ANDIPA CONTEMPORARY | IAN GARLANT | SYNTHESIS

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ANDIPA CONTEMPORARY

description

E-catalogue for Andipa Contemporary's lastest exhibition with Norwegian artist Ian Garlant. SYNTHESIS I will be on show at the gallery from 17.11 to 17.12.2011. SYNTHESIS II, will be on show at our temporary project space, The Garage, will be on show from 25.11 to 28.11.2011.

Transcript of ANDIPA CONTEMPORARY | IAN GARLANT | SYNTHESIS

Page 1: ANDIPA CONTEMPORARY | IAN GARLANT | SYNTHESIS

ANDIPA C O N T E M P O R A R Y

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ANDIPA C O N T E M P O R A R Y

162 Walton Street | Knightsbridge | London SW3 2JL

+44 (0)20 7589 2371 | [email protected] | www.andipa.com

In 2009, Garlant abandoned the materialism and glamour of the fashion world and returned to his roots in a small

Norwegian community, Hartlestrand in the Hardanger fjord. He immersed himself in the landscape, from which he

re-emerged an artist with alchemical methods.

After his first highly successful solo show in London in 2010, curated by Kay Saatchi, Garlant returned to Norway.

There he discovered that archaeologists had retrieved a piece of ancient wood from the ashes of a fire in Bergen, which

burnt down an historic building in 1955.

It bore the inscription in runic letters “love conquers all; let us yield to love”. This is a citation from the Ecologues by

the Latin poet Virgil who died in c. 19 BC, long before the words were inscribed in Norway in 1248. Inspired by the

words themselves and their resonance across millennia and across civilizations, Garlant decided to build an installation

incorporating this and other runes, the work to be conceived as a gift to the artist’s antecedents, the community and

to the Norwegian landscape herself, to be called BERGTATT I HARDANGER / ENTRANCED IN HARDANGER.

He chose the place where his much-loved grandfather had dreamed of building a house overlooking the fjord before

being forced to abandon work during the German invasion in 1940. Garlant energetically threw himself into the landscape,

explored ancient Norse mysticism and called on the energy and expertise of the local people to collaborate in the creation

of an installation in the landscape designed to express the universal and hence to travel to distant lands. The project

incorporates a new sound work using ancient Norse lyrics, the carpentry of a local expert to create an outdoor gallery

using ‘grindverk’, an ancient Norwegian method of building.

The powerful works from Garlant’s seminal Midsummer Project have been brought out of the Nordic wilderness and

into the gallery for Synthesis.

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Garlant’s elemental work expresses the wilderness and

power of the Norwegian landscape, unifying the natural

and the artificial, the ancient and the modern. Through the

incorporation of runes, symbols inextricably linked to Norse

mythology, he urges us to reconsider the wisdom and

mystery of ancient civilisations and their relationship to

the present.

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Ian Garlant at work

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right

Radiant space, 2011

Foam board, paper, driftwood, sulphur ore, sand,

ground mirror glass, gold spray and gold wax

Unique, Signed

120 x 120 x 12 cm

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above

Time Machine, 2011

Iron, stone, bitumen and

asphalt on wood

Unique, Signed

100 x 100 x 3 cm

-----------------------------------------

right

Rune Wheel Dagaz (Time), 2011

Graphite, sand, sulphur, iron,

stone and silver wax on woods

Unique, Signed

66 x 48 x 5 cm

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left

Time Piece, 2011

Stone, bitumen and asphalt on wood

Unique, Signed

66 x 48 x 5 cm

-----------------------------------------

right

Time Piece (outside)

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right

Dirty Words, 2011

Sand, iron ore and mica on

boat building foam on wood

Unique, Signed

80 x 30 x 8 cm

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above and right

With This Ring, 2011

Wood, bitumen, asphalt, gravel

and stone dust on wood

Unique, Signed

70 x 70 x 4 cm

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left

With This Ring II, 2011

Sand, iron ore, mud and stone

on boat building foam wood

Unique, Signed

100 x 120 x 10 cm

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Rune Wheel Wunjo (Joy), 2011

Iron, stone, bitumen and asphalt

on wood

Unique, Signed

75 x 50 x 2 cm

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Rune Wheel Mannan (Power), 2011

Glass and sand on wood

Unique, Signed

75 x 50 x 2 cm

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above right

Evidence, 2011

Iron, stone on foam and wood

on board

Unique, Signed

120x120x14cm

-----------------------------------------

left

Amor, 2011

(from Omnia Vincit Amor series)

Silver paint, wax and asphalt

on wood

Unique, Signed

100 x 100 x 9 cm

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previous page

Omnia Vincit Amor, 2011

(series of 3 panels)

Silver paint, wax and asphalt

on wood

Unique, Signed

100 x 100 x 9 cm (each panel)

