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Transcript of Alan Lord - Easy Guitar Solos for the Total Beginner
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Easu
ffiwffiffiWffi
Sofdb ."'--*ffi
for
the
otaf
b"ginner
Adehaske'
. l
.....,rI'
iti"''.1'::i
. t t
: : : : : . i: r
lj
'.1
Alan
Lord
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Order umber:
HP
1053938-400
EASY
GUITAR
OLOS
Alan
Lord
lsBN
90-431-2338-2
NUR47 2
Photography:
ernie
Allen
lllustrations:
ieger
uidersma
Instrument
llustrations:
y courtesy
f
yamaha
Europe
Other
echnical
llustrations:
atr ick
ennings
Equipment:
ound
Control
Manchester
@ Copyright
2005
by De
Haske
publications
BV ,
Postbus
744,
NL-8440
AS
Heerenveen,
Holland
For
he
UK:De Haske
Music IJK)
td,Fleming
Road,
Earlstrees,
orby,
Northants
NlT 4SN,
England
All
other
countries:
e
HaskePublications
V Postbus
44,
NL-8440
S Heerenveen.
ottand
All rights
eserved.
o
part
oÍ this
book may
be reproduced
n
any orm,
by
print,
photocopy,
microfilm,
r any
other
means
without
written
permission
f the
publisher.
Printed
n Holland.
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Contenis
rrack
O 6
O O O O
runins ote ,B,c,
D,A,E
Section1 Learning he Basics
to
Know Your
Gui tar
.
the Gui tar
Oto Shutdown . . . . . . . 29
34
Tu rn . . . . . 30
36
NewSta r
. . . . . . . 3 1
38
l t ' sOn l yMoney . . . . . . . 32
4A
Fo rYou . . . 33
42 Cross
he L ine
.
.
.34
44 Ros ie . . . . . 35
T iedNo tes
. . . . . . 3ó
4ê
NoMoreB lues . . . . . . . . 37
48 TirnurLikeThis
. . . 38
5O
Go in 'Home
. . . . . 39
Accompanimentn ly
Getting
Ho ld i ng
6
1
ó
I
0
0
ïy Playing
HappyBirthday, ote
Values
Bars, imeSignature
Putting t Al l Together
Track
13
14
t f ,
icks
RightHandTechnique
Le f tHandTechn ique
. . . . . 1
Co r rec tF inge r i ng
. . . . . . . 1
Tun ing . . . . . . 11
Unde rs tand ingTab la tu re
. . . . . . . 12
Section
2 Playing
l l T i gh t rope . . . . . . . ' 18
l 3
Sea rch ing
. . . . . . . 19
fS
Hea r t
f Oak
. . . . 20
EighthNotes, l te rnate ick ing . . . . 21
t g
B lueP lane t . . . . . . . . . . . 22
20
OnCor fu . . . . . . . 23
22 De l taG i r l . . . . . . . 24
24
Chas ing theShoa l s
. . . . . 25
2 .8
YouKnowMe. . . . . . . . . 26
28
Comeon Ove r
. . . 27
gO
FromFi reH i l l . . . . . . . . 28
a Solowithaccompaniment
o
o
A
Exerc ise l
. . . . . . . . 15
Exe rc i se2 . . .
Exe rc i se3 . . .
the Solos
16
16
ïrack
o
q
q
o
o
q
6
@
@
a
@
@
@
o
@
o
@
@
o
@
V
d.e
haske'
8/9/2019 Alan Lord - Easy Guitar Solos for the Total Beginner
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lntroduction
Play ing
he
gui tar
s
great
fun. l t
can br ing
you
a l i fe t imeof
p leasure
and
make
you
many f r iends . t 's a lso an exce l len tway to re lax and he lp you escape i fe 'sups and
downs,
and i f you ' re one o f the rea l l y ucky
ones
p lay ing
he
gui tar
cou ld make you
a
m i l l i o n a i r e
This
book
covers
the basic art of lead
guitar
and
has
been
writ ten
for
the
total
beg inner ,or anyone
who 's
r ied to learn
but had no
success .
t 's a id
out in a s imple
down
to earth manner,using r ied and tested
methods that l 've
learned rom years of
teach ing
beg inners .
