the top 25 U.S.–based banks. CSBT has served Colorado since 1908 and BOKF has also been in business for more than 100 years. This partnership enhances long-held mutual values. Today, CSBT has the sophisticated products, services and lending capacity of a large bank combined with the ability to deliver those solutions in a one-on-one, high touch, community-focused manner. “Clearly, we’re pleased to have this strength and flexibility,” said Bill. “We have the financial resources to support civic and community activities and the human resources to lend leadership and volunteer time to civic activities, nonprofit boards and community causes. It’s fair to say there’s strength in numbers. If the businesses that flourish here and the people who live and work here contribute as we can, we believe it’s time and money well spent.”

A PROUD SPONSOR OF DCPA’S SATURDAY NIGHT ALIVE SILENT AUCTION

APPRECIATE OPPORTUNITY TO ALIGN WITH THE ARTS

OPERACOLORADO.ORG303.468.2030

LORI LAITMAN MAY 7|10|13|15 2016The 2015-2016 Season is sponsored by:Ken & Donna Barrow. The Scarlet Letter is sponsored by Kenneth and Donna Barrow, Dave and Pam Duke,Noël and Thomas Congdon, Jeremy and Susan Shamos, Joy Dinsdale and Daniel L. Ritchie.

Through literary discussion, poetry, music and more – Opera Colorado will explore the themes of The Scarlet Letter.

EVENT SERIES

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AAt a time when the national theatre conversation is at last fixed on the sadly unchanging topic of gender disparity in American playwriting, the Denver Center’s 11th and largest annual Colorado New Play Summit turned into a veritable celebration of the woman’s voice. The two fully-produced world premiere plays that were presented for local and national audiences were written by women. Two of the four playwrights whose developing works were selected to be featured at this year’s Summit are women. The second-ever Local Playwrights’ Slam was curated by a company dedicated to supporting artistic contributions by women, and thus featured an all-female playwriting lineup. And the three teen playwrights whose works were chosen from a field of 212 statewide submissions to be presented in the third annual Regional

High School Playwriting Workshop and Competition are all Colorado female high-school students. “All of that gives me hope,” said Angela Astle, Executive Director of the Athena Project and host of the Local Playwrights’ Slam held in The Jones on February 13. “We’ve got a movement started that recognizes women are truly underrepresented in the American theatre. “Only 20 percent of all plays produced in this country are written by women, and we need to change that.” The 2016 Colorado New Play Summit, which last year expanded to two weeks to add additional development time and a second round of public readings, drew more local audiences and national industry leaders than ever before, with attendees coming from 25 states. Visitors represented companies ranging from The Roundabout

PHOTOS: 1. Members of the cast of Midwinter by Mat Smart 2. Guadalupe Zarate, Daniel Valdez, Cynthia Reifler Flores, and Vaneza Calderon rehearse American Mariachi by José Cruz González. 3. Tom Pearson and Zach Morris, Co-Artistic Directors of Third Rail Projects, and DCPA Playwriting Fellow Matthew Lopez at the Devised Work Panel 4. The cast and creative team of Two Degrees by Tira Palmquist 5. Commissioned Playwright Kemp Powers and actor Jason Delane. 6. Candy Brown, Josh Hartwell, and Jeffrey Neuman at the Regional New Play Development Panel. 7. Meet and Greet at the Summit 8. Colorado Playwright Rebecca Gorman O’Neill performs at the Local Playwrights’ Slam, curated and hosted by the Athena Project. Photos by John Moore.

11TH ANNUALCOLORADO NEW PLAY SUMMIT

B Y J O H N M O O R E

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Theatre Company in New York, the Alley Theatre in Houston, the Arena Stage in Washington D.C., the Oregon Shakespeare Festival and, closer to home, the Creede Repertory Theatre, Su Teatro and Arvada Center. They were treated to fully staged performances of Theresa Rebeck’s The Nest, Tanya Saracho’s FADE, the four featured Summit readings, several panel discussions hosted by DCPA Theatre Company Playwright in Residence Matthew Lopez (The Legend of Georgia McBride) and a thrilling demonstration of the DCPA’s newest commission — Third Rail Projects’ upcoming immersive, experiential new work slated for May. The four featured Summit readings took audiences from 1616 England to present-day South Pole. Here’s a brief look at each:

• José Cruz González’s American Mariachi is a new piece inspired by women who overcame great obstacles to form their own mariachi groups in Los Angeles during the male-dominated 1970s.

