Adobe Photoshop CS4 for Photographers: The Ultimate Workshop

Martin Evening and Jeff Schewe

AMSTERDAM BOSTON HEIDELBERG LONDON NEW YORK OXFORD PARIS SAN DIEGO SAN FRANCISCO SINGAPORE SYDNEY TOKYO

ELSEVIER Focal Press is an imprint of Elsevier

! you shoot

..................... Before you shoot that picture! .................................................. 2 ............................................................................................... Interpreting a brief 2

Shooting multiple elements - intelligently ........................................................... 4 Multi light blending technique ............................................................................. 6 Complex composite work ....................................................................................... 8 Fashion and beauty retouching ........................................................................... I 0

....................................................................... When not to use photoshop 12

1 Chapter 2: Raising your I( .......................................................................................... Optimizing images 16

Camera Raw or Photoshop? .............................................................................. 16 Camera Profiles in Camera Raw ......................................................................... 18

...................................................................................... Optimizing the image tones 20 Optimizing an image in Camera Raw ................................................................... 20

Optimizing the highlights ........................................................................... 21 ............ ........ Optimizing the blacks .................................... 22

Optimizing both the highlights and blacks ................................................. 24 Cut-outs against a white background ................................................................. 25

Essential image editing steps ................................................................................. 28 .................................................................................................................. Crop 30

............ ........ Color .............................. 31 Tone ................................................................................................................. 32

.................................................................................................... Exposure 32

..................................................................................................... Recovery 33 Blacks ......................................................................................................... 34 Fill Light ..................................................................................................... 35 Brightness ................................................................................................... 35 Contrast ..................................................................................................... 36

Finesse ............................................................................................................ 37 ............ Clarity ................................. 37

Vibrance .................................................................................................... 38 Capture sharpening ........................................................................................... 39

Amount and Radius ................................................................................... 39 ...................................................................................... Detail and Masking 40

Noise reduction ..................................... ... ...... ....................................... 40 Perspective corrections with Camera Raw ............. ........................... 42

iii

. .

m sharpening workflow ........................ ........... 46 .............................. .............................. mproving camera capture sharpness .. 50

................................................................................. Choice of camera lens 50 ........................................................ . Shooting with a tripod vs hand-held 52

.......................... Improved sharpness using mirror-up mode ................... .. 52 Noise reduction ......................................................................................................... 54

................................................................................. Photoshop noise reduction 54 ................................................................................ Third-party noise reduction 54 ................. .................................................. Targeted noise reduction .............. 55

Removing noise using multiple exposures ................................................. 58 Sculpting photos ......................................................................................................... 62

Improving midtone contrast ............ .. ...... .... ................................................... 67 Hiah radius Unsharp Mask techniaue ............................................................ 70

I Chapter 3: Mending and blending v= I

benera1 reroucnlng ................................................................................................... Healing brush strategies .................................................................................... 74 Adding lens flare .............................................................................................. 76

....................................................................................... Simulating film grain 78 Removing foreground objects ............................................ .................. 80 Layer blending to remove tourists ........................................................................ 82

Median rendering ........................... ............. ................................................... 82 Merging objects with displace distortion .......................................................... 86

How to create a spotlight effect ..................................................................... 90 Fashion and beauty retouching ................................................................................. 92

Adding lightness and contrast to the eyes ......................................................... 92 Repair work using a copied selection ........................ .. ................................. 94 Removing stray hairs ....................................................................................... 96 Tidying hair against a busy backdrop ....... .......... 98 Coloring hair roots .......................................................................................... 102 Beauty skin retouching ................................................................................... 104

Disguise your retouching ..................................................................... 104 Brush blending modes ................................................................................... 105 Beautylfashion retouching ............................................................................... 106

Retouching portraits ................................................................................................. 112 How to remove reflections from glasses ....................... .. ............................... 118 How to create a sparkle brush shape .................................................................. 121

Vanishing Point ....................................................................................................... 124 Vanishing Point planes and measurements ............. ........ 130 Editing objects in 3 0 .................................. ........ 134

:hapter 4: Masking and cornpositing 139 1 ............................................................................ .. ......................

