Amazing Grotesk - Zetafonts Amazing...Amazing Grotesk is distribuited with a free for personal / non...

18
Amazing Grotesk

Transcript of Amazing Grotesk - Zetafonts Amazing...Amazing Grotesk is distribuited with a free for personal / non...

Page 1: Amazing Grotesk - Zetafonts Amazing...Amazing Grotesk is distribuited with a free for personal / non com-mercial use license provided with the download. It allows unlimited use of

AmazingGrotesk

Page 2: Amazing Grotesk - Zetafonts Amazing...Amazing Grotesk is distribuited with a free for personal / non com-mercial use license provided with the download. It allows unlimited use of

Amazing Grotesk is distribuited with a free for personal / non com-mercial use license provided with the download. It allows unlimited use of the font(s) on all personal CPUs for non-commercial uses (i.e. no-profit projects, student work, pro-bono assignements).

If you’re designing a Logo or art-work for print or digital advertis-ing, and are the sole author of the design you need to buy a Personal License.

If you’re designing a Logo or artwork for print or digital adver-tising, and are part of a two-five people studio you need the Small Studio License.

Both the personal and small stu-dio licenses apply to web/app use of your design, as long as it stays in rasterized form; if you plan to use include the font in a website or in an app for dynamic text generation (e.g. font-face) you need the Soft-ware/Internet License.

All the above licenses don’t ap-ply to broadcast use (designing logos or dynamic text for broad-cast/tv/cinema).

If you plan to use include the font as part of dynamic or static typesetting for broadcast use, you need the Broadcast License.

All the above licenses don’t al-low for redistribution of the font to your client or his employees (eg. corporate font usage). If you want your client to be able to use person-ally the font to adapt/modify your design, he must buy a Personal or Small Business License.

If your client is a corporate en-tity that wants to freely distribute the font to employees and agencies for brand/product developement, a Worldwide License is necessary.

Feel free to contact us for fur-ther enquiries.

mailto: [email protected]

THIS IS NOT A FREE FONT

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THIS IS NOT A FREE FONT ABOUT AMAZING GROTESK FONTWHO DID IT?

Amazing Grotesk was designed by Cosimo Lorenzo Pancini developing an original logo created by Francesco Canovaro.

HOW WAS IT BORN?

The base for Amazing Grotesk was the logo design for the italian startup directory StartupItalia by Studio Kmzero.

StartupItalia! The logo had to embody the

characteristics of the startup scene: a contemporary feeling of innovation, information and energy, with a desire for semplicity and straightforward communication.

IS IT A SERIF OR NOT?

The word Grotesque, or Grotesk in German is frequently used as a synonym for sans-serif in typography. More precisely it’s often used (along with “Humanist”, “Lineal”, and “Geometric”) to describe a particular style or subset of sans-serif typefaces.

Amazing Grotesk, being a slab serif font with a semi-sans lowercase, it’s not a sans serif font.

You will’have to live with it.

DESIGN PROCESS

The basic design shapes for the font come from the strong personality of the ultra heavy characters drawn by Francesco Canovaro.

abcdojkl

The basic shape has a modernist logic with slight calligraphic variations like the tail of the j, of the l and the hectic k.

AaEeFfGgUppercase letters are drawn

with a slab serif look, as the font is thought to work better in upper/lowercase combinations.

AaQqFfGgLighter weights were developed

keeping the width of the character consistent and adding length to the slab serif.

ДЕЖКЛЦ

Greek and Cyrillic characters were designed following the same logic.

ABCDEFGHIJKLMNOPQRSTUVWXYZabcdghijklmnopqrstuvwxyz1234567890

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Light

Light Italic

Book

Book Italic

Bold

Bold Italic

Ultra

Ultra Italic

THE AMAZING WEIGHTS

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789 ;.,?!$%&/()=?^ç°*[]#@

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789 ;.,?!$%&/()=?^ç°*[]#@

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789 ;.,?!$%&/()=?^ç°*[]#@

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789 ;.,?!$%&/()=?^ç°*[]#@

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789 ;.,?!$%&/()=?^ç°*[]#@

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789 ;.,?!$%&/()=?^ç°*[]#@

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789 ;.,?!$%&/()=?^ç°*[]#@

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789 ;.,?!$%&/()=?^ç°*[]#@

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THE AMAZING WEIGHTS THE AMAZING CHARACTERSLATIN UPPERCASE & LOWERCASE

ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz

NUMERALS

1234567890

LIGATURES

ß & fi fl ff ffi ffl ij æœ ÆŒ

PUNCTUATION & SYMBOLS

.,:;’‘”“‚„... !?¡¿•·«»‹›-−—_\/|¦@©®™^~◊¶§†‡*

MATH & CURRENCY

+<=>×÷−±μπ∆Ω∑∏∫√%‰€$£¥¢ƒ

ACCENTED & LANGUAGE LATIN

ÁÀÂÄÃĀÅĂĄǼĆĈČĊÇÐĎĐÉÈÊËĒĚĔĖĘĜĞĠĢĤĦÍÌÎÏĨĪĬİĮĴĶĹĽL·ĻŁŃÑŇŅŊÓÒÔÖÕŌŎŐØǾŔŘŖŚŜŠŞȘŤŢŦÚÙÛÜŨŪŮŬŰŲẂẀŴẄÝỲŶŸŹŽŻáàâäãāåăąǽćĉčċçďðđéèêëēěĕėęĝğġģĥħíìîïĩīĭįıĵķĸĺľl·ļłńñňņnŋóòôöõōŏőøǿŕřŗśŝšşșßťţŧúùûüũūůŭűųẃẁŵẅýỳŷÿźžżÞþ

GREEK

ΑΒΓΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨ αβγδεζηθικλνξοπρστυφχψως ΆΈΉΊΪΌΎΫΏάέήίϊόύϋώΐΰ

CYRILLIC

АБВГҐДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪ ЫЬЭЮЯЁЂЃЄЅІЇЈЉЊЋЌЎЏ абвгґдежзийклмнопрстуфхцчшщ ъыьэюяёђѓєѕіїјљњћќўџ

Full character sets apply to Light, Book, Demi & Ultra in Roman & Italic.

All contain the same language range.

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40+ AMAZING LANGUAGES

Amazing Grotesk covers over 40 languages that use the Latin alphabet

ÀÁÂÃÄÅĀĂĄÆÇĆĈĊČĎĐÈÉÊËĒĔĖĘĚĜĞĠĢĤĦÌÍÎÏĨĪĬĮİIJĴĶĹĻL·ĽŁŃŅÑŇŊÒÓÔÕÖŌŎŐŒØŔ ŖŘŚŜŞŠŢŤŦÙÚÛÜŨŪŬŮŰŲŴÝŶŸŹŻwŽÞàáâãäåāăąæçćĉċčďđðèéêëēĕėęěĝğġģĥħìíîïĩīĭįıijĵ ķĺl·ļľłńņňʼnñŋòóôõöōŏőœøŕŗřśŝşšșţťŧùúûüũūŭůűųŵÿýŷźżžsþĸàáâãäåāăąÆçćĉċčďđèéêëē ĕėęěĝğġģĥħìíîïĩīĭįıijĵķĸĺļl·ľłńņňʼnñŋòóôõöōŏőœøŕŗřśŝşšșţťŧùúûüũūŭůűųŵÿýŷźżžþ

Czech

Národní divadlo začalo s vydáváním cd v roce 2002, po nástupu nového ředitele Daniela Dvořáka, který do funkce šéfa opery přizval svého dřívějšího kolegu ze Státní opery Praha Jiřího Nekvasila. První vyda- nou operou byl Mozartův Don Giovanni, vyšly i živé nahrávky Zprávy pro akademii Jana Klusáka, Smolkovo Nagano a další. Zatím poslední je komplet s nahrávkou mimořádného provedení Prstenu Nibelungova od Richarda Wagnera, které vzbudilo velkou pozornost na scéně před 2 lety.