• Lauren Gunderson’s The Book of Will tackles the history right after Shakespeare died by telling how his friends and fellow actors valiantly managed to publish the first folio of The Bard’s great works.

• Tira Palmquist describes her Two Degrees as “a cheery story about climate change.” Her main character is a female climate scientist but her play is really about grief, she said. “Grief for the planet, grief at large, grief on a more personal scale.”

• Mat Smart’s Midwinter was inspired by his time working at a research center on Antarctica. “One thing that’s interesting about the station is that the

people there fall in and out of love and have these epic relationships for, like, two weeks — and it’s very genuine,” said Smart, who calls his story a riff on A Midsummer Night’s Dream.

DCPA Theatre Company Producing Artistic Director (and Summit founder) Kent Thompson’s burgeoning commission program was on full display at the Summit as well. Commissioned playwrights are those who have been contracted by the Denver Center to write a new play for Thompson’s first right of refusal. Among those commissioned playwrights in attended included several handpicked to participate in the second-weekend Playwrights’ Slam. They included some of the biggest names in American playwriting, including Robert Schenkkan (All the Way, The 12), Kemp Powers (One Night in Miami…), Regina Taylor (Crowns), Rogelio Martinez (When Tang Met Laika), Anne Garcia-Romero, Lauren Yee and Andrew Hinderacker. The 2016 Summit also will go down in history as the first time an event held at the DCPA was livestreamed on HowlRoundTV, a peer-produced online network. Audiences around the world watched three Summit panel conversations on their computers. One featured Third Rail Projects founder Zach Morris (a Colorado native) and co-Artistic Director Tom Pearson talking about the company’s upcoming partnership with the DCPA. HowlRoundTV also broadcast a dialogue hosted by Lopez about the playwriting process, as well as the Playwrights’ Slam on February 19. The Colorado New Play Summit has grown into one of the nation’s premier showcases of new plays. In its first decade, 44 new plays were introduced at the Summit, and more than half have returned as fully staged Theatre Company productions.

THANK YOU TO OUR SUMMIT SPONSORS: Joy S. Burns, Clos du Bois Winery, Terry & Noel Hefty, Karolynn Lestrud, Robert & Carole Slosky and Daniel L. Ritchie. Special thanks to the Harold & Mimi Steinberg Charitable Trust for its continued support of new play development at the Denver Center for the Performing Arts.

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DCPAScott Shiller .............................................................President/CEO Eve Gordon ..........................Executive Assistant to the CEO

BROADWAY & CABARETJohn Ekeberg ..........................Executive Director BroadwayAlicia Giersch ....................................................General ManagerAlyssa Chacon ............ Operations Business AdministratorAbel Becerra ................................. Technical Director, Cabaret

DEVELOPMENTDavid Zupancic ................................Director of Development Shawn Bayer ...................................................Associate DirectorChelley Canales ..................................Development AssociateMegan Fevurly ....................................Development AssociateMelissa Olson .......................................Development Assistant Marc Ravenhill ................................................Associate Director Valerie Taron ...................................................Associate Director

EDUCATIONAllison Watrous .......................................Director of EducationJessica Austgen ...............................................Teaching Artist &

Shakespeare CoordinatorStuart Barr .................................Education Technical DirectorClaudia Carson ........................................Bobby G Coordinator Leslie Channell ............................................ Education RegistrarPatrick Elkins-Zeglarski ...............................................Education

Curriculum ManagerLinda Eller .............................................................................LibrarianTim McCracken.....................................................Head of ActingJannett Matusiak ...........................................Business ManagerMichelle Patrick ..................Corporate Training CoordinatorDavid Saphier .............School Coordinator/Teaching ArtistRachel Taylor ........ .At-Risk Coordinator & Teaching Artist Chloe McCleod, Justin Walvoord, Robyn Yamada ................................................... Teaching Artists

