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Alan Guldimann Architectural Portfolio 2016
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Transcript of Alan Guldimann Architectural Portfolio 2016
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Alan_James_Guldimann
Ryerson University_DAS
> 2015 - 16
PORTFOLIO
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> Ryerson University> B.Arch. Sci, Department of Architectural Science
> Knowledge of building construction standards, material application and properties, an understanding of building tectonics,and detailing.
> EDUCATION
> Alan James Guldimann
> Date of Birth > April 27th, 1995> Place of Birth > Basel, Switzerland
> 570 Bay Street, Toronto, ON, M5G 0B2> [email protected]> +1 416 319 5506> https://issuu.com/alanguldimann
> AutoCAD 2016
> TECHNICAL PROFICIENCY
> AutoDesk Revit 2016
> Rhinoceros 3D 5.0
> Adobe Photoshop cc
> Adobe Illustrator cc
> Adobe InDesign cc
> Curriculum Vitae
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> Dufferin Construction Company> Relocation Coordinator > May-Aug 2015
> Organization and Cataloging of office equipment/ furniture across 3 floors of office space: approx. 2,300 sq m (new office)> Procurement of new office furniture and equipment(IT)> Production of complete furniture layouts finalized by Project lead at The Jesslin Group> Dufferin Construction representative/liaison during weekly site meetings> Coordination of Move-Oriented site work during construction> Completing & filing purchase orders> Coordination of packing and labeling of all office equipment and furniture for move> Budgetary Management for entire move process
> Cambria Design Build> Laborer & Project Coordinator > June - August 2014
> Site maintenance, cleaning, and organization> Basic construction > light gauge steel framing, dry- walling, and finishing> Organizing and interpreting construction documents> Contacting trades and coordinating site activity> Project Tendering through Invitely Prime> Completely and filing purchase orders> Assisting in close-out document production
> EMPLOYMENT EXPERIENCE
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I LOVE SPACE,THE LUXURY OF LIFE IS
SPACE
- RICHARD ROGERS -
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0.1 > DELAWARE NATION PAVILION
> pavilion situated in Moraviantown
0.2 > PHOTOGRAPHERS HOUSE-
> townhouse for a family of film photographers
0.3 > WOOD IN APOCALYPTICA
> recording studio & performance space for Apocalytica (band)
0.4 > BASILICA FOR THE 21st CENTURY
> catholic church > parish hall > priory
INDEX
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Pavilion in Winter 0.1
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> Project Year - 2015
> Collaborative competition > H2016 > Ryerson_DAS
> Orthographics > Alan Guldimann
> William Howell
> Stephen Jones
> Renderings > Nick Callies
> Design Concept > Alan Guldimann
> William Howell
> DELAWARE NATION PAVILION
0.11
The Delaware Nations, who own the land on which the pavilion is situated, have been wronged, persecuted and abused historically. This is not a singular phenomenon; Indigenous Canadians nation-wide have felt a similar persecution since the time their land was taken. Even our Prime Minister has acknowledged the need for greater remediation efforts in this context. Indigenous Canadians continue to be sidelined, and the time has come for Canadians to acknowledge their wrong doings, both socially and politically. The theme of water presented us with our opportunity to make a symbolic statement, using ecological filtration as a symbol for the acknowledgement and remediation of the wrong-doings of past generations. Cultural remediation is made possible by the island pavilion which will become a learning centre and meeting space for indigenous culture and spirituality. It will serve to highlight the rich culture that has been forgotten, and which our lives have been built on. Paired with this physical manifestation of remediation is our symbolic gesture, a water purification system which cleans the river to provide a clean, tranquil pool, and a source of potable water for visitors and the community.
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Pavilion interior
0.12
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Pavilion interior
Bridge
Beach
Picnic
Cycling
Fishing
Swimming
Forest
Lookout Point
Shelter
Walk Way
Wetland
Gabion Structure
Marsh
land
Clean
Pool
Ext.Int.
^ Exploded Axonometric > Structure + Canopy
The gabion walls which cross the river will house filters and flow control mechanisms, and provide separation between the turbulent dirty river, the marshes which will clean it, and the pristine pool beyond. The spiritual significance of water in first nations spir-ituality, paired with the amenity it provides to the site will prove to be a thoughtful and compassionate gesture. During the summer the water will be clean and calm enough for any-one to comfortably swim, float, or dip their feet. Meanwhile the winter will provide a small smooth surface for pick up hockey, or casual skating.
