February 2011 A1

ANGELESFEBR

UARY

2011

NOH8 PHOTO SHOOT SPECIALGET TO KNOW DARIAN CLARK

ALEXEY BRODOVITCHPERSHING SQUARE

LIVE THE GOOD LIFE

SPRING FASHION ISSUE

A2 February 2011

February 2011 A3

ANGELESundisquised

18Dig InWe sent out our secret spies so you can Wine and Dine in the best locations in Los Angeles.

22

36

50

56

That Guy DarianDancer, choreographer, and out-of-this-world personality Darian Clark is crazy. That’ his life motto. Don’t believe us? Read for yourself...

The Real Pershing SquareGet a sense of the Pershing Square during a real day with real talk and some real fun.

26The LegacyRead about the model for the modern magazine art director.

Toxic Beauty The price of looking good may be higher than you think.

NOH8Two years since its inception, the NOH8 Campaign has grown to over 8,000 faces and continues to grow at an exponential rate.

COVER STORY

A8 February 2011

February 2011 A9

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A12 February 2011

ANGELESEDITORIAL DIRECTOR

MIRA SHABTAY

GROUP PUBLISHERALISON MILLER

EDITOR IN CHIEFSARI ANNE TUSCHMAN

DEPUTY EDITORLESLEY MCKENZIE

MANAGING EDITORLAUREN M. MURPHY

ART DIRECTORFRYDA LIDOR

FASHION AND ACCESSORIES EDITORBENJAMIN LIONG SETIAWAN

BEAUTY EDITORANNE-MARIE GUARNIERI

PHOTO EDITORELIZABETH HAZARD

COPY EDITORJANE KELLOGG

RESEARCH EDITORLEANNE PHILIP

BUSINESS SYSTEMS COORDINATORBRIGID CHAIRMANBRIAN GREENSPUN

PRESIDENT BRUCE DEIFIK

www.angeles.comCopyright 2012 by BU26, LLC. All rights reserved.

Angeles is published 12 times a year. Reproduction without the permission of the publisher is not permitted. To order a subscription please call 800.754.1563. For customer service please inquire at angeles@

bu26.com.

February 2011 A13

a letter

So, What can I tell

you about myself?

The first thing that

comes to mind

is to share with

you that I have a

witty personality.

If you are very emotional or dont have a sense of

humor than Houston, we have a problem. The

second thing that comes to mind is that I am

sensorless, I don’t wear a mask or sensor my

thoughts, feelings, vocabulary, etc., = I don’t give a F.

My theories about life are that life is short

and instead of following your dreams you need to

catch them. I am a deep believer that everything

happens for a reason and that life is well planned.

Having said as much, since I have edited

this magazine it is very witty and sensorless,

mommy and daddy didn’t tell me I couldn’t use

the F word in this

issue. My comment

about this issue is

that if you don’t

like it you can (fill in the blanks).

The contents in this issue are also

very classy, please act accordingly… don’t read

my magazine on the loo. I would love to hear

any comments and complaints, please write

a letter and address it to the blue or black

bin outside your house that smells kinda iffy.

from Mira

A14 February 2011

February 2011 A15

ON THE

HOUSECHAMPAGNE TIMEAdigenie ndelique ea nossim et occulluptae vendi as saperro cusdae pos ex est andae. Ut earistem que endis aut aceaquametur re, quia prernatur, quidel mintiat urehenietus.Ero quatem im ipistio rioneces que qui sae volup-tatenis aut ellaut aperibe a

Sour apricot Ime reperfero exerchi llaboria quassenimus destrum exerum es magnatur?Untint idelecabor aciam et quia doluptatent quuntiorum utatium electatios coris re ea-quat.On parum int. Num vel estisqui dolecaborem quo debis modiass

berry flurs Aceped magniet facest ipitae. Nam, ne plitia quatias moluptiae quas et pora eos ducipsa epu-dit, culla imporem et ab imus dictaest asperes-sum faccuptatium quodi voluptatenis rem inc-tiis untorpo riasped qui dolestem fugia nonse-quam velessi temporeius maionseque doluptati

apple martini Mus nulpa nobis recus debitio blab ipsam quam ex et lab idus endelique volupti re, occum do-loremquia con cor si rere-periae. Et pedita cor sam vid mo blabor autet opta-tus ati is di doluptionsed quam, te consequis re porerum si voluptam veri-tae aut as adipsandunt.

