Ancient History of Restorative Art 1288 – 1110 BC Egyptians: reincarnation Anubis:

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Ancient History of Ancient History of Restorative Art Restorative Art 1288 – 1110 BC 1288 – 1110 BC Egyptians: reincarnation Egyptians: reincarnation Anubis: Anubis:

Transcript of Ancient History of Restorative Art 1288 – 1110 BC Egyptians: reincarnation Anubis:

Page 1: Ancient History of Restorative Art 1288 – 1110 BC Egyptians: reincarnation Anubis:

Ancient History of Restorative Ancient History of Restorative ArtArt

1288 – 1110 BC1288 – 1110 BC

Egyptians: reincarnationEgyptians: reincarnation

Anubis:Anubis:

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Egyptian TreatmentsEgyptian Treatments

Scars, CutsScars, Cuts

Missing Eyes and LimbsMissing Eyes and Limbs

Bowed LegsBowed Legs

EmaciationEmaciation

Broken LimbsBroken Limbs

Decubitus UlcersDecubitus Ulcers

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MummificationMummification

Body covered in paste of resin and fat.Body covered in paste of resin and fat.

Surface contour restored.Surface contour restored.

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Middle AgesMiddle Ages(5(5thth – 15 – 15thth Century) Century)

No restorative art.No restorative art.

Physicians cared for the privileged class.Physicians cared for the privileged class.

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1313thth and 14 and 14thth Centuries Centuries

Post-mortem care of royalty and gentry:Post-mortem care of royalty and gentry: removal of organsremoval of organs skin incisedskin incised immersion in preserving liquids and powdersimmersion in preserving liquids and powders not presentable for viewingnot presentable for viewing

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RenaissanceRenaissance(14(14thth – 17 – 17thth Century) Century)

Italy: death masks made of important Italy: death masks made of important peoplepeople cast in hard wax and then hung in the churchcast in hard wax and then hung in the church

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RenaissanceRenaissance(14(14thth – 17 – 17thth Century) Century)

France and England death masksFrance and England death masks artisticartistic ““real” hair attachedreal” hair attached ““puppet body” made of wickerpuppet body” made of wicker effigy placed on top of casketeffigy placed on top of casket

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US Civil WarUS Civil War

Dr. Thomas HolmesDr. Thomas Holmes

Plastic SurgeryPlastic Surgery

Plaster of ParisPlaster of Paris

Sculptor’s Clay and Window PuttySculptor’s Clay and Window Putty

Yellow SoapYellow Soap

1912: “Modern Era of Restorative Art”1912: “Modern Era of Restorative Art”

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Reference to a PhotographReference to a Photograph

Mayer: pages 502 & 558 Klicker page 39Mayer: pages 502 & 558 Klicker page 39

Professional portraitsProfessional portraits

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Reference to a PhotographReference to a Photograph

SnapshotsSnapshots

Profile viewProfile view

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Reference to a PhotographReference to a Photograph

Three-quarter View:Three-quarter View:

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Reference to a PhotographReference to a Photograph

Frontal viewFrontal view

Inversion of the PhotographInversion of the Photograph

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HighlightHighlight

ShadowShadow

Normal LightingNormal Lighting

Directional LightingDirectional Lighting

Flat LightingFlat Lighting

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Modeling TechniquesModeling Techniques

Klicker page 65Klicker page 65

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Concepts of ModelingConcepts of Modeling

Armatures: “framework, a material Armatures: “framework, a material commonly of pliable metal or wood, commonly of pliable metal or wood, employed to provide support for a wax employed to provide support for a wax restoration”restoration”

Analyze before modeling.Analyze before modeling.

Size, Position and FormSize, Position and Form

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Concepts of ModelingConcepts of Modeling

Landmarks of Size:Landmarks of Size:

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Concepts of ModelingConcepts of Modeling

Klicker page 65 and 66Klicker page 65 and 66

Measurements in One DirectionMeasurements in One Direction

Configuration to a PatternConfiguration to a Pattern

Rough ModelingRough Modeling

Smoothing a Wax SurfaceSmoothing a Wax Surface

Construction of Large MassesConstruction of Large Masses

Surface Corrections by AdditionsSurface Corrections by Additions

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Concepts of Modeling Concepts of Modeling

Surface Corrections by ReductionSurface Corrections by Reduction

Modeling by SilhouetteModeling by Silhouette

Modeling the ProfileModeling the Profile

Modeling the Bilateral FormModeling the Bilateral Form