Al l
the solos
hat
fol low h ave been
thoroughly
road-tested'
by hundreds of students
aged from
six to sixty
over a period
of three
years
with
great results.The
simple
TAB
nota t ionwhich s used hroughoutcan be learned as i l y n a mat tero f minutes , e t t ing
you
up and
p lay ing
wi th
the CD
quick ly
and
pain less ly .
My
phi losophy
s
that
learn ing
o
p lay the
gu i tar
shou ld
be
fun,
and that i s what
I
always aim for in my le ssonswith my
students,
and what l 've
aimed for here in this
book.
En joyyour mus ic
Alan
Lord
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Section
Learning
fhe
Basics
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Getting
o
Know
Your
Guitar
Electric Acoustic
Headstoo<
MachineHeadsor Tun ingPegs
Nut
-
Frets
Neck/Fingerboard
Fretmarkers
Strings
Body
Sound
ole
Scratch
late
-
Pick-ups
Tremolo armlwhammv
bar
Pick-up
elector witch
Volume nd
tone controls
Br idge
Output socket
- ' r@,
/
{i
o
i
t '
l '
. ,
*$
' 3
. *
kt-
3 d
, A -
o
@
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@
@
il
ó 5 4 3 2 1
, . a d s b e
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Holding
he
Guilar
You
can
play
he
guitar
standing, ut while
you
are
earning
recommendhat
you
sit usinga
firm
chairor
stool.
When
playing
rom
this book or
from
other
music
usea
music
tandadjusted o a comfortable eight.
i i"".l
I
1,
, \
I
\ \ . . , ,
' \ "
' ' i
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I
psl
*,t
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aif*t f
;*v'
".
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' n t l t
\fr.é/.
X,:,lX'ï
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Fig.1 Pick
Picks
Notes are
produced
on the
guitar
by
picking
he strings
with a
pick
(sometimes
called
a
plectrum).
icks ome n several
izes,he thinnest eing
around
0.50mm
going
up to the thickest round2 or 3mm.The
best
pick
size
or
you
s al l down o
personal reference, ut I suggest ou startwith one around ó0or .70mm.
Once
you
have a few weeks'
playing
under
your
belt,
buy
severaldifferent
sizes
and
see
whichsuits
ou
best.
The pick s held n the right handbetween he thumb
and ndex inger. t shouldbe held at r ightangles o
the thumb,
with
ust
he
point
showing
Fig.
2).
F ig .2
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Right
Hand
Technique
In
order
to
pick he
strings
accurately,
teady
your
hand by
resting
he under
part
of
your
wrist
on
the bridge
of
the
guitar
Fig.
3).
Taká
are
hat
your
handdoes
not come
nto
contact
with the
strings.
Fig.3
The
circle
hows
he
right
hand
esting n
the
bridge'
To
giveyou an
deaof
the
picking ction
equired,
et your
hand
n he
position
hown
n
Fig.
3.
Now
rest
your
picf
onih"
'trt
str ing
Fig.
) anJwith
a
downward
motion
rom he
wrist,
pick hrough
he
string_(Fig.
).
This
movement
hould
uá
usi
enough
o
move he
pick
past
he
string,
pproximately
/4 of
an nch
8mm).
Please
note hat
t 's
very mportant
hat
he
movement
omes
rom
he
wrist,
not
the
elbow.
' - - - {
, .
' l
I
F ig .
4
Fig .
5
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Left
Hand
Technique
The ingers
f the
left hand
are numbered
s ol lows:
Index
inger
1,
Midd le inger
2,
Ring
inger
3, L i t t le
inger
a.
(Fig .
. )
As
his
book s
aimed
at beginners,
he l i tt le
inger
s
not used n
any
of the
solos.
Left hand
echnique
s
very
mportant,
and
accuracys
essential
f you
are o
get
the
best rom your
guitar.
This
is
the first
area o check
f
things
don't sound
ight.
When
pressing
he
stringl,
place
your
finglrtips
alongside
the
fret
(Fig.7).