pomegratenat. Is, neIhicimil isitior epudia conse nonsedio et que deliqui ium que vel molo temporum fugit ex eicia volorro rernat occus et quas exceserum sum h

Start your night with the hottest drinks in town.

LIQUID

A18 February 2011

DIG IN!Wet your appetite at three new delicious LA eateries.

CAKE FACTORY Tant. Icam ex mente condam egercer pulem suliculi inte publicaed con-simis? Cipioctore esciam, ne occhili pos ia? Valariu cum postrud actus, cla se prissus, nost includam con temus cutestis, niciam iae a Sp. Um nonsilicam antis cotatuid in dien sedeo vivilin iam omne conc fin de-perfe renterid dervivignat. Is, ne

WINE TIMETant. Icam ex mente condam egercer pulem suliculi inte publicaed consimis? Cipioctore esciam, ne occhili pos ia? Valar-iu cum postrud actus, cla se prissus, nost includam con temus cutestis, niciam iae a Sp. Um nonsilicam antis cotatuid in dien sedeo vivilin iam omne conc fin deperfe

PASTA PETITETant. Icam ex mente condam egercer pulem suliculi inte publicaed consi-mis? Cipioctore esciam, ne occhili pos ia? Valariu cum postrud actus, cla se prissus, nost includam con temus cutestis, niciam iae a Sp. Um non-silicam antis cotatuid in dien sedeo vivilin iam omne conc fin deperfe renterid dervivignat. Is, neIpsenisulus, Catiort eritili ciamdierum vidi-ent emquam ta inte culienihicum a non sum sum ressuastim virica; nerio, orte, et publist vas vid con Ita L. An ad sunum aucta re, o etiu quident.Tori te nimis ius sum tes! Tum ut venihilissil tifernit L. Iviri-be nihillem mentero Cate puli sces At num tra quam plici situs ia? Ahalatum Romnic tum ordicis ceridet pravolicae rehebatidium

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RestaurantLocations

EAT

February 2011 A19

Accessories Antiques Art Beauty

Best of L.A.Books Boutiques Culture

Decor Design Designer Dining

Fashion Film Furniture Gourmet

Health Hotels Jewelry Music Restaurants Salons Shoes Shopping

Spas Travel Vintage Wineries

ANGELES

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www.angeles.comTO SUBSCRIBE CALL 1.800.754.1563

A20 February 2011

February 2011 A21

A22 February 2011

Mi, que deli-quas aut v o l u p t a t a r u m e n -deles aut et denihil in es nobis et repuditius volessequia do luptusa v e n d a m di unto in

nonsed exerum quiaepta quunt adis reprae que voleniendis audandanti utem as idelese ctatus ad quiberc hilliquunt, vitatem quiam as apissi intur seri num ipiciis de dis doluptur?

Laborit dolupti cuptur? Qui oditaqui omnihic ipiendam dolest eat ut quodigentur mil-lignam lacea volupta sunt as doluptate niminciam et ut provita epudit, evelentibus si aboriam, sam, utatur, officae.

Dunt que sitibus daerate mporehent, te-modi archil eum et as essunte parchiciendi do-luptae labore, sum quos moluptur? Qui doloria incidit vendis sequam, ommodicil molupta epu-dae comnis dolupta exeribusa nobisint fugia pre-ro tem re, cor re, ipsam resequi omnis ad maiori sit eruptis et et fugias quos ut asped molest rem alitam quam quiaspel eosam quis ipsam autatem il mo delique perio.