....................................................................... Creatina a realistic composite 140 Masking hair .................................................................................................. 148

How it works ............................................................................................ 148 ...................................................... Getting the different elements to match 149

Refine Mask command .................................................................................... 158 Snapshot painting .................................................................................................. 162

........................................................................ A different way of compositing 162 Slicing an image .......................................................................................... 164

Image warping .......................................................................................... 164 History basics .................................................................................................. 167 Making snapshots ......................................................................................... 168 The channels ................................................................................................. 169 The blending ................................................................................................... 170

..................................................................................................... The wrap up 176 Combining images .............. .. ............................................................................. 178

The best way to combine exposures ................................................................ 178 Cheating a mask ...................... .. ................................................................... 182 Masking an object with a path ............................ .. ....................................... 186 Working with Smart Objects ........................................................................... 190 Adding atmospherics ....................................................................................... 198 Simulating the effect of motion ....................................................................... 204

Embossing the word .................................................................................. 205 Adding motion ......................................................................................... 210

Adding Lens Blur ..................... .. .................................................................... 216 Extending the depth of field ................................... .... .......................................... 220 Merging studio exposures ............... .. .......................................................... 224

Layer Styles ......................................................................................................... 230 How to add extra water drops to a glass ..................... .. .................................. 231 Copying layer styles ..................................................................................... 236 How to remove edge flare ................................... .... ............................................. 236

ter 5: Cooking with Photoshop 239

A I 4 . " L V . . . " . 3" ........................ .....-.... ........................................................................... I -

Resizing the source images ............................................................................. 243 A simple, one-step Photomerge .......................... .............. .................................. 244 A three-step Photomerge ............................................................................... 246 Extreme wide-angle Photomerges ..................................................................... 252

Filter effects ........................................................................................................... 256 How to create a fisheye lens effect ................................................................... 256

......................................................... How to create an aerial fisheye lens effect 261 ........................................................................................ Working with Liquify 263

......................................................................................... The Photoshop diet 268 ..................................................................................... Content-aware scaling 270

............................................................... Content-aware scaling - another use 272 .......................................................................................... Digital darkroom effects 274

........................................................... Advanced black and white conversion 274 ............................... Cross-processing ... ........ ................... 278

Lab Color effects ................................................................................................ 282 Simulating black and white infrared film ......................................................... 286 Black and white solarization .............................................................................. 290 Hand-coloring a photograph ............................................................................ 294 Coloring an object .............................. ........... 298 Coloring effects using Match Color .................................................................. 302

Match Color auto adjustments ...................................................................... 304 Using Camera Calibration to distort colors ............................................... 306

Nocturnal effect ................................................................................................ 308 Preserving the pixels ................................................................................. 308

Preserving colors with ProPhoto RGB ................................. .... ............................ 312 Softening the focus ........................................................................................... 314

Fog effect .................................................................................................... 314 Diffused printing effect ............ ........... 316

Adding progressive blurs ................................................................................ 318 Image border effects ............................ .... ................................................................... 320

Adding a border to an image .......................................................................... 320 Adding a Clouds filter border .................................... ... ....................................... 324

Fine-art printing ............................ .... ......................................................................... 328 lnkjet printers .................................................................................................... 328 How inkjet printers work ..................................................................................... 328

The ideal inkjet ........................................................................................... 330 Photographic print quality .......................................................................... 330 Image preservation ....................................................................................... 330

......................................................................................... Inks and media 331 Third-party inks .................................... ........... 332 lnkjet economies ......................................................................................... 332

...................................................................... Building a custom printer profile 333 Printing a printer test target ....................................................................... 333

Getting the most from your printer profiles ..................................................... 338 .............. Display gamut versus printer gamut ........... 339

........ soft proofing via the display ....... 339

........ Display simulation options ......... 341 Color proofing for press output ............................................................................ 343

CMYK proofing with an inkjet ............. .. ....................................................... 344 Simulation and Rendering Intents ............................................................ 344

CMYK output ............................................................................................................. 346 ............................................................................... Preparing files for output 346 ...................... ................................................... Delivering files for output .. 350

