Diapositive 1

The Age of AnxietyLa peinture amricaine des annes 30

Edward Hopper (1882-1967)Automat (1927, 71.4 x 91.4, Des Moines Art Center, Des Moines )

Edgar Degas (1834-1917)Labsinthe (1876, 92 x 68, Muse dOrsay, Paris)

L'Amrique aprs la chute

Dorothea Lange (1895-1965)Migrant Mother (1936, tirage argentique, Florence Owens Thompson)

Affiche amricaine pour Les Temps Modernes (1935, Charlie Chaplin, United Artists)

Ben Shahn (1898-1969)La Passion de Sacco et Vanzetti (1931-32, tempera sur toile, 215 x 122 cm. Whitney Museum of American Art, New York)

Georgia O'Keeffe (1887-1986)Crne de vache: rouge, blanc et bleu (1931, 96 x 91 cm. Metropolitan Museum of Art, New York. Alfred Stieglitz Collection)

Norman Bel Geddes (1893-1958)Manhattan Cocktail Set [Ensemble cocktail] (1934-35, produit vers 1939-41, laiton chrom. Art Institute of Chicago)

Charles Sheeler (1883-1965)

Classic Landscape [Paysage Classique] (1931, 65,5 x 82 cm.National Gallery of Art, Washington DC)

Margaret Bourke-White (1904-1971)World's Highest Standard of Living [Le niveau de vie le plus lev au monde] (1937, tirage glatino-argentique, Art Institute of Chicago)

Charles Sheeler (1883-1965)Suspended Power [Turbine en suspension] (1939, Dallas Museum of Art)

Edward Hopper (1882-1967)Early Sunday Morning [Tt un dimanche matin] (1930, 89,4 x 153 cm. Whitney Museum of American Art, New York)

Diego Rivera (1839-1906)Detroit Industry (1932-33, fresque murale, Detroit Museum of Fine Arts)

La Pastorale de la prairie

Thomas Hart Benton (1889-1975) America Today (1930-31, 10 panneaux. Metropolitan Museum of Art, New York)

Thomas Hart Benton (1889-1975) America Today (1930-31, 10 panneaux. Metropolitan Museum of Art, New York)

Thomas Hart Benton (1889-1975) America Today (1930-31, 10 panneaux. Metropolitan Museum of Art, New York)

Thomas Hart Benton (1889-1975) The South (from America Today) (1930-31, 233,7 x 297,2 cm. Tempera l'oeuf sur bois, Metropolitan Museum of Art, New York)

Thomas Hart Benton (1889-1975) Midwest (from America Today) (1930-31, 233,7 x 297,2 cm. Tempera l'oeuf sur bois, Metropolitan Museum of Art, New York)

Thomas Hart Benton (1889-1975)The Arts of Life in America: Arts of the West

(1932, tempera et glacis l'huile, 238,1 x 405,1 cm. New Britain Museum of American Art, Lexington)

Joe Jones (1909-1963)

American Justice (1933, 76,2 x 91,4 cm. Columbus Museum of Art, Ohio)

John Steuart Curry (1897-1946) The Manhunt [Chasse l'homme] (1931, Joslyn Art Museum, Omaha)

John Steuart Curry (1897-1946) Baptism In Kansas (1928, 101.7 x 127 Whitney Museum of American Art, NYC)

John Steuart Curry (1897-1946) Sangliers tuant un serpent (1930, The Art Institute of Chicago)

John Steuart Curry et Grant Wood en salopette Stone City, Iowa (Time, 24-12-1934 photographie: John Barry, Jr.)

John Steuart Curry (1897-1946) Bleeding Kansas (John Brown) (1937, peinture murale Topeka Kansas)

Grant Wood (1891-1942)American Gothic (1930, 74.3 x 62.4, Art Institute of Chicago)

Parodie du tableau de Grant Wood extraite du gnrique de Desperate Housewives

Grant Wood 1891-1942)Stone City, Iowa (1930, huile sur panneau, 76.2 x 101.6, Joslyn Art Museum, Omaha Nebraska)

Paul Herman et Jean de LimbourgMars (extrait des Trs Riches Heures du duc de Berry) (1412-16, pigments et or sur parchemin, 30 x 21,5 cm. Muse Cond, Chantilly)

Grant WoodYoung Corn [Plantation de mas] (1931, huile sur masonite, 60.3 x 75.5, Coll. Cedar Rapids Community School District)

Grant WoodFall Plowing [Labour d'automne] (1931, huile sur masonite, Collection of John Deere Company, Davenport)

