AMAZING SPIDER-MAN. WORLDWIDE POSITIONING FRAMING PILLARS Reinforce the idea that in this movie...
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Transcript of AMAZING SPIDER-MAN. WORLDWIDE POSITIONING FRAMING PILLARS Reinforce the idea that in this movie...
AMAZING SPIDER-MAN
WORLDWIDE POSITIONING
FRAMING PILLARS
Reinforce the idea that in this movie audiences will find out why Peter’s Aunt and Uncle raised him instead of his parents. Revealing information about Peter’s past further underscores
what is different.
Mystery Surrounding
Peter’s Upbringing
Elements that are new and different should be brought to the front. Always use thematic phrases like, “Untold story beings”
and “Every hero must find his own beginning” Something New
FRAMING PILLARS
Show that this is not Tobey Maguire’s Spider-Man. This new portrayal shows our masked hero as more self-assured, more
brash, and with more attitude.
A New, Tougher Spider-Man
The realistic tone conveys a more dramatic feel of the movie – this includes Peter trying to figure out who he is, being
abandoned by his parents, and the weighty themes of secrets having a cost.
Realistic Tone/ Peter’s Search
for Identity
MEN IN BLACK 3
MIB3 FRANCHISE DNAAvg UK JP ES MX RU
Good Cast 57% 61% 44% 55% 61% 63%Good Characters 51% 59% 37% 49% 56% 56%
Fun for All 44% 58% 30% 38% 48% 48%Funny 50% 57% 47% 52% 52% 42%
Action Packed 44% 52% 21% 48% 45% 54%Well Acted 48% 47% 24% 63% 57% 48%Great SFX 40% 45% 27% 45% 45% 40%
Good Story 34% 39% 28% 23% 33% 47%Kid Friendly 30% 36% 6% 32% 30% 46%
Too American 31% 20% 18% 45% 50% 23%Keeps it Fresh 23% 19% 14% 21% 27% 34%
Too Violent 7% 4% 4% 9% 12% 8%
Key Strengths
Secondary Descriptors
Needs Improvement
RULES OF MIB3•Position as the event movie MIB1&2 led us to
•Draw upon franchise goodwill
•Showcase freshness
• Will Smith front and center
• Draw upon MIB iconography
• Remember that the brand has inherent family appeal• MIB3 is not strictly sci-fi
• Highlight the endearing “oil and water” relationship between J & K• Utilize the ticking close element of time travel
EVENTIZEEVENTIZE GENREGENRE
STORYSTORY
8 WEEKS OUT: ADULTS
EUROPE
Data available March 26
8 WEEKS OUT: ADULTS
ASPAC/LATAM
Data available March 26
8 WEEKS OUT: KIDS
Data available March 26
EUROPE
8 WEEKS OUT: KIDS
ASPAC/LATAM
Data available March 26
RESIDENT EVIL 5
KEY CHALLENGES
Keeping the franchise fresh for fans going into the fifth installment
Leveraging 3D for future
Resident Evil movies after
introducing it in RE:4
Finding a way to “up the ante” with the visuals
beyond just making it in 3D
#2#1 #3
• Emphasize the underground test facility as an immersive, “big” element of the movie• Mystery and deception give this installment its biggest story hook – Who can Alice trust? What is real vs. clone?• Alice goes on the offensive to get out before test facility blows up (revenge + race against time) • Use the international settings and action scenes as a way to repackage 3D for the franchise• It’s still Alice’s movie – she drives the action; supporting characters don’t add much marketing punch
MARKETING RE5
RE5 METAPOSITIONINGAlice awakes to find herself a prisoner in the evil Umbrella Corporation’s
secret test facility, deep below the surface of the Arctic Ocean. She quickly realizes that everything is not what it seems – her new world is a
vast maze of visually-stunning and intricate test environments simulating major cities throughout the world including Berlin, Moscow, New York and Tokyo. In this new world, Umbrella attempts to harness
the power of the T-virus. Old enemies – a team of elite Umbrella commandos, a horde of bloodthirsty undead, and other ravenous
creatures – pursue Alice as she tries to escape. Clones populate this new world and some of Alice’s old friends are now clone enemies while
former enemies offer aid. With only two hours to escape before the facility itself is destroyed, Alice faces a race against time for survival.
Though Alice can’t be sure of anything or anyone, she forges new alliances in a desperate attempt to strike a major blow into the very
heart of the Umbrella Corporation.
DJANGO UNCHAINED
DJANGOUNCHAINED
DJANGOUNCHAINED
TARANTINO FILMS
LATAM4% avg.
US40% avg.
AU/NZ4% avg.
ASIA9% avg.
EUROPE42% avg.
Average % oftotal WW gross
KB1: 12%
Basterds:48%
HOTEL T
HOTEL T TALENTADAM SANDLERADAM SANDLER SELENA GOMEZSELENA GOMEZ
- Nearly universally known in many territories, but less so in KR, JP, and FR
- Earns solid popularity scores that skews younger overall
- Data avail April 9
- Data avail April 9
CLASSIC MONSTERS
SKYFALL
Based on CR and QoS exits data
007 FANSHIP LEVELSTotalMalesFemales
EXITS: QoS vs. CR
Was better Was better
Equally as good
39%
28%
42%
39%
41%
39%
41%
37%
16%
16%
13%
16%
Int’l audiences tended to
agree that QoS was not as
good as CR.
FRANCHISE FATIGUE
CONSISTENT TOP PERFORMERS
All grossed among the top 10 markets for both Casino Royale and QoS
NEWCOMERS
CR: #11 marketQoS: #6 market
CR: #17 marketQoS: #10 market
CR: #14 marketQoS: #8 market
CHINA SOUTH KOREA RUSSIA
EARLY SKYFALL TRACKING
40 40 40 40 40 40 40 40 40 40 40Def. Int.
Data available March 27
TOTAL RECALL
Viewership of original movie: skews male and older across territories
VIEWERSHIP OF ORIGINAL
Movie RatingTop-2 Box
HIGH
LOW
Among viewers…US, RU, UK:
3 in 4 rate the film at least “very good”
JP: 1 in 2
Men slightly more positive overall
Ratings relatively balanced by age across territories
LEGACY OF ORIGINAL MOVIEHow does knowing that Total Recall is a remake of the original 1990 movieimpact your interest to see it at the movie theater when it comes out?
Strongly Increases Interest.
3 in 4 have seen original.Positivity consistent regardless
of age/gender.
Increases Interest. 1 in 2 have seen original.
Positivity skews male and 30+.
RULES OF TOTAL RECALL
• Focus on the core question – “What is real?”
• Constantly raise questions, but don’t provide the answers
HOOKSHOOKS• Push action
primarily, but carefully
• Strike the right balance between action and mystery
GENREGENRE• Compel moviegoers
to be intrigued and ultimately invested in Quaid’s journey
• Avoid the political storyline
STORYSTORY
THAT’S MY BOY
SECTION HEADING 116•TEXT 84–TEXT 74
•TEXT 64–TEXT 52
HERE COMES THE BOOM
SECTION HEADING 116•TEXT 84–TEXT 74
•TEXT 64–TEXT 52