Announcement

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Program Founded by Arnold Bode, the documenta opened in Kassel for the first time on July 15, 1955, and thirteen editions of the documenta have been presented since then. Preparations for the documenta 14 are currently in progress, and the exhibition is scheduled to open in Kassel and Athens in 2017. The 60th anniversary of the documenta, which is now regarded as the most important exhibition of contemporary art in the world, will be celebrated with an impressive program of accompanying events: Wednesday, July 15, 2015 Official transfer of the documenta Archive The anniversary celebration begins with a symbolic act honoring the official transfer of the documenta Archive currently managed by the City of Kassel to the documenta und Museum Fridericianum Veranstaltungs-GmbH. The archive was established by the City of Kassel on the initiative of Arnold Bode in 1961. Today, it comprises one of the world’s most important special libraries devoted to the art of the 20th and 21st centuries as well as an extensive collection of valuable materials, photographs, and correspondence from all thirteen previ- ous documenta exhibitions. Beginning in 2016, the work of the archive will continue under the supervision of the documenta und Museum Fridericianum Veranstaltungs-GmbH, which is owned by the City of Kassel and the State of Hesse. The resulting increase in financial support to be provided for the archive in the future will serve to enhance and underscore the international significance of this unique scholarly institution. ______________ Thursday, July 16, 2015 Marcel Broodthaers Fridericianum The Belgian artist Marcel Broodthaers (19241976) is one of the most significant repre- sentatives of the art of the 20th and 21st centuries, as evidenced not least of all by the presentation of his art at four documenta exhibitions (documenta 5, 6, 7 and documenta X). On the occasion of the 60th anniversary of the documenta, the Fridericianum is pleased to present an extensive survey exhibition of Broodthaers’s works from all of his creative periods. The exhibition features his first piece, Pense-Bête (1964), numerous sculptural works, five sections of his Musée d’Art Moderne, Département des Aigles (19681972), and the rooms entitled Un Jardin d’Hiver II (1974), Salle Blanche (1975), and Décor, A Conquest (1975). Having begun as a writer, Marcel Broodthaers decided to become a visual artist in 1964. From the outset, he posed fundamental questions about visual art and forms of demonstration, presentation, and representation. In the process he questioned the

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60 documenta2015

Transcript of Announcement

  • Program

    Founded by Arnold Bode, the documenta opened in Kassel for the first time on July 15, 1955,

    and thirteen editions of the documenta have been presented since then. Preparations for

    the documenta 14 are currently in progress, and the exhibition is scheduled to open in Kassel

    and Athens in 2017. The 60th anniversary of the documenta, which is now regarded as the

    most important exhibition of contemporary art in the world, will be celebrated with an

    impressive program of accompanying events:

    Wednesday, July 15, 2015

    Official transfer of the documenta Archive

    The anniversary celebration begins with a symbolic act honoring the official transfer of the

    documenta Archive currently managed by the City of Kassel to the documenta und Museum

    Fridericianum Veranstaltungs-GmbH. The archive was established by the City of Kassel on

    the initiative of Arnold Bode in 1961. Today, it comprises one of the worlds most important

    special libraries devoted to the art of the 20th and 21st centuries as well as an extensive

    collection of valuable materials, photographs, and correspondence from all thirteen previ-

    ous documenta exhibitions. Beginning in 2016, the work of the archive will continue under

    the supervision of the documenta und Museum Fridericianum Veranstaltungs-GmbH, which

    is owned by the City of Kassel and the State of Hesse. The resulting increase in financial

    support to be provided for the archive in the future will serve to enhance and underscore the

    international significance of this unique scholarly institution.

    ______________

    Thursday, July 16, 2015

    Marcel Broodthaers

    Fridericianum

    The Belgian artist Marcel Broodthaers (19241976) is one of the most significant repre-

    sentatives of the art of the 20th and 21st centuries, as evidenced not least of all by the

    presentation of his art at four documenta exhibitions (documenta 5, 6, 7 and documenta X).