Polish

Posłowie zkomisji edukacji chcą tworzyćprzyuniwersytetachpubli cznych szkołydlawybitniezdolnyc huczniów. Ale czymłodzież pow- inna być selekcjonowa-na, a zdolne dzieci trafiać do elitarnych szkół? –Tonajlep-sze rozwiązanie–uważa prof. Wiesława Limont, pedagog z Uni-wersytetu Mikołaja Kopernika w Toruniu,przyktórymtakaszkołajuż istnieje. –Wzwykłych klasach dzieci o ponadprzeciętnych uzdol-nieniach osiągają słabe wyniki. Nie rozwijają skrzydeł i zniechęcają

Greek

Ο ∆ίας υπήρξε ανέκαθεν μετεωρολογικός θεός, ελεγκτής της αστραπής, του κεραυνού και της βροχής και επίσης ήταν ο δυνατότερος και σπουδαιότερος θεός όλων των μυθολογικών όντων και θεών. Ο Θεόκριτος περίπου το 265 Π.Κ.Ε. έγραψε: «άλλοτε είναι καθαρός ο ∆ίας, άλλοτε βρέχει». Στο ομηρικό έπος της Ιλιάδας έστελνε τους κεραυνούς στους εχθρούς του. Άλλα εμβλήματά του, ήταν ο αετός και η αιγίς.

Russian

Первый наборный шрифт этого класса был создан в 1816 году. Он применялся для акциденции (привлечения внимания) в рекламе и заголовках.

Основоположником современных типографских универсальных гротесков считается шрифт Акциденц Гротеск, разработанный в 1896 году неизвестным художником фирмы Berthold.

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German

French

Spanish

Swedish

Polish

Turkish

Lithuanian

Czech

Greek

Russian

40+ AMAZING LANGUAGES

Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich

Ça: voix ambiguë d’un cœur qui au zéphyr préfère les jattes de kiwis.

El veloz murciélago hindú comía feliz cardillo y kiwi: la cigüeña tocaba el saxofón detrás del palenque de paja.

Flygande bäckasiner söka strax hwila på mjuka tuvor.

Pójdźże, kiń tę chmurność w głąb flaszy!

Pijamalı hasta yağız şoföre çabucak güvendi.

Įlinkusi fechtuotojo špaga blykčiodama gręžė apvalų arbūzą.

Nechť již hříšné saxofony ďáblů rozzvučí síň úděsnými tóny waltzu, tanga a quickstepu.

Τάχιστη αλώπηξ βαφής ψημένη γη, δρασκελίζει υπέρ νωθρού κυνός

Разъяренный чтец эгоистично бьёт пятью жердями шустрого фехтовальщика.

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Light

Light Italic

Book

Book Italic

Bold

Bold Italic

Ultra

Ultra Italic

GREEK CHARACTERS

ΑΒΓΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨ αβγδεζηθικλνξοπρστυφχψως ΆΈΉΊΪΌΎΫΏάέήίϊόύϋώΐΰ

ΑΒΓΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨ αβγδεζηθικλνξοπρστυφχψως ΆΈΉΊΪΌΎΫΏάέήίϊόύϋώΐΰ

ΑΒΓΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨ αβγδεζηθικλνξοπρστυφχψως ΆΈΉΊΪΌΎΫΏάέήίϊόύϋώΐΰ

ΑΒΓΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨ αβγδεζηθικλνξοπρστυφχψως ΆΈΉΊΪΌΎΫΏάέήίϊόύϋώΐΰ

ΑΒΓΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨ αβγδεζηθικλνξοπρστυφχψως ΆΈΉΊΪΌΎΫΏάέήίϊόύϋώΐΰ

ΑΒΓΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨ αβγδεζηθικλνξοπρστυφχψως ΆΈΉΊΪΌΎΫΏάέήίϊόύϋώΐΰ

ΑΒΓΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨ αβγδεζηθικλνξοπρστυφχψως ΆΈΉΊΪΌΎΫΏάέήίϊόύϋώΐΰ

ΑΒΓΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨ αβγδεζηθικλνξοπρστυφχψως ΆΈΉΊΪΌΎΫΏάέήίϊόύϋώΐΰ

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GREEK CHARACTERS

Light

Light Italic

Book

Book Italic

Bold

Bold Italic

Ultra

Ultra Italic

CYRILLIC CHARACTERS

АБВГҐДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪ абвгґдежзийклмнопрстуфхцчшщ ЫЬЭЮЯЁЂЃЄЅІЇЈЉЊЋЌЎЏ ъыьэюяёђѓєѕіїјљњћќўџ

АБВГҐДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪ абвгґдежзийклмнопрстуфхцчшщ ЫЬЭЮЯЁЂЃЄЅІЇЈЉЊЋЌЎЏъыьэюяёђѓєѕіїјљњћќўџ

АБВГҐДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪ абвгґдежзийклмнопрстуфхцчшщ ЫЬЭЮЯЁЂЃЄЅІЇЈЉЊЋЌЎЏъыьэюяёђѓєѕіїјљњћќўџ

АБВГҐДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪ абвгґдежзийклмнопрстуфхцчшщ ЫЬЭЮЯЁЂЃЄЅІЇЈЉЊЋЌЎЏъыьэюяёђѓєѕіїјљњћќўџ

АБВГҐДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪ абвгґдежзийклмнопрстуфхцчшщ ЫЬЭЮЯЁЂЃЄЅІЇЈЉЊЋЌЎЏъыьэюяёђѓєѕіїјљњћќўџ

АБВГҐДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪ абвгґдежзийклмнопрстуфхцчшщ ЫЬЭЮЯЁЂЃЄЅІЇЈЉЊЋЌЎЏъыьэюяёђѓєѕіїјљњћќўџ

АБВГҐДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪ абвгґдежзийклмнопрстуфхцчшщ ЫЬЭЮЯЁЂЃЄЅІЇЈЉЊЋЌЎЏъыьэюяёђѓєѕіїјљњћќўџ

АБВГҐДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪ абвгґдежзийклмнопрстуфхцчшщ ЫЬЭЮЯЁЂЃЄЅІЇЈЉЊЋЌЎЏ ъыьэюяёђѓєѕіїјљњћќўџ

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GROTESQUE SAMPLES

AMAZING GROTESK LIGHT 9/12.5 pts

The word Grotesque, or Grotesk in German, comes from the same Latin root as grotto, which originated from Greek κρύπτη, “hidden place” mean-ing a small cave or hollow.

The original meaning was restricted to an extravagant style of Ancient Roman decora-tive art rediscovered and then copied in Rome at the end of the 15th century.

The “caves” were in fact rooms and corridors of the Domus Aurea, the unfinished palace complex started by Nero after the Great Fire of Rome in AD 64, which had become over-grown and buried, until they were broken into again, mostly from above.

The word is also frequently used as a synonym for sans-serif in typography. The origin of this association can be traced back to English type-founder William Thorowgood, who first introduced the term grotesque and in 1835 pro-duced the first sans-serif type-face containing actual lower-case letters.

An alternate etymology is possibly based on the original reaction of other typographers to such a strikingly featureless typeface.

AMAZING GROTESK REGULAR 9/12.5 pts

The word Grotesque, or Grotesk in German, comes from the same Latin root as grotto, which originated from Greek κρύπτη, “hidden place” mean-ing a small cave or hollow.

The original meaning was restricted to an extravagant style of Ancient Roman decora-tive art rediscovered and then copied in Rome at the end of the 15th century.

The “caves” were in fact rooms and corridors of the Domus Aurea, the unfinished palace complex started by Nero after the Great Fire of Rome in AD 64, which had become overgrown and buried, until they were broken into again, mostly from above.

The word is also frequently used as a synonym for sans-serif in typography. The origin of this association can be traced back to English type-founder William Thorowgood, who first introduced the term grotesque and in 1835 pro-duced the first sans-serif type-face containing actual lower-case letters.

An alternate etymology is possibly based on the original reaction of other typographers to such a strikingly featureless typeface.

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AMAZING GROTESK DEMI 9/12.5 pts

The word Grotesque, or Grotesk in German, comes from the same Latin root as grotto, which originated from Greek κρύπτη, “hidden place” mean-ing a small cave or hollow.

The original meaning was restricted to an extravagant style of Ancient Roman decora-tive art rediscovered and then copied in Rome at the end of the 15th century.

The “caves” were in fact rooms and corridors of the Domus Aurea, the unfinished palace complex started by Nero after the Great Fire of Rome in AD 64, which had become overgrown and buried, until they were broken into again, mostly from above.

The word is also frequently used as a synonym for sans-serif in typography. The origin of this association can be traced back to English type-founder William Thorowgood, who first introduced the term grotesque and in 1835 pro-duced the first sans-serif type-face containing actual lower-case letters.

An alternate etymology is possibly based on the original reaction of other typographers to such a strikingly featureless typeface.

AMAZING GROTESK ULTRA 9/12.5 pts

The word Grotesque, or Grotesk in German, comes from the same Latin root as grotto, which originated from Greek κρύπτη, “hidden place” mean-ing a small cave or hollow.