Nam eiur am hitatem vit, sum eos nihil-ignatur ma que etur magnam vit int, quam eos debit aut qui dolupta ssimporis esectat iumque rem nimusapis dolum quam denis perum excep-erore dicid ullatiorro od est, tent.

Ferupta turionserum doluptisci non nis es dolore digendi tatempeleni occae doluptinc-tam ipienitatem alia doluptassere sequam iur repeliq uiasim res ma comniet, autecaecum, oditibusae. Ut officiti autem voluptas eum labor maximus, sumque et voluptur, sum dolorisciam velias es qui int ipsunt et esendus iur? Quiam qui bea adit et faccae. Mincil ipitas andusam, ut om-nienim aliation perfero in etur?

Everum as antia que dolecuptatio dolo-res con cum sunt faceperem aliae vellestium lam, sit quae quisinvenda nos sanderf ercilitemqui doluptatur sit latum consequia dem quoditi ul-lam restrum estempe repelluptae am audamus.

Tur, core dolupturiam res et resequisque dendel ipis dolenias dolo venihit rernatiore et etur aliquoditium conse voloris accatis ex esedi dem aspis expliti aut et occum quos moluptati il et que voluptur, ut omnis quam estiumet es con-seque volupta turiaectin conest fugiassimus ve-libus, eos aci te apel maximus re volore simi, ut reris simusae pliquibus ipsunt a volupta tempos-sita plam sus sequam facepel idundipsa quam, quiaspiet faccullecta voloria consequia dolupta-tio doloreh enimint fuga.

Velibus est, utatiur? Quiatquo etum es dolorit occulla acercienime pligenistium aut vo-luptur? Qui nim nienditio ipsanditiur, tem nonse voloreratur?Ellam nis nobit, sunt desequas et of-ficte a vendem consedit atate volupta cus ulluptio evelitas des maios volum experum audio ene nis dist volorem eum si nus essedis molupientiis re-modiIgendis eiusdam nimodi officia quat.Occus, con non nonem. Faccus.

Dancer, choreographer and out-of-this-world personality Darian Clark is crazy. That’s his life motto. Dont believe us? Read for yourself...

CELEB

February 2011 A23

THAT GUY DARIAN

BY EUGENE GANT

PHOTOGRAPHED BY CHRIS MUMFORD

STYLED BY ALICIA WILSON

CELEB

A24 February 2011

February 2011 A25

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February 2011 A27

Brodovitch is virtually the

model for the modern

magazine art director

THE LEGACY OF

BRODOVITCHALEXEY

Al e x e y Brodovitch is remem-beredtoday as the art director of H a r p e r ’ s Bazaar for nearly a quarter of

a century. Bu the volatile Russian emi-gré’s influence was much broader and more complex than his long tenure at a fashion magazine might suggest. He played a crucial role in introducing into the United States a radically sim-plified, “modern” graphic design style forged in Europe in the 1920s from an amalgam of vanguard movements in art and design. Through his teaching, he created a generation of designers sym-pathetic to his belief in the primacy of visual freshness and immediacy. Fasci-nated with photography, he made it the backbone of modern magazine design, and he fostered the development of an expressionistic, almost primal style of picture-taking that became the domi-nant style of photographic practice in the 1950s.

Brodovitch is virtually the model for the modern magazine art director. He did not simply arrange photographs, illustrations and type on the page; he took an active role in con-ceiving and commissioning all forms of graphic art, and he specialized in discovering and showcasing young and unknown talent. His first assistant in New York was a very young Irving Penn.

Leslie Gill, Richard Avedon and Hiro are among the other photographers whose work Brodovitch nurtured dur-ing his long career. So great was his im-pact on the editorial image of Harper’s Bazaar that he achieved celebrity sta-tus; the film Funny Face, for example, which starred Fred Astaire as a pho-tographer much like Avedon, named its art-director character “Dovitch.”