FACILITIES & EVENT SERVICESClay Courter ....Vice President, Facilities & Event ServicesJames Babcock, Dwight Barela,Clint Flinchpaugh, Michael Kimbrough ............... Engineers Quentin Crump ..............................................Security SpecialistTom Duffin ....................................Manager, Event Technology Caitlin Glasgo ...............................................Events Coordinator Stori Heleen ................................Event Technology Specialist Jaymes Kimbrough .................Event Technology Specialist Clint King ........................................................Security SupervisorTerry Koch ..........................Director, Facilities ManagementJohn Lower .............................................................Chief EngineerBrian McClain ............................................ Custodial SupervisorTara Miller, Danielle Porter, Brittany Schoede ............................................Events ManagersBrook Nichols ...............................Director, Event Technology Alyssa Stock ...................................Assistant Project ManagerWill Stowe ....................................Event Technology SpecialistTara Wenger ...Facilities/Event Services Business Manager Dawn Williams ....................................Director, Event Services Juan Loya, Carmen Molina, Blanca Primero, Judith Primero, Angeles Reyes Soto, Francisco Trujillo ...........................................................Custodians

MARKETING & SALESJennifer Nealson .................................Chief Marketing Officer Heidi Bosk ........................ Senior PR & Promotions ManagerNathan Brunetti ..................................................Digital ManagerKim Conner ........................................................Graphic DesignerFlora Jane DiRienzo ..............Director of Strategic ProjectsBrenda Elliott .....................................Senior Graphic DesignerBrianna Firestone ...................................Director of MarketingSimone Gordon ..................................................Project ManagerHope Grandon .........................................PR & Events ManagerJeff Hovorka ............................ Director of Sales & MarketingJennifer Kemps .......................................Group Sales ManagerEmily Kent .....................................................Marketing ManagerDavid Lenk.............................................................Video ProducerEmily Lozow ..........................................Marketing CoordinatorAdam Lundeen..................................... Website Administrator

Kyle Malone ...................................................................Art DirectorCarolyn Michaels ..........................................................CopywriterJohn Moore ...............................................Senior Arts JournalistAdam Obendorf ..........................................Senior Art DirectorBeth Osolin .....................Group Sales Business CoordinatorAllison Barber Pasternak .... Executive Assistant to the CMODonna Rossi ...........................Customer Experience DirectorJoseph Schurwonn......................................... Financial AnalystJill Schwager ..............Education Group Sales CoordinatorRob Silk ................................................................ Creative DirectorSuzanne Yoe ..........................Director of Marketing Services

& Cultural AffairsTHEATRE SERVICES Carol Krueger .................................Theatre Services ManagerAdam Alberti, Ethan Aumann, Nora Caley, Hadley Kamminga-Peck, LeiLani Lynch, Gregory Melton, Douglas Murphey, Joyce Murphey, Margaret Ohlander, Dylan Phibbs, Valerie Schaefer, Mica Ward ....................Theatre Company House ManagersTICKETING SERVICESJennifer Lopez ........................Director of Ticketing ServicesKirk Petersen ..........................................Assoc. Dir. of Ticketing

Services – Patron RelationsDavid Smith ............................................Assoc. Dir. of Ticketing

Services – Subscription ServicesJessica Bergin, Katie Clow-Pollard, Tristan Jungferman, Laura Kirby ......Box Office ManagersWilliam Dutton III..................................VIP Ticketing ManagerMicah White .............................................Subscription ManagerMalcolm Brown, Kevin Dykstra, Edmund Gurule, Elisabeth Link, Molly McDonough .....................Show LeadsKirsten Anderson, Ashley Brown, Scott Lix, Gregory Swan .......................Subscription AgentsMaggie Blumer, Rena Bugg, D.J. Dennis, Nicole Giordano, Jennifer Gray, Roger Haak, Rebecca Hibbert, Joel Innes, Alex Jannen, Noah Jungferman, Megan Kelly, Alia Kempton, Michael Lang, Daniel Lindsey, Brett Martinez, Shane Rodriguez, Hayley Solano, Ereece Thomas, J.P. Velez, Tomas Waples ....................................Ticket Agents

SHARED SERVICESVicky Miles ...............................................Chief Financial OfficerJennifer Jeffrey ..................................Senior Financial AnalystACCOUNTINGJennifer Siemers ..................................Director of AccountingSara Brandenburg, Michaele Davidson ....................................Senior AccountantsGeorgette Maddox ..........................................Payroll SpecialistKim Stewart .......................................................Staff AccountantHUMAN RESOURCESRegina Matthews ........................Director Human ResourcesBrian Carter ..................................Human Resources ManagerDonald Gabenski ............................................................ReceptionJamie Hawkins .....................................................HR Coordinator Monica Robles ...........................................Mailroom SupervisorINFORMATION TECHNOLOGYChris Calenzo ..................................................Help Desk AnalystJayson Cowley......................................Network AdministratorJim Hipp ................................................Associate Director of ITChristopher Hoge ......................VoIP/System AdministratorBobby Jiminez ........................ Senior Audienceview AnalystJohn H. Voorheis ...........................Manager of Infrastructure

