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ADAPTIVE DESIGN A Generative Energy Efficient Design Approach
by
Paula Baptista Pontifical Catholic University of Paraná
Professional Diploma in Architecture and Urbanism (2009)
Submitted to the Department of Architecture at Oxford Brookes University in partial fulfillment of the requirement for the Degree of
Master of Science in Sustainable Building: Performance and Design (2012)
This thesis is licensed under a Creative Commons Attribution-NonCommercial- ShareAlike 3.0 Unported License.
ADAPTIVE DESIGN A Generative Energy Efficient Design Approach
by
Paula Baptista Pontifical Catholic University of Paraná
Professional Diploma in Architecture and Urbanism (2009)
This thesis is licensed under a Creative Commons Attribution-NonCommercial- ShareAlike 3.0 Unported License.
This thesis is being submitted to the Department of Architecture at Oxford Brookes University in partial fulfilment of the requirement for the Degree of
Master of Science in Sustainable Building: Performance and Design.
This thesis is the result of my own independent work/investigation, except where otherwise stated.
Signed............................................................................... Date.............................................. Paula Baptista Borges 28th September 2012
I hereby give consent for my thesis, if accepted by Oxford Brookes University, to be made available to others under the Creative Commons Attribution - NonCommercial - ShareAlike 3.0 Unported License.
The licensor permits others to copy, distribute, display, and perform only unaltered copies of the work and distribute derivative works only under a licence identical to the one that governs the licensor's work. In return, licensees must give the original author credit. Licencees may not use the work for commercial
purposes without the licensor’s permission. More information about this licence at: http://creativecommons.org/licenses/by-nc-sa/3.0/legalcode
Signed............................................................................... Date.............................................. Paula Baptista Borges 28th September 2012
ADAPTIVE DESIGN A Generative Energy Efficient Design Approach
by
Paula Baptista Pontifical Catholic University of Paraná
Professional Diploma in Architecture and Urbanism (2009)
Submitted to the Department of Architecture at Oxford Brookes University in partial fulfillment of the requirement for the Degree of
Master of Science in Sustainable Building: Performance and Design
ABSTRACT A design paradigm for reaching sustainable solutions that respond to the ever morphing quality of the natural environment and the inert materiality of the built environment has been gaining momentum within the architectural mainstream. In order for these two factors to perform with greater efficiently and in alliance with one another, an alternative approach is being explored to improve the synergy between them. This should allow flexibility for architects to merge environmental design solutions with current and emerging technology and aesthetically complex design.
This thesis will introduce and examine if a design approach called ‘adaptive’, applied via a generative system, can result in the improvement of energy efficient design. The term ‘adaptive’ has a dual utilization in this study. The first use refers to a generative design evolution which adapts according to environmental design parameters. The second use refers to the real-time physical adaptation of the design to the actual surrounding environment based on the previously set parameters.
The adaptive design approach analyses and evaluates if the application of a generative design system can result in the improvement of energy efficiency at the early design phase. The goal is to explore if with the use of graphical algorithm editors and object-oriented programming, designers can be empowered by a more intuitive approach for designing built environments that integrate technology following environmental protocols; ultimately fostering a symbiotic relationship between the natural and built environments. The approach is demonstrated by a case study developed via inter-disciplinary collaboration. The objective of the case study is to demonstrate the adaptive approach’s validity and that it can be realized; in this case, for the development of an optimized design and the creation of a real-time environment-based adaptable prototype with enhanced solar-capture performance.
Thesis supervisor: Nicholas Walliman Title: PhD., Senior Lecturer and Research Associate at the
Oxford Institute for Sustainable Development - Technology Department
i
Matter, looked at as an undivided whole, must be a flux
rather than a thing. In this we were preparing the way
for reconciliation between the inert and the living.
Henri-Louis Bergson, 1911
Wireframe by Mark Kelso, 2012
ii
ACKNOWLEDGMENTS
This thesis would not be possible without the invaluable contribution
of many people.
I am deeply thankful for my supervisor, Dr. Nicholas Walliman for all
his insight and positive support.
I would like to acknowledge the Institute of Advanced Architecture of
Catalonia and the Fab Lab Barcelona team for the amazing summer
workshop which allowed for the material realization of experimental
theories. I would like to thank the whole team of participants for the
great work developed; most specially the computational experts Luis
Fraguada, Guillem Camprodon and Alex Posada; the fabrication
experts Jordi Portell and Anastasia Pistofido; our Tutors Areti
Markopoulou, Tomas Diez and Rodrigo Rubio; the MAA Graduate
Teaching Assistants Emily Sato and Theodoris Grousopoulos; and
workshop team members who significantly made a difference in the
computational aspect of the project such as Guido Hermans and Aline
Vergauwen, as well as in the structure development and fabrication
such as Pedram Seddighzadeh, Jordi Vinyals and Marc Subirana. I
would also like to thank the people that believe in the open source
philosophy, such as Scott Davidson and David Rutten, for developing
and making available the software, plugins and add-ons as well as the
on-line help and tutorials which proved essential for the
development of this work.
I would like to dedicate this thesis to Malu for her support, faith and
persistent encouragement in the pursuit of my dreams; to Diogo for
keeping me levelled with perspective; and to Alex for his love and
caring presence through this all.
iii
TABLE OF CONTENTS
ACKNOWLEDGMENTS .................................................................................................................................. ii TABLE OF FIGURES ....................................................................................................................................... iv 1. INTRODUCTION ............................................................................................................................. 1 1.1. Research Aims and Methods .......................................................................................................... 3 2. DEFINITIONS .................................................................................................................................. 5 2.1. Generative Design .......................................................................................................................... 5 2.1.1. Definition of Generative Design ..................................................................................................... 5 2.1.2. Generative Design Approach ......................................................................................................... 6 2.1.3. Generative Design Systems ............................................................................................................ 6 2.1.4. Generative Design Techniques ....................................................................................................... 8 2.1.5. Generative Design Examples ........................................................................................................ 10 2.2. Energy Efficient Design ................................................................................................................. 11 2.2.1. Definition of Energy Efficiency ..................................................................................................... 11 2.2.2. Energy Efficiency and Sustainable Development ......................................................................... 11 2.2.3. Energy Efficient Design Orientation Systems ............................................................................... 13 2.2.4. Energy Efficient Design Example .................................................................................................. 14 2.3. Generative Energy Efficient Design .............................................................................................. 15 2.3.1. Definition of Generative Energy Efficient Design ......................................................................... 15 2.3.2. Generative Energy Efficient Design Example ............................................................................... 16 3. ADAPTIVE DESIGN: A Generative Energy Efficient Design Approach ......................................... 17 3.1. Definition of Adaptive Design ...................................................................................................... 18 3.2. Adaptive Form and Performance ................................................................................................. 19 3.2.1. Adaptive Form: Morphogenetic Evolution ................................................................................... 20 3.2.2. Adaptive Performance: Symbiotic Homeostasis .......................................................................... 21 3.3. Adaptive Design Approach ........................................................................................................... 22 3.3.1. Prerequisites for Utilizing the Adaptive Design Approach ........................................................... 22 3.3.2. Adaptive Design Phases ............................................................................................................... 24 3.3.3. Potential Benefits of the Adaptive Design Approach ................................................................... 26 3.4. The Role of the Architect ............................................................................................................. 27 4. ADAPTIVE DESIGN PARADIGM: Case Study ................................................................................ 29 4.1.1. Case Study Approach ................................................................................................................... 30 4.2. Case Study Background ................................................................................................................ 33 4.2.1. Case Study Location and Solar Data Brief .................................................................................... 33 4.2.2. Software Interface, Computing Platform and Materials .............................................................. 35 4.3. Case Study Profile ........................................................................................................................ 39 4.3.1. Seed Phase ................................................................................................................................... 39 4.3.2. Genotype Phase ........................................................................................................................... 40 4.3.3. Phenotype Phase.......................................................................................................................... 41 4.3.4. Embryogene Phase ....................................................................................................................... 41 4.3.5. Synthesis Phase ............................................................................................................................ 42 4.4. Prototype Testing ......................................................................................................................... 44 4.5. Observed Results.......................................................................................................................... 45 5. CONCLUSIONS .............................................................................................................................. 46 5.1. Further work ................................................................................................................................ 50 CITATIONS AND BIBLIOGRAPHY ................................................................................................................. 52 APPENDIX ................................................................................................................................................... 56 NOTE ON COPYRIGHT AND PERMISSIONS .................................................................................................. 76