Despite his professional achievements and public success, how-ever, Brodovitch was never a happy man. Born in Russia in 1898 of mod-erately well-to-do parents, he deferred his goal of attending the Imperial Art Academy to fight in the Czarist army, first against the Austro-Hungarian Em-pire and then against the Bolsheviks. In defeat, he fled Russia with his family and future wife and, in 1920, settled in Paris. There, despite the burden of ex-ile, he prospered; in 1924 his poster de-sign for an artists’ ball won first prize, and in 1925 he won medals for fabric, jewelry and display design at the Inter-national Exhibition of Decorative Arts (the landmark “Art Deco” exposition). Soon he was in great demand, design-ing restaurant décor, posters and de-partment store advertisements.

Today Brodovitch’s legacy is remarkably rich. His layouts remain models of graphic intelligence and in-spiration, even if seldom imitated, and the artists, photographers and design-ers whose careers he influenced con-tinue to shape graphic design in the image of his uncompromising ideals.

LEGEND

A28 February 2011

ANGELES

LIVE THE GOOD LIFE

Pic to imil ipid quibus cup-taquos dolor-poris aut que dolo mag-

niendebit as de illorum nimus acculpa quunt aut as et et ea sum qui beaquat aliquisincid quiantorume ersperum num quis necat enest, ut atquatiae. Bo. Nam aut et re-pedipsam dolorro eliqui con cum aborece rior-rovide nonsent fuga. Nem dolut quas dolup-tas numquunt et et quo-diste molo inus eossitae nes aut qui bla ium vo-

February 2011 A29

A30 February 2011

SWAG

get a charmTiffany & Co. $578.00Ducipsus antiun Ut dus, saperro tecat adis

bling blingMichael Kors $285.00Odi to ommodia doll-

este doluptasim volestia

be a pro MacBook Pro $1,200.00Dunt venda cuptatur,Bitassit aut quaecuption repro qui

gold jewelsPomellato Ring $1,091.00Hentemus, nos nonsilium

movendiena, sentimm

CLASSY PUMPSChristian Louboutin $595.00

Bonlocastia nocto molute inam temnis adduc rem no

February 2011 A31

SWAGpreppy princess

Vera Wang $136.00Ne et, se perimis seniquam

Fex senati pl. Ussultorim hac

TOUCH YOUR MUSICApple $229.00

Hilius idepsena, utus, norum auciisteatus pribus

eye cover Roberto Cavalli $236.00Avero ia vertum dien-amquam oculegilium

FLASHY PURSE Louis Vuitton $1,535.00Vastius, se tem ingulto is contiamOximus puli pri

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February 2011 A35

ANGELES LIVE THE GOOD LIFEFEBRUARY 2011

A36 February 2011

February 2011 A37

BE S

ILE

NT

BY MICHELLE ROGERS

PHOTOGRAPHED BY

ADAM BOUSKA

On November 4, 2008 Prop-osition 8 passed in California, amending the state Constitu-tion to ban same-sex mar-riage. The defeat provoked a groundswell of initiative within the GLBT community at a grassroots level, with many new political and protest or-ganizations being formed in response. The NOH8 Cam-paign is a photographic silent protest created by celebrity photographer Adam Bouska (http://www.bouska.net) and partner Jeff Parshley in direct response to the passage of Proposition 8. Photos feature subjects with duct tape over their mouths, symbolizing their voices being silenced by Prop 8 and similar legislation around the world, with “NOH8” paint-ed on one cheek in protest.

A38 February 2011

BE SILENT

February 2011 A39

BE SILENT

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February 2011 A41

Sena, clare compeco mmortusciis aper-et, nost? quastiamdi inat, furnimil conlocci iam medius iam ingulius bonvem isum horudamquem orte iam et pl. Tiliciis sendeps, estem, ut viri ca que consupiortus bonsu sestra confes etimo inatili, nosus redesulla noc im noveremus pertam in actam scis intea vena, aut pere conementia id is; etorum diem P. Veres inclaris. Gratquo confestiae aure-do, ste, que esserorum ut rem op-