1s CMYK for you? ................................................................................................ 351 ........................................................................................ Spot color channels 352

Preparing screen shots for publication ........................ .. ..................................... 354 ............................................................... Scaling dialog screen images 354

........................................... Creating a droplet to process screen shots 356 Max Black generations ............................................................................. 357

........................... Recording a Max Black separation action .. ................. 358 ........................................................................... Dual CMYK conversions 359

I Chapter 7: Minding your own business

................................................................................ Add~ng value to your images 368 ................................................................................. ldent~fylng your Images 369

File organization methods ...................... ........................... .. ........... 370 Archiving issues ................................................................................................... 372

........................................................................... Backlng up IS not archiving! 372 ..................................................................................... C Backlng up your data 374 .................................................................................... 9 Image protection 376

F .................................................................. How to make money wlth Photoshop 377 ar

............................................................................ How much are you worth? 377 Your rate IS your rate ............................................................................... 379

....................................................................................... How to bill for d~gital 380

Index Symbols

3D editing 134-137 3D layers 135-137 3D navigation widget 135-136 3D tools

3D panning 136 3D rotate tool 135-1 36 3D rotation 136 3D scale 136

3D Transform 134 16-bits per channel 59, 309,316-317 35 mm cameras

Lenses 50 Resolving power of film 50

Actions 55,296,308, 325,358-360, 365

Insert a pause 363 Adding noise 94 Adding water drops 231-235 Add Noise filter (see Filter menu) Adobe Illustrator 144 Adobe labs 19 Adobe Photoshop CS4 for Photographers

viii, 20 Adobe RGB 308,312-313,350 Advantedge 148 Advertising 378 AFP 374 Agents

Commission rates 378 Aim prints (for proofing) 344 AlT tape 372 Albon, David viii Aldus 373 Alien Skin

Exposure 78 Alpha channel mask 25 Archiving files 372 Astronomy photography 82 Auto-Align Layers 241, 246,248, 253

Geometric Distortion 242 Lens Correction 242 Seamless Tones and Colors 249,254 Vignette Removal 242

Auto-Blend Layers 241,243,246,249, 253-254

Backing up your data 372,374-376 Barstow, Neil 331 Basic Panel (see Camera Raw) Beauty lighting setup 25, 294 Beauty retouching 92-1 11 Black and white conversions 274-277 Black and white infrared (simulation)

286-289 Black point compensation 341 Blend modes

Color 65, 102, 105, 110, 170-171, 279-280,283-284,294,296, 300-301,308,311

Color Burn 232 Darken 105, 108, 317 Difference 100,226-227 for beauty retouching 105 Hard Light 6, 105 Lighten 105, 108,315 Luminosity 170, 172,279, 310 Multiply 87, 105, 110, 122, 133, 137,

151,154,170-172,174,237, 294,296,317,322,325

Normal 101,109,170,175,178-179 Overlay 63, 65, 68,78, 87, 89, 102,

105,116,149,151-152,170, 172,294,296

Pin Light 56 Screen 105, 123, 170, 173, 178, 179,

181,189,209,233,315 Soft Light 6,89, 102-103, 105

Blu-ray storage 375 Blurring

Progressive blurs 318 Bokeh 319 Bookkeeping 378 Border effects 320-325

Addinq a Polaroid border 320-323 Bridge c 4 58-59,99,178,224,227,

369

File lnfo panel 369 Tools menu

Batch Rename 371 Photoshop

Load Files into Photoshop Layers 59,178,220

Brown, Russell xi Brushes

Brush blending modes 105 Brush controls 104 Brush hardness 105 Custom brush shapes 122

Brushes panel Brush opacity 96-97 Brush presets 121 Brush size 96-97

Square bracket keys 96 Control options 121 Copying layer styles 236 Count Jitter 234 Custom brushes 234 Flow 63 Jitter 234 List view 121 Opacity 214 Other Dynamics 97,152

Opacity Jitter Fade 213

Scattering 234 Shape Dynamics 96-97,121

Size Jitter Fade 213

Wacom settings 104 Brush tool 96, 101, 103, 105, 108,

1 19-1 20 Options panel 121

Bunting, Fred 365 Byer, Scott ix

C

Calculations (see Image menu) Camera Calibration panel (see Camera Raw) Camera Profiles 18-1 9 Camera Raw 16-24,28-45,220