The original meaning was restricted to an extravagant style of Ancient Roman deco-rative art rediscovered and then copied in Rome at the end of the 15th century.

The “caves” were in fact rooms and corridors of the Do-mus Aurea, the unfinished pal-ace complex started by Nero after the Great Fire of Rome in AD 64, which had become overgrown and buried, until they were broken into again, mostly from above.

The word is also frequently used as a synonym for sans-serif in typography. The origin of this association can be traced back to English type-founder William Thorowgood, who first introduced the term grotesque and in 1835 pro-duced the first sans-serif typeface containing actual lowercase letters.

An alternate etymology is possibly based on the original reaction of other typographers to such a strikingly feature-less typeface.

GROTESQUE SAMPLES

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SAMPLES

FIX PROBLEMS WITH GALVANIZED JETS

QUICKLY.

TECHNOLOGYMaybe Won’t Save Our Souls BUT JUST LOOK

at my iPhone.Falsches Übenvon Xylophonmusik quält jeden größeren

ZWERG

[email protected]

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SAMPLES

Think ThankFive Minutes Elevator Pitch

GREENWASH!simpletech™Businnes Rolesψυχοφθόρα βδελυγμίαCOWORKING SPACES ¿Facebook connect?электрификация Infographics Forever

Start Now

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AMAZING INFOGRAPHICS

@ INFOGRAPHICS - how it works

Type “@” to display the infographic character:

Follow it with “a” for a banner:

For circular, bar or pie charts, fol-low “@” with c, b or p:

Add a number 01-100 to display the correct value:

Change the text color while typ-ing to display the value on a background:

@c@c45

@p@p45

For numerical data, add desired value at the end:

Add “@” followed by either “m” or “w” plus numbers (1-10) for man/woman icons:

Mix and Match:@c@c9393% less time designing infographics

@aAMAZING!

Notes:Under character settings “ligatures” must be turned on

@c@c2020%

@p@p9090%

@c@c9393% less time designing infographics

@a AMAZING!

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AMAZING INFOGRAPHICS

Asia makes up @c@c4545% of the world’s internet users

# of men and women@m5 FACEBOOK USERS@w7 42% vs. 58%@a SHOCKING!

Apple is responsible for 94% of app downloads

@p@p9494%World Wide Smartphone and Tablet ShipmentsAndroid iOS other Android iOS other

TABLETS SMARTPHONES

@c7676%of people believe mobile technology is mostly helpful

@c@c1313%believe mobile technology is a burden

@c@c1111% just don’t care

# of users on instagram per day

@m10@m5

@m1 = 1 million

75 MILLION

@m10@m5@m10@m5@m10@m4@m10@m2@m10@m9

Page 16: Amazing Grotesk - Zetafonts Amazing...Amazing Grotesk is distribuited with a free for personal / non com-mercial use license provided with the download. It allows unlimited use of

THE AMAZING KEYSTROKES

Ä Á ÀÃ Â Å ä á à ã â å Ë É È Ê ë é è ê Ï Í Ì Î ï í ì î Ö Ó Ò Õ Ô ö ó ò õ ô Ü Ú Ù Û üú ù û Ÿ ÿ

Char Name

Adieresis Aacute Agrave Atilde Acircumflex Aring adiersis aacute agrave atilde acircumflex aring Ediersis Eacute Egrave Ecircumflex ediersis eacute egrave ecircumflex Idiersis Iacute Igrave Icircumflex idiersis iacute igrave icircumflex Odiersis Oacute Ograve Otilde Ocircumflex odiersis oacute ograve otilde ocircumflex Udiersis Uacute Ugrave Ucircumflex udiersis uacute ugrave ucircumflex Ydieresis ydieresis

Macintosh

option-u, + A option-e, + A option-`, + A option-n, + A option-i, + A option-`, + A option-u, + a option-e, + a option-`, + a option-n, + a option-i, + a option-`, + a option-u, + shift-E option-e, + shift-E option-`, + shift-E option-i, + shift-E option-u, + e option-e, + e option-`, + e option-i, + e option-u, + shift-I option-e, + shift-I option-`, + shift-I option-i, + shift-I option-u, + i option-e, + i option-`, + i option-i, + i option-u, + shift-O option-e, + shift-O option-`, + shift-O option-n, + shift-O option-i, + shift-O option-u, + o option-e, + o option-`, + o option-n, + o option-i, + o option-u, + shift-I option-e, + shift-I option-`, + shift-I option-i, + shift-I option-u, + i option-e, + i option-`, + i option-i, + i option-u + Y option-u + y