THEATRE COMPANY Kent Thompson .......................... Producing Artistic Director ADMINISTRATIONCharles Varin ..................................................Managing DirectorRyan Meisheid ..........................Associate Managing DirectorAllison Taylor .................................................Company ManagerKerri Mirtsching ................................... Business Administrator Alie Quistberg ..........................Assistant Company Manager ARTISTICBruce K. Sevy ..............Director of New Play DevelopmentDouglas Langworthy ...........Literary Manager/DramaturgChad Henry ......................................................Literary AssociateEmily Tarquin ..................................................Artistic Associate/

New Play Coordinator

Grady Soapes .............................................Artistic CoordinatorEli Carpenter, Matthew Lause ........................ Artistic InternsPRODUCTIONJeff Gifford ..............................................Director of ProductionMelissa Cashion ...................Associate Production ManagerJulie Brou ..................Production & Artistic Office ManagerScenic DesignLisa M. Orzolek ...............................Director of Scenic DesignMatthew Plamp, Nicholas Renaud..............................Scenic Design AssistantsLighting DesignCharles R. MacLeod ..................................Director of LightingLily Bradford ....................................Lighting Design AssistantReid Tennis .............................................. Production ElectricianMultimediaCharlie I. Miller...................... Resident Multimedia SpecialistTopher Blair ...........................Multimedia Assistant/OperatorSound DesignCraig Breitenbach ..........................................Director of SoundTyler Nelson ......................................................... Sound DesignerAlex Billman, Frank Haas .............................Sound OperatorsStage ManagementChristopher C. Ewing ...............Production Stage ManagerMatthew Campbell, Rachel Ducat, Aja M. Jackson, Kurt Van Raden ................Stage ManagersD. Lynn Reiland ........................................Production AssistantCorin Ferris, Lexi Holtzer, Kristen Littlepage........... Stage Management ApprenticesScene ShopEric Rouse .........................................................Technical DirectorRobert L. Orzolek ....................Associate Technical DirectorJosh Prues ................................... Assistant Technical DirectorAlbert “Stub” Allison, Louis Fernandez III .........................................Lead TechniciansJustin Hicks, Brian “Marco” Markiewicz, Keli Sequoia, Mike Van Aartsen, Ross Wick ........................................................Scenic TechniciansProp ShopRobin Lu Payne ............................................Properties DirectorEileen S. Garcia ........................Assistant Properties DirectorJamie Stewart Curl, Charles Dallas, David Hoth, Georgina Kayes, Katie Webster .....................Props ArtisansPaint ShopJana L. Mitchell ..........................................Charge Scenic ArtistMelanie Rentschler .......................................Lead Scenic ArtistRachael Gibson ............................................................Paint InternCostume ShopJanet S. MacLeod .........................................Costume Director/

Costume Design AssociateMeghan Anderson Doyle .......Costume Design AssociateCarolyn Plemitscher, Louise Powers, Jacki Armit, Jackie Scott .................................................DrapersCathie Gagnon ................................................................First HandSheila P. Morris...........................................................................TailorKelly Jones, Ingrid Ludeke, Jenny Milne-Wright ............................................................ StitchersCostume CraftsKevin Copenhaver ...........................Costume Crafts DirectorShirleen DiFonzo ............................Costume Crafts Assistant WigsDiana Ben-Kiki ..............................................................Wig MasterHouse CrewDoug Taylor* .........................................Supervising StagehandMariah Becerra*, Jim Berman*, Jennifer Guethlein*, Stephen D. Mazzeno*, Miles Stasica*, Tyler Stauffer, Matt Wagner* (*IATSE Local 7 Stagehands) ............................... StagehandsWardrobeBrenda Lawson .......................................Director of WardrobeMaria Y. Davis, Taylor Malott ...........................Wig AssistantsRobin Appleton, Amber Donner, Kelly Jones, Anthony Mattivi, Tim Nelson, Lisa Parsons, Alan Richards ...................................................................... Dressers

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7 On Broadway, Newsies won Tony Awards for two categories: Score and ____

8 Famed owner of the New York Journal: William Randolph ____

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