Basic panel 288,290-291 Auto white balance 31 Black clipping point 20,34 Blacks 21-23,34,288

DAM book, The 374 DAT tape 372 Dean, Roger 261 Debossing (see Embossing) Deere tractors 198 Denne, Ben viii DeRuyter, Natasha ix Description metadata 368 Difference blend mode (see Blend modes) Difference Clouds filter 324 Diffused printing effect 316-317 Digimarc 376 Digital capture fees

How to bill 381 Digital Dog 331, 333 Direct select tool 187 Disguise your retouching 104 Displace filter (see Filter menu) Displacement maps 86 Divitale, Jim 294 Droplets 356,365 Duplicate image 282 DuPont 343 Dutton, Harry ix DVD 375

Delivering files on a DVD 351 DVD storage 372,375

Dye inks 331

Econ technologies 375 Edit menu

Auto-Align Layers 7,58, 221-222 Auto layout 60, 81

Auto-Blend Layers Seamless Tones and Colors 222 Stack Images 222

Color Settings 358, 361-362 Copy 86,132, 177,361 Define Brush Preset 123 Fade 212 Fill command 174,217

Use History 170-171 Paste 86, 132, 177, 362 Preset Manager 121 Transform

Flip Horizontal 95, 143 Free Transform 122,141, 145,153,

190,194,211,250,264,322 Editorial rates 379 Eizo 355

CG301W display 339 Elvis, Tiny 90-91 Embossing 205-208 EMC

Retrospect 374 Epson 328,333

3800 printer 330 4000 printer 331 4800 printer 329 9600 printer 330 lnkjet printers 329 Stylus Photo printers 329-330 X800 printer 343

Equalize image adjustment (see Image adjustments)

Eraser tool 103 eSATA drives 374 Estimates 381 Evans, Laurie 353 Evening, Angelica 22, 318 Exposure plug-in

Alien Skin plug-in 78 Extended Photoshop 58-61,82-85,

130 Eyedropper tool 102

Fashion retouching 92-1 11 File formats

DNG 373,375 Convert to DNG 370 DNG Profile Editor 19 DNG Profiles 18-19

Photoshop (PSD) 87,224,373 TlFF 373

TlFF 6 spec 373 TIFF-EP 373 TlFF (Phase One) 224

FileMaker Pro 381 File menu

Automate Create Droplet 356

Page Setup 334

Scripts Browse 216 Load Files into Stack 84

File organization 370 File renaming 370-371 ,

Use original filename 371 Film grain effect 78-79, 289 Filter menu

Blur Box Blur 318-319 Gaussian Blur 57,78,87, 100, 188,

200,216,314-317,319 Lens Blur 156, 192,216,

21&219 Blur Focal Distance 218 Depth Map 192,218 Enabling for Smart Filters 216 Radius 192,218 Specular Highlights 218

Motion Blur 193,197,212 Surface Blur 283-284

Convert for Smart Filters 67, 75, 76 Distort

Displace Displacement map 86-87,89

Lens Correction 43 Polar Coordinates 256,259, 262

Liquify 263-266 Forward warp tool 164,265 Freeze mask tool 266 Layer visibility 166 Pucker tool 265 Push tool 164 Save Mesh 266 Tool brush sizes 166 Warp tool 110-111, 115,166

Noise Add Noise 78-79,200 Reduce Noise 54,56-57

Other High Pass 68-69,116 Maximum 161 Minimum 161

Redo last filter 189 Render

Clouds 197,199-200,320, 324-325

Difference Clouds 324 Lens Flare 76-77, 189

Sharpen Unsharp Mask 70-71,79,

116,360 Stylize

Find Edges 57 Vanishing Point 124-129

3D layers 134-137 Calibration measurement

130-1 33 Create Plane tool 125, 130, 135 Custom angle planes 130-131 Edit plane tool 126 Marquee selection tool 127 Measurement tool 131 Paintbrush tool 124 Perspective plane warning 126 Render Grids to Photoshop 130 Rendering options 130 Render Measurements 130 Return 3D Layer to Photoshop 135 Stamp tool 124, 127-129