Use
ust
enoughpressure
o
get
a
good
cleannote.
You'll
neà
to keej your
iigernails
short
so
that
your
ingertips
makegood
contact
with
the fingerboard.
ou
may
experience
orná
pain
À
your
fingertips
at
first,
but
this will
soon disappear
s
he skin
becomes
ard.
All the
music n
this
book is
played
on the first
three frets,
and
in every
case
all notes
on
the 1st fret
are
played
with
the
1st
inger,
on the 2nd
fret
with
the 2nd finger,
and on
the 3rd
fret
with the
3rd finger.
This
applies
cross l l
sixstrings.
l ike
o cal l
his
correct ingering
Figs.
, 9, 1O).
Note
rom
he diagrams
hat
he
hand
stays n
he
same
position;
nly
he fingers
move.Also
notethat
he
fingers
not being
useá
stayasclose
as possible o their respectiverets ready or the next note. Makesure, oo, that you g"iyorr thumb in the
correct
position,
oughly
opposite
he
middle inger.
Study
he diagrams
areful ly
o make
sure
you
get
all
these
points
right
from
the
start.
Fig .
8
1st
ret
-
1st
inger
Correct
Fingering
Fig .
9
2nd
fret
-
2nd
finger
F ig .
10
3rd fret
-
3rd
finger
Fí9.
ó
F í9 .7
10
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Tuning
The
Electronic
Tuner
iïIt"ilï:::
LïJ,i:l
properlv
s
essential.
lavins
suitar
hat's
ven
tishtty
ut
of
une
an
uin
veryrhi
In order for you to play along
with
the
cD
in
this
book,
your
guitar
needs
o
be
tuned
to
concert
pitch
his
can
be
done
in
several
- i"tt,
but
I
strongly
ecommend
hat
you
use
an
electronic
uner,
as
this
wil l
nsure
hat
your
guitar
s perfeci ly
uned.
They
normally
ost
rom
around
lo
and
you
can
buy
hem
rom
all
good
guitar
stores.
sk
he
salesman
or
demo
when
you
buy
your
uner
it 's
reál ly
""ry
oí."
fo,
kno*
n"*.
rnËr"
are
other
ways
o
tune
up
and
wo
of
them
are
shown
below,
but
you
may
need
o
develop
our
ear'
b;à;
you
can
use
hem
effectivery
Ïhe
answer
o
a guitarist,s
rayer;
he
electronic
uner
On the CD
rrackoaoooo
You
can
une
o
the
six
ones
at
the
beginning
f
the
CD.
ïhey
are
n
order :
1st
E,
2ndB,3rd
G,4th
D,5th
A.
óth
E
Pitch
Pipes
Hereyou simplyblow nto he pipesand une he strings
o
the
appropriate
itch.
1 1
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Understandinlf
Tablaf
e
Tablature r
TAB
as
t is
better
known, s a verysimpleand effective
way of writingdown
guitar
music,and it's
veryeasy o
learn. t
consists f six
horizontalines, hat
representhe six stringsof the
guitar
as shown
here.
(th
nnest)
' lst
str ing
2nd
str ing
3rd
string
4th
string
5th str ing
óth str ing
(th
ckest)
TAB
On these inesareprintednumbers hat areread rom eft o r ight.Thesenumbersndicate n which ret you
must
press
our ingers.A zero
0)
means
hat the str ing
mustbe
played
open
(not
pressed
y the left
hand
fingers).
3rd fret
1 t str ing
open
1 t st r ing
1
st
fret
2nd str ing
open
3rd st r ing
2nd
fret
4th
str ing
3rd
fret
5thstr ing
3rd
fret
óth str ing
_3_0
c t c t r i n a
2nd
str ing
3rd str ing
4th str ing
5th str ing
óth str ing
12
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TrU
Plauing
appu
irihdrg
Tune
p
yourgu i tar
ndhave
go
at
p lay ing
ometh ing
ouknow ea l ly e l l ;HuppyBi r thday.
sedownward
pick ing
trokeshroughout nd remember
o use he correct
inger ing
see
age10) .