    On the occasion of the 60th anniversary of the documenta, the Fridericianum is pleased to

    present an extensive survey exhibition of Broodthaerss works from all of his creative

    periods. The exhibition features his first piece, Pense-Bte (1964), numerous sculptural works,

    five sections of his Muse dArt Moderne, Dpartement des Aigles (19681972), and the

    rooms entitled Un Jardin dHiver II (1974), Salle Blanche (1975), and Dcor, A Conquest

    (1975).

    Having begun as a writer, Marcel Broodthaers decided to become a visual artist in 1964.

    From the outset, he posed fundamental questions about visual art and forms of

    demonstration, presentation, and representation. In the process he questioned the

  • fundamentalmechanisms involved in the social production of meaning and departed from the

    supposedly universal validity of existing orders of knowledge. In an age characterized by our

    faith in the capacity of visual images to explain scientific and political phenomena, the oeuvre

    of Marcel Broodthaers, in which the unspoken dissonance of images, words, and meanings

    becomes clearly visible, assumes striking explosive power and relevance.

    Curated by Susanne Pfeffer

    Fridericianum, Friedrichsplatz 18, 34117 Kassel

    Exhibition opening: July 16, 2015

    Duration of the exhibition: July 17 to October 11, 2015

    ______________

    Friday, July 17, 2015 and Saturday, July 18, 2015

    Symposium

    documenta 19972017: erweiterte Denkkollektive / expanding thought-collectives

    Contributors include:

    Catherine David (documenta X, 1997)

    Okwui Enwezor (Documenta11, 2002)

    Roger M. Buergel and Ruth Noack (documenta 12, 2007)

    Carolyn Christov-Bakargiev (dOCUMENTA (13), 2012)

    Adam Szymczyk (documenta 14, 2017)

    The notion of what a documenta exhibition can be and what it should accomplish has

    changed considerably over the past twenty years. Art exhibitions have evolved into a global

    format that aims not only to present art, but also to communicate the most recent theories

    and conceptual models to an increasingly international public. This development and the

    questions and issues it raises will be the focus of attention during the two-day symposium.

    They will be discussed by the artistic directors of the past four documenta exhibitions and

    the artistic director of the upcoming documenta 14 in dialogue with international guests from

    the fields of art, science and theory. What were the underlying theoretical concepts for the

    last four documenta exhibitions, and how are they assessed today? How do these exhibi-

    tions realize their global orientation? What new ideas about the world do they convey?

    Subsequent to the public symposium a workshop for students at German universities will be

    held at the School of Art and Design Kassel.

    Conceived by Dorothea von Hantelmann, documenta visiting professor at the School of Art

    and Design Kassel

    An event by the German Federal Cultural Foundation in cooperation with the School of Art

    and Design Kassel

    documenta Halle, Du-Ry-Str. 1/am Friedrichsplatz, 34117 Kassel

    csoliozRectangle

  • Friday, July 17, 2015 Thursday, July 23, 2015

    Ongoing Action

    Alexandra Pirici and Manuel Pelmu: Public Collection of Modern Art

    The recent work by Alexandra Pirici and Manuel Pelmu Public Collection of Modern Art

    (2014) proposes a subjective, non-exhaustive overview of Modern Art through the use

    of enactment. It is an attempt to claim history, to de-scale, de-monumentalize but also actu-

    alize and re-contextualize significant artworks and events from the history of modernity

    using only a few human bodies. Initially commissioned by the Van Abbemuseum for the

    Confessions of the Imperfect, 1848 1989 Today exhibition, the works presentation

    in this context attempts a dialogue between the history of discourses and important mo-

    ments of modernity and the history of the documenta exhibitions and their initial histori-

    cal intention.

    The format of the work, even though immaterial, is that of an ongoing action-exhibition

    and relies on the same convention as any display of material objects. It thus reflects on

    questions of immaterial production and its economy in museum and gallery space as

    well as on the very notion of a permanent material collection that is traditionally seen

    as the corner-stone of the museum as an institution.