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0.14
1 > Thames River
2 > Gabion Wall
3 > Filtration Marsh
4 > Purifying Marsh
5 > Raised Walkway
6 > Tranquility Pool
7 > Spiritual Centre
1
SITE PLAN 1:300 SCALE
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0.15
2
2/5
2
3
4
6
A
A
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0.16
Fine Grade FilterPurity[The Destination]
Point of Return[To River and to Land]
Southern view > Pavilion and point of return
Filtration Pond B
LONGITUDENAL SECTION A-A
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0.17
The Thames River[Impure Beginnings]
Water Diversion and Flow Reduction
Filtration Pond AFlow ReductionFiltration Pond B
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Exterior view > commercial entry
0.20
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> PHOTOGRAPHERS HOUSE
The proposed design is tailored to a family of fine art / studio photographers who shoot exclusively in 35 mm and medium format film. The husband and wife are currently focused on developing a fine art photography gallery while continuing to run a small business in portrait and studio photography. Their teenage son intends on attending the University of Ryerson within the next two years to follow in his parents' footsteps. The proposal aims to blur the line between dedicated living and working spaces, which are typically segregated. The main design focus is placed in the use of a dark room which is the source of the client's livelihood. This space is placed in an unconventional location within the design which defines it as a major component of the architectural expression both materially and tectonically. Program elements are examined volumetrically and are located in a way that alters the inhabitants' exposure to views both on the interior and exterior.
0.21
> Project Year - 2015> Design Studio III - Prof. Stanislav Jurkovic
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0.22
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0.23
0 1 2 4 8m
SITE PLAN 1:100 SCALE
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0.24
Section A-ANE Elevation SW Elevation
1 - Business
2 - Living 1 (Connected to Business)
3 - Living 2
4 - Living 3 / 4 (Double Volume)
5 - Living 5
6 - Dark Room (Business)
7 - Living 7
8 - Envelope
9 - Diagram of Expression
1
2
3
4
5
7
8
9
6
Program + Form Generation
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0.25
Section B-B
NW Elevation
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UP
UP
UP
UP
0.26
-01 +00
3
1
2
4
0
A A
B
B
B
B
6 - Kitchen
7 - Family Room
8 - Powder Room
9 - Pantry
10 - Dark Room
11 - Bathroom
15 - Master
16 - Sun Room
17 - Office
12 - Laundry Room
13 - Bedroom
14 - Guest Room
18 - Bathroom & Walk - in
19 - Patio
20 - Roof Terrace
0 - Mech / Storage
1 - Garage w/ Storage
2 - Mud Room Corridor
3 - Photo Studio
4 - Photo Gallery
5 - Living / Dining31 2 6m0
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UP
DN
0.27
+01 +02
5
6
7
8
9
10
11
12
13
14
16
A A A A
B
B
B
B
UP
6 - Kitchen
7 - Family Room
8 - Powder Room
9 - Pantry
10 - Dark Room
11 - Bathroom
15 - Master
16 - Sun Room
17 - Office
12 - Laundry Room
13 - Bedroom
14 - Guest Room
18 - Bathroom & Walk - in
19 - Patio
20 - Roof Terrace
0 - Mech / Storage
1 - Garage w/ Storage
2 - Mud Room Corridor
3 - Photo Studio
4 - Photo Gallery
5 - Living / Dining31 2 6m0
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UP
DN
0.28
+03 +04
15
17
18
19
20
A A A A
B
B
B
B
6 - Kitchen
7 - Family Room
8 - Powder Room
9 - Pantry
10 - Dark Room
11 - Bathroom
15 - Master
16 - Sun Room
17 - Office
12 - Laundry Room
13 - Bedroom
14 - Guest Room
18 - Bathroom & Walk - in
19 - Patio
20 - Roof Terrace
0 - Mech / Storage
1 - Garage w/ Storage
2 - Mud Room Corridor
3 - Photo Studio
4 - Photo Gallery
5 - Living / Dining
31 2 6m0
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0.29
interior > kitchen/living
interior > master bedroom
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0.30
> WOOD IN APOCALYPTICA
exterior > south-western entrance
> Project Year - 2015> Integration Studio I - Prof. Russell Richman> Project Collaborators - Matthew Breton-Honeyman, Stephanie Steriotis, Robyn Thomson
> Wood in Apocalyptica is intended to be simple and austere; reminiscent of the rural Finnish vernacular to remind the international band of their home. The simplicity of the nominal wood construction is contrasted with the autonomous object that is the recording studio- consciously placing it in view in the lobby space as an object to influence spatial experience.