HappyBirthday
1stst r ing
2nd string
3rd str ing
-0-0-2-0
4th
string
5th str ing
óth str ing
1ststr ing
2nd
string
t - u t - J - t -
3rd str ing
-0-0
2
4th
string
5th str ing
óth string
Noie
Values
You now know that when reading TAB the six l ines represent he six str ingsand the numbers el l you which
fret
to
press.
Next
you
need to learn how
to
read
he t ime
value
or
length
of each note. In he diagra ms below
two of the notes have stems
or ta i ls , and one
has none.
l t
is
the shape or a bsenceof this
stem that tel ls
you
how long
the n ote must last.
The notes
shown here are the Ouarter note which is 1
beat
long,
the Half note which is 2
beats
long,
and the
Whole note which is 4
beats
long.
Study the diagramsand memorise he shape
and
value
of each note.
Ouarter note
= I beat
beats
r
Long
stem
Half note
=
2 beats
0"",,
-fzl
sr'oírír
Whole note
=
4 beats
o""r,
lll
N o
stem
13
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To
make
t
easier
o
count.the
eats'
ertical
ines
re
used
o
divide
he
music
nto
smail
ections.
hese
rines
re
called
bar
l ines'
and
the
tp"t"
t" i*een
each
pai,.
i- l in"s
s
carteJ
;;
(sometimes
aíreJ
a
measure).
n
he
solos
n
his
ook
he
i"i[;;;;làn
tinu
,
nrrLËr"i.
r,"
*ry
r";i;.;
iJli*uy,
markedydoubrear ines.
The
first
bar
in
each
líne
s
numbered
Bars
bar
ines
The
very
ast
bar
is
marked
by
double
bar
ines
Tirne
Stgnature
At
the
beginning
f
each
solo
you
wil l .
ee
wo
numbers
written
a
bit
r ike
a
fraction.
his
s
cared
the
Time
;Lï;:,ï;"ilïji',ïFíïï'ï,""ii:;;#. l:"f
f3ï":ïrs
vou
he
umber
r
beats
";;;;
u'ia',r,.
ottom
All
the
sotos
n
th;s
book
";
;;À;; ' i ;r,
u"ut,
p;;;;Ëg
11)
or
three
beats
per
bar
(Fis.
12).
F i g .
12
F ig .
11
4
beats
per
bar
beats
are
quarter
notes
=
4-
3
beats
per
bar
beats
are
quarter
notes
1 4
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Putting
t All
Together
l f
we
now
put
everything
ogether, e havea complete
iece
of
musichat
gives
usall he
nformation
e need.
TheTAB
ines
el l us
which
tr ing o
p lay
page
12) ,
he
numbers
h ich re t
o
press
page
12) , he s tem
how
long he note must ast page13)and he ime s ignaturehe number f beats er bar (page14).
It 's ime
now
to
put
everything
ou've earned
nto
practice.Exercises , 2 and 3 are a
warm-up
outine
designed o
get you ready or
the solos
n
Section
.
Notes
for Exercises1, 2
and
3:
1. Listen
irst
o the CD to
get
the feel of eachexercise.
2.
Use
downward
picking
trokeshroughout
page
9), counting he beatsas
you play.
3.
Take
are hat
you use he correct ingering
page
10).
4 . l f the notesdon ' tsound
good,
check
our e f tand
r ighthand echnique
pages
&
10) .
Alsocheck hat
yourgu i tar s
uned
accurate ly
page
11) .
5.
Eachexercise
n
the
CD
startswith 4 cl icks o count
you
in.
ó.
The numbers n the
grey
boxesshow he beats
hat belong o each
note.
Exercise
1
Q,uarter
notes
on
string 1
EEEE
TEEE
EETE EET
E
E
E
r
EEEE
rErr EET
15
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Exercis 2
Ouarter
and
Half notes
on string
1
EETE
E
tr7
E:l
EEEE
t l
tr-;l Fl
f [I
rltrI
Exercise3
and Q,uarternotes
on strings
1
&
2
EEFI
Flttl
tl
'31
Whole, Half,
ETEE
I
[:3
t--
13
4 l
' t 2 3 4
1 6
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Section
2
Plaging
he
Solos
Beforeattemptingeach
solo, isten o
the CD track
o
get
the
feel
of the
music .
henplay
s lowly
hrough he
piece, radual ly u i ld ing
ourspeed
and confidence.