iv
TABLE OF FIGURES
Figure 1 and 2 - Radiolaria . ........................................................................................................................ 5 Figure 3 - One of Durand’s generative pattern studies in Précis des Lecons d’Architecture ...................... 6 Figure 4 – Upside down view of one of Gaudi’s suspended structural models........................................... 7 Figure 5 – Hand drawn evolution drawing by William Latham, 1985 ......................................................... 7 Figure 6 - Conus textile exhibits a cellular automaton pattern on its shell. ................................................ 8 Figure 7 - Rule 30 is of special interest because it is chaotic ....................................................................... 8 Figure 8 – Examples of plant like structures generated by L-systems; image via Joost Rekveld. ................ 8 Figure 9 – Voronoi diagram by Ivan Delgado. ............................................................................................. 9 Figure 10 – The Golden Ratio is a rudimentary fractal.. .............................................................................. 9 Figure 11 – Form finding development using shape grammar via mesh based system. ............................. 9 Figure 12 - Frei Otto, Stuttgart Train Station.. ........................................................................................... 10 Figure 13 – Preliminary urban planning analysis sequence using voronoi diagram technique................. 10 Figures 14, 15, 16 and 17 – a multi-scalar analysis and detailing at the regional level ............................ 12 Figure 18 and 19 – Multi-scalar, climatic analysis and detailing at the building level............................... 12 Figure 20 – Anatomy of the City Protocol. ................................................................................................ 13 Figure 21 and 22 –Fondazione Renzo Piano. ............................................................................................. 14 Figure 23 – Media TIC; photos author’s own. ........................................................................................... 16 Figure 24 – Detail of envelope layout (Geli, 2007). ................................................................................... 16 Figure 25 - Sancho D´Avila Façade (Geli, 2007). ........................................................................................ 16 Figure 26 - A spider web silk strings adapts .............................................................................................. 17 Figure 27 – A beaver dam goes through continuous structural morphosis .............................................. 17 Figure 28 – Ernst Haeckel's drawings of the evolution of vertebrate embryos (Haeckel, 1874). ............. 25 Figure 29 – Eixample city block, Barcelona; image source: Density Atlas (2011). ..................................... 33 Figure 30 - Image displaying the historic centre of El Poblenou. .............................................................. 33 Figure 31 – The Eixample .......................................................................................................................... 33 Figure 32 – Representation of the Eixample building cross section. ......................................................... 34 Figure 33 – The Eixample L shaped city blocks layout (De Decker, 2012). ................................................ 34 Figure 34 – The Eixample block and resulting solar path (De Decker, 2012). ........................................... 34 Figure 35 – Average sunshine hours per day in selected European cities................................................. 34 Figure 36 – A graphical illustration of an isotropic, exclusive and biased selection mechanism .............. 36 Figure 37 – A graphical representation of a genome map. ....................................................................... 36 Figure 38 – Crossover coalescence, blend coalescence and relative fitness coalescence mechanisms ... 37 Figure 39 – A genome graph representing point mutation. ...................................................................... 37 Figure 40 – Front and back of one of the Thin Film Photovoltaic Panels used in the prototype .............. 38 Figure 41 – Team of participants; source: workshop participant. ............................................................. 39 Figure 42 - Group 4 presentation; source: workshop participant. ............................................................ 39 Figure 43 – Sketches of a participant analysing the structural concept chosen ....................................... 39 Figure 44 – Workshop participant demonstrating the potential flexibility of the chosen structure ........ 39 Figure 45 – Potential twisting movement direction relative to solar incidence in the X and Y axis. ......... 40 Figure 46 – Potential bending movement direction relative to solar incidence in the Z axis. .................. 40 Figure 47 – Graphical representation of the full structure analysis and results. ...................................... 41 Figure 48 - Graphical representation of the analysis for where the solar sensors will be positioned. ..... 41
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Figure 49 – Graphical representation of the morning, midday and evening analysis. ............................. 41 Figure 50 – The 1:5 scale final model and the connections from the model ribs. ................................... 42 Figure 51 – The final 1:5 model. ................................................................................................................ 42 Figure 52 –Arduino Uno board platform, the breadboard, the energy source and an RC servo motor ... 42 Figure 54 – Schematic: RC servo motor with the Arduino board and a potentiometer. ........................... 43 Figure 55 – Schematic: RC servo motor with the Arduino board and a photocell receptor ..................... 43 Figure 56 –Arduino Uno board platform, the breadboard, the energy source and an RC servo motor ... 43 Figure 57 – The 1:1 scale final HelioCell prototype ................................................................................... 44 Figure 58 – Flexible photovoltaic panels were connected to the prototype structure. ............................ 44 Figure 59 – The Arduino boxes at the base of the prototype. .................................................................. 44 Figure 60 – Electricity transformer, two prepared Arduino boards and the motor. ................................. 44
1
1. INTRODUCTION
In recent years a paradigm shift for reaching sustainable solutions
that respond to the ever morphing quality of the natural
environment and the inert materiality of the built environment has
been gaining momentum within the architectural mainstream.
Traditionally, the dominant paradigm for discussing and producing
architecture has been that of a human intuition and ingenuity
(Terzidis, 2003). However, an electronic1 and evolutionary2 paradigm
is also surfacing in which the output postulates an architecture born
of the relationships to dynamic environmental and socio-economic
contexts3, and realized through morphogenetic materialization
(Fraser, 1995).
Making architecture ecologically sustainable will require its
inanimate materiality to become attuned to the variable
biological clocks and activities of occupants inside, and to
similarly variable natural rhythms and mundane activities
outside. (…) Transitions make the city, which both allows
for and fosters bioclimatic diversity. (Yannas, 2011).
If we look at architecture as a trans-disciplinary domain, inherently
encompassing environmental, social and cultural spheres (along
with a myriad of sub-spheres), we can argue that these also have
dynamic qualities and inter-associations that work together as parts
of a mechanism or an interconnecting network, and could thus also
be represented as systems. Which in turn inherently (directly and/or
indirectly) govern and influence design4 choices.
These systems are also often changing, adapting and mutating in
search for homeostasis or equilibrium with and within their own
mechanisms. The built environment therefore could be interpreted
as a continuously metamorphing system, made up from a
compilation of active sub-systems, in contrast to the perception of it
bearing a static (Pask, 1969) or inert materiality.
1 - Electronic Paradigm. Peter Eisenman referred to the idea of an electronic paradigm shift in architecture in 1992. He wrote: During the fifty years since the Second World War, a paradigm shift has taken place that should have profoundly affected architecture: this was the shift from mechanical paradigm to the electronic one. (Eisenman, 1992). 2 - Evolutionary Paradigm - (Mendes & Ahlquist, 2011) . 3 - The European Committee for Standardization (CEN) EN 1521, Indoor Environmental Input Parameters for Design and Assessment of Energy Performance of Buildings Addressing Indoor Air Quality, Thermal Environment, Lighting and Acoustics, Comité European de Normalization (Brussels) 2007; The American Society of Heating, Refrigeration and Air Conditioning Engineers ASHRAE Standard 55-04, Thermal Environmental Conditions for Human Occupancy, 2004. 4 - To some extent, a building is an interface between an outside environment and an inside environment, where people will reside (Caldas, 2001)
2
Indeed, for the built environment to better perform in an
environmentally benefiting way, adaptive mechanisms5 need to be
integrated in its design and in order for it to operate in symbiosis
(implying action and reaction) with the natural environment; and
whilst human intuition and ingenuity may be the starting point, the
computational and combinatorial capabilities of computers must
also be integrated (Terzidis, 2003) so to augment a designer’s
capabilities of abstraction and multi-dimensional representation.
The adaptive design approach is demonstrated by a case study
developed via inter-disciplinary collaboration, comprised of a team
of computational experts, fabrication experts, architects and
designers with varied academic and professional experience levels6.
Indeed, the tools and information required for the development of
the adaptive design approach would not have been so readily
accessible without the effort of a much wider, global inter-
disciplinary collaboration; since most of the software, plugins and
add-ons as well as the open sourcing of data, online assistance, web
tutorials, and the real time information sourcing rely on the open-
source philosophy of the individuals who gratuitously develop,
share, teach and discuss their development and findings.
In more detail, the adaptive design approach describes the
framework of simultaneous analysis, evaluation, and generation of
interrelated multidisciplinary systems in order to satisfy early design
form exploration and post synthesis performance. Furthermore, the
goal of the research is to explore if with the use of graphical
algorithm editors and object-oriented programming, designers can
be empowered by a more intuitive approach for designing built
environments that integrate technology following environmental
protocols; ultimately fostering a symbiotic relationship between the
natural and built environments.
5 - Term coined by Victor Olyay in 1953.
6 – The interdisciplinary team was formed by the Institute of Advanced Architecture of Catalonia (IAAC) along with the FabLab BCN team for the SMART itSELF Summer Workshop 2012, which the author took part in. The study and work undertaken at IAAC comprised of many other simultaneous studies and analysis that will not be included in this thesis since they only peripherally relate to the author’s topic. The work that has been included however, serves as the basis and as a preliminary case study for the author’s design approach study, analysis and evaluation.
3
1.1. Research Aims and Methods
This thesis seeks to explore and examine if a design approach called
‘adaptive’, applied via a generative system, can result in the
improvement of energy efficient design.
In order to reach this outcome, a research sequence was based on
the need for defining the terms of influence; for outlining the
processes and techniques used; for proposing a new theoretical
approach; and for testing the approach’s validity via a case study
able to provide quantifiable results. The research paper thus follows
a sequence of five chapters:
I. The Introduction chapter provides a brief explanation of the
motive behind the adaptive design approach and describes the
thesis’s main aims and research outline.
II. The Definitions chapter explains the terms used,
exemplifies and establishes the processes and/or techniques that
have been taken into consideration for the thesis’ approach.