-----------------------------------------

right

Oscillation, 2011

Sand, iron, stone, dirt and asphalt

on board

Unique, Signed

110 x 114 x 4cm

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above

Signs of Life, 2011

Car paint spray, sand, dirt, boat varnish and

acrylic on boat building foam, mounted on wood

Unique, Signed

100 x 100 x 5cm

-------------------------------------------------------

right

Cedamus Amori (Rune figure), 2011

Dirt sand boat varnish on boat building foam

Unique, signed

240 x 80 x 8cm

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left

Iluvuluvme (Love Stones), 2011

Iron stone sand on boat building

foam on wooden board

Unique, Signed

240 x 80 x 8cm

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Iluvuluvme (Love Stones), 2011

Iron stone sand on boat building

foam on wooden board

Unique, Signed

240 x 80 x 8cm

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previous page

Omnia Vincit Amor (Rune Figure), 2011

Dirt sand boat varnish

on boat building foam

Unique, Signed

240 x 80 x 8cm

----------------------------------------------

right

Metal Rain, 2011

Graphite silver wax and sand on wood

Unique, signed

60 x 40 x 4 cm

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next page

Bergtatt i Hardanger, 2011

(Spellbound in Hardanger, Midsummer Installation)

Sand and foam on wood

Unique, Signed

200 x 200 x 8 cm (central section)

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left

Cold Star II, 2011

Sulphur ore, bitumen, asphalt,

sand mica and glass on wood

Unique, Signed

240 x 80 x 8 cm

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right

Moon Dial, 2011

Sand, graphite, silver metallic

spray on board

Unique, Signed

75 x 75 x 9cm

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Ian Garlant

Ian Garlant was born in 1962 to an English father and Norwegian mother. He pursued Fashion

Design at Kingston University receiving numerous awards including a Royal Society of the Arts

bursary. After a period designing for studio 1 in New York, he returned to England to take up a post

with Sir Hardy Amies in 1987, in 1999 was invited to Moscow to design costumes for a ballet written

especially for the Bolshoi by Alexei Rybnikow as part of their millennium celebrations. In 2006,

the artist’s Autumn/Winter collection was awarded a series of shows at the Victoria & Albert Museum

in recognition of his unique position in fashion.

By 2007, Garlant had returned to painting, creating new work inspired by the landscape of his

childhood. He pursued this at his grandfather’s fishing hut on the edge of the Hardanger fjord.

He emigrated to Norway in 2009 and prepared his first solo show. Since Autumn 2010 he has

been working on the Midsummer Project, a site-specific temporary and highly collaborative

installation, which opened in June 2011.

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Exhibitions

2011 Midsummer Project, Galleri SE, Bergen, Norway

2011 BERGTATT I HARDANGER / ENTRACED IN HARDANGER,

Norway

2010 UnEarth, curated by Kay Saatchi and in partnership with

the Royal Norwegian Embassy, London

2006 Fashion in Motion, Victoria & Albert Museum

Garlant’s Autumn/Winter collection was awarded a series of

shows in recognition his unique position in Fashion.

2003 Autumn/Winter Couture Collection on show at Royal Academy

of Arts, London. The Spring 2004 Autumn/Winter Couture

Collection, Shanghai, The People’s Republic of China (the first

Couture Collection to be shown in China).

1999 Bolshoi Ballet, Moscow, costume design for ballet written

by Alexei Rybnikov for their millennium celebrations

Photography by Gunn Benete Stolen

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Moon Dial .................................................. £2.500

Rune Wheel Dagaz (Time) ............................. £2.500

Rune Wheel Mannan (Power) ........................ £2.500

Rune Wheel Wunjo (Joy) .............................. £2.500

Metal Rain .................................................. £2.600

With This Ring I ........................................... £2.750

Time Piece ................................................. £2.750

Dirty Words ................................................ £2.750

Time Machine ............................................. £3.800

Signs of Life ................................................ £3.800

With This Ring II ......................................... £4.200

Oscillation ................................................. £4.200

Omnia (from Omnia Vincit Amor series) .......... £4.200

Vincit (from Omnia Vincit Amor series) ........... £4.200

Amor (from Omnia Vincit Amor series) ............ £4.200

Evidence .................................................... £5.500

Radiant Space ............................................ £5.800

Iluvuluvme - Love Stones ............................. £9.500

Iluvuluvme - Love in a Mirror ........................ £9.500

Cedamus Amori (Rune figure) ....................... £9.500

Omnia Vincit Amor Rune Figure .................... £9.500

Cold Star II ................................................ £9.500

Bergatt I Hardanger (central wheel) .............. £16.000

all prices are incl. VAT

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ANDIPA C O N T E M P O R A R Y

162 Walton Street | Knightsbridge | London SW3 2JL

+44 (0)20 7589 2371 | [email protected] | www.andipa.com