Play long
wi th
he CD
only
whenyou know he
solowel lenough
o
play
it withoutmistakes.
*'r.
à.
'
Y
\ .
, . - J
è-
'.
,, 1
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t t r l
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{r p:
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Orl
Tighfrope
tTltï
? l
t f i t i l
l f r Í r 1
i111i
C
Em7
0
Em7
Èt?FÍfiïEtïFttlrrs@
At
last your
f i rst solo Use
downward
picking
hroughout
and don' t forget to use the
correct
inger ing. Each solo
appears wice on the CD;
f i rst
he complete
version
ol lowed by the same rack
minus he lead
gui tar .
The letters
that
appear above the
TAB
(E,
G and C
in
the example
shown here)are chord symbols,
and
the diagramsat the top of the
page
show
how the
chordsare
to
be
played.
These are shown so that
a
more exper iencedgui tar ist maybe a fr iend or your
teacher may accompany
you.
C
F
G
1 8
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qrg
Searching
-3-
i I
) t -- ) J' (shuffle ccl
Em
0-0
0-2
I
D
2
I
c
0
I
E m
I
Em
rfiFrfiïEtïEËtlrur*s
Thissign n the top left handcorner f] = J )) inai..tes that the musichasa swing eel,commonly eferred o as
a
'shuffle'.
Don't
worry about his
or the momentas
t doesn'taffect
what
you will
be
playing.
Again use downward
picking
nd
he correct
ingeringhroughout.
O Copyright
2005
by
De Haske Publications
BV.
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Ors
,Cadd9
\f
iTLÏ
e
e t
[ ] l
l
i
l
l
G
A7sus4
Tl ir
i a
:
L
a a
, i : l
l
: i i
A7sus4
Cadd9
Heart
of
Oak
A7sus4
u
G
)
A7sus4
I
Cadd9
I
Dsus4
Dsus4
Cadd9
Cadd9
Dsus4
D
A
v
v
u u u
Y--------T--------
w
I
L2
, , G
A7sus4
A7sus4
A7sus4
Cadd9
Dsus4
sus4
add9
E ' G
n
n n
rfiGÍfiFtïErrrnEre
You
shouldbe
getting
he hangof
thingsby nowl
20
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Haske Publications BV.
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EighthNotes
At
this stage of
the
book
you h ave a new not e
to
learn, he Eighth
note. These have a
long
stem
with a short
ta i l
(F ig .
13) ,
or
i f
two or
more
appear ogether the
ta i i s may be
jo ined (F ig .
14) . E ighth
notes have a t ime
v a l u e f h a l fa b e a t ,s o t o c o u n t t h e m
w e h a v e t o
d i v i d ee a c h
b e a t n
h a l f
b y c o u n t i n g
1 & 2 & 3 &
4
& a n d
s o
o n ( F i g .1 5 ) .
Fig.
13
Eighthnote
=
beat
F ig .14
Twoeighthnoteswith tai ls
oined
EEEEEEEE
Fig.
15
Alternate icking
When
playing
eighth
notes t 's
good
to use al ternate
picking.This meansusing downward
picking
(
n
see note
below) on
notes
that
land
on
beats 1 2 3 or 4, and upward
picking
(
V
see note below) on
notes
that
land on
the
'&'
beats. Study
exercise4
whi lst l istening
o the CD
and then
play
through
it slowly,counting the beats
as
you go.
