ANCIENT EGYPT: Structural Conservatism & Material Extravagance.

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ANCIENT EGYPT: Structural Conservatism & Material Extravagance

Transcript of ANCIENT EGYPT: Structural Conservatism & Material Extravagance.

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ANCIENT EGYPT:Structural Conservatism &Material Extravagance

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The Nile River Valley• due to basic human

needs for sustenance it is no surprise the Nile River Valley developed as it did:– water– fertilization– transportation– building materials– aesthetic inspiration

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•sepulchral structure built above ground•elaboration of pre-dynastic burial-pit & mound form •generally rectangular in plan with a flat roof and inward-sloping walls• built of brick and faced with limestone slabs

mastabaOld Kingdom (2680–2181 B.C.)

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• angle of repose—natural “structure” of earth when piled• battered—or has a slope

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Pyramids of Giza

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Structural Conservatism• Skiomorphosis - describes that process

whereby a form is invented in one material as a response to the physical properties of that material and then transferred to another material whose properties do not demand that form.

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Segregation of Classes

• Division of class– Royalty– Military – Laboring class– Merchant class

• Segregation of residential districts

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Temple Complex at Karnac

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Trabeated Construction

Post: Vertical Element

Lintel: Horizontal Element

Battered Wall

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Temple of Edfu:

The Main Pylon/Gate

Cavetto Cornice

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Obelisk

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Temple of Amon at Karnac

Path or Axis

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Temple of Amon at Karnac

Axial Planning

Additive Construction

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Hypostyle Hall: Nature’s Grid

NILE

SUN

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Hypostyle Hall

Latin: hypo-inside, style-column

Clerestory

Lotus Flower Capital

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hierarchy of society (statues and restricted spaces) fused in architecture

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The Dense Forest

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Applied Polychromy

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Bas (Low) Relief Carving Incised Carving

HIEROGLYPHICS

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Arab World Institute

Jean Nouvel, Paris France, 1983-87

Notre Dame

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Light Sensitive Windows

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Jean Nouvel’s

Hypostyle Hall

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Interior of Nouvel’s Hypostyle

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Interior of Arab World Institute

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INTERIORS

• Egyptian Pyramids– Eternal

• Egyptian Villas and Palaces– Absence of ceremony and its effect

on the interior– Symbolic journey of life– Importance of the hearth – Movable furniture– Ephemeral

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Model of a Villa of an aristocratic family at Te El Armana, 18th Dynasty, New Kingdom

(reconstructed from archeological evidence)

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Plan of a Villa of an aristocratic family at Te El Armana, 18th Dynasty, New

Kingdom

(reconstructed from archeological evidence)

Walls were a canvas

for carving or painted murals.

Wooden shutters or grilles for windows.

Sun-baked earthen floors cooler than

having textiles.

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Egyptian Furniture

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Products of the Vernacular• Products for ordinary people• Local materials• Priority of function

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Products of the High Style• Products for the elite• Extravagant materials• Followed them to the afterlife

Alabaster Lamp

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table and oil lamps, Old Kingdom

Wrapped Joints

Diagonal Struts

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Wood Joinery

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Bedroom Suite of Queen Hetepheres, c. 2300 BCE Wood encased in gold; loose cushions covered in cotton,

painted leather, metallic cloth

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Folding Bed, Middle Kingdom

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Headrest from the tomb of Tutankhamun, c. 1352 Often wrapped in linen

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Impost Block

Zoomorphic furniture

Lotus Blossom

Reeds

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The Discovery of King Tut’sTomb by Howard Carter(1922)

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The Antechamber

(Evidence of trade; Greek artifacts found in tombs)

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http://www.geocities.com/Athens/Delphi/3499/MUMMY.HTM

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Burial Chamber Entrance

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An Unbroken Seal

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The Primary Sarcophagus of King

Tutankhamen

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http://www.thebanmappingproject.com/

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Stool from the tomb of Tutankhamun, c. 1352 BCE

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• Seating– Stool

Painted and Guilded Stool, 18th dynasty

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• Seating– Stool– Chair

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• Seating– Stool– Chair– Arm chair

Arm Chair from the tomb of Tutankhamun,

c. 1352 BCE

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• Seating– Stool– Chair– Arm chair – Throne

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1. Loose cushion

2. Pads or rolls of fabric secured over the back and seat of chair

3. Leather (cowhide or goat skin) as collapsible sling

Use of textiles on furnishings:

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Shrine Shaped Box, Old Kingdom

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Chest on Legs, Old Kingdom

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Egyptian Decorative Arts

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Ivory hunting dogLate Dynasty 18, 1400-1350 B.C.

Ivory, tinted red inside mouth and black around eyes and on undersides of paws, l. 7 1/8 in.

HippopotamusThebes, area of Deir el-Bahri, Dynasty 18, ca.

1450 B.C.Painting on limestone, 4 11/16 x 4 1/8 in.

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CatPtolemaic Period, 305-30 B.C.

Bronze, h. 11 in.

Prancing Horse, New Kingdom, late Dynasty 18, probably reign of Amenhotep III, ca. 1391–1353 B.C.

EgyptianIvory, garnet inlay; L. 6 in. (15 cm)

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Make-up Palettes in the form of Turtles, Old Kingdom

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Pectoral of Princess Sithathoryunet Lahun

Dynasty 12, reign of Senwosret II, ca. 1897-1797 BCEGold, carnelian, feldspar, garnet, and turquoise; l. 3 1/4 in.

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Egyptian Revivals

• The first occurs in the early 19th century due to Napoleon’s campaigns in Egypt and the resulting Descriptions of Egypt.

• The second is concurrent with Carter’s discovery of King Tut’s Tomb in the early part of the 20th century.

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Clock, 1808, Benjamin Vulliamy

Black Marble and Ormolu

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Grauman’s Egyptian Theater

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Egyptian Theater

Boise, Idaho