Windows

alt + 0196 alt + 0193 alt + 0192 alt + 0195 alt + 0194 alt + 0197 alt + 0228 alt + 0225 alt + 0224 alt + 0227 alt + 0226 alt + 0229 alt + 0203 alt + 0201 alt + 0200 alt + 0202 alt + 0235 alt + 0233 alt + 0232 alt + 0234 alt + 0207 alt + 0205 alt + 0204 alt + 0202 alt + 0239 alt + 0237 alt + 0236 alt + 0238 alt + 0214 alt + 0211 alt + 0210 alt + 0213 alt + 0212 alt + 0246 alt + 0243 alt + 0242 alt + 0245 alt + 0244 alt + 0220 alt + 0218 alt + 0217 alt + 0219 alt + 0252 alt + 0250 alt + 0249 alt + 0251 alt + 0159 alt + 0255

Ä Á ÀÃ Â Å ä á à ã â å Ë É È Ê ë é è ê Ï Í Ì Î ï í ì î Ö Ó Ò Õ Ô ö ó ò õ ô Ü Ú Ù Û üú ù û Ÿ ÿ

Styles

Ä Á ÀÃ Â Å ä á à ã â å Ë É È Ê ë é è ê Ï Í Ì Î ï í ì î Ö Ó Ò Õ Ô ö ó ò õ ô Ü Ú Ù Û üú ù û Ÿ ÿ

Ä Á ÀÃ Â Å ä á à ã â å Ë É È Ê ë é è ê Ï Í Ì Î ï í ì î Ö Ó Ò Õ Ô ö ó ò õ ô Ü Ú Ù Û üú ù û Ÿ ÿ

Ä Á ÀÃ Â Å ä á à ã â å Ë É È Ê ë é è ê Ï Í Ì Î ï í ì î Ö Ó Ò Õ Ô ö ó ò õ ô Ü Ú Ù Û üú ù û Ÿ ÿ

Ä Á ÀÃ Â Å ä á à ã â å Ë É È Ê ë é è ê Ï Í Ì Î ï í ì î Ö Ó Ò Õ Ô ö ó ò õ ô Ü Ú Ù Û üú ù û Ÿ ÿ

Ä Á ÀÃ Â Å ä á à ã â å Ë É È Ê ë é è ê Ï Í ÌÎ ï í ì î Ö Ó Ò Õ Ô ö ó ò õ ô Ü Ú Ù Û üú ù û Ÿ ÿ

Ä Á ÀÃ Â Å ä á à ã â å Ë É È Ê ë é è ê Ï Í Ì Î ï í ì î Ö Ó Ò Õ Ô ö ó ò õ ô Ü Ú Ù Û üú ù û Ÿ ÿ

Ä Á ÀÃ Â Å ä á à ã â å Ë É È Ê ë é è ê Ï Í Ì Îï í ì î Ö Ó Ò Õ Ô ö ó ò õ ô Ü Ú Ù Û üú ù û Ÿ ÿ

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THE AMAZING KEYSTROKES

Ç Ç ı † ‡ fi fl a o « » ‹ › • · ß § ¶ ¢ ƒ ‰ £ ¥ ° € ® © ™Æ æ Ø ø Œ œ ¿ ¡ ... – — “ ” ‘ ’‚ „

Char Name

Cedillia cedillia dotlessidagger dagger double fi ligature fl ligature ordfeminine ordmasculine guillemotleft guillemotright guilsinglleft guilsinglrightbullet period-centered sharp s z section paragraph cent florin perthousand sterling yen degree euro registered copyright trademark AE ae O slash o slash OE oe question down exclam down ellipsis en dash em dash quote dbl left quote dbl right quote sgl left quote sgl right quote sgl base quote dbl base

Macintosh

shift + opt + C opt + c shift + option + b opt + t shift + option + 7 shift + option + 5 shift + option + 6 option + 9 option + 0 option + \ shift + option + \ shift + option + 3 shift + option + 4 opt + 8 shift + option + 9 opt+s option +6 option +7 opt + 4 option + f shift + option + r opt + 3option + y shift + option + 8 shift + option + 2 opt + r opt + g opt + 2 shift + opt + ‘ opt + ‘ shift + option + o option + o option + shift + q option + q shift + option + / option + 1 option + ; opt + - shift + opt + - opt + [ shift + opt + [ opt + ] shift + opt + ] shift + opt + zero shift + opt + w