    An event by the documenta Archive of the City of Kassel

    Fridericianum, Friedrichsplatz 18, 34117 Kassel

    ______________

    Friday, July 17, 2015

    Concert

    M.A. Numminen and defunensemble: Verliebte Philosophen

    In conjunction with the documenta anniversary celebration, the cantata entitled Verliebte

    Philosophen by the Finnish artist, composer, and singer M.A. Numminen will be presented

    for the first time in Germany in a new, augmented arrangement. Numminen, well-known

    since the 1960s for his eclectic interests in such fields as philosophy, sociology, and

    linguistics as well as various musical styles, including jazz, classical and electronic music,

    tango, and new music, participated in dOCUMENTA (13). He previously presented a phil-

    osophically inspired music program under the title Wittgenstein Compositions in

    collaboration with defunensemble in Kassel in 2012.

    Composed in 2010, his Verliebte Philosophen forges yet another link between music

    and philosophy. The work deals with the complicated relationship between Hannah

    Arendt and Martin Heidegger. Major passages in the libretto were compiled from corre-

    spondence between Arendt (Ida Walln, soprano) and Heidegger (Herman Walln, baritone).

    M.A. Numminen serves as the narrator who embeds excerpts from letters relating to the

    couples first meeting in Marburg in 1925, Hannah Arendts emigration from Germany,

    Martin Heideggers admission to membership in the NSDAP in 1933, and their reunion

    after the war in a temporal framework. The music itself tracks the ups and downs of their

  • stormy relationship.

    An event by the German Federal Cultural Foundation in cooperation with the documenta Archive,

    with the kind support of the Kulturhaus Dock 4 under the auspices of the City of Kassel

    Kulturhaus Dock 4, Untere Karlsstrae 4, 34117 Kassel

    ______________

    Sunday, July 19, 2015

    documenta Festival

    Kassel has planned a grand festival for all visitors to the documenta city under the patron-

    age of Lord Mayor Bertram Hilgen. Numerous art and cultural institutions, individual

    performers, and international guests are putting together a program devoted to recounting

    and celebrating the 60-year history of the documenta in exhibitions, films, performances,

    discussions, readings, and tours conceived specifically for the festival. The festival will open

    at the Unterer Friedrichsplatz, and tours will embark from there to the various event sites in

    the city throughout the day. An open-air concert at the Friedrichsplatz in the evening of July

    19, 2015 will bring the festival and the week of events in honor of the 60th anniversary of

    the documenta to a close.

    An event by the documenta und Museum Fridericianum Veranstaltungs-GmbH in cooperation

    with the City of Kassel

    Unterer Friedrichsplatz and numerous other locations in the city

    ______________

    October 30, 2015 to February 14, 2016

    Exhibition: UTOPIEdocumenta Unrealized Projects from the History of the World

    Art Exhibition

    Focusing on a previously unexplored dimension of documenta history, the UTOPIEdocumenta

    exhibition takes a serious look at the unfinished as a genre of art in its own right. The

    documenta has gained international acclaim not only for the works acquired on loan from

    all over the world, but most notably for art projects developed exclusively for each

    documenta exhibition. Some of these projects were never or only partially realized due

    to technical or organizational constraints. The exhibition presents the wide range of media

    in which plans for these projects materialized. Conceptual drafts, sketches, models, and

    plans by such artists as Wolf Vostell (documenta 6) or George Trakas (documenta 8), by

    artists groups, including Archigram (documenta 5), Coop Himmelb(l)au (documenta 5),

    and Haus-Rucker-Co (documenta 6), and by documenta founder Arnold Bode document

    the utopian potential of the world art exhibition in Kassel.

  • Curated by Harald Kimpel

    An event by the Culture Office of the City of Kassel

    Stadtmuseum Kassel, Stndeplatz 16, 34117 Kassel

    ______________

    Press contacts:

    For questions regarding the Fridericianum and 60 Years of documenta

    Carolin Wrthner

    Presse und Kommunikation

    Press and Communication

    Fridericianum/60 Years of documenta

    Fridericianum

    Friedrichsplatz 18

    34117 Kassel

    +49 561 70727-89

    [email protected]

    For questions regarding documenta 14

    Henriette Gallus

    Leiterin der Abteilung Kommunikation

    Head of Communications documenta 14

    Friedrichsplatz 18

    34117 Kassel

    +49 561 70727-6108

    [email protected]

    For questions regarding the documenta Archive and the City of Kassel

    Petra Bohnenkamp

    City of Kassel

    Press and Communication

    34112 Kassel

    +49 561 787-1233

    [email protected]