III. The Adaptive Design chapter assimilates of the processes
previously described and theoretically includes the adaptive
design paradigm as a generative energy efficient design, and
proposes a design approach phase sequence along with other
considerations.
IV. The Adaptive Design Paradigm chapter is the unification of
the previous chapters into a testable preliminary case study,
which aims to demonstrate the approach’s validity and that it can
be realized; in this case, for the generation of an optimized design
outcome and the creation of an environment based adaptable
prototype for enhanced photovoltaic solar capture performance.
V. The Conclusions chapter bases itself on the studies,
exploration and examination of the previous chapters in which the
author’s final reflections on the adaptive design paradigm, as well
as notes about possible paths and research potential in the
further development of this approach, are described.
4
Note on the Chosen Analogy
Janine Beyrus, a biomimicry expert and building consultant from the
Biomimicry Guild defines ecologic design as place based, taking into
consideration a site’s unique ecology and specific land type (Peters,
2012). This implies a holistic approach to ecologically benefitting
architectural design; and although the reach of this study does not
include biomimetic design in a direct sense, consideration was taken
to the evolutionary quality of highly efficient biological systems,
from which in the author’s perspective, could be used for the
benefit of designers in the search for ecologically benefitting design
development8. In this inclusive understanding, digital
morphogenesis in architecture also bears a largely analogous or
metaphoric relationship to the processes of morphogenesis in
nature (Roudavski, 2009); the mechanisms of growth and adaptation
will also be described in analogous or metaphoric terms, such as
seed, genotype, phenotype and embryogene, sharing with them the
reliance of gradual growth and evolutionary development; also,
much like DNA contains genetic instructions used in the
development and functioning of biological organisms, generative
design follows algorithmic instructions in the development of design
forms. These analogies will be further explored throughout this
thesis.
8 - Analogies, particularly biological, bedevil architectural writing. As Sullivan, Wright and Le Corbusier all employed biological analogies, and the concept of the organic is central to the 20th century (Fraser, 1995).
5
2. DEFINITIONS
2.1. Generative Design
Generative design is about designing the system that
designs a building. Lars Hesselgren
2.1.1. Definition of Generative Design
Generative Design can be broadly defined as a morphogenetic
design process, in which the initial configuration of a condition is
established by a set of algorithmic rules, resulting in the generation
of a range of design possibilities.
Morphogenesis is a term borrowed from biology, which describes
the origin and development of an organism’s form and structure
(Davis, 2009) by the division and subdivision of a single cell, into new
symmetrical or non-symmetrical cells (Figure 1 and 2). Morphology
is not only a study of material things and the forms of material
things, but it has its dynamical aspect, under which we deal with the
interpretation in terms of force, of the operations of energy
(Thompson, n.d.); energy in which case can be represented by the
rules of which a system is governed by.
In architecture, morphogenesis is understood as a group of methods
that employ digital media not as representational tools for
visualization but as generative tools for the derivation of form and
its transformation (Kolarevic, 2000) often in an aspiration to express
contextual processes in built form (Kolarevic & Malkawi, 2005). Such
group of methods can also be called systems, as described by
(Sheaa, et al., 2005) generative systems are aimed at creating new
design processes that produce spatially novel yet efficient and
buildable designs through exploitation of current computing and
manufacturing capabilities.
Figure 1 and 2 - Radiolaria – image from Allan Turing's research on Morphogenesis and below Ernst Haeckel‘s Kunstformen der Natur.
6
2.1.2. Generative Design Approach
The generative design approach allows the architect to choose and
manipulate the dominant parameters of which a design is ruled by.
It has been described by (Krish, 2011) as a designer driven,
parametrically constrained design exploration process, operating on
top of history based parametric Computer Aided Design (CAD)
systems structured to support design as an emergent process.
Whilst presently at stage of development, generative [design]
systems are an essential part of the future development of
performative architectural systems (Oxman, 2009).
2.1.3. Generative Design Systems
In architectural design, (Mitchell, 1978) traced generative systems
back to Leonardo da Vinci, whose idea was later formalized by the
textbooks of the École Polytechnique and the École des Beaux-Art
during the 19th century. Durand in his study Précis des Lecons
d’Architecture (1803) did an interesting generative systems study on
the re-assembly of parts of a structure such as columns, walls and
other architectural features, as illustrated on Figure 3.
With computational design, new possibilities have risen by the
ability to develop designs with a fast performing virtual
environment. This is particularly interesting for current day
architectural design, since a virtual environment allows for multi-
dimensional freedom and it allows, by default, for more effective
data input (as of rules), translation (as with algorithms) and retrieval
(for evaluation and application of new/adapted rules). The rules
applicable to generative systems and which define and control the
many different levels of resolution in form management range from
being completely computerized or to appoint manual step-by-step
override; such rules can be defined as verbal grammars, diagrams,
sets of geometrical transformations and scripts (Krish, 2011).
Figure 3 - One of Durand’s generative pattern studies in Précis des Lecons d’Architecture (Mitchell, 1977).
7
According to (Mitchell, 1977) there are three main groups that
describe generative systems: analogue, iconic and symbolic.
i. Analogue: some properties are used to represent other
analogous properties of the designed object. This system can be
exemplified on the interconnected mechanics of Gaudi's wire-frame
suspended structural models, as seen on Figure 4.
ii. Iconic: in turn can create alternative design solutions by
assigning operations and transformations to the described parts,
most often done via computation, an analogic illustration of the
process is exemplified by Figure 5.
iii. Symbolic: or the use symbols such as words, numbers and
mathematical formulas, to represent the possible outputs.
Delouse borrowed from science three types of generative thinking.
He states that genes can tease out complex forms out of materials
because they inherently possess morphogenetic potential.
Population thinking (blending Darwin and Mendel in the 1930’s)
follows the idea that in order for evolution to take place, you need a
large reproductive community; intensive thinking (19th and 20th
century thermo-dynamics); and topological thinking (mathematics);
and finally philosophy allows for the synthesis between these three
types of thinking (Landa, 2009).
Note on Genetic Algorithms
Genetic algorithms are a script-based computational tool which
mimic and steer evolutionary processes by selecting and extracting
certain physical or behavioural traits and generating results based
on those traits through a virtual interface. They can be integrated
into different generative design techniques as described in the next
section.
Figure 4 – Upside down view of one of Gaudi’s suspended structural models which allowed him to understand the stress constrains for the Sagrada Familia.
Figure 5 – Hand drawn evolution drawing by William Latham, 1985 – ‘breeding creatures’ via generative form synthesis.
8
2.1.4. Generative Design Techniques
Depending on the chosen generative system group there are
different generative design techniques that can be applied:
Cellular Automaton (Cellular Automata pl.)
These are mathematical idealizations of physical systems in which
space and time are discrete and physical quantities take on a finite
set of discrete values (Wolfram, 1983). These systems can be divided
into three main groups (elementary which is one dimensional, as
represented and illustrated by Figure 6 and Figure 7 respectively;
reversible which allows the system to reverse its iterations; and
totalistic which exists in two or more dimensions and are also
sometimes called life-like automata. Their application ranges from
ornamentation to automated volumetric building generation
(Fasoulaki, 2008).
Lindenmayer-systems (L-systems)
L-systems are a mathematical formalism proposed by the biologist
Aristid Lindenmayer in 1968 as a foundation for an axiomatic theory
of biological development (Ochoa, 1998); they are also able to
model the morphology of a variety of organisms ( Rozenberg &
Salomaa, 1980). They consist of four elements: a starting
configuration or initial string, a set of rules, constraints, and
variables; the fact that through a few simple rules complicated
forms can emerge makes L-systems a powerful tool for designers
(Fasoulaki, 2008). L-systems have recently also allowed for several
applications in computer graphics, two principal areas include
generation of fractals and realistic modelling of plants (Ochoa,
1998). Michael Hansmeyer, an architect and programmer used L-
systems, among other, in getting a design to respond to
environmental influences and to adapt to a wider range of
architectural design requirements (Hansmeyer, 2003).
Figure 6 - Conus textile exhibits a cellular automaton pattern on its shell.
Figure 7 - The illustrations above show some automata numbers that give particularly interesting pattern propagated for 15 generations starting with a single black cell in the initial iteration. Rule 30 is of special interest because it is chaotic (Wolfram, 2002)
Figure 8 – Examples of plant like structures generated by L-systems; image via Joost Rekveld.
9
Voronoi Diagrams
These are named after the Russian mathematician Georgy
Fedoseevich Voronoi, who in 1907 defined and studied the n-
dimensional case. A voronoi diagram is made up of cells which,
through a pattern called Dirichlet tessellations, decomposes metric
space into regions or convex polygons. These polygons in turn are
determined by distances (Figure 9) to a specified family of subsets in
space. Subsets can also be called sites, generators, or ‘seeds’ to
which a voronoi cell will associate or correspond to. They can be
used for urban planning analysis and design to define for example,
the outer limits of districts in relation with infrastructural limits.
Fractals
In 1975, Benoit Mandelbrot coined the term fractal to define
mathematical rules that govern natural forms (Figure 10). Fractals
are broadly geometrical shapes that can be subdivided into parts
and their geometric characteristic is self-similarity i.e. each of the
parts are similar, reduced copies of the whole (Fasoulaki, 2008). The
connection between fractals and leaves, for instance, is currently
being studied by Dr. Brian Enquist (2011), an Associate Professor of
Ecology and Evolutionary Biology at the University of Arizona, to
determine how much carbon is contained in the leaves of trees.
