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AN ARCHITECTURE
Chad Sweeney
BlazeVOX [books]
Buffalo, New York
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An Architecture by Chad Sweeney
Copyright 2007
Published by BlazeVOX [books]
All rights reserved. No part of this book may be reproduced withoutthe publishers written permission, except for brief quotations in review s.
Printed in the United States of America
Book design by Geoffrey Gatza
First Edit ion
ISBN: 1-934289-68-X ISBN 13: 978-1-934289-68-6
Library of Congress Control Number : 2 007938738
Cover photograph by David Holler
BlazeVOX [books]14 Tremaine AveKenmore, NY 14217
publisher of wei rd little books
BlazeVOX [ books ]blazevox.org
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AN ARCHITECTURE [9]
1
every yearthe statue grows heavier
I want to put it downon this clover hill overlooking
the libraryit might roll away from me
it wouldnt be my faultif it broke back to its four colors
its mound of shells and water
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AN ARCHITECTURE [10]
2
bridgework
wedgework
signwork
seedwork
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AN ARCHITECTURE [11]
3
the library is burningfire reads aloud
in Arabic in Greek
translating each bookinto smoke
outside we climb the sidewalks
past windows that fill
with our presenceupstairways thru doors
the invisible limps beside us
millions of is and is notposture and stride in
faith a manholds tight
to his own leash
as rain
fallsand does not fall
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AN ARCHITECTURE [12]
4
Though railroad tracks appear to meetin the distance
they never do.Hired mourners depart
to the wrong century.Radio signals
bead along strands of smokeover Appalachia
(where I feel tempted to reportthe rivers are smoldering)
and glaciers in New York Harborredirect the lights
straight up into the haze.Music reinforces the girders.
One must
rely on hypnosis,a window
the color of wineis what in death
terrifies.The future protagonist
under development,equidistant from his flaws,
imposes this plot on memory.
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AN ARCHITECTURE [13]
5
We searched the citiesin oneseach
for the other, orphans without
memory, the divorced, theprisonerswe
ate among cars and wires,
in the concrete was
no mother, in halls tenfloors up no
fatherand sent each dayour children
into huge buildings
into rows. Itshow we lived.
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AN ARCHITECTURE [14]
6
taxis heaped with shoesbees and pages
torn from bookslanguage!turns
with shipyard birdsin sleeves of
warehouse glassour city
in green air and high green
lightrush hour under the ocean
each face crowded withformer selves
of the not chosen
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AN ARCHITECTURE [15]
7
too vast to renderin watercolors the field
recedes
within ustoward a sepia line:
seven archetypes of
catastrophe
the lead swallow in the flockchanges
now that one the othersfollow
a single billowing
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AN ARCHITECTURE [16]
8
I should have saidI meant to say
the flock turnsin that carpenter leaning on the pole
differently thanin you who read it
at the museumwe file by in ones pulling
each thing up by its nakedmaterialplucking it out
into light from the zerothe sun
shines for those who demand it, one
scarab, one flintedgeof the rail, the rail edge
speaksof an approaching train
its circumstanceand something of the words
shouted in dining cars
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AN ARCHITECTURE [17]
9
for a time one may walkbeside herself, but
there intervenes
a street light ormanhole around which she
regathers her step and jostled
by the crowd turns toward
and away fromits alwaysbothinserts her body
into the bank turnstileto deposit her pay
repeating the sentenceher grandmother intoned this
time of year
favoringthe ankle that hurts less, that is
less swollen
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AN ARCHITECTURE [18]
10
the nouns are verbsconduit between I and I
from which the fish the fowllooking
into ita face
breaks on the well watersource and structure
the double
helixa thrushs voice
of the body and beyond the body
is the meaning of our talk
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AN ARCHITECTURE [19]
11
To carve a bird froma bird,to make a stonefrom a stone. To have
worked it all day withoutobstructing its flightthe flying
stone goes
dark at night and glows notwith light, but its roughdumb matter
brilliant among roots.
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AN ARCHITECTURE [20]
12
by this slow burnwe live
smoldering
a tree
fire inside its woodwalks
out from the forest
the burning bushis a man
in average moments
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AN ARCHITECTURE [21]
13
the snakeswallowing
peristalsis ofthe world
by which these roomsare constituted
camouflage
over a cityblock windswept
of copperleaves machines and
their maththe snakeunrolling
its throat cave(lingual)
birthsthe wet days
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AN ARCHITECTURE [22]
14
the hillsidecollapses toward the water
clutches of briarnettle
inhabit the marsh reedscow parsnip
clamors from spring mud
in throaty wombsbouquets of nails and beaks
greenthrough last years
struggle, skeletal of russetstalks no memory
of mothersomecolorful windborne ache of seedpod splitting
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AN ARCHITECTURE [23]
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too many choicesgive me a shovel and a pit
let it be a stranger pays me
I will bury mountainsin this red sleep
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AN ARCHITECTURE [24]
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the windmill is turning
and its turningsare turning
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AN ARCHITECTURE [25]
17
he carried the babys bodyeverywhere in that violin case
until they wouldnt let him enter the school
then he buried the bundleunder a rose bush
at his birth house in Watanga
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AN ARCHITECTURE [26]
18
if hewants itand
he wants ithe may not
feed
his child
of his bodys milk
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AN ARCHITECTURE [27]
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twins born the morningthey cut off his hands
lean from the bridge to taunt
the monk clawingthe mud bank for worms
his toes grip the fish hook
Dong Hoi
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AN ARCHITECTURE [28]
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On the river a village,no road but that river
to reach it,among the women one man
selling what hed sewn in Hmongpattern
led us back to his hutawoman
a mother-man, he said,
my wife died leavingthe children. While men
planted ricethe mother-man of Laos stayed home
to weave. Scars
beetled his forearmsshrapnel here, he said
gesturing an airplaneAmerikhafloated over
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AN ARCHITECTURE [29]
when he was a boysize of this one giggling in his lap
Booooooom!his face was watching the bombs again
but boreno anger smiling out
from the eyes of seven children.
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AN ARCHITECTURE [30]
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Today I saw two old friendsin the streetpassing
but did not know them, didnot stop
to talk. No longer the
self
who loved those men
among the crowds, this sidewalk
longer than I thought.A new clutter to
defendin new spaces.
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AN ARCHITECTURE [31]
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every man his own orphan
left himselfon the subway platform
countinghis image
one one
in passing windows