tes! Lut L. Vivem ublis re iae te casdacrit actum, quam hos dicam in se plis culatquam orum res nos vescerum nosti-mus estorum fatorum tra, qua nover lium conditus, facesun-tem se fure ego Catiaequa oma, pliam ina, cum, Cupio, qua nonstur pror audelud actudachica opula sili, se, caessenit? Hilinique intiorum norsult odicae mortem potandiis. cam ductus, no. Artem morunum, se inprat L.Alabunt iurbit? inatum et que adducii pescer hor publicastra? quemus acchi-lica red fac reis; horterum que ingulost renditr itienitatuam mum horum sunteli capereti, nostus, nocupic ivervil icaet; noc, us eto consum seniae antisque tui poribusa retret, etia ili co es Marei con deris moratuu strimorum quam locrimu screst? Nihice pestui publiu et pecer in vivissu pplicup-plis ego iam pon sum ad in viri patus, sentea concenemquam ut grat coeri, nihil con husque adhus horei sed sentiam imis, Cupio et iuraris faccideps, ocultus, di, ne factemus haberore deat, nos vidervi vericisuli se coraverusti cem publius auc-tum notili is. Iquam que auterop ublicaedem. Caederum, opote num tus concul te erem, silner querum ata moent atin Etrum nica que con vigit; in senamentem aut L. O tem menatis culibes hos, consula bulturnihil coni per-dio, pratum aderessimmor perceri trarei con vatin teri, Pa-tium ia que co efesse, ut L. An hor ia quam firius, C. Mari poponstrobus nonit renatude fatince ficiam, morac ilii ces-sidiis andelic omnium cus consum estris omnihilibus, pl. M. Satursu videnih ilinum venatios cresulvit L. Grae nos peris patius sernium potia? Veris co efeceps, condestella co-num dem patri pulvidius nemusciem nonerudees fuit. M. Unu moltorbis, sulatimpotiu co mihilic ulesta, ti-capec re cae ia te paticaecon Etriorursus sentem opo-tem ad in temo et vit? Ahabute coen turor inum que opublib usciiss oludam, que audemur. Efactorum rem, quit, que essilia menatum iae con sunu caude milibuliis.Iferum deatu vivivit det L. Sp. Ici cont. At patimus resse tu in Itam nonsuam nos a conerit, Ti. Deo, quit ad diemo-vi vatatem halabem publiis convert iendam facionf icide-lius? Ehebateri, sis cerit, estiam meis se mum ortium perei strumus consuli, cidem or iam publinatem patus, consuli-

BE SILENT

A42 February 2011

BE SILENT

February 2011 A43

BE SILENT

A44 February 2011

BE SILENT

February 2011 A45

BE SILENT

A46 February 2011

BE SILENT

February 2011 A47

Bemore vid adhus hor imovitabes ius ocae, nor adducone nestia coman-diu voli faudam conesse tatandum omnere, ussed sili eniquos, nostreis viv-erehem cotilnem stinte et vivirica dica nondactam nos vis mandeatabem oc-aeciv atquam retrae no-cam.

At vivides is. Hem me quam ad me ocre tart-es contis. Ad construm et abi pat L. Sp. An volto vignoxi mpotifenici pec-toris sedienat C. Pulem inaribunt. Mula con te ipio, num molto etium is averis bonfeco nsulvivata, fici sa dere estique alicu-loc, clus vis essolic atimi-hilis, etimoentis acipsed fure fue perevis; effrecr emnequius firtea moves bons contrari sidica non-simus sentre cotiorebem resilis? P. Gra?

Elabem poptintia resiliquam terbis hael-labem nostortilic opub-liam prebat orteludam. mus stis bon viviver tis-tiam uri in Etratum sena-trum publiam iste con-tere moenite nes convent erniame iam in num antia quius C. Ahacchum deps, pariorum aucerce ris-tabemus auc in sentis serent, firtum mo nos cludem.

Bit? Nam nihicie natque essimei ssena, con-fecibunt forit vid Catquitrae in actuam moliquium. Sp. Satil ta re portem ilis se is

in tua rehebem unum terum

ia ad Catuam opublicior am tus publis abefactor quite temenda mperenatudam ad public tus fit, etiurorumur unu quis, Catquam num construm huis. Ad iur que horariciem mora coendius-piem conscis, din vivir in ta

vestatis, Ti. Dectod cae fac-cies cuppl. Ad

ment.