Shape Grammar
The first design-oriented generative system, as defined by George
Stiny and James Gips in 1971. Shape Grammars is a rule-based
technique which generates designs by performing visual
computations with shapes in two steps: recognition of a particular
shape and its possible replacement (Fasoulaki, 2008). Architect
Michael Hansmeyer has used this technique in an attempt to
generate the design of a new column order (Figure 11).
Figure 9 – Voronoi diagram by Ivan Delgado. Each polygon contains exactly one generating point and every point in a given polygon is closer to its generating point than to any other (Fasoulaki, 2008).
Figure 10 – The Golden Ratio is a rudimentary fractal. In 1854, Adolf Zeiging, a mathematician and philosopher, noted that “the Golden Ratio is a universal law in which is contained the ground-principle of all formative striving for beauty and completeness in the realms of both nature and art, and which permeates, as a paramount spiritual ideal, all structures, forms and proportions, whether cosmic or individual, organic or inorganic, acoustic or optical; which finds its fullest realization, however, in the human form”.
Figure 11 – Form finding development using shape grammar via mesh based system by Michael Hansmeyer, 2010.
10
2.1.5. Generative Design Examples
At the Building Scale
Frei Otto’s experiments with soap films and bubbles have shown
that self-generating and self-optimising forms in tents, cable net
structures of all types, various membranes and air or water-filled
pneumatics have been proven in engineering and are gaining
increasing application (Lee, 2009).
At the Urban Scale
Ivan Delgado’s preliminary urban design study using voronoi rule
based pressures to restructure a site defined by neighbourhood
quarters, bordering infrastructure and built-form section, as
illustrated on the first image from left to right in Figure 13. The
second image illustrates the initial built form curves formed and
residential district section delineation. The third image illustrates
the outer-most district limits in co-ordinance with southern
infrastructural border. And lastly, the fourth image illustrates the
outer limits of the mixed-use and manufacturing districts in relation
with northern and southern infrastructural limits – as established by
the designer. Voronoi system rules in this case assisted in defining
sections according to pressure dependant on a pre-determined
hierarchy. This allows for quicker analysis visualization, as well as
the addition and interaction of various rules (i.e. social, built or
environmental) by which an urban system is simultaneously
influenced.
Figure 12 - Frei Otto, Stuttgart Train Station. From top to bottom respectively: soap film experiments for producing minimal surfaces, prototype and final structure. Figure 13 – Preliminary urban planning analysis sequence using voronoi diagram technique; study by Ivan Delgado.
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2.2. Energy Efficient Design
2.2.1. Definition of Energy Efficiency
The word energy was defined by Aristotle as energeia, equating to
activity and efficacy: the power through which the possible is
transformed into the real. In the 19th century the term attained its
physical definition1 as ‘the work stored in the system or the capacity
of the system to do work’ (Hegger, et al., 2008). The International
Organization for Standardization in turn defines efficiency as the
‘relationship between the results obtained with the means used’ 2. It
is a behaviour that leads to achieving a goal while at the same time
keeping effort to a minimum.
Energy Efficiency is therefore the ability to use less energy more
effectively whilst providing the same output level (Lehmann, 2011),
it has also been defined by Frank Kreith, in the Handbook of Energy
Efficiency and Renewable Energy as the ‘ratio of energy required to
perform a specific service to the amount of primary energy used for
the process’ (Kreith & Goswami, 2007).
2.2.2. Energy Efficiency and Sustainable Development
Energy efficient buildings are an integral part of the overarching aim
to achieve sustainable development (Lehmann, 2011). Sustainable
development, as defined by the United Nations World Commission
on Environment and Development (WCED), is the ‘development
which meets the needs of the present without compromising the
ability of future generations to meet their own needs’3. Since the
1980’s the term sustainability has been used more widely in the
sense of human sustainability on the planet and has consequently
merged with the concept of sustainable development in view of
object, location and process qualities4. Sustainability affects the
totality of the active planning and running of a building, social,
economic and ecological concerns (Hegger, et al., 2008).
1- Energy occurs in various forms and can be divided, for example, into mechanical, thermal or chemical energy in accordance to its physical properties (Hegger, et al., 2008). 2 - ISO 9000:2005: Quality management systems – Fundamentals and Vocabulary.
3 - The Brundtland Report published on the 20th of March, 1987. 4 – Sustainable development is defined not only in terms of the qualities of the object being built (object quality), but also by its position (location quality) and its development process (process quality). Efficiency in the use of energy and resources has become a key quality indication for a building. The instruments of materials and energy-efficient building are at the same time architectural methods: lightness and mass, shelter and transparency, economical use of space and spatial effect. Manfred Hegger, 2008.
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In this light, we can interpret that energy-efficient buildings need to
be designed in such a way that they totally or holistically (Lyle, 1994)
contribute towards the larger vision of building energy-efficient and
environmentally sustainable cities (Lehmann, 2011). Indeed, a
report from the Organisation for Economic Co-operation and
Development ( OECD, 2003) defines sustainable buildings as
buildings that are designed on the basis of holistic approaches, each
of which can be viewed as inter-related parts of a multi-scalar
system (Figures 14, 15, 16 and 17).
Holistic or Multi-Scalar Energy Efficient Design
For the design of energy efficient building in a holistic or multi-scalar
level, general criteria must be based on the adoption of suitable
parameters for building orientation, shape, structure, envelope,
passive heating and cooling mechanisms, shading, and glazing (R.
Pacheco, 2012); thus striving to reduce the overall impact of the
built environment on human health and on the natural environment
by efficiently using energy as well as other resources as well as
reducing waste products. Steps that could be taken to properly
investigate the efficiency of a site at the regional level are: research
into all pertinent aspects that influence a site such as the societal,
the built and natural environments; a written and illustrated analysis
and diagnosis by influencers (i.e. the pros, cons and levels of
mitigation due to overlap); a prognosis determined by pre-
determined parameters of influence; and a proposal of a five or ten
year plan with the new prognostic outlook. This assists in
determining the areas which display fluid or stagnant efficiency
levels. Following these parameters, localized design interventions
can be applied to improve or benefit from these areas through
strategic and energy efficient building design; which in turn primarily
relies on establishing environmental comfort whilst simultaneously
adapting to the regional climate characteristics (Figures Figure 18
and 19). The success of these adaptations can ultimately determine
a design’s energy efficiency level.
Figures 14, 15, 16 and 17 – From top to bottom respectively: showing a multi-scalar analysis and detailing at the regional level (Reiman Buechner and Crandall, 1983).
Figure 18 and 19 – Multi-scalar, climatic analysis and detailing at the building level (Watson & Labs, 1983); an enlarged version of these images can be found in Appendix 1.
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2.2.3. Energy Efficient Design Orientation Systems
Six systems that could assist in orienting a holistic or multi scalar
approach to sustainable development via energy efficient design
considering the interrelation between the societal, the built and the
natural environments:
i. Information system: Social and Cultural
ii. Natural Resources system: Raw Materials
iii. Developed Resources system: Energy
iv. Processed Resources system: Waste
v. Urban system: Infrastructure, Mobility & Planning
vi. Natural system: Biodiversity and Climate
A city is made up of an urban metabolism5 and a rich ecosystem, and
in this light a heterogeneous complex system. Like any complex
system, it changes and evolves over time, continuously adapting to
social, built and environmental changes. Adaptation in turn helps
create resilience, which is the key to ensure continuity of services in
the city at any time of crisis (City Protocol Org, 2012).
5 - First used as an exploration and comparison modelling tool by Abel Wolman in The metabolism of Cities, Urban Metabolism offers benefits to studies of the sustainability of cities by providing a unified or holistic viewpoint about the health of a city: energy efficiency, material cycling, waste management and effectiveness of infrastructure, thereby encompassing all of the activities of a city in a single integrated model (Kennedy, 2004). Figure 20 – Anatomy of the City Protocol, displaying the interconnectedness of natural and built systems at various scales. The city should be adaptive, learning, evolving, self-repairing, and self-reproducing. (City Protocol Org, 2012). Note that the economic aspect of these systems is integrated and in most cases also promotes interconnectedness. An enlarged version of this image can be found in the Appendix 2.
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2.2.4. Energy Efficient Design Example
An example of holistic or multi-scalar energy efficient design is
Renzo Piano’s California Academy of Sciences built in 2008, and
which achieved the Leadership in Energy and Environmental Design
(LEED)6 Platinum Certification, the highest of LEED ratings, scoring
above eighty points out of a hundred based on criteria of site
selection, water efficiency, energy and atmosphere, materials and
resources, indoor environmental quality, location and linkages,
awareness and education, innovation in design and regional priority.
The approach by the architects allows for an overall increased
efficiency from design through building synthesis via multi scalar
integration which includes among other: information systems via on
site ecological education and physical interaction with the building;
natural resources system: via sourcing of raw and recycling materials
for construction; developed resources system: generating energy on
site and utilizing passive design strategies throughout the building;
processed resources system: complex waste and water systems
implemented to work in conjunction with i.e. the aquarium; urban
system: infrastructure, mobility and planning initiatives to
encourage public transport use; natural system: biodiversity and
climate via integration and ecological considerations7.
