Alexander Pope. A social poet – Language and subject matter directed at reading public Subject=...

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Alexander Pope

Transcript of Alexander Pope. A social poet – Language and subject matter directed at reading public Subject=...

Page 1: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Alexander Pope

Page 2: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Alexander Pope

A social poet– Language and subject matter directed at reading

public

Subject= human nature in everyday living– Politics, education, economics, public taste and

the arts

Uses satire to present a moral code for society

Page 3: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Alexander Pope

Spokesman for the Age of Reason and Neoclassical poetry

Page 4: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Neoclassical poetry

1.Importance of flawless expression and clear and concise presentation of ideas; preference for the perfect balance if heroic couplets

Page 5: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Neoclassical poetry

2. Intellectual experience as the subject of poetry

Page 6: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Neoclassical poetry

3. Irrelevance of emotion

Page 7: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Neoclassical poetry

4. Imagination as a source of power, not a course of creativity

Page 8: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Pope’s “Essay on Criticism”

Essay = discussion

Read Part I and Part II Show how the excerpts reflect Neoclassical

approaches to each of the following:1. Balance and clarity2. Emphasis on the intellectual3. Attitude toward emotion4. View of imagination5. Use of satire

Page 9: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Pope’s “Essay on Criticism”

1. BALANCE AND CLARITY Written in heroic couplets Rhymed iambic pentameter

Page 10: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Pope’s “Essay on Criticism”

2. EMPHASIS ON THE INTELLECTUALPART I

“Both must alike from Heaven derive from light, / These born to judge, as well as those to write” (13-14)

Page 11: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Pope’s “Essay on Criticism”

2. EMPHASIS ON THE INTELLECTUAL

PART II

“True wit is nature to advantage dressed, / What oft was thought, but ne’er so well expressed:/ Something, whose truth convinced at sight we find./ That gives us back the image of our mind. / As shades more sweetly recommend the light, /So modest plainness sets of sprightly wit” (1-6).

Page 12: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Pope’s “Essay on Criticism”

2. EMPHASIS ON THE INTELLECTUAL

Part II

“True ease in writing comes from art, not chance, / As those moves easiest who have learned to dance” (41-42)

Page 13: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Pope’s “Essay on Criticism”

3. ATTITUDE TOWARD EMOTION

No emotional pleas

Part II- lists personal qualities that could cloud judgment

Page 14: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Pope’s “Essay on Criticism”

4.VIEW OF IMAGINATION

Imaginative use of language throughout

Page 15: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Pope’s “Essay on Criticism”

5. USE OF SATIRE

Part II

“Others for language all their care express / And value books, as women men, for dress;” (9-10)

Page 16: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Pope’s “Essay on Criticism”

5. USE OF SATIRE

“And bust so mimic ancients wits at best, / As apes our grandsires, in their doublets dressed” (35-36).

Page 17: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Pope’s “Essay on Criticism”

Summarize Pope’s points in his “Essay on Criticism”

Page 18: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Pope’s “Essay on Criticism”

Summarize Pope’s points in his “Essay on Criticism” Part I discussed the role of the writer-critic. Some

men are born to be critics and writers Part II discusses the qualities that hinder good

judgment. Discusses the good qualities a critic should possess

Reread part II and annotate the qualities that could hinder a critic

Note how the poem is logically organized.

Page 19: Alexander Pope. A social poet – Language and subject matter directed at reading public Subject= human nature in everyday living – Politics, education,

Pope’s “Essay on Criticism”

Reread part II and annotate the qualities that could hinder a critic

Pride Imperfect learning Looking at a part instead of the whole Prejudice Partiality to moderns or ancients