Heal mode 127 Overlay preview 127

Vanishing Point planes 130-133 Find Edges filter (see Filter menu) Fisheye lenses 77,252-262 Fluid Mask 148 Focal length 149 Fog effect 314 Fraser, Bruce ix, 46, 55, 342,

365,373 Fuji

Velvia film 19

Gamut Gamut Warning 347 of the display 339 of the printer 339

Gerunds 368 Globe Hands 162-177 GMG

Premium proofing paper 342 Gorman, Greg ix, 112,229 Gradient tool 105

Adding a gradient 192 Reflected gradient mode 217

Linear gradient mode 85

Grandfather paradox 167 Grayscale 183 Grayscale mode 87

Grayscale conversions 275 Green screen masking 148 Guides 122

H

Hahnemuehle paper 333,336 Hair masking 148 Hair retouching 96 Hamburg, Mark ix, 16, 162,373 Hamilton, Soo viii Hand-coloring a photo 294 Hand-held shooting 52 Harley Davidson

FLSTS Harley 74-75 HDR 314 Healing brush 74-75, 94, 96, 104,

113-1 14,228,255,273 Healing brush modes 74 Healing brush strategies 74-77 Replace mode 74

Hewlett-Packard printers 328 Photosmart 9180 330 Z series 330

High Pass filter (see Filter menu) High radius unsharp masking 70 Hill, Mel ix Histogram panel 311

Luminosity mode 22 History brush 157, 170, 175 History feature 162-177

History basics 167 Snapshot painting 167

History panel 168, 284 Add new snapshot 174 History options 167

Allow Non-Linear History 167 Automatically create first snapshot

167 Automatic create new snapshot 167 Create new snapshot 167 Make Layer Visibility Changes

Undoable 167 Show New Snapshot Dialog 167

Snapshot source 172 Hogarty, Tom ix

Holbert, Mac ix, 62 Hooper, Marie viii Hopper, Courtney ix HSLIGrayscale panel (see Camera Raw) HueISaturation (see lmage adjustments)

ICC color management 22 ICC profiles 343

Installing custom profiles 333 When not to embed 350

Image adjustments Apply lmage 151 Auto Color 304

Using Match Color 304 Channel Mixer 286,309-310,313 Color Balance 277 Color Fill 26-27,87-89, 267,

280-281,296,300 Curves 91, 93, 95, 11 1, 11 7,

119-120,137,146,183,197, 217,267,280,290,311,323, 348

Equalize 283,302-303 HueISaturation 7, 197, 228-229,277,

31 0,348 Invert 184,285 Levels 147, 152, 196, 208,228-229,

277,325 Match Color 302-305

Auto color correction 304-305 Coloring effects 302-303 Color Intensity 303,305 Fade 303,305 Load Statistics 303 Luminance 303,305 Match Color statistics 302 Neutralize 305 Save Statistics 303

Selective Color 348-349 ShadowsIHighlights 149, 317

Brightness 149 Contrast 149

Vibrance 197 lmage menu

Apply lmage 105,149,353 Calculations 56, 105 Duplicate 360

lrnage Size 258,354 Constrain Proportions 355 Nearest Neighbor interpolation 334,

354 Resample lrnage 355

Mode CMYK 351 Grayscale 183, 275

Trim 323,355 lmagenomic

Noiseware 54 lmage security 376 lrnage stabilization lenses 52-53 lmage Stacks 58-61,82-85

Load files into stack 84 Stacks rendering

Maximum 178,180 Median 58,60-61,82 Range 178

To remove noise 58-61 Improving midtone contrast 67 InDesign 354, 375 Indirect costs 381 Infrared (simulation)

Black and white 286-289 Color 307

lnkjet printers 328-331 Fine art inkjets 331 Ideal inkjet 330 lmage permanence 330 lnkjet economies 332 lnkjet media 331 lnkjet papers 342