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0.41
> In order to align with the band's progressive views and thinking in the music industry, the design had to take on a similar view towards progressive architecture. To achieve this, the main focus became environmental sustainability, focusing in on solar heat gain as well as an efficient building envelope. Choosing to use pine as a main material draws parallels between timber framed construction projects in Helsinki and Toronto. Also it is a readily and locally sourced material in both locations. The location of the studio had to be very specific in its selection to produce the right atmosphere for musical genius. The site selection was clear when confronted with the long southern exposure in a neighborhood zoned for regeneration.
0.31
exterior > south-east from the Don Valley Parkway
interior > lobby + studio
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0.32
The neutral backdrop of the industrial context prompted an exploration into the application of raw untreated materials on a familiar form. The simplicity of the extruded form was utilized to compliment the simplicity of its surroundings and also to emphasize less conventional interiors.
South Sect ion > 1 :500 sca le
South E levat ion > 1 :500 sca le
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0.33
Thi rd f loor > roof pat io > 1 :300 sca le
Second f loor > stud io, lounge, of f ice > 1 :300
F i rst f loor > publ ic lobby, theatre, admin > 1 :300
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0.34
West sect ion > 1 :500 sca le
West E levat ion > 1 :500 sca le
East E levat ion > 1 :500 sca le
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0.35
interior > musicians lounge
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6.35 mm P INE S ID ING [NATURAL]38.1 mm VENTED A IRSPACE WITH50 mm XPS R IG ID INSULATION0.15 mm TYVEK A IR BARRIER12.7 mm OSB SHEATHINGSPRAY APPL IED CELLULOSE INSULATION [38 x 140 mm FRAMING]50 mm INSULATED CAVITY -SPRAY APPL IED CELLULOSE INSULATION [38 x 140 mm FRAMING]DOUBLE LAYER VAPOUR RETARDER STAPLED TO
CONCEALED GUTTER
750 X 1400 mm PV PANEL
INT. WYTHE 38 x 89 mm SPF FRAMING
TRIPLE PANE ARGON F ILLED WINDOW WITH LOW-E COATING
12.7 mm OSB WALL T ILEFLASHING
6.35 mm HARDWOOD FLOORINGDRICORE SUBFLOOR200mm CONCRETE SLAB
DRAINAGE GRAVEL12.7 mm CEMENT BOARD300 mm CONCRETE FOUN-
SECTION DETAIL > FOUNDATION TO
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SECTION DETAIL >
SECTION DETAIL > ROOF + CONCEALED
1 : 10
1 :10
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0.40
parish hall courtyard
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The proposed des ign a ims at assess ing the ro le of the bas i l i ca , one
of h istor ies most we l l i dent i f ied bu i ld ing typo log ies , i n a 2 1st century
context . The goa l of the des ign is to un i te modern construct ion
methods , mater ia ls , and formal moves , w i th a program that has
been str i ct ly la id out for l i turg i ca l ceremony as prescr ibed by the
Vat i can I I and the creat ion of the novus ordo r i tua l i n the late 20th
century . The s i te i s located d i rect ly north of the d ist i l lery , at the
intersect ion of M i l l st . & Tr in i ty st . , i n an area of Toronto that has
a r i ch i ndustr ia l h istory . Th is prompted certa in mater ia l cho i ces ,
and mass ing generat ion . The use of mater ia l i ty became the dr iv ing
force of the proposed des ign , w i th the u l t imate goa l of creat ing a
d ia logue between modern techno logy and construct ion methods , w i th
the exper ient ia l i nf luences of the sp i r i tua l spaces that have been
h istor i ca l ly created for catho l i c worsh ip .