6 - LEED certification provides independent, third-party verification that a building, home or community was designed and built using strategies aimed at achieving high performance in key areas of human and environmental health: sustainable site development, water savings, energy efficiency, materials selection and indoor environmental quality. 7 - A more detailed account of the LEED rating criteria and a quantitative explanation on the measures that lead up to the platinum certification, as described by the Fondazione Renzo Piano, can be found in Appendix 3.
Figure 21 and 22 – Elevation showing aesthetic integration of green roof with surrounding landscape (top) and longitudinal cross section showing planetarium dome, exhibition hall, piazza and rainforest dome (bottom); images by Fondazione Renzo Piano. The cross section above roughly illustrates some of the passive systems implemented in the building design. LEGEND: 1.Restored adjacency park (natural shadow), 2.Green roof (insulation and passive cooling), 3.Roof Geometry favours “venturi effect”, 4.Glass canopy with photovoltaic cells, 5.Concrete walls (passive cooling), 6.Operable vents and skylights, 7.Sunshades, 8.Radiant floor, 9.Natural lights for plants.
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2.3. Generative Energy Efficient Design
2.3.1. Definition of Generative Energy Efficient Design
Generative design, operating on non-linear platforms of
neighbourhood-based computing, is working on opening new
regional topologies of tension and synthesis (Andrasek, 2012).
According to Christopher Alexander, a generating system is not a
view of a single thing, but a kit of parts, with rules about the ways
these parts may be combined8. If we wish to create a built
environment that functions holistically with the natural
environment, or as a ‘whole’, then we shall have to invent
generating systems whose parts and rules will create the necessary
holistic system properties to serve this desired function (Alexander,
1968). If architecture is to embark into the foreign world of
algorithmic form its design methods should incorporate
computational processes that allow flexibility for architects to merge
environmental design solutions with current and emerging
technology and aesthetically complex design. What could be called
data materialization is opening up the potential for architecture to
finally resonate with the complexity of ecology (Andrasek, 2012).
A criterion for evaluation is necessary for the system to be proved
effective. Adding evaluation to those combinatorial mechanisms
(Mitchell, et al., 1990) allows for the application of quantifiable,
numerical methods to these systems, and in some way to the
emergence of the field of optimization (Caldas, 2001). One must
note that for the application of an evaluation method for a holistic
or multi-scalar system, the evaluation methods cannot be solely
based on optimization factors. That is because unquantifiable
influencers exist, that are for example aesthetic or societal in nature,
and which a simulation program cannot properly quantify without
the designer’s personal input. Instead, the final design intent should
strive to reach the best strategically adapted solution, where the
architect defines the intent(s) to evolve to and chooses the final
adaptation according to his own experience and sensibility.
8 - Almost every system as a whole is generated by a generating system (Alexander, 1968).
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2.3.2. Generative Energy Efficient Design Example
An example of generative energy efficient design is the Spain based
Media - Tecnologías de la Información y la Comunicación building
(Media TIC) in Barcelona, designed by Cloud 9 Architects under
Architect Enric Ruiz Geli; completed in 2009. The Media TIC’s
structure was designed via generative techniques, as one example,
for improved load distribution and support (Figure 23), maximizing
the efficient use of materials and consequently achieving significant
energy savings in terms of embedded or grey energy; according to
the Energy Manual: Sustainable Architecture, heavyweight forms of
construction require about 20% more grey energy than lightweight
structures (Hegger, et al., 2008). A graphic scheme of Media TIC’s
energy efficiency measures can be found in Appendix 4.
The building consists of a main metallic structure, composed of four
rigid, braced frames, from which the building’s eight floor plates are
hung via cables. The frame type consists of metal beams made of
forged-metal girders; each frame has a support beam that transfers
their load to the rigid support centres (Geli, 2007) and by following a
generative design resolution, this structural system efficiently
distributes the loads using only the necessary amount of material.
The construction method also allowed for a quick assembly of the
light weight structure (Geli, 2007). The resulting design does not
follow the usual orthogonal grid design; note how, as a result of the
generative technique, the final design resembles a Voronoi diagram
(Figure 25). Segments from the patchwork geometry of EFTE9 double
faced or cushioned panels have also been created following
generative patterns. Each of the facades exposes a different grid,
glazing and openings pattern dependent on the interactions
between the load bearing structure as well as the interior and
exterior climate. The envelope allows for an openness and flexibility
of the façade and interior (Figure 24) via the real time interaction of
more than 300 thermo/light sensors that automatically regulate
temperature and light levels by inflating or deflating its cushions.
Figure 23 – Media TIC; photos author’s own.
Figure 24 – Detail of envelope layout (Geli, 2007).
Figure 25 - Sancho D´Avila Façade (Geli, 2007). 9 - Ethylene tetrafluoroethylene, fluorine based translucent plastic, used by some architects as a building’s skin envelope.
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3. ADAPTIVE DESIGN: A Generative Energy Efficient Design Approach
Charles Darwin in his 1859 book Origin of Species stated that “in the
struggle for survival, the fittest win out at the expense of their rivals
because they succeed in adapting themselves best to their
environment” and that “it is not necessarily the strongest of the
species that survives, nor the most intelligent, but the species that is
most responsive to change” (Darwin, 1964). Gilles Deleuze
complements Darwin by stating that matter has its own
morphogenetic qualities1.
Biology based essentialism and creationism theories state that
matter is essentially inert, that is, without any morphogenetic
capabilities and which cannot give rise to new forms on their own; in
this light, form is created through an ideal and is imposed as an inert
materialism. Indeed, the built environment seems to be
predominantly viewed as presenting an inherent un-responsive or
inert materialism; especially when compared to nature’s own
version of ‘built’ environment in the form of, for example, spider
webs (Figure 26) or a beaver’s dam (Figure 27) which can both be
viewed as systems of variable complexity able to react and adapt to
climatic and environmental circumstances. Also, as John Fraser
explains, a produced architecture is already a participant of the
natural system, exhibiting metabolism and acting like the mechanics
to which it was formed: in exchange with environment, responsive
to feedback and evolutionary in its own right (Menges & Ahlquist,
2011). During the early 1970’s John Henry Holland described
adaptation as a process whereby a structure is progressively
modified to give better performance in its environment (Holland,
1975). This can be applied to the design as well as built systems
themselves. The defining particularity however, is to produce an
architecture that intentionally benefits the natural and built
environment through such participation.
Figure 26 - A spider web silk strings adapts to the changing weather by stretching or compressing in order to maintain its structure and function.
Figure 27 – A beaver dam goes through continuous structural morphosis to adapt to the changing levels of water whilst avoiding internal flooding and maintaining a constant average of internal environmental comfort for its inhabitants. 1 - Deleuze stated that “there is only one substance, and it can modify itself in many ways. Those ways are not copies or replicas or models of some original; they are foldings, unfoldings, and refoldings of substance. Those foldings and unfoldings may become different from what they are. Darwin has taught us that they likely will. We don’t even know of what a body is capable” (May, 2005) .
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3.1. Definition of Adaptive Design
The term ‘adaptive’ has a dual utilization in this study: the first use
refers to a morphogenetic design evolution which adapts according
to environmental design parameters in search for improved
resilience in design outcome through a multitude of iterations; the
second use refers to the real-time physical adaptation of the design
to the surrounding environment based on the previously established
parameters in search of an improved symbiosis between the built
and natural environment.
Ultimately, for this study, ’adaptive’ describes a design approach
that seeks to unite multi-scalar factors via a generative system in
order to reach a symbiotic energy efficient design solution.
Note on Performative Design
The term performative architecture (performance in design) can be
interpreted and translated into a myriad of approaches; however it
basically defines the architectural object, not by how it appears, but
rather by its capability of affecting, transforming and doing; in other
words, by how it performs (Albayrak, 2011). Performative design has
also been recently proposed as the action that mediates the two
forces of artifice and environment; and the performance of design
(considered through that which is built, materialized and produced)
as it engages with its surroundings (Araya, 2011). Other designers
naturally attribute their own interpretations to the same approach.
The descriptions that encompass the performative approach also
appear to be very similar in meaning to the one the author calls
‘adaptive’ specially in striving to reach a certain type of balance or
equilibrium between the natural and the built environments.
However, for this study, the term adaptive has been chosen due to
its metaphorical and analogous association to the natural processes
that better exemplify the desired design process, development and
outcome.
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3.2. Adaptive Form and Performance
A whole range of ideas and concepts have been imposed on physical
forms in an attempt to find the answer of the true function of form
(Moussavi, 2009). During the nineteenth century, the concept
behind the dictum “form follows function” was first associated to
Horatio Greenough, which in 1852 related it to the organic principles
of architecture (McCarter, 1999). Later in the same period, the
American Architect Louis Sullivan devised the phrase2, relating it
mainly to its cultural and social role (Moussavi, 2009).
