Agoraphobia - l'etoile magazine
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L’étoile Spring Fever 2006 Volume 2 Issue 1 Agoraphobia 42 Tree bark bodice by Melanie Ree Lychee by Emily Johnson Earrings Painting by Amelia Biewald L’étoile Spring Fever 2006 Agoraphobia 43 Top - Princess Warrior by Abigail Meyers Skirt by Molly Roark Skull necklace, worn on wrist by Mother Daughter Ring by Darcy Designs
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Fashion Editorial
Transcript of Agoraphobia - l'etoile magazine
L’étoile SpringFever2006 Volume2Issue1
Agoraphobia
42
TreebarkbodicebyMelanieReeLycheebyEmilyJohnsonEarringsPaintingbyAmeliaBiewald
L’étoile SpringFever2006 Agoraphobia
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Top-PrincessWarriorbyAbigailMeyersSkirtbyMollyRoarkSkullnecklace,wornonwristbyMotherDaughterRingbyDarcyDesigns
L’étoile SpringFever2006 Volume2Issue1
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L’étoile SpringFever2006 Agoraphobia
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DressbyLaurenSchadNecklacebyNatalieLucas
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L’étoile SpringFever2006 Agoraphobia
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DressbyLauraFulk
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SkirtandleathercorsetbyMelanieReeMetallicjacketbyPrincessWarrior
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L’étoile SpringFever2006 Volume2Issue1
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JacketbyLambVintageskirtandbustlefromMelanieReeCollection
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SlipfromClichéVintagewrapfromMelanieReeCollection
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DressbyLauraFulkEarringsbyMotherDaughterPaintingbyAmeliaBiewald
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L’étoile SpringFever2006 Agoraphobia
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DressbyLauraFulk
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L’étoile SpringFever2006 Agoraphobia
PhotographybyAmyPierceArtDirectionbyMollyRoarkPhotographyAssistant-CharlesMillerHairbyJenHughesHairColorbyBrentCampMakeupbyTrucNguyenPropStylist-GinaReidStyleAssistant-EstherParkArtworkbyAmeliaBiewaldModel-Erin
Oppositepage:DressbyDianevonFurstenbergNecklacebyNatalieLucasHandmadeneckruffsbyMelanieRee
RomanPolanski’s1965filmRepulsionhadCatherineDeneuveplayingCaroleLedoux, abeautiful but repressed youngwomanwho left toherowndeviceswhenherfamilygoesonavacation,descendsintoapsychoticstateassheisconsumedbyclaustrophobia. Deneuvesharedthesamepatrician façadeandicymannerismthatmadeGraceKellyandTippiHedrentwoofAlfredHitchcock’sfavored actresses. This frigid type of beauty instills in the beholder not onlyadmiration,butanurgetouncoverandevendestroyitinasearchforsomethingdeeper.Atonceperfectlybeautifulandtragicallyflawed,Hitchcock’splatinumblondeexhibits“lotsofapparentreserve,lotsoftemperamentinprivate”.Sheis“icecoldtea,pipinghotsex.”
Thethemeofwomenbeingtrapped,–whetherphysicallyormetaphorically—isnotnew.19thcenturyauthorsCharlottePerkinsGilmanandEdnaSt.VincentMillayalsofeaturedwomenwhowereconfined—ifnotwithinspatialboundariesthenwithinsocietalconstraintsortheirownunquietminds.Gilman’sprotagonistin“TheYellowWallpaper”awriter,goesmadwhenforcedtoconvalesceafteralongillnesswithoutanoutletforhercreativity.
Dynamicsofhumaninteraction–especiallythoseoftheromantictypeidealizedinliterature,music,andart–actascatalyst,settingintomotionthetypeofemotionalchemistrythatchangeseachcharacter.Outsidethecinematicworldofresolvedintrigueandhappydenouement, l’étoile’sowncoolblondspendsherday insolitude,posingthequestion:whathappenstoourhiddenselvesifthereisnoonetheretodiscoverthem?
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