AP Studio Art Benchmark 1st Quarter

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    AP Studio Art Benchmark, 1st

    Quarter(200 points):

    DUE: MONDAY OCTOBER 21st, 2013.

    NAME: _________________________________

    PART 1: Breadth Portfolio: (100 points)

    1. Complete 10 of the breadth assignments to Portfolio quality from this

    quarter.

    Look back at all of the work you have completed in the first quarter and pick

    the 10 most successful pieces. You will present them for critique in a

    Portfolio Ready state:

    - Complete, no sketches, shading is at an AP level, no emptybackgrounds, no smudges, no torn or crumpled paper. (Photo

    students will make a list of their 10 best pieces with detailed

    descriptions these MUST be uploaded to your blogs for

    consideration)

    - Review rubrics and grades that I have returned to you and makeadjustments based on the feedback. Make adjustments based on

    the feedback of your peers.

    - Stored in a portfolio. I will provide poster board to make one ifnecessary.

    - Include a rubric/self evaluation for these works (Ms. Guiles willprovide one for you)

    PART 2: Breadth Artist Statement (typed). (50 points)

    How to write an artist statement for AP

    Studio Art:

    Your artist's statement can be a moving testament to your creativity

    and integrity. The expression of this commitment will vary, but the

    effectiveness of your artist's statement stems from the authority with

    which you write it.

    Our words "author" and "authority" come from the Latin root "augere,"which means "to increase, to create, to promote." This implies that the

    notions of creation and promotion are compatible! The more I muse onthe meaning of working from my authority, of being the author of my

    work and of my conduct, the more I understand that authentic

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    communication about my work is a powerful tool for creative growth as

    well as for business success.

    WRITING YOUR ARTIST'S STATEMENT

    You'll need pencil and paper, a dictionary, and a thesaurus.

    STEP ONE (Pre-writing turned in with typed

    statement):

    1. Take five minutes and think about why you do what you do. Howdid you get into this work? How do you feel when work is going well?

    What are your favorite things about your work? Jot down shortphrases that capture your thoughts. Don't worry about making sense

    or connections.

    2. Make a list of words and phrases that communicate your feelingsabout your work and your values. Include words you like, words thatmake you feel good, words that communicate your values or

    fascinations. Be loose. Be happy. Be real.

    3. Answer these questions as simply as you can. Your answers are the

    meat and potatoes of your stew. Let them be raw and uncut for now.

    1. What is your favorite tool? Why?2. What is your favorite material? Why?3. What do you like best about what you do?4. What do you mean when you say that a piece has turned out

    really well?5. What patterns emerge in your work? Is there a pattern in the

    way you select materials? In the way you use color, texture orlight?

    6. What do you do differently from the way you were taught? Why?

    6. Write five sentences that tell the truth about your connection toyour work. If you are stuck, start by filling in the blanks below.

    When I work with__________ I am reminded that___________.

    I begin a piece by______________.

    I know a piece is done when__________________.

    When my work is going well, I am filled with a sense of

    _____________.

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    When people see my work, I'd like them to ________________.

    STEP TWO: Artist Statement (typed).

    Write a three paragraph artist's statement. Keep your sentences

    authentic and direct. Use the present tense ("I am," not "I was," "Ido," not "I did.") Be brave: say nice things about yourself.. Refer to

    yourself with the pronouns "I, me, my." Use the suggestions below tostructure your statement. Write six to eight sentences per paragraph.

    First paragraph. Begin with a simple statement of why you do thework you do. Support that statement, telling the reader more about

    your goals and aspirations.

    Second paragraph. Tell the reader how you make decisions in thecourse of your work. How and why do you select materials,

    techniques, themes? Keep it simple and tell the truth.

    Third paragraph. Tell the reader a little more about your current

    work. How it grew out of prior work or life experiences. What are youexploring, attempting, challenging by doing this work.

    At its best, an artist's statement reads easily, is informative, and adds

    to your understanding of the artist and the painting. At its worse, an

    artist's statement is difficult to understand or rambles on, is

    pretentious, and irritates rather than informs (or, even, provokes

    laughter).

    What Should an Artist's Statement Say? An artist's statement

    should be an explanation of your painting style and subjects or

    themes. Add a bit about your approach or philosophy if you wish.

    Consider mentioning which artists (living and dead) have influenced or

    inspired you.

    Help, I Find It Impossible to Describe My Work in Words! Itcan often be difficult to explain something visual in words and after

    all, you're an artist not a writer! But, as with making art, practice

    makes it easier and perseverence is essential. You're unlikely to

    produce a polished artist's statement the first time you try, so be

    prepared to rework it several times.

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    Think about how you would describe your work to someone who didn't

    know you, what other people have said about your work, what you are

    aiming to achieve in your paintings, your outlook on life. Ask a friend

    for comments on what you've written (but pick someone you know will

    give you an honest answer, this is no time for "that's lovely"

    comments). Write your artist's statement in first person ("I work ..."),

    not third person ("Mary works ...").

    Can an Artist's Statement Change? Certainly, because you and

    your work will change.

    PART III:

    Developing your Concentration Ideas (50 points):

    Once the concept of a Concentration is presented and understood, the student needs

    to develop his or her own ideas. This is the moment every visual art student has

    been waiting for. Students continually ask, "When can we do what we want to do?"