Through time however, this perception changed to a modernist and
industrialized way of thinking3. The core concept of the afore
mentioned dictum was stripped from its multi-scalar and complex
potential to a simplified one, resulting most often in an
(aesthetically and culturally de-sensitized) mass produced
architecture which does not try to adapt to its surrounding
environment but instead imposes itself on it whilst simultaneously
striving to achieve some form of independent efficiency. However,
as exemplified in the previous chapters, the [built] environment is
the product of diverse processes that are linked in complex ways
(Moussavi, 2009); in other words, these systems are
interdependent. It is logical to assume then, that different systems
which share or compose a heterogeneous environment could
achieve better efficiency through a symbiotic or interdependent
relationship (maintaining a fluid heterogeneity). Following this logic,
the better that architecture (if viewed as form and system) adapts to
its surroundings (made for example, of the six afore-mentioned
energy efficiency orientation systems) the better the results (via
synergy) will be in terms of multi-scalar (energy) efficiency. An
approach to reach this adaptive paradigm will be described,
analysed and evaluated in the following sections.
2 - It is the pervading law of all things organic and inorganic, of all things physical and metaphysical, of all things human and all things super-human, of all true manifestations of the head, of the heart, of the soul, that the life is recognizable in its expression, that form ever follows function. This is the law. (Sullivan, 1896). 3 – A view of Modern Architecture developed from the convergence of the nineteenth century dictum “form follows function” and Adolf Loos’ 1908 proclamation that ”ornament is crime”. Later, in the twentieth century Walter Gropius, one of the progenitors of the modernist architecture, stated that: “the unification of architectural components would have the salutary effect of imparting that homogeneous character to our towns which is the distinguishing mark of a superior urban culture. (…) The concentration of essential qualities in standard types presupposes methods of unprecedented industrial potentiality, which… can only be justified by mass-production.” (Gropius, 1965).
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3.2.1. Adaptive Form: Morphogenetic Evolution
Morphogenesis and evolution provide both an all-encompassing and
intricate notion of the formation and functioning of natural systems
(Menges & Ahlquist, 2011). Trummer also argues that the real
potential of computational techniques is to overcome any idea of
typological thinking and to come up with a thesis of a design
practice based on morphogenetic processes (Trummer, 2011).
Goethe, in 1796, introduced the notion of morphology, outlining a
critical distinction between form (gestalt) and formation (bildung),
and which seeks to "illuminate the processes that governed form
rather than form itself" (Menges & Ahlquist, 2011) and so laying the
foundation for linking geometric behaviour with a functional logic.
D’Arcy Thompson illustrated how to mathematically demonstrate
this concept by geometrically representing homologous formations
through parametric systems. Both Goethe and D’Arcy contributed to
the understanding of transformational laws which influence the
expression of form (Menges & Ahlquist, 2011); however, the
understanding of biological formation did not come into full
perspective until the discovery of genetics. These concepts, when
united, directly apply to the notion of morphogenetic evolution.
The discourse on digital morphogenesis in architecture has since
linked it to a number of concepts including emergence, self-
organization and form-finding (Roudavski, 2009). According to
Kostas Terzidis (2003) morphism employs algorithmic processes for
the interconnection between seemingly disparate entities and the
evolution form one design to another. Paraphrasing Peter Trummer,
if architectural objects are thought of as assemblies we can start to
understand them as physical systems, whereby the addition of parts
defines a space of possible change; also described by Manuel de
Landa as degrees of freedom4. As a consequence, the architectural
object is no longer to be understood as a geometrical construct but
as a physical entity. Thus the architectural object would be
understood by means of its morphogenetic process and defined as a
ADAPTIVE [USE #01] A MORPHOGENETIC DESIGN EVOLUTION WHICH ADAPTS
ACCORDING TO ENVIRONMENTAL DESIGN PARAMETERS, IN SEARCH FOR
IMPROVED RESILIENCE IN DESIGN OUTCOME THROUGH A MULTITUDE
OF ITERATIONS.
4 - By defining the paths of which a system is ruled by, the paths of freedom of that system also become apparent. Once a process’s degrees of freedom are discovered, the model can be given a spatial form by assigning each of them to a dimension of a topological space. (Landa, 2011)
21
multiplicity rather than type (Trummer, 2011). Furthermore, in the
context of creativity in design, evolution serves as an exploratory
engine in producing variety within genotypic parameters, and
natural selection acts as a search for effective functioning of
phenotypic results (Bentley & Corne, 2002).
Architects can, through this process, go beyond geometry to directly
design the structure of matter itself (Andrasek, 2012).
Complementing Andrasek, since computational kernel processes are
built on porous boundaries between systems, an energy efficient
based flow of production and operability could also be engaged
within the fibres of generative processes, allowing the design and
the built form to evolve within certain fitness5. This makes
architecture more resilient against energy inefficient pressures and
pre-set industrial rigidities.
3.2.2. Adaptive Performance: Symbiotic Homeostasis
As we have seen so far, improved performance can equate to
energy efficiency through holistic integration and interaction of
multi-scalar systems. According to (Bertanffy, 2011) equifinality and
feedback are two critical conditions which are required for multi-
themed dynamic systems to operate. By their nature both
conditions seek balance, or homeostasis, and in the case of this
thesis, whilst retaining their heterogeneous or inherent qualities in
order to reach an correspondingly agreeable result.
Symbiotic homeostasis in building performance equates not to the
optimal performance of individual parameters, but the resulting
efficiency through their interaction. Since the natural environment is
never completely still or inert, and we cannot attempt to control its
mutability, a different approach could be necessary; perhaps if the
inert materiality of the built environment became dynamic and
could adapt to the ever morphing quality of the natural one, and
through a hierarchy defined via equifinality and feedback, greater
energy efficiency between these two environments could be
reached.
5 - The notion of fitness is taken from evolutionary biology where fitness landscape is used to visualize relationships between generative agents (such as genotype or phenotype) and their capacity to satisfy certain goals (such as reproductive success). In architecture, fitness usually refers to success related to performative aspects of a system, or the design intent posed by the architect herself (Andrasek, 2012).
ADAPTIVE [USE #02] THE REAL-TIME PHYSICAL
ADAPTATION OF THE DESIGN TO THE SURROUNDING ENVIRONMENT,
BASED ON THE PREVIOUSLY ESTABLISHED PARAMETERS, IN
SEARCH OF AN IMPROVED SYMBIOSIS BETWEEN THE BUILT AND NATURAL
ENVIRONMENT.
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3.3. Adaptive Design Approach
3.3.1. Prerequisites for Utilizing the Adaptive Design Approach
Some general pre-requisites should be considered in order to
properly realize and achieve the desired outcome associated to an
adaptive design approach; briefly described they are:
Specialized Multi-Disciplinary Collaboration
Multi-disciplinary and trans-geographic collaborations can promote
sharing of knowledge, conceptual brainstorming, multiple goals,
creative negotiations, and performative feedbacks; allowing for a
variation of multi-disciplinary, and maybe conflicting, performances
to be examined and faced in greater detail at the early design phase
and not when the design solution is solidified. Furthermore,
systematic design methods strive to reduce the amount of errors,
trade-offs and implementation time, while obtaining more
innovative and advanced designs (Fasoulaki, 2008).
Early Integration and Identification of the Design Phases
The rise of concurrent architectural phase development requires
early team formation and constant communication throughout the
project life cycle. By communicating and developing projects though
real time and virtual integrated software systems in which the
interface between user and machine is continuous, users can modify
the design problem, by adding, removing or changing data,
throughout the design phase (Fasoulaki, 2008). By guiding evolution
as it happens, the users are able to explore new ideas as they
emerge through the mechanisms of evolution (Mendes & Ahlquist,
2011). Just as important is the identification of the design phases,
which establishes the sequences and deadlines, and predicts the
expectations and desired outcomes for each of the project
development phases, allowing for general controlled improvement.
Operability and Completeness of Metadata Systems
The need to replicate the real world context as much as possible
relies on the compatibility and completeness of the input data;
23
inclusively the evaluation and synthesis of interrelated sub-systems
should be done in a holistic and synergetic way. By thinking about
the performances beyond their affiliated systems, designers might
invent new building systems that satisfy many needs simultaneously
through an unexpected form (Fasoulaki, 2008).
Unified Interaction of Design Tools and Spontaneity
The unification of design tools with simulation and evaluation tools
and the exploration of generative capabilities of digital design tools
are required for the development of a unified environment in which
they will be used both for analysis and synthesis phase merging
generative, optimization and simulation algorithms (Fasoulaki,
2008). The process should allow flexibility for the designer so it is
successfully used within a myriad of situations. Inclusively, in order
to achieve a high degree of realism, the simulation is designed to
include elements of uncertainty and the consequent high level of
tension through programmed spontaneity. Guidance is provided by
automatic software routines that judge evolving solutions without
the need for human input (Mendes & Ahlquist, 2011).
User Accessibility and Legitimacy of Results
A process’s further workability and user accessibility usually
depends on a previously achieved level of transparency, readability
and legitimacy of results. In order to value the multi-disciplinarily
and trans-geographic qualities that allowed for the project to be
created and developed, the final result must allow for the re-
integration of the same in order to allow for further development
through the evolution of derivations based on the original process.