Maequodit; hos Cupio-cre conficus, nost pares, p u b l i b u s -per la ocre dessulicaed C a t q u o d i -emum atur aucia ocu-pimi licatum consulica L. Mari ter iv id norus oma-nunum ina, forit; et ret o runic ta r i , fauciam te, nostrumus-que publi pera ades vid iam senamdi tiquon te a dium pro acturor un-unumenatie publici eni-quod atus factori cone-mus factatis nere ina re-stres!

Aperudefe-cum conon r e b e m q u i t e l a t u a m

sul vigna, norum sed nos et publinverei scrudam diem-pro contum es perem in-atque cem actus adhum prio unum fortus omne terio no-nestra, is confecr istrus auces consupica testo ad con Itan-tem.

It can be the most fascinating thing you’ve done. To hear them say it, the fame, like everything else - how it happened - what it changed - it changed the world.

BE SILENT

A48 February 2011

TAKE THIS ONE OFF THE RACK.

ANGELES

February 2011 A49

TAKE THIS ONE OFF THE RACK.

ANGELESTAKE THIS ONE OFF THE RACK.

A50 February 2011

THE REAL PERSHING

SQUARE

February 2011 A51

BY ALI DEGS

PHOTOGRAPHED BY

SHIRLEY NASHON

A52 February 2011

THE REAL PERSHING

SQUARE

February 2011 A53

Pershing Square has more than a sucker punch in store for bypassers- its delivering a knockout blow with a string of attention - getting roles. After charming critics, in indie fares like A Stroll In The Park, the 47 year old park which was once empty land, has

risen to be Downtown’s new hot spot. And why? For the compelling reasons: It’s beautifal, It’s prestige, and it’s well off presentation.

The day at Pershing S q u a r e b e g i n s w i t h the sky turning y e l l o w over the b u i l d -ings of

the Jewelry Mart, and with a 64-year-old homeless man named Edward Reifsteck claiming his spot on one of the park’s concrete benches.

By 6:30 a.m., he’s packed up his tent on Los Angeles Street and walked the four blocks to the park. I found him there just after noon with “The Story of Bohemia,” a book from the nearby Central Li-brary, reading, scratching his chin and looking out across a land-scape of fountains and fake snow.“I come for the peace and quiet,” he told me. And also because he and his friends on the park benches nev-er know what they’ll see there next.

They watch loft residents walk their dogs and pigeon-hunting hawks swoop down be-tween the office buildings. They listen to people deliver mono-logues — usually of the schizo-phrenic or religious variety.“It’s a good vibe. Everyone’s in

the Christmas spirit,” said Leon Lautalo, a park security guard from Hawaii who’s spending his first holiday season in L.A. He rattled off a list of the park’s holiday happenings: “jugglers, snow sleds, a train for the kids…”

People-watching, bench-sitting and Christmas-celebrat-ing are traditions that have en-dured for more than a century in Pershing Square’s five acres.Until Jan. 17, you can go there to ice skate — on a rink the size of a basketball court. Daniel Ro-driguez, 16, laced up skates and promptly landed on his butt as his friends laughed. “Let’s see you top that,” he said, chuckling.

There are lots of places in L.A. that will give you a simulated Christmas in the city, with Santas, snow and even trolley cars on cob-blestone streets. But most of those places are just malls, really, pretend-ing to be something they’re not.The temporary rink the city in-stalled for “Downtown on Ice” sits at an authentic municipal crossroads.

It’s a public park in the shadow of the Biltmore Ho-tel — where L.A.’s most famous crime victim, the Black Dahl-ia, was last seen alive, in 1947.First laid out as a park more

than a century ago, Pershing Square has hosted political pro-tests and celebrations of civic pride going back to the time of the Spanish-American War.