Note:
l l
=
downward
pick
and
V
:
upward
pick
Exercis
4
Pick
Beats
r ' rnnVnnVnVnVn
1 2 3&4
1&2 &3&4
nV n n n n nV n n
1 & 2 3 4 1 2 & 3
4
21
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Org
Blue
Planet
l-iEIII
Q a l
l . l f l i l
fflr 1]
L i t l
Em
Dsus4
ffi
t -
'-_.l
- 0 -
_ - - - - - - - - - - - - - - _+-Y -
- t
--l
^ t a
z
I
Am
5 G
Dsus4
G D G
0-0-0-
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t-t
2_0
t -
|
2-o
^ E m
Dsus4
I
Dsus4
Em Am
v J I
I
r)
I
Em
Dsus4
I J
0 -3
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3
I
' , G
Lf
I
Dsus4
Dsus4
0-
,-
Dsus4
. G
Dsus4
0
*ÍriÍrïïHïrtlrrurl&
Don't orget
o usealternate
icking.
t may eel
strange t f i rstbut i t wi l l
pay
off later.
22
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qea
Cadd9
On Corfu
x x - X x , l
LM [ÏTT]
I t t l t t t
t i t t t t i t ,
ltll I I IILt]l
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i
r l . l
D
Cadd9
u -v
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z
,
Cadd9
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-ï-------l
--+---?-q
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n
Cadd9
t
, rCadd9
I
Dsus4 Am
Cadd9
n
t
I
,.,
G
I
^-
Am
z c
Cadd9
Am
Cadd9
'_|-
v
i-
0
O Copyright
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De Haske
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@^oo
Delta
Girl
, | ] :J ) (shuf f le fee l )
A5
NC
3-3-3-3-2-0 0
+TrrfÍrfiErïErrrlr'rr*S
-3 -
D: ) )
Rememberhissign
n
the top
left handcorner?
t
tel ls
you o
play
he
musicwith a shuff leeel.
This
refers o the way the eighth notes are played. could give you a lengthy explanat ion, ut the
best
way is to l is tencarefu l ly o the CD
and simpl y copy the
way i t 's
p layed.
z+ O Copyright 2005 by
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@oo
Chasing
he
Shoals
[ïïi
? i
? ? i
l l I f t I
I f l i l -
FmajT
FmajT
FmajT
FmajT
rfiFrfiHïErlrlrrr*S
E
F,'I
F ig . 1ó - - 1 -
F ig . 17
-1 -
Dotted
Half note
3 be ats long
l t '
The f i rst
h ing
to
note here is the t ime signature.
t te l ls
you
there
are 3 beats o
the bar
(see
page
14) and
thereforeonly three
c l icksat
the beginning of the t rack.
Also there 'sa
new
note for
you
to learn; he dot ted
hal f
note. A dot af ter a note increasests value by hal f . n other words the
hal f note
is
2 beats
ong
(Fig.
1ó)
but the
dot ted
hal f note is 3 beats
long
(Fig.
17) .
Ha l f
note
2
beats
ong
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626
You
KnowMe
tiïï
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a
I t ] l l l
I i l t l
D
ïiT,F
: t T l a
r l
l l l l
i ï l ] l
I ï f
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D
.,a
At
26
O CopyÍighi2005 by
De
Haske
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AeB
Corne
on Over
ï-rï-r'l
f t+ r i t
f ï T ï l i
f f f ï1
I
I f ï l l
l
Am
ê
' ;3,-
JJ=J , l )
(shu f f le fee l )
A7 D7
È rrrfiErirrrlnr*S
Don't forget
that
shuffle
eel
@
Copyright
005by
De HaskePublicationsBV.
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@so
FrornFire
{ill
ïrrn
t i a t e
t f t - T l
I t l t I
-11
i l
87
FmajT
FmajT
Em 7
Em7
Asus4
1 4
EE3
beats
n
n V
Youmay haveproblemsn the barswith a half note
pick
followed
by two eighth
notes
bar
ó for example) o here's
ow
to tackle
hem.
_2_0_2_
J
t l
-
-
28
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005
by
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V.