GMG premium proofing paper 342 IRlSIlXlA printer 328 Pigment inks 332 Third-party inks 332

lnkjet printing Nash Editions 62

lnnova 333 Insurance 379 Interpreting a brief 2-3 Invert adjustment (see lmage adjustments) Invert selection 259 Invoicing for work 378,380-381 IPTC schema 369 IRISIIXIA printers 328 IS0 373 IS0 rating 54

Johnson, Harald 365 JPEG capture 28

Keppel, Mike ix Keywords 368 Knoll, John ix Knoll, Thomas ix, 16,46,70 Kodak

Approval 343 Wratten filters 274

Kordek, Alex ix Krogh, Peter ix, 371, 374-375

L

Lab Color Grayscale conversions 274-275 Lab Color effects 282-285 Lightness channel 275

Laser trigger release 224 Lasso tool 92 Layer effects (see Layer Styles) Layer groups 143

New Group from Layers 297 Layer masks 5,27,290,293 Layer menu

Flatten lrnage 364 New

Layer via Copy 94 New layer

Layer via Copy 48 New merged duplicate layer I I n

114-117 Vector Mask

Current Path 110 Layer Styles 230-237

Bevel and Emboss 233 Gloss Contour 233

Copy Layer Style 236 Create Layers 230 Drop Shadow 232

Cone contour 232 Editing layer styles 235 lnner Glow 233

Elements 233 Quality 233

Inner Shadow 232,236-237 Layer Style options 281

Blend If sliders 68, 88, 116 Paste Layer Style 236 Rasterize Layer Styles 230 Scale effects 230 Shape Dynamics 234

Layers Duplicate layer 264 Layer groups 87,89,181 Layer style dialog

Blend options 68 Multiple layers

Removing objects 82 New layer via copy 94,264 New merged duplicate layer 108-109 Type layers 230

Layers panel 69, 105,158, 165, 167, 191,209,221,234,291,296

Add a layer style 236 Add layer mask 81,87,91,95,133,

137,153,196 Add Layer Mask 56,318,364 Add Layer Styles 230 Add new layer 107,113,118,164,

193,231-232 Fill with Soft-Light-neutral color 78

Duplicate layer 211 Layer mask 142,153-154, 158, 181,

189,203,210-21 1,214,226, 275

Linked layer mask 212 Layer opacity 109, 116 Merge Visible 65 New layer 124 Opacity 123,213 Pixel layer mask 119 Select target layer 212 Stacking order 228 Style effects layers 230

Lens Corrections panel (see Camera Raw) Lens Flare filter 76 (see Filter menu) Lens optics

lrnage stabilization 52-53 Sharpness 50

Levels adjustment (see lrnage adjustments) Library of Congress 373 License file 351 Lightening the eyes 92-93

Lightroom 16, 20, 70, 286 Perspective corrections 42

Liquify (see Filter menu) Load Files into Photoshop Layers 241,

247,252 Load Files into Stack 84,241 Luminosity blend mode (see Blend

modes) Luminous-Landscape 70 Lyons, lan ix

M

Manfrotto 241 Marching ants 155, 158 Marina Towers 369 Marquee tool 108, 110, 276, 363 Masking 25,186-189

Cheating a mask 182 Masking hair 148,148-156

Masks panel 27, 158 Add Vector Mask 137 Feather 93, 110-111, 119 Layer mask 203 Mask Edge 27,155, 158 Vector path 11 9

Mastering Digital Printing 365 Match Color 302-305 (see also Image

adjustments) Matchlight software 148 Medical imaging 82 Merging studio exposures 224 Metadata 368-369, 373

Metadata Templates 369 Metamerism 338

Metameric failure 338 Miller Lite 4 Mirror-up mode 51,52-53 Move tool 81, 100, 136, 153,184,20b,

283 Multi light blending 6-7 Murphy, Chris viii, 347, 365

Nack, John ix NAS drives 374 Nash Editions 62 Nash, Graham 62,328

National Archives 372 NEC 355

LCD3090 display 339 Network Attached Storage 374 Night for Day 308 Nikon 373 Nocturnal effect 308 Noise Ninja 54 Noise reduction 54-61