Daniel Chester French (1850-1931)Minute Man (1874, bronze, Old North Bridge, Concord, Massassuchetts)

Marvin Cone (1891-1965)River Bend N4 [Mandre de la rivire numro 4] (1938, collection particulire)

Thomas Hart Benton (1889-1975)Haystack [Meule de foin] (1938, peinture luf et lhuile, Museum of Fine Arts, Houston)

Thomas Hart Benton (1889-1975)Cradling Wheat [Le bl mis en bottes] (1938, tempera et huile sur carton, 79,5 x 100 cm. Saint Louis Art Museum)

Couverture de Time Magazine (24-12-1934)

Thomas Hart Benton (1889-1975) Persephone (1939, peinture luf et lhuile, 72 x 56, Nelson Atkins Museum of Art, Kansas City)

Thomas Hart Benton (1889-1975)The Ballad of The Jealous Lover of Lone Green Valley(1934, huile et tempera, Spencer Museum of Art , University of Kansas, E.Watkins Fund)

Joe Jones (1909-1963)

Our American Farms [Nos fermes amricaines] (1936, 76,2 x 101,6 cm. Whitney Museum of American Art, New York)

Alexandre Hogue (1898-1994)Erosion N2-Mother Earth Laid Bare [rosion n2-Notre Terre mise nu]

(1936, Tulsa, Philbrook Museum)

Alexandre Hogue (1898-1994)Drouth-Stricken Area [Zone frappe de scheresse]

(1934, Dallas Museum of Art)

Made in America? Les influences transatlantiques

Stuart Davis (1894-1964)New York-Paris N3 (1931, collection particulire)

Charles Demuth (1883-1935)... And The Home of the Brave [ Et la Patrie des braves] (1931, The Art Institute of Chicago)

Charles Sheeler (1883-1965)American Landscape (1930, 61 x 78.8, MoMA NYC)

Charles Sheeler (1883-1965)Industry [Industrie] (1927, collage glatino-argentique 19,9 x 38,1 cm. Art Institute of Chicago)

Georgia O'Keeffe (1887-1986)Red Hills with Flowers [Collines rouges et fleurs] (1937, 50,8 x 63,5 cm. The Art Institute of Chicago)

Georgia O'Keeffe (1887-1986)Cow's Skull with Calico Roses [Crne de vache avec roses] (1931, 91,4 x 61 cm. The Art Institute of Chicago)

Georgia OKeeffe (1864-1946)Rams Head White Hollyhock and Little Hills (1935, 76.2 x 91.5, legs Lowenthal, Brooklyn Museum)

Marsden Hartley (1877-1943)Mt. Katahdin, Maine, Autumn #2 (1939-40, 77 x 102 cm. Metropolitan Museum of Art, New York)

Arthur Dove (1880-1946)Red Sun [Soleil rouge] (1935, 50.8 x 71.2 , Phillips Collection Washington DC)

Arthur Dove (1880-1946)Tree Trunks [Troncs d'arbre] (1934, 45,8 x 61 cm. Phillips Collection, Washington D.C.)

Arthur Dove (1880-1946)Swing Music (Louis Armstrong) (1938, huile, mulsion et cire sur toile, 44,45 x 71,12 cm. The Art Institute, Chicago)

William H. Johnson (1901-1970)Street Life, Harlem [Scne de rue, Harlem] (1939-40, 116 x 98 cm. Smithsonian American Art Museum, Washington D.C.)

Charles Green Shaw (1892-1974)Wrigley's (1937, 76.2 x 114.3 cm, The Art Institute of Chicago)

Ilya Bolotowsky (1907-1981)tude pour la fresque murale de la salle des sciences mdicales l'Exposition universelle de 1939 New York (1938-39, The Art Institute of Chicago)

Faire revivre les rcits du pass: Le modernisme des annes 30 et l'histoire revisite de l'Amrique

Grant Wood (1891-1942)Daughters of Revolution [Filles de la Rvolution] (1932, huile sur isorel, 50.8 cm 101.4 cm, Art Museum, Cincinnati)

Aaron Douglas (1899-1979)Aspiration (1936, 152.4 x 152.4 cm, Fine Arts Museum, San Francisco)

Millard Sheets (1907-1989)La contribution des Noirs au dveloppement social et culturel de l'Amrique: la science (1937-41, 271,8 x 195,6 cm. Ministre de l'Intrieur, Washington D.C.)