> BASILICA FOR THE 21st CENTURY
0.41
> Project Year - 2015> Integration Studio I > Prof. Edward Wojs & Umberto Berardi
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0.42
1 2
3 4
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0.43
FORM GENERATION
1 - SITE
2 - REDUCTION OF BUILDING AREA TO ACCOMMODATE GFA REQUIREMENTS
3 - SEPARATION OF MASSING INTO 3 CORE PROGRAM ELEMENTS - CHURCH, RECTORY, & PARISH HALL
4 - DEVELOPMENT OF FORM BASED UPON SITE DIMENSIONS
5 - DEVELOPMENT OF HIERARCHICAL PROGRAMMING THROUGH BUILDING HEIGHT
6 - ADDITION OF APERTURES TO CREATE A PUSH + PULL ON FACADE & TO CREATE SPATIAL LIGHTING CONDITIONS
7 - ADDITION OF PROGRAM ELEMENTS TRADITIONAL TO THE TYPOLOGY
5 6
7
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78.9
79.4
77.5
78.9
77.5
PARLIA
MEN
T ST
TRINITY ST
MILL ST
SITE PLAN - 1 : 500 SCALE
320 4 168 64 m0.44
-
78.9
79.4
77.5
78.9
77.5
PARLIA
MEN
T ST
TRINITY ST
MILL ST
0.45
-
78.9
79.4
77.5
78.9
77.5
PARLIA
MEN
T ST
TRINITY ST
MILL ST
A
LEGEND
1 - NAVE2 - ALTAR3 - CHAPEL4 - TABERNACLE NICHE5 - CONFESSION
89
10
1112
6 - PARISH LOBBY7 - SEMINAR ROOM8 - CLASS ROOM9 - PARISH HALL10 - GLAZED COURTYARD11 - PARISH KITCHEN12 - STORAGE13 - MECHANICAL/ELECTRICAL
+00 FIRST LEVEL - 1 : 500 SCALE
320 4 168 64 m0.46
8
14 - RECTORY PARKING15 - MECHANICAL/ELECTRICA:16 - ENTRY HALL17 - KITCHEN18 - DINING SOLARIUM19 - SACRISTY20 - VESTIBULE TO NAVE
-
78.9
79.4
77.5
78.9
77.5
PARLIA
MEN
T ST
TRINITY ST
MILL ST
10
6 - PARISH LOBBY7 - SEMINAR ROOM8 - CLASS ROOM9 - PARISH HALL10 - GLAZED COURTYARD11 - PARISH KITCHEN12 - STORAGE13 - MECHANICAL/ELECTRICAL
A
B B
C
C
1 2
33
4
5
6
78
13
1415
16
171819
20
14 - RECTORY PARKING15 - MECHANICAL/ELECTRICA:16 - ENTRY HALL17 - KITCHEN18 - DINING SOLARIUM19 - SACRISTY20 - VESTIBULE TO NAVE
0.47
-
78.9
79.4
77.5
78.9
77.5
PARLIA
MEN
T ST
TRINITY ST
MILL ST
LEGEND
1 - BED ROOM2 - CHAPEL3 - READING ROOM
4 - MEZZANINE5 - PARISH OFFICE6 - SEMINAR ROOM
7 - ORGAN ROOM8 - PIPE SPACE
A
55
+01 SECOND LEVEL - 1 : 500 SCALE
320 4 168 64 m
0.48
5
-
78.9
79.4
77.5
78.9
77.5
PARLIA
MEN
T ST
TRINITY ST
MILL ST
5
A
B B
C
1
2
3
4
5
6 7 8
1 1
1 1
5
C
0.49
-
78.9
79.4
77.5
78.9
77.5
PARLIA
MEN
T ST
TRINITY ST
MILL ST
+02 THIRD LEVEL - 1 : 500 SCALE
320 4 168 64 m
A
LEGEND
1 - BED ROOM2 - PATIO3 - LIVING SPACE
0.50
-
78.9
79.4
77.5
78.9
77.5
PARLIA
MEN
T ST
TRINITY ST
MILL ST
A
B B
C
C
2
3
1
0.51
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000
014500
029000
0313500
0416750
bell tower23000
SOUTH ELEVATION - 1 : 500 SCALE
320 4 168 64 m
000
014500
029000
0313500
0416750
bell tower23000
SOUTH SEC TION A-A - 1 : 500 SCALE
320 4 168 64 m
0.52
-
000
014500
029000
0313500
0416750
bell tower23000
000
014500
029000
0313500
0416750
bell tower23000
0.53
interior > church nave
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000
014500
029000
0313500
NORTH SEC TION B -B - 1 : 500 SCALE
320 4 168 64 m
0.54
exterior > se corner > mill + trinity
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000
014500
029000
0313500
0.55
-
0.56
-
0.57
exterior > sw corner > mill + parliament
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> [email protected]> +1 416 319 5506> https://issuu.com/alanguldimann
- THANK YOU -