Photoshop noise reduction 54-57 Targeted noise reduction 55-57

Noiseware 54

Office administration 378 Optimizing image tones 20-24 Optimizing the highlights 24 Orphan works 369

Page Setup 334 Manage custom sizes 333

Panoramas 240-253 Camera settings 240

Pantone colors 352-353 Parametric editing 16 Pareto principle 17 Pascucci, Camilla xi Pascucci, Hannah 318 Patch tool 75, 124 Patents

Impact of patents on raw formats 373 Paths 64,263-264 Paths panel 118, 165

Convert path to a selection 191 Load path as selection 144, 177,217 Make Selection

Feather Radius 188 Make work path 165 Stroke path 145,213

Pawliger, Marc ix Pen paths 184,191,210 Pension contributions 377 Pen tool 109, 118,137, 141,143, 145,

185-189,191,210,228,264 Paths mode 186,217 Pen tool options

Rubber Band mode 186-187 Perspective corrections 145 Phase One 231

P 45 camera 224 PhotoKit Sharpener 46, 62, 360 Photomatrix Pro 76 Photomerge 240-243,240-259

Auto layout 244,253, 257 Blend Images Together 240 Cylindrical layout 244-246 File size limitations 244 Fisheye lenses 252-255 Geometric Distortion 242, 252, 253 Vignette Removal 242

Photoshop extended 178 Photoshop print dialog 335,337,

344-347 Color Management options 335 Photoshop manages colors 337,344 Proof settings 344 Simulate black ink 341, 344-345 Simulate paper color 341,344-345 Simulation and Rendering Intents

344 Photosites 52 Picturecode

Noise Ninja 54 Pigment-based inks 332 Pin Light (see Blend modes) Piracy of images 376 Pixel Genius 46, 62 Pixel Mafia, ix Plug-ins 148 Polar Coordinates filter 256, 259,267 Polaroid 2 Polaroid border effect 320-323 Portrait retouching 112-120 Preferences

Ruler Units Percent 122

Pre-press provider 351 Preset Manager 121 Presets panel (see Camera Raw) Printers

Epson Ultrachrome printers 338 lnkjets 329-332 Rainbow proofer 343 Roland printers 328 Wide-format inkjets 330

Printing Aim print 344-345 Book resources 365 Contract proofing 343 Custom printer profiles 333 Optimizing the printer 331 Output through a RIP 329 Printer profiles 333 Printing a test target 333 Print stabilization 338 Proof printing 339-344 Targeted CMYK prints 344

Print (system) dialogs 336-337 Media type 336 No color adjustment 336

ProfileMaker 339 Profile mismatch

Don't Convert colors 362 Proof prints 343 Propabilities xi ProPhoto flash 224 ProPhoto RGB 59,308-309,312-313,

347-350 Purkinje's phenomenon 308

Quark XPress 354 Quartz rendering 329 Quick Edit 164 Quick Mask 133, 192,272

RAID 374 Ram memory 164 Ray, Man 290 Real World Color Management 347,365 Real World Sharpening 55 Rectangular marquee tool 114-1 17, 321 Reduce Noise filter (see Filter menu) Refine Edge 158-161 (see also Refine

Mask) Refine Mask 27, 149, 155, 157-161

ContracUExpand 27,155,161 Contrast 159-160 Description section 155 Feather 27, 160

Radius 27,155,159-160 Smooth 160 Standard preview 155, 158 Transparent view 158

Reichmann, Michael 70 Removing edge flare 236-237 Removing foreground objects 80-81 Removing reflections from glasses 118 Removing stray hairs 96-101 Removing tourists 82-85 Rendering intent 344

Colorimetric 341 Relative Colorimetric 341, 348, 350

Rent of premises 379 Repair work 94-95

Repairing with pixels 94 Resnick, Seth ix, 368, 381 Retouching portraits 112-120 Retrospect 372, 374 Riecks, David 368 RIP 329, 344 Robertson, Craig 21 Rodney, Andrew ix, 365 Roots coloring 102 Rotate Canvas 262

S

Salary How to calculate 378

Salter, Hayley viii Scheimpflug Principal 220 Scheimpflug, Theodor 220 Schewe, Becky ix Schewe, Erica ix Screen (see Blend modes) Scripts

