Alvin Thompson - Composition

5
Large Center  Compositio n is used all the time. Y ou should be careful with this one because if the center object become a small center object it will become one of the bad compos itions. Wi th the Modern Abstract Artist this composition sometimes becomes an object itself ie.. Jasper Johns’ “Flags”, “Targets”and “Numbers” paintings also Frank Stella’s shaped canvases.  Here you see Matisse’s “Goldfish” saved by the strong diagonal in the What a re the rul es of comp ositio n? The mai n rule is: if it work s and ser ves the artist purpose, then it is a good composition.  There is however several guide lines that have been found since the beginn ing of art on what looks best. Thes e best compositions are hard to over come and still have your art pieces work. or g . Vit ruvi us, in the 1s t Ce nt ury B. C. , Af ter st udyi ng P ompeii wall paintings, wrote in his “De Arch itectur a” The be st plac e to pla ce the main su bject of a pain ting was at the golden section or golden point. Which is at the inter section of a 3 to 2 ratio on the paintin g. When yo u are setting up you r piece if you can place the main in terest on the gol den spot the piece will probably look a lot better than if you place the main subject in the center of the page. In the Renaissance, this geometric form was very popular and used in virgin and child paintings. This form of composition is a basic triangle in the painting from the corn ers of the paintin g to the other side midd le. This composition became a favorite in the Baroque period. This composition is used a lot in Landscapes. Also popular in landscapes. Used in portrai t work and still lives. Golden Section ol den spot The Golden Triangle. The Strong Diagonal The S curve or Z The L shape The Large oval in the center of the piece. Computer Graphics Instructor Alvin Thompson Golden Point 3 2 2 3 Large Center arge enter Good Examples:  bottom left corner. Georgia O’Keeffe’s “Purple Petunia” 1927 the large center object overtakes the canvas so that center of the paintin g is almost at the golden point. V an Gogh’s “Sunflowers” are a good example of a large center object. Avoid having part or shape pointed near an edge

Transcript of Alvin Thompson - Composition

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Large Center Composition is used

all the time. You should be careful

with this one because if the centerobject become a small center object it

will become one of the bad

compositions. With the Modern

Abstract Artist this composition

sometimes becomes an object itself 

ie.. Jasper Johns’ “Flags”,

“Targets”and “Numbers” paintings

also Frank Stella’s shaped canvases.

 Here you see Matisse’s “Goldfish”

saved by the strong diagonal in the

What are the rules of composition? The main rule is: if it works and serves

the artist purpose, then it is a good composition.   There is however several

guidelines that have been found since the beginning of art on what looks best. These best

compositions are hard to over come and still have your art pieces work.

or g . Vitruvius, in the 1st Century B.C., After studying Pompeii wallpaintings, wrote in his “De Architectura” The best place to place the main subject of a paintin

was at the golden section or golden point. Which is at the intersection of a 3 to 2 ratio on the

painting. When you are setting up your piece if you can place the main interest on the golden

spot the piece will probably look a lot better than if you place

the main subject in the center of the page.

In the Renaissance, this geometric

form was very popular and used in virgin and child paintings.

This form of composition is a basic triangle in the painting

from the corners of the painting to the other side middle.

This composition became a favorite in

the Baroque period.

This composition is used a lot in

Landscapes.

Also popular in landscapes.

Used in portrait

work and still lives.

Golden Section olden spot

The Golden Triangle.

The Strong Diagonal

The S curve or Z

The L shape

The Large oval in the center of the piece.

Computer Graphics

Instructor Alvin Thompson

Golden Point

23

Large Centerarge enter

Good Examples:

 bottom left corner. Georgia

O’Keeffe’s “Purple Petunia” 1927

the large center object overtakes

the canvas so that center of the

painting is almost at the golden

point. Van Gogh’s “Sunflowers”

are a good example of a large center

object.

Avoid having part or

shape pointed near an

edge

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Computer Graphics

Instructor Alvin Thompson

page 2

The Golden

Triangle

The golden Triangle

is a shape that is close

to the large center

object but has a

triangle shape and

sometimes a repeating

shape like in the Van

Gogh’s “The Zouave,

1888” as seen below

 Jan Vermeer

Golden Triangeolden riange

to the left. Almost every Madonna and child format is a golden triangle. In Katherine Levin-

Lau’s, 1997, (bottom right corner) Painting of Mother and child, while using herself as the

Madonna the child is hard to make out among the leaves, but she complete the triangle with a

strong light on her hands and blouse in the bottom corners. Jan Vermeer’s was well aware of 

the golden triangle when he painted his painting “The Lacemaker 1632-1675” (upper right

corner).

Vincent Van Gogh   Katheryn Levin Lau

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Computer Graphics

Instructor Alvin Thompson

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The L Shapehe L Shape The L Shapehe hape

The L Shape

The L shape, here you have Matisse using an interior scene like a landscape and Rose Barton 1856-1929 in her “Piccadilly in June” using a city scene in a L shape. In composition it is rare that you

will see a pure shape most times the compositions are more complex and a mixture of several

shapes. Also the contrast, values, texture and lighting conditions can effect the picture shapes. The

L shape seems to work if the space left out of the L is large or small so it is usually a good

composition. One that is hard to mess up.

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Computer Graphics

Instructor Alvin Thompson

page 5

The compositions that are very poor and should be avoided are: Dividing the piece in half,

either in landscape or in Portrait. Placing too many objects with too much space between

them. This is the same as have too many plots in a story it distracts from what you want the

viewer to look at.

 Examples of poor Composition

Symmetry vs Asymmetry If a

composition is split in equal

parts as in symmetry the resultsare usually poor. Asymmetry is

usually where it is at. Try to

put the horizon line toward one

of the golden sections as did

Van Gogh did in his

landscapes that he paintednear Arles just before his

death.