Ap art history outline for notes ch.34

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AP Art History Note-taking OutlineChapter 34 FROM THE MODERN TO THE POSTMODERN AND BEYOND: THE LATER 20 TH CENTURY (Mnemonic: “Modernism and „Less is More‟ to Postmodernism and „Less is a Bore!‟”) KEY VOCABULARY (not including artists‟ names or works) Modernism Formalism Postmodernism Modernist Formalism abstract expressionism Minimal Art Post-Painterly Abstraction Color-Field Painting Conceptual Art “Non-Art” Performance Art Pop Art Earth Art SECTION I: MODERNISM, FORMALISM, EXPRESSIONISM (PAGES 1031- 1043) Figure #: Subject: Artist: Key Concept: 34-1 Painting Francis Bacon Brutality of War 34-3 Man Pointing Giacometti Existential Human

Transcript of Ap art history outline for notes ch.34

Page 1: Ap art history outline for notes ch.34

AP Art History

Note-taking Outline—Chapter 34

FROM THE MODERN TO THE POSTMODERN AND BEYOND: THE LATER 20TH

CENTURY

(Mnemonic: “Modernism and „Less is More‟ to Postmodernism and „Less is a Bore!‟”)

KEY VOCABULARY (not including artists‟ names or works)

Modernism Formalism Postmodernism Modernist

Formalism abstract expressionism Minimal Art

Post-Painterly Abstraction Color-Field Painting Conceptual Art

“Non-Art” Performance Art Pop Art

Earth Art

SECTION I: MODERNISM, FORMALISM, EXPRESSIONISM (PAGES 1031-1043)

Figure #: Subject: Artist: Key Concept:

34-1 Painting Francis Bacon Brutality of War

34-3 Man Pointing Giacometti Existential Human

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Figure #: Subject: Artist: Key Concept:

34-4 Number 1, 1950 Pollock Abstract expression

34-6 Woman I De Kooning Raw abstraction

34-8 No. 14 Rothko Meaning in color

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Figure #: Subject: Artist: Key Concept:

34-9 Cubi XIX David Smith Stainless steel weld

34-11 Mas o Menos Frank Stella Purity of paint

34-14 Die Tony Smith Minimal art

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SECTION II: SCULPTURE, PERFORMANCE ART, CONCEPTUAL ART, POP ART (PAGES 1043-1054) Figure #: Subject: Artist: Key Concept:

34-16 Vietnam Wall Maya Ying Lin Power of minimal

34-19 Hang-Up Eva Hesse “Non-Art” art

34-25 One and Three Chairs Kosuth Conceptual art

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Figure #: Subject: Artist: Key Concept:

34-26 The True Artist. . . Nauman Conceptual art

34-27 Just What Is It. . .? Hamilton Pop art

34-28 Flag Jasper Johns Commonly seen

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Figure #: Subject: Artist: Key Concept:

34-29 Canyon Rauschenberg Combines media

34-30 Hopeless Lichtenstein Art in cartoons

34-31 Green Coca-Cola Bottles Warhol Repetition is art

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Figure #: Subject: Artist: Key Concept:

34-32 Marilyn Diptych Warhol Mass culture

SECTION III: SUPERREALISM, ENVIRONMENTAL ART, ARCHITECTURE (PAGES 1054-1067)

34-34 Marilyn Flack Superrealism

34-37 Spiral Jetty Smithson Earth art

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Figure #: Subject: Artist: Key Concept:

34-41 Guggenheim Museum F. L. Wright Organic forms

34-42 Notre-Dame-du-Haut Le Corbusier Sculpted forms

34-46 Seagram Building Rohe &Johnson Steel and glass

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Figure #: Subject: Artist: Key Concept:

34-49 AT&T Building Johnson & Burgee Classic elements

34-52 Pompidou Center Rogers and Piano Deconstruction

SECTION IV: NEW MEDIA (PAGES 1068-1090)

34-59 The Dinner Party Judy Chicago Celebrating women

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Figure #: Subject: Artist: Key Concept:

34-70 Public Enemy Hammons Viewer introspection

34-71 Trade Quick-to-See Smith Native American

34-74 “When I put my hands. . .” Wojnarowicz Dealing with AIDS

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Figure #: Subject: Artist: Key Concept:

34-79 The Crossing Viola Digital Sensory Experience

34-82 A Short History of Modernist Painting Tansey Critique of art history