Morris Kantor (1896-1974)Haunted House [Maison hante] (1930, 94.3 x 84.5 cm, The Art Institute of Chicago)

Edward Hopper (1882-1967)Early Sunday Morning [Tt un dimanche matin] (1930, 89,4 x 153 cm. Whitney Museum of American Art, New York)

Charles Demuth (1883-1935)... And The Home of the Brave [ Et la Patrie des braves] (1931, The Art Institute of Chicago)

Alfred Stieglitz (1883-1935)Georgia O'Keeffe: A Portrait With Cow Skull (1931, tirage glatino-argentique, 23,6 x 18,7 cm. National Gallery of Art, Washington D.C.)

Mort, dgradation et contre-utopie: peindre les friches amricaines dans les annes 30

Grant Wood (1891-1942)Death on the Ridge Road [Mort sur la route de crte] (1935, Williams College Museum, Williamstown)

Helen Lundeberg (1908-1999)Double portrait de l'artiste dans le temps (1935, 121.3 x 101.6 cm, Smithsonian American Art Museum, Washington D.C.)

Walt Kuhn (1877-1949)Portrait de l'artiste en clown (Kansas) (1932, 81,3 x 55,9 cm. Collection de Barney A. Ebsworth)

Ivan Albright (1897-1983)Portrait de l'artiste en clown (Kansas) (1935, 77.2 x 50.5 cm, The Art Institute of Chicago)

Ivan Albright (1897-1983)Et l'homme cra Dieu son image (1931, 121,9 x 66 cm., The Art Institute of Chicago)

Boris Karloff dans Frankenstein 1931(Ralis par James Whale, Universal Pictures)

Osvaldo Louis Guglielmi (1906-1956)Phoenix (Portrait dans le dsert; Lnine) (1935, Sheldon Museum of Art, Lincoln)

Peter Blume (1906-1992)La Ville ternelle (1934-37, 86.4 x 121.6 cm, Museum of Modern Art, New York)

Federico Castelln (1914-1971)La Figure sombre (1938, Whitney Museum of American Art, New York)

Osvaldo Louis Guglielmi (1906-1956)Mental Geography (1938, Collection de Barney A. Ebsworth)

Philip Guston (1913-1980)Bombardement (1937, huile sur isorel, circ= 106,7 cm. Philadelphia Museum of Art )

Chair vif et mauvais genre. Le corps des annes 30

Joe Jones (1909-1963)

Roustabouts [Dbardeurs] (1934, Worcester Art Museum)

Dorothea Lange (1895-1965)Contrematre et ses ouvriers dans une plantation prs de Clarksdale, MS (1936, tirage argentique, International Museum of Photography and Film, Rochester)

Alice Neel (1900-1984)Pat Whalen (1935, 152.4 x 127, Whitney Museum of American Art, New York)

Paul Cadmus (1904-1999)The Fleet's In! [La Flotte est quai!] (1934, huile et tempera sur toile, Collection of the U.S. Navy, Washington D.C.)

The Marx Brothers: scne du film A Night at the Opera (1935, ral.Sam Wood. Metro-Goldwyn-Mayer)

Phil Evergood (1901-1973)The Fleet's In! [La Flotte est quai!] (1934, 152.6 101.7 cm., Blanton Museum of Art, University of Texas, Austin)

El Greco (1541-1614)L'Adoration des bergers (1612-14, 319 x 180 cm. Museo del Prado, Madrid)

Archibald John Motley (1891-1981)Saturday Night (1935, 81,3 x 101,6 cm. Howard University Gallery of Art, Washington D.C.)

Miguel Covarrubias (1904-1957)Dancing Couple [Couple Dansant] (1927, extrait de Negro Drawings, New York, Alfred A.Knopf)

Edward Hopper (1882-1967)New York Movie [Cinma New York] (1939, 82 x 102 cm. Museum of Modern Art, New York)

L'art amricain aprs les annes 30

Arshile Gorky (1904-1948)The Artist and His Mother (1926-36, 152.4 x 127, Whitney Museum of American Art, NYC)

Arshile Gorky (1904-1948)Organization (1934-36, 127 x 153.7, M.Knoedler & Co, Inc., NYC)

Pablo Picasso (1881-1973)Le Peintre et son modle (1928, 129.8 x 163, Sydney & Harriet Janis Coll., Estate of Pablo Picasso, MoMA, NYC)

Jackson Pollock (1912-1956)Going West (1934-35, huile et pltre sur toile, 38.3 x 52.7, Smithsonian , Washington DC)

Mark Tansey (1949-)The Triumph of New York School (1984, 188 x 304.8, Whitney Museum of American Art, NYC)