*All auditionees will be considered for both Section ... · 10. Bizet The Pearl Fishers: Act II,...

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ORCHESTRA AUDITIONS Section Violin I & Assistant Principal, Violin II February 12th & 13th, 2018 *All auditionees will be considered for both Section Violin 1 and Assistant Principal, Violin II. All candidates are asked to prepare the following: SOLO: The first movement of a major concerto. NOTE: All solo works will be performed unaccompanied. EXCERPTS: 1. Verdi La traviata: Act III, Introduction, beginning to downbeat of measure 35 2. Puccini Tosca: Act III, pickup to 3 after {7} to 3 before {9} 3. Smetana The Bartered Bride: Overture, beginning to measure 72 4. Mozart Le nozze di Figaro: beginning to 3 rd beat of measure 58 5. Bizet Carmen: Act II, beginning to downbeat of {20} 6. Beethoven Symphony No. 9: Mvmt III, measures 99 to 114 7. Strauss Don Juan: beginning to 13 measures after {C} 8. Brahms Symphony No. 4: Mvmt II, measures 88-101 9. Verdi Falstaff: Act II, Part II, between {47} and {48} 10. Bizet The Pearl Fishers: Act II, No. 10, Finale, {E} to 1 after {J} 11. Mozart Così fan tutte: Act II, No. 13, beginning to measure 51 AUDITION LOCATION: Academy of Music Rehearsal Hall, 1420 Locust Street. Please enter via the Academy of Music Stage Door (also referred to as the “Green Room”), which is located directly across the street from Estia Restaurant. Please arrive 20 minutes prior to your audition time. All preliminary auditions will be held behind a screen for anonymity. The audition committee may elect to remove screens for any subsequent final rounds. Warm-up rooms will be provided.

Transcript of *All auditionees will be considered for both Section ... · 10. Bizet The Pearl Fishers: Act II,...

  • ORCHESTRA AUDITIONS

    Section Violin I & Assistant Principal, Violin II

    February 12th & 13th, 2018

    *All auditionees will be considered for both Section Violin 1 and Assistant Principal, Violin II. All candidates are asked to prepare the following:

    SOLO:

    The first movement of a major concerto.

    NOTE: All solo works will be performed unaccompanied.

    EXCERPTS:

    1. Verdi La traviata: Act III, Introduction, beginning to downbeat of measure 35 2. Puccini Tosca: Act III, pickup to 3 after {7} to 3 before {9} 3. Smetana The Bartered Bride: Overture, beginning to measure 72 4. Mozart Le nozze di Figaro: beginning to 3rd beat of measure 58 5. Bizet Carmen: Act II, beginning to downbeat of {20} 6. Beethoven Symphony No. 9: Mvmt III, measures 99 to 114 7. Strauss Don Juan: beginning to 13 measures after {C} 8. Brahms Symphony No. 4: Mvmt II, measures 88-101 9. Verdi Falstaff: Act II, Part II, between {47} and {48} 10. Bizet The Pearl Fishers: Act II, No. 10, Finale, {E} to 1 after {J} 11. Mozart Così fan tutte: Act II, No. 13, beginning to measure 51

    AUDITION LOCATION:

    Academy of Music Rehearsal Hall, 1420 Locust Street. Please enter via the Academy of Music Stage Door (also referred to as the “Green Room”), which is located directly across the street from Estia Restaurant. Please arrive 20 minutes prior to your audition time. All preliminary auditions will be held behind a screen for anonymity. The audition committee may elect to remove screens for any subsequent final rounds.

    Warm-up rooms will be provided.

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    1. Verdi, La Traviata - Act III, Introduction Begining to the downbeat of measure 35

  • 2. Puccini, La Tosca - Act 3 Pickup to 3 measures after rehearsal 7 to 3 measures before rehearsal 9

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  • 3. Smetana, The Bartered Bride, Overture Beginning to measure 72

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  • 4. Mozart, Marriage of Figaro, Overture Beginning to the 3rd beat of measure 58

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  • 5. Bizet, Carmen - Act II, No. 14 Beginning to downbeat of rehearsal 20

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  • 6. Beethoven, Symphony No. 9 - Mvmt III Measures 99-114

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    VIOLINO I 7. Struass, Don Juan Beginning to the downbeat of 13 after C

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  • 8. Brahms, Symphony No. 4, Mvmt II Measures 88 - 101

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  • 9. Verdi, Falstaff, Act II, Part II Between 47 & 48

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  • Bizet - Les pecheurs de perles

    10. Bizet, The Pearl Fishers, Act II, No. 10, Finale Rehearsal E to the downbeat of one measure after J

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    11. Mozart, Cosi fan tutte, Act II, No. 13 Begining to measure 51

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