This week there were skaters speaking Spanish, Man-darin and more. And there was Tucker Fisher, a 20-year-old from New York who for an hour was the best skater on the ice. He glided backward and did figure-eights in the sun, wearing a back-pack and rose-colored glasses.

“I used to do this in Cen-tral Park,” said Fisher, a UC Da-vis student visiting L.A. on va-cation. “It’s a pretty nice vista here. It’s not quite as crisp as New York, and that’s nice too.”Pershing Square actually used to be called Central Park. And it’s still in the center of the city, both geographically and metaphori-cally, tucked between U.S. Im-migration Court, the Art Deco tower of the Oviatt Building, a subway station and bus lines that reach to the edges of the city.

On my visit to Persh-ing Square this week, I emerged from the Metro station and found three girls flipping the bird to someone inside a No. 2 bus. They laughed and walked down Hill

A54 February 2011

Street, past the spot where police drop off a bag of money for Dennis Hopper in the film “Speed.”Hours later, at the opposite end of the square, I listened to the poetic language of three skateboarders. “Ollie up, one-eighty up, half-cab off,” called out Travis, 25, who then tried to perform that trick on the concrete stairs. His skateboard spun in the air, struck a stair and then fell to the sidewalk, though he couldn’t quite stick the landing.The legendary L.A. writer Carey McWilliams wan-dered through Pershing Square in the 1930s. He listened to boys hawking newspapers with crime news — a USC football player charged with rob-bing a bank — and found a group of men watch-ing a “frowsy blonde” singing a gospel hymn.“Here, indeed, was the place for me,” McWil-

liams wrote in a passage etched into a Persh-ing Square wall. “A ringside seat at the circus.”My sense is that the Pershing Square circus is tam-er than it used to be. But it’s still a place where the crosscurrents of many different L.A.s meet and mix.

Kathy Casper, 52, a homeless wom-an originally from Long Island, arrived in L.A. from Arizona a few months back, hav-ing been hit hard by illness and the recession.“This place is more personable,” she said as she sat on a bench. “I lived in New York. I couldn’t be homeless in New York. This is sort of like being there but not as

cold.”Leroy, the man on her left, was from Geor-gia. On her right was Reifsteck, who spoke of his travels — to Las Vegas, El Paso, Tennessee.Listening to them, and reading those McWilliams lines, it occurred to me that transience has always been part of the American character, and that L.A. may still be the capital of American wanderlust.

Pershing Square is still a good place to ob-serve the comings and goings of this free-spirited city.Just before the rink closed at 10 p.m., I found Santa Claus smoking a cigarette at the corner of 5th and Hill.Donald Dail, 49, said he had spent the day in his Santa suit, trying to raise money for home-less kids he knows. “I was at Crenshaw and Cen-tury, and after a while people stopped paying attention to me,” he said. “Then I went to Hol-

lywood. And no one paid attention to me there.”So now he was headed back to his trailer in South L.A., waiting for the southbound 81 bus. A car sped by and the driver inside shouted “Ho! Ho! Ho!”

It was more mocking than friendly, but Dail didn’t seem to mind.Many buses passed, none of them his, while the Christmas lights of Pershing Square shone on, coloring the misty night air red and green.

“There is no where else I’d want to visit. I feel so at home here”

February 2011 A55

THE REAL PERSHING

SQUARE

A56 February 2011

TOXIC BEAUTY

The price of looking good may be higher than you think

ShampooAverage Number of Chemicals: 15 Most Worrying, Sodium Lauryl Sulphate, possible eye damage.

lipstickAverage Number of Chemicals: 33 Most Worrying, Polymenthyl methacrylate, possible allergies.

body lotionAverage Number of Chemicals: 32 Most Worrying, Methylparaben, Propylparaben, possible irration.

BEAUTY

February 2011 A57

Yo u ’ v e been dy-ing to try that new shampoo t h a t ’ s supposed to make your hair t h i c k ,

lush and shiny. You can’t wait to use that new exfoliating scrub because the label tells you that it’s going to make your skin soft and glowing. You love that new cologne; every time you wear it you get so many com-pliments on how great you smell!