Windows

alt + 0199 alt + 0231 alt + 0245 alt + 0134 alt + 0189

alt + 0170 alt + 0186 alt + 0171 alt + 0187 alt + 0139 alt + 0155 alt + 0149 alt + 0183 alt + 0223 alt + 0167 alt + 0182 alt + 0162 alt + 0131 alt + 0137 alt + 0163 alt + 0165 alt + 0186 alt + 0164 alt + 0174 alt + 0169 alt + 0153 alt + 0198 alt + 0230 alt + 0216 alt + 0248 alt + 0140 alt + 0156 alt + 0191 alt + 0161 alt + 0133 alt + 0150 alt + 0151 alt + 0147 alt + 0148 alt + 0145 alt + 0146 alt + 0130 alt + 0132

Ç Ç ı † ‡ fi fl a o « » ‹ › • · ß § ¶ ¢ ƒ ‰ £ ¥ ° € ® © ™Æ æ Ø ø Œ œ ¿ ¡ ... – — “ ” ‘ ’‚ „

Styles

Ç Ç ı † ‡ fi fl a o « » ‹ › • · ß § ¶ ¢ ƒ ‰ £ ¥ ° € ® © ™Æ æ Ø ø Œ œ ¿ ¡ ... – — “ ” ‘ ’‚ „

Ç Ç ı † ‡ fi fl a o « » ‹ › • · ß § ¶ ¢ ƒ ‰ £ ¥ ° € ® © ™Æ æ Ø ø Œ œ ¿ ¡ ... – — “ ” ‘ ’‚ „

Ç Ç ı † ‡ fi fl a o « » ‹ › • · ß § ¶ ¢ ƒ ‰ £ ¥ ° € ® © ™Æ æ Ø ø Œ œ ¿ ¡ ... – — “ ” ‘ ’‚ „

Ç Ç ı † ‡ fi fl a o « » ‹ › • · ß § ¶ ¢ ƒ ‰ £ ¥ ° € ® © ™Æ æ Ø ø Œ œ ¿ ¡ ... – — “ ” ‘ ’‚ „

Ç Ç ı † ‡ fi fl a o « » ‹ › • · ß § ¶ ¢ ƒ ‰ £ ¥ ° € ® © ™Æ æ Ø ø Œ œ ¿ ¡ ... – — “ ” ‘ ’‚ „

Ç Ç ı † ‡ fi fl a o « » ‹ › • · ß § ¶ ¢ ƒ ‰ £ ¥ ° € ® © ™Æ æ Ø ø Œ œ ¿ ¡ ... – — “ ” ‘ ’‚ „

Ç Ç ı † ‡ fi fl a o « » ‹ › • · ß § ¶ ¢ ƒ ‰ £ ¥ ° € ® © ™Æ æ Ø ø Œ œ ¿ ¡ ... – — “ ” ‘ ’‚ „

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THE AMAZING INSTALLATION

MACINTOSH OSX INSTRUCTIONS

Download the font file archive (.zip) from the site www.zetafonts.com, saving it in a folder, then ex-tract the file from the archive with the shell (right clic) or with soft-ware (e.g. Winzip).

To install, simply click on the font file to install using System Font Book, or copy the fonts to the “Fonts” folder inside your “Library” folder.

If you want your fonts to be available to applications running in “Classic” mode, copy your fonts in the OS 9.1 System folder in the “Fonts” folder.

Fonts installed in the OS 9.1 Sys-tem folder will also be available in OSX in classic applications.

THIRD PARTY FONT MANAGEMENT SOFTWARE

If you’re using ATM Deluxe, Suit-case, Master Juggler, Font Reserve or some other third party utility, please refer to their instructions.

WINDOWS INSTRUCTIONS

Download the font file archive (.zip) from the site www.zetafonts.com, saving it in a folder, then extract the file from the archive with the shell (right clic) or with software (e.g. Winzip). Open Control Panel and double-click the Fonts folder, then go to the “file” menu and select “Install new font”

Browse to the location where you extracted the .zip file, select and click OK.

NEED HELP?

Contact us: [email protected]