This is possible, for example, through the utilization of open sourced
algorithmic based software which can inherently proportion
integrated development between all stages. Because of the open-
source quality, processes will be continuously tested and improved
on via multi-disciplinary trans-geographic users, potentially
improving its resilience and output.
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3.3.2. Adaptive Design Phases
According to Mendes and Ahlquist, for the adaptive process to
occur, three components are required (Menges & Ahlquist, 2011);
they have been integrated for the purposes of the adaptive
approach as the environment of the system undergoing adaptation:
such as the starting form, the materiality and/or the structure of
the building and its influences; the adaptive plan, whereby a system
is modified to effect improvements: such as structural changes or
addictions as well as environmental, and/or societal rules by which
the system must function by; and a measure of performance, i.e.,
the fitness of the structures based on its balance with the
environment. Inclusively a practical generative design method, as
recently outlined by Sivam Krish, has been defined as a
comprehensive computer aided design method aimed to work at all
stages of the design development process, spanning from
conceptual to detailing of final design (Krish, 2011); the generative
design process is composed of configuration variations,
performance metrics and decision making responses (Marsh, 2008).
Furthermore, in the context of an adaptive environment,
architectural design can take place in several interdependent stages,
they are: the specification of the goal or purpose, the choice of basic
environmental materials, the selection of the invariants,
specification of what the environment will learn about as well as
how it will adapt, and the choice of a system for adaptation and
development (Pask, 1969).
Merging these concepts and methods and considering the processes
inferred by the chosen analogies for the adaptive design approach,
the following five phase sequence is proposed:
i. SEED - Specification of the goal or purpose of the project in
question and research into the required legislative,
environmental, historic and other information that customarily
precedes an architectural project. The phase called ‘seed’ serves
to establish the basic and unchangeable parameters that will be
25
used to generate the future project and inherently contain full
development potential.
ii. GENOTYPE - Choice of hierarchy between basic design
parameters specifying the limits of the design space to be
explored, for example the initial values and exploration
parameters based on previous phase criteria. The ‘genotype’
phase consists of delineating the limits and values to which the
design should follow by, via designer imposed hierarchy.
iii. PHENOTYPE - Selection of the observable characteristics
and invariants that may include build history, built-in relationships
and built-in equations. The ‘phenotype’ phase specifies initial
results on what the environment (or architectural design) will
learn about and how it will adapt. It also includes the data table
that stores the driving design parameters, their initial values and
limits.
iv. EMBRYOGENE – Exploration of iterations based on the
previously established design parameters and limitations. The
‘embryogene’ phase allows iterations to be explored via a
parametric computer aided design engine, with a transparent and
editable build history preferably with a tri-dimensional geometric
kernel, with capabilities to manage geometric relationships,
engineering equations and connect to external design tables.
v. SYNTHESIS – Definition of system for adaptation or change
and development via performance or software filters able to
evaluate the performance of generated designs based on pre-set
or comparative performance criteria. The performance may be
evaluated directly from the design table, by inbuilt evaluation
interface tools or by the use of external analytical software.
Figure 28 – Ernst Haeckel's drawings of the evolution of vertebrate embryos (Haeckel, 1874).
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3.3.3. Potential Benefits of the Adaptive Design Approach
There are many potential benefits for using an adaptive design
approach via digital design systems. In search for adaptive form and
performance, a generative design approach is useful because a
geometric model can be formulated to transform and generate
according to specific evaluation criteria6 and which can, based on
these criteria, produce further geometric models (Oxman, 2009).
With evolutionary development however, these results can include
desired as well as non-desired outcomes. The adaptive design
approach therefore seeks to generate an evolutionary sequence of
iterations taking into consideration specific ‘genetic’ goals in search
for an improved design outcome. Therefore the integration of
biological morphogenesis can strategically inform and thus benefit
architectural and urban design applications. An example as to how
biological processes can benefit architectural design7 has been
described by Roudavski as:
Architectural design increasingly seeks to incorporate
concepts and techniques, such as growth or adaptation,
that have parallels in nature; architecture and biology share
a common language because both attempt to model
growth and adaptation (or morphogenesis) in silico
(Roudavski, 2009).
This is not to say that the adaptive design approach results in
seamlessly efficient results, since evolution also depends on the
interpretation of what is or isn’t considered a fault to evolve from,
which depends on environmental, societal and other factors along
with the designer’s personal interpretation. It does however
significantly enhance the chances for achieving that goal, as will be
confirmed through a preliminary case study in chapter four.
6 - These may be single criteria evaluations (i.e. structural performance, solar loading, and acoustic performance) or, multi-criteria evaluations including multiple performance and optimization factors (Oxman, 2009).
7 - In a reverse occurrence, architecture and engineering can inform the studies in biology because components of organisms develop and specialize under the influence of contextual conditions such as static and dynamic loads or the availability of sun light; in biology as in architecture, computational modelling is becoming an increasingly important tool for studying such influences; architecture and engineering have developed computational tools for evaluating and simulating complex physical performances (such as distribution of loads, thermal performance or radiance values); and such tools are as yet unusual or unavailable in biology. (Roudavski, 2009). It is often important to understand the reverse occurrence in order to better understand their processes and integral raison d'être.
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3.4. The Role of the Architect
It is important to note here, the central role of the designer
in continuously modifying the generative scheme based on
the resultant outcomes; by which the solutions space is
navigated in search of viable design solutions (Krish, 2011).
The role of the professional in generative design is of a designer of
algorithmic models for form generation and/or modifications and/or
moderator of knowledge and principles into rules of which a
generative system will follow. When digital morphogenesis is
applied to a design, the architect must: define the problem, choose
the algorithm, and verify the output is valid (Davis, 2009).
Paraphrasing Mark Burry, while computation itself implies
operation, it is really the selection, alignment and coordination of
the operators which allows for knowledge to be inherited into the
process and specificity relevant to material and context to be
realized. This is the capacity of the architect (2011). Inclusively, we
must considering that not every generating system creates results
with desired or valuable properties. Indeed, buildings also perform
subtle economic, societal and cultural roles which can only be
understood adequately by reasoning about them in the light of
extensive economic, societal and cultural knowledge (Mendes &
Ahlquist, 2011).
Architectural design should therefore not be singularly about finding
the 'optimal' solution based on a set of parameters or criteria
(Caldas, 2001), because they might not provide the desired solution
for a specific environment; thus it is important to let the architect
interfere with his preferences, knowledge and aesthetic sensibility in
the adaptation process.
In addition to an increased level of proficiency and
understanding of building performance and environmental
principles, it is new skills such as writing scripts and
computer programming, not typically taught to architects,
which are proving to be a major contributor to the building
28
design process. It is often those designers who have
adapted and developed these skills to better integrate
performance analysis at the earliest stages that are
increasingly designing the buildings best able meet our
current environmental challenges (Marsh, 2008).
Authored practice in generative design therefore retains crucial
importance, since it extends the transference of ‘creativity’ from the
explicit impression into form, to the investment of thought,
organization and strategy in the computational processes by which it
is produced (Fraser, 1995). Gordon Pask also notes that the symbolic
and the informational needs of man cannot be satisfied purely by
following a set of instructions (1969); the built and natural
environment systems are much more complex than we can yet
encompass in a algorithmic-based formula, in the sense that both
inherently possess unquantifiable and unpredictable data and
influencers, which need be interpreted into the design by an
architect (also inherently possessing unquantifiable and
unpredictable qualities themselves). Basically, the idiosyncrasies of
the natural and built environment need to be considered, defined
and integrated (and re-integrated as many times necessary8) by the
architect to the augmented computer aided design interface9.
Another important aspect that requires mentioning is that the final
architectural design is most often a conglomeration of inputs
conjointly developed by a number of specialized professionals. This
is crucial for achieving a resilient design intent, development and
outcome due to the heterogeneous and all-encompassing nature of
the feedback provided.
8 – In order to improve resilience within a desired design evolution, as explained in the previous sections of this chapter. 9 - The computer works as a way of augmenting the architect's capabilities and creativity, such as the machine did before it, entailing a first 'loss of innocence’ (Alexander, 1964), from what many architects of the time retracted. The introduction of computation in the design process corresponds to a second 'loss of innocence,' according to Alexander too, this time an intellectual rather than mechanical one, that many architects may not be willing to accept either. Second, that the idea that an architectural design must be totally intentional, in the sense that all decisions have been made by the architect in response to a program and a site, may be passive of reflection. Programs change [a building is designed to be occupied in some way and it is later adapted for some other use]; sites change, and a building's response to a site may become just a trace after time has passed by; so one may question if the design shape does indeed need to be fully responsive and intentional in relation to its time/place contingencies. Alvaro Siza, who has always taken the 'site' as a main departing point for a design development, has recently put forward the idea of 'a shape looking for a site.' (Caldas, 2001)
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4. ADAPTIVE DESIGN PARADIGM: Case Study
The primary aim of this preliminary case study is the familiarization
with the design phases of the Adaptive Design approach and to
examine how a generative computational model could be defined to
take into account a number of interrelated performances in order to
achieve better energy efficiency. Additionally, how the conflict or
synergy of a generative and energy efficient juxtaposition could be
visualized through form by choosing a simulation approach that fits
with the research question, assumptions and theoretical logic.