    In nine out of ten cases, however, students have no idea of what to do -- especially in

    terms of an in-depth exploration of a particular concern in the visual arts. In many

    instances, developing a visual language that carries through a series of related

    works is the most problematic aspect of the entire AP portfolio.

    To ease into finding ideas for the Concentration, the student first needs to inventory

    his or her personal likes and dislikes... The student needs to explain how other

    influences are brought into, or become part of, the idea he or she wishes to pursue,and to explain why this idea can serve as the basis of an in-depth exploration. All AP

    participants need to realize that a Concentration is not just a series of drawings of

    cats, cars, horses, emotions, and so on, appropriated from magazine images that

    appeal to them. Nor is the Concentration found one week prior to the submission of

    a portfolio by searching for commonalities in a group of divergent works. The

    individual must come to "own" her or his imagery, whether objective or

    nonobjective, based on personal contact, history, manipulation, observation,

    research, or a combination of these. By feeling deeply comfortable or involved with

    a Concentration, the AP student can continue to explore various approaches to the

    concept being developed.

    A specific series of thoughts/ideas can lead into a specific series of images. Further

    investigation or articulation needs to take place to help identify materials,

    techniques, artists, and styles that are of interest to the student. By delving into the

    mechanics of making visual images, the student will begin to identify, articulate, and

    develop an aesthetic. Finally, as the series evolves, the student's personal mark-

    making approaches and compositional preferences develop.

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    Directions:

    Complete the following question: What 3 artists appeal to you the most, include

    their style and periods of art:

    1.

    2.

    3.

    Next: Complete the following questions for each of your top 3 artists:

    #1 Artist ______________________________

    Period/Time _________________________

    I. List and describe in detail the similarities of the subject matter.

    A. _____________________________________________________________________

    B. _____________________________________________________________________

    C. _____________________________________________________________________

    D. _____________________________________________________________________

    E. _____________________________________________________________________

    II. List and describe in detail the techniques used by the artist(s).

    A. _____________________________________________________________________

    B. _____________________________________________________________________

    C. _____________________________________________________________________

    D. _____________________________________________________________________

    E. _____________________________________________________________________

    III. List various interpretations of the concept to be found in these artworks.

    A. _____________________________________________________________________

    B. _____________________________________________________________________

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    C. _____________________________________________________________________

    D. _____________________________________________________________________

    E. _____________________________________________________________________

    #2 Artist ______________________________

    Period/Time _________________________

    I. List and describe in detail the similarities of the subject matter.

    A. _____________________________________________________________________

    B. _____________________________________________________________________

    C. _____________________________________________________________________

    D. _____________________________________________________________________

    E. _____________________________________________________________________

    II. List and describe in detail the techniques used by the artist(s).

    A. _____________________________________________________________________

    B. _____________________________________________________________________

    C. _____________________________________________________________________

    D. _____________________________________________________________________

    E. _____________________________________________________________________

    III. List various interpretations of the concept to be found in these artworks.

    A. _____________________________________________________________________

    B. _____________________________________________________________________

    C. _____________________________________________________________________

    D. _____________________________________________________________________

    E. _____________________________________________________________________

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    #3 Artist ______________________________

    Period/Time _________________________

    I. List and describe in detail the similarities of the subject matter.

    A. _____________________________________________________________________

    B. _____________________________________________________________________

    C. _____________________________________________________________________

    D. ____________________________________________________________________

    E. _____________________________________________________________________

    II. List and describe in detail the techniques used by the artist(s).

    A. _____________________________________________________________________

    B. _____________________________________________________________________

    C. _____________________________________________________________________

    D. _____________________________________________________________________

    E. _____________________________________________________________________

    III. List various interpretations of the concept to be found in these artworks.

    A. _____________________________________________________________________

    B. _____________________________________________________________________

    C. _____________________________________________________________________

    D. _____________________________________________________________________

    E. _____________________________________________________________________

    Begin to get organized:

    List and write a description using the elements of art and principles of design of

    your six concentration ideas below:

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    1.

    2.

    3.

    4.

    5.

    6.

    Next you will pick your top 3 different/separate concentration ideas and list with a

    title below and sketch 4 sketches for each of your top 3 ideas. For each of your top 3

    titled concentration idea answer the following questions for each 3 concentration

    ideas:

    Title _________________________________of #1 top concentration pick with 4 sketches

    Technical considerations:

    1. Influential artist, period, or style _____________________________________

    2. Techniques/materials to be used _____________________________________

    3. Themes to use for your idea _________________________________________

    4. Paper(s) and size(s), canvas, etc _________________________________________

    Title________________________________ of #2 top concentrations pick with 4 sketches

    Technical considerations:

    1. Influential artist, period, or style _____________________________________

    2. Techniques/materials to be used _____________________________________

    3. Themes to use for your idea _________________________________________

    _______________________________________________________________

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    4. Paper(s) and size(s), canvas, etc _________________________________________

    Title _________________________________of #3 top concentrations pick with 4 sketches

    Technical considerations:

    1. Influential artist, period, or style _____________________________________

    2. Techniques/materials to be used _____________________________________

    3. Themes to use for your idea

    _________________________________________________________________________________________________

    4. Paper(s) and size(s), canvas, etc _________________________________________