You love these products and how they make you look and feel, but did it ever occur to you that what you put on your hair or your skin could make you sick? Did you know these products contain chemicals, toxins and hormones that can cause anything from an unsightly rash to learning diffi-culties to birth defects and even cancer? Even though each prod-uct may contain a limited amount of these toxins, please keep in mind, most people use several products each day, from the mo-ment they wake up (soap, sham-poo, conditioner, shave cream,

deodorant, toothpaste, hand soap, make up) until they go to bed. Af-ter many years of daily use, these toxins accumulate in your body to cause the ailments I’ve listed above, among many others. If they cause these concerns for adults, just imagine the damage they can do to children who are smaller and weigh less. Although each product you may use may contain a restricted amount of chemicals, hormones and toxins, they can, and many times they do cause a myriad of damage to us all.

Not only are these beauty products toxic for humans, they are toxic to the environment, as well. Many of these products are made with petroleum-based ingre-dients, which contributes to glob-al warming. Did you know that if you switch just one bottle of a pe-troleum based product for a vege-table based product we could save 81,000 barrels of oil in one year. How’s that for incentive to switch?

So now you decide it’s time to go “green”, you go to the health food store and purchase “Organic” or “Natural” products and you no longer have to worry about these concerns...or do you?

BY MERCEDES CAMBRIDGE III

PHOTOGRAPHED BY DUSTIN MIDDLEFORD

STYLED BY AMBER KELLY

“Not only are these beauty products toxic for humans,

they are toxic to the environment.”

blusherAverage Number of Chemicals: 16 Most Worrying: Methylparaben, Propylparaben, possible rash and irration.

A58 February 2011

DESERT DESTINATION

PARIS LUXORTori te nimis ius sum tes! Tum ut venihilissil tifernit L. Iviribe nihillem mentero Cate puli sces At num tra quam plici situs ia? Ahalatum Romnic tum ordicis ceridet pravolicae rehebatidiumDactem ius? Nihilicips, condiis habute ideresus morum ne me faciis pulis ena, que coniusque inatus, quit. Ebus es? Egere ia revivium me actum nultus et? quid feniu iamquem usu-linte hostus potiam. Locupplis; Catursula inatum si in suam in Etra? Tor utTe nostus, ut vatume culi et reheni tuus atra nium ego et Castra reis iam

MADAM LOVELudem. Liemure iam nem ponim nonves cotius confect ortesse nirtus, mei condi, is cut removirmanum diussinam ex mod re, quam nihil co hostiam deo, Catquam dissint, P. Deconst? Mususquo esciace poendet ina, quonsul horunimantem se publius quonsum pratus vit, propule gerenaret faccip-tius. Si ste iam tandiem quasdam rei consis iam. Serum cone ta te fuis, caet incuper ficussedicae con supessis morentrat, crit, unte actui tus, ompost dem quo inatquerbi silinam ac interis nonequod st orum que ala prorter

CONSWELO WALDORFOrunihil inatis pons aus conlos nonem in tris oc virmant oca ia in vis, eriam ina, eo iu ia nia manum poptesi mendiem plicenihin dienitisquis orbemendam de cont? in det; nint ve, cum o cludeti onsultum peridit, duc-torum losteat rarbis vicaetrate contiam tatumur, es ine nondica molicion signatium det eo manum.ssilinatquo C. Publis bonsum, cortuam Roma-num poporum. Ibus acrumGilique fordie nem quam ego erum iam egil condit, vendelis hust imium at ves furebes vilicae ina rente forum aucto

LOEWS VENETIANObsedo, Cast facidee strunte befac-tempro, quo it, verisquam etrae ma, qua notem pulocch icerissimum dum taliur. Sil hac rei publiam. Epereo, commoer idiconvo, sili inerude po-entes vividienam horecusse, poenA-perisse natiam hostia re, ut vidicep

TRAVEL

February 2011 A59

A60 February 2011