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@,&,
Shutdown
Am
n=))
(shu f f le fee l )
a lfm
a
t
at
2_2_2_2_O
I
^ - A m
zc
Am E7 Am
z - Á - Á - Á - v
t l t t l
1 - a - a - a
1- 1- 1- 1- V
-----r---
a - z - z - z
t t t t t i
I l t l t + l I ] I I
@ Copyright 2005 by De Has ke
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@ffi
D G
Turn
D G
D G
Tfii
t t ,
Í iïï l
tiltr
L L ]
Em
G
t
n_n_n-n- í j - r -
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tt
\r
l J
o
C G
D G
C F
u
I
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1
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D
I
D G
C G
J
5
J
t
n
B b D
n_n_n-n 2
I
,^
\ r
Lr
0
30
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Haske Publications
BV.
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@&
New
Star
|lTit
a ? i
tl T-fil
[IJ]l
t , l L 1 i l
87
,, Am7 Am7 E m
I
, rAm7
Em
.',
Am7
@
Copyright 005
by
De HaskePublications V.
J I
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o&
lf's
OnlgMoneu
if-r
a
È.++
t
frfTr
++l+
l L l
fïifF
tTfif
r[tff]
n-ffin
Am
A m G
' ,
A '
. ^
A m
I Y
o . F
32
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005
by
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@,,1&',
For
You
x x
? .
frft
l i a t f
I[-II-
L
F
I
I t t t l I I I 9 +
J
2-2-2-2-2
2
l t t f t 3 -2
3
v v v u v
#?-a
2
2-2-2-2-2
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o&
Cross
he Line
-Tlïr
I
l a a
: ï -n l
:lll l
l r l
A5
ÈErrfiErtr lrurs$
ln bars12,24 and 3ó you'l lsee he numbers real igned ert ical ly.hismeans he str ings re o be played
togetherwith
one downwardstroke
of the
pick,
with
the same
kind
of
movement ou
usewhen
you play
us t
onestr ing.
Groups f
notes ike
hisarecal led
hords.
34
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@a*
Rosie
fïTf-
l t - l
l I : r
tLl ; i l
E7
-rt
l l
?
[_I-
. r 1 1 1
L
TEi
r l ? ,
?
Ill
f'I
l l r
Dm
1 - 1 - 1 - 1 - 3
- 1
1 - 1 - 1 - 3 - 1
Í
F
1- / t -1-3-1
. l _ / l _1_1_
3_1
u-u-
|
-u
v u v v
ÈtrËÍfiïEtïEGtNtTrÍê
This s
quite
a rapid
ire
solo,
but startslowly nd
bui ld
your
speedup
steadi ly nd
you
should
get
i t
r ight
without
too many
curses
O
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TiedNofes
ln No
More
B/ues
n page
37
you'l l
see
hat in
some
bars
bar
4 for
example)
wo notes
are inked
ogether
by
a curved ine.
This
curved ine s
cal led
a
't ie'.
{hen
playing
ied notes
only
he
first
note
s
picked
and
allowed
o
ring
or
the
combined
number
of
beats
of the
tied notes
as
ndicated
y the numbers
n
the
grey
blocks n the examples elow).
ffi?-
&
&
&
3
4
&
3
4
&
1 2 3 4
3ó
&&
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@o.
No
More
Blues
,D=)J ( r i . rurR. f . " l )
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@ot
Tirnes
ike
This
:Trï
L ]1 r 1 l
a t i
I I l t l l
t l t i l t
FmajT
,i*ft
f l t r t
t t
l
i
t
I l
I t L t I l
G7sus4
,imïr
i i ? l l l
t t :
l r
l
t
l L L i
C
CmajT
CmajT
CmajT
FmajT
1 7
FmajT
FmajT
O Copyright 2U05 by De Haske
Publications BV.
CmajT
CmajT
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@ro
Goin'
Horne
. -3--
f r=))
lshuf f lereel ;
I
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PS
That 'st l I hopeyou had un
play ing
hrough
he so los
n
his
book. f
you havemanagedo
play hem
al l
wi thoutmistakesouwi l lnow have
masteredhe basic k i l l s f
lead
gui tarp lay ing nd
you
can
now
moveon to
h igher eve ls nd moredemanding
ater ia l .
Wishing ou everysuccess
ith your music
AIanLord
bÉr: l$r: : ,
i ' i j : : ,
:
r*tr
.\