AGE OF STYLE
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Transcript of AGE OF STYLE
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AGE OF STYLEActor’s Studio - Tuesday March 25, 2013Shawnee Mission West High School
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A PERIOD OF MANY NAMES! Age of Style Comedy of Manners Restoration Comedy
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BACKGROUND Comedy of manners is concerned with the
social manners and attitudes of groups or classes of people who define themselves as superior, or at least different, by the following of very particular life styles based upon strict codes of behavior and taste.
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BACKGROUND
Raised in the French court
Brought back French code of manners
Idea of Theatre as court entertainment
Theatre geared towards aristocrats $$ Their life on stage
Restoration of Charles II
Charles’ Sweet Mustache
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THE GREAT JUXTAPOSITION Must be wealthy
but don’t look like you work!
Handkerchief – careless, but not too precise
Leave bottom button undone
Code must be learned but must not LOOK learned
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SOCIAL MORES AND ATTITUDES Hobbesian view of life
the human was a creature of animal passions and instincts
the amoral pursuit of pleasure was the true aim of existence
the person who could laugh at life most wittily was the winner of life’s ephemeral and somewhat cynical stakes.
Thus, carnal pleasure was highly prized, sexual chase was the great sport of the day.
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NOW LET’S TALK ABOUT THEATRE!! Space and Social Settings
Illusionistic Raked stage Perspective painting Chariot and Pole System Space, elegance,
simplicity
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RAKED STAGE
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CHARIOT-AND-POLE SYSTEM
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COSTUMESsimply everyday clothing to the society of the
time silks and lace and frills and curls female bosom, male leg exposedCleanliness not exactly a virtue
Powdered makeup Covered ravages caused by small pox
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COSTUMES
Long coat w/ wide cuffs Hankie Embroidered coat Shirt with laces and
ribbons Breeches to the knees Shaved head, long wig Snuff box
MEN Be a Perfect Peacock, yet draw no attention!
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COSTUMES
Bell-shaped, full-skirted gown
Bodice cut low Corset Hair adorned with
hats, ribbons and scarves
Fans
WOMEN FEMALE ACTORS YAY
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SOCIAL GROUPS Were defined by attitude, manners and
costumes Think of social groups in 60s, 70s, 80s, 90s,
today
Playwrights made characters as close to real life as possible
Actor’s task was not to make character unusual or different
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THE FOP
Foolish Idle, affected,
fashionable and ridiculous
Overly concerned with appearance
Also called “coxcomb, ninny or macaroni”
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PERFORMANCE DEMANDS VERBAL FACILITY
Witty language Particular manner of speech Rhythms, structure, word choice
Breathless Quickfire Blunt and direct
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PERFORMANCE DEMANDS COMIC TIMING
Setting up a rhythm to help audience laugh at the right moment.
Builds tension, audience feels need of release, knows a laugh is coming
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VERBAL FENCING “Fencing with the tongue” like a Tennis match EXAMPLE – The Importance of Being Earnest
JACK: When one is in town one amuses oneself. When one is in the country one amuses other people. It is excessively boring.
ALGERNON: And who are the people you amuse? JACK (airily): Oh, neighbours, neighbours ALGERNON: Got nice neighbors in your part of
Shropshire? JACK: Perfectly horrid! Never speak to one of them. ALGERNON: How immensely you must amuse them!
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UNIT DEADLINES Character History
DUE THURSDAY, MARCH 28 Monologue Tactics
DUE FRIDAY, MARCH 29 First Line
DUE FRIDAY, MARCH 29 Half Memorization
DUE MONDAY, APR. 1 Final Performance
DUE THURS, APR. 4 or FRI, APR. 5