Scripting Guide 216 SCSl cards 372 Sculpting photos 62-66 Selections

Luminance selections 63 Selective Color (see lmage adjustments) Select menu

Color Range 276,347 Invert selection 108-109, 114-1 17,

259 Load as a selection 193 Load channel as a selection 197

Load selection 169, 175, 202, 206-208,300

Intersect with Selection 206 Invert 206

Modify Border 324 Feather radius 64,324

Select All 132, 275, 283, 324, 361 Self-promotion 378 Seminars and training 378 Servers

Remote server storage 375 ShadowsIHighlights (see lmage

adjustments) Sharpening

Camera Raw sharpening 39 Capture sharpening 46 Choice of camera lens 50 Creative sharpening 46 Determining edge frequency 47 Improving capture sharpness 50 Output sharpening 46

Sharpening eyes 92 Sickness benefit 377 Signum Technologies 376 Simulating film grain 78 Simulating motion 204-215 Sinar camera 224 Skin texture 104 Skurski, Mike ix Slicing an image

For Photoshop editing 164 Smart Filters (see Smart Objects)

Convert for Smart Filters 314 Enabling the Lens Blur filter 216

Smart Objects 42-45,48, 60-63, 67-71,190-197,216, 218-219,249,290-291, 293

Attempt Automatically Align Source Images 84

Blending options 317 Convert for Smart Filters 67,

314,316 Convert to Smart Object 60, 179 Create Smart Object after Loading

Layers 84 Lens Flare filter 76-77 New Smart Object via Copy 291

Smart Objects (Continued) Open a Smart Object 195 Smart Filters

Edit filter settings 219 Smart Filter settings 77

Smart Object layer 181 Stacks rendering 82-85

Median 60-61 Snapshots 157

Creating new snapshots 168 Current Layer 168 Full document 167-168 Merged Layers 168-170

Limitations 176 New Snapshot dialog 167 Snapshot painting 162-177

Softening the focus 314-315 Soft focus effect 315 Soft proofing 339-344,348-349 Solarization 290-293 Sparkle brush shape 121-123 Spectrophotometer 333 Split tone effects 277 Split Toning panel (see Camera Raw) Spot color channels 352-353

Process color limitations 357 Spot healing brush 223 Spotlight effect 90 sRGB 308

as a delivery space 350 for screen captures 355

Stacks (see Image Stacks) Stern, Zalman ix, 16 Stock images 368 Stock photography 3 -4 Styles (layer styles) 230 Styles panel 230-231,234 SureSign 376 Surface Blur filter 283-284

Swatches panel 296 Syquest 375

The DAM book 371,374 Tone Curve panel (see Camera Raw) Tool presets 97 Tools panel 135 Toshiba 375 Training in Photoshop 378

Training expenses 379 Transforms (see Edit menu) Trim image 323 Tripod shooting 52, 82, 179 Truffaut, Francois 308

Ultimatte Advantedge 148 Ultrachrome inks 338 Unsharp Mask filter (see Filter menu)

Vander Houwen, Greg 231 Vanishing Point 124-135 (see also Filter

menu) Vector masks 1 10

Add vector mask 137 Vector paths 137,184,191 Vertus

Fluid Mask 148 Vidal Sassoon 10 View cameras 123,220,224 View menu

Gamut Warning 347 Grid view 250 Proof Setup 340-343

Customize proof condition 339-344,340

Preserve numbers 341 Simulation options 341

Rulers 122 Visual Artists Rights Act 270

Wacom 96,104,152 lntuos 104

Wedge, James 105 Weston, Stuart ix Wide-angle lenses 149,252-255 Wilhelm, Henry 331

Wilhelm lmaging Research 331 Willett, David ix Williams, Russell ix Wreford, Matt viii Wynne-Powell, Rod viii, 118

XML 369 XMP 369 X-Rite 295,330

Color Munki 333 Color target 333 Eye-One 333

Eye-One spectrophotometer 295 Eye Share 295 ProfileMaker Pro 339

Yes (rock band) 261

Zoom lenses Sharpness 50