The preliminary case study will enable to explore and examine if the
design approach called ‘adaptive’, applied via a generative system,
can result in the improvement of energy efficient design; first
through the use of digital morphogenetic evolution at the design
phase, and second by virtually connecting the resulting form or
structure’s operating system to real time data readings in order to
automate reactions to their own and other systems of influence.
Ultimately, through this case study, an attempt to achieve a level of
symbiotic homeostasis between the built and natural environments
through a generative energy efficient design approach will be
tested.
Two factors extracted from the IAAC case study hold primary
importance for this research and therefore have been selected for
further analysis by the author. They refer to the adaptive generative
evolution of design iterations and to the physical adaptation of the
final form to environmental influences which can conjointly
determine the holistic energy efficiency of a built-form.
In more detail, the term ‘adaptive’ has a dual utilization in this
study; based on the two factors respectively: the first use refers to a
generative design evolution which adapts according to
environmental design parameters. This type of design development
can operate at the conceptual stages when the design is still under
formulation, as well as follow a specific evolution defined by sets of
rules orchestrated by the designer1; such as environmental
1 - Christopher Alexander, in his book Architectural Design, identified and classified generative schemes as DNA-like building blocks of architectural design, where the application of basic instructions can generate infinite variations; inclusively ‘the generative scheme always generates structure that starts with the existing context, and creates things which relate directly and specifically to that context’ (Alexander, 1999).
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parameters for energy efficiency. The ability to explore a controlled
evolution of design variations at the early stages of design can
produce far more beneficial results than optimizing it within narrow
means at the final stages of design (Krish, 2011).
The second use of the term ‘adaptive design’ refers to the real-time
physical adaptation of the design to the surrounding environment
based on a previously established set of parameters2. As a
continuum to the evolutionary generative design explanation,
Christopher Alexander noted that “the resulting form’s ability to
rejuvenate and readjust to the changing environments and design
needs makes generative schemes timeless patterns”.
Ultimately the desired result for this preliminary case study is to
create, explore and develop the possibilities of adaptation of an
environmentally responsive structure, containing improved energy
efficiency characteristics, resulting in a quantifiable improvement
from an otherwise static system.
4.1.1. Case Study Approach
The case study follows the adaptive design approach as described
and proposed in the previous chapter and aims to demonstrate the
approach’s validity and that it can be realized for the generation of
an optimized design outcome and the creation of an environment
based adaptable prototype for enhanced photovoltaic solar capture
performance. Each phase is separated into sub-chapter sections and
the relevant information respective to the phase is described.
The approach will be performed through the exploration of
generative design, optimization and simulation methods and
techniques via a specialized multi-disciplinary team of collaborators
arriving from different stages of professional development, most if
not all related to an architectural, design or computational
background3. This team was formed and directed by the Institute of
Advanced Architecture of Catalonia (IAAC) along with the FabLab
BCN team for the SMART itSELF Summer School 2012 workshop,
2 - If it could be demonstrated that any complex organ existed, which could not possibly have been formed by numerous, successive, slight modifications, my theory would absolutely break down. But I can find no such case (Darwin, 1964).
3 - The multi-disciplinary team consisted of a multi-disciplinary team of academics and professionals with varied backgrounds and levels of expertise.
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which the author took part in. The study and work undertaken at
IAAC comprised of many other simultaneous studies and analysis
that will not be included in this thesis since they only peripherally
relate to the author’s topic. The work that has been included
however, serves as the basis and as a preliminary case study for the
author’s design approach study, analysis and evaluation.
Indeed, the group of chosen collaborators provided valid know-how
and technical knowledge for the IAAC along with the FabLab BCN
workshop purposes, and despite achieving a successful outcome;
the group does not encompass the full requirements of multi-
disciplinary input which the adaptive design approach requires,
which for example structural engineers and other specialized fields
can provide in case the intent was an integral architectural project.
The early integration and identification of the design phases is
another factor of importance which has been taken into account,
and has been assimilated into the process of this specific study by
the sub-division of the group of collaborators into smaller topic-
focused sub-groups, allowing for inter-communication, the merging
of sub-groups and their re-integration as the design phases evolved;
thus allowing for an organic development, which largely benefitted
the experimental and exploratory nature of the study.
The software, plugins and add-ons chosen for the study inherently
permit inter-program operability and the completeness of metadata
systems. Since they inherently perform via inter-action, inter-
program operability subsequently becomes a fundamental
requirement for the successful implementation of the design tools.
As a consequence the results and processes are mathematically
transparent, mutable and originally created with the intent to be
open-sourced, providing legitimacy in the form of pure data which in
turn is left to the scrutiny of the user; and as long as the user has
some understanding about the mathematical logic behind the
processes, they can use and adapt the system to follow their own
32
desired purposes, allowing for the evolutions to occur within a
myriad of fields and backgrounds, not just the architect’s.
Note on the General Approach
Prior to this study the author had only marginal familiarity with the
terms, processes and techniques that ended up encompassing the
adaptive design paradigm. The interest on this topic originated from
the author’s pursuit to filter down the original topic of interest
which comprised of sustainable design through biomimicry;
following the belief that the mathematics inherently embedded in
biological systems could provide the answer for increased energy
efficiency in the built-environment.
Acknowledging this and in order to properly conduct this research,
along with the literary based research, the author took specialized
software courses which allowed for a more tangible glimpse into the
operability that the adaptive design approach seemed to require.
Due to these courses it was found that the potential of the software,
plugins and add-ons fortuitously exceeded the author’s original
expectations, as will be briefly explained in the conclusion chapter
along with other considerations noted for potential further work.
However, because of the time allotment which restricted the
software practise and exploration time, another measure seemed
necessary for the author to achieve the desired level of
understanding and multi-level perspective that a paradigm based
approach requires. This new measure was attained in the form of
the IAAC workshop, which dealt with a closely related theme.
Having then explored, developed and tested the concept proposed
in this thesis within a more abrangent case study and team, the
processes respective to the adaptive design paradigm and approach
could now be more meticulously explored, examined and concluded
through the author’s own criteria, methods, newly acquired
experience and perspective via the preliminary case study example.
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4.2. Case Study Background
As for any architectural endeavour, a starting brief is required in
order to properly orientate and assess the general environmental
influencers on the future design.
4.2.1. Case Study Location and Solar Data Brief
The case study site is located at the top south-east corner of an
Eixample city block (Figure 29) in the El Poblenou neighbourhood at
the Sant Martí district in the city of Barcelona, Spain. The Barcelona
Eixample was drafted by the Spanish urban planner Ildefons Cerdà i
Sunyer, and can be considered the largest solar-planned
neighbourhood in existence; inclusively its history exemplifies the
tension between solar access and developmental needs (De Decker,
2012). El Poblenou stands in an extensive post-industrial district
bordering the Mediterranean sea to the south, Sant Adrià del Besòs
to the east, Parc de la Ciutadella in Ciutat Vella to the west, and
Horta-Guinardó and Sant Andreu to the north (Figure 30); comprised
by an extensive cluster of ex-factories and mostly working class
residential areas. It is technically part of the Eixample (Figure 31)
although the historic centre of the neighbourhood predates the grid.
It is important to note that the site for the final prototype location
was not strategically chosen apart for the ease of accessibility that it
provides for the final testing phase. The non-strategic nature of the
chosen location ultimately benefits the study since the final form
should adapt to any given environment. The orientation based on
urban design and seasonal and solar data have nonetheless been
considered to a greater extent since they can directly influence the
design and its potential energy generating outcome.
However, because of the inherent solar-planned nature of the
Barcelona urban plan, the case study has been inadvertently
benefitted. Measures that lead to improved solar efficiency in the
urban plan will be briefly described since they directly relate to the
holistic nature that the adaptive approach seeks to accomplish.
Figure 29 – Eixample city block, Barcelona; image source: Density Atlas (2011).
Figure 30 - Image displaying the historic centre of El Poblenou and the neighbourhood as part of the Eixample urban plan; image source: Urbanter (2011).
Figure 31 – The Eixample plan presently has an area of 7.46 km2, consists of streets 20 metres wide, intersected by a few boulevards 50 metres wide, and very large city blocks measuring 113 x 113 metres (De Decker, 2012); image source: Density Atlas (2011).
34
As succinctly described by Kris De Decker on an article about the
Solar Envelope: How to Heat and Cool Cities without Fossil Fuels:
Ildefons Cerdà intended to maximize solar access (and
ventilation) to every apartment in four ways. Firstly, he
limited building height to 16 metres (Figure 32) for streets
20 metres wide. Furthermore, he mandated that city blocks
could only be built up on two instead of four sides, either
parallel to each other or in the form of an L (Figure 33). This
enabled the creation of large interior spaces and
introduced sunlight and fresh air at both sides of each
building (Figure 34). Thirdly, all city blocks have truncated
corners, further improving solar access. Lastly, he decided
not to lay the street grid on the cardinal points, but
diagonal to it, this gave all apartments access to sunlight
during the day, while offering all streets shadow
throughout the day (De Decker, 2012).
In addition, Barcelona’s average sunshine duration is 2524 hours per
annum, equating to an average of 72 percent; with the highest
incidence occurring between March and September and the lowest
from October to January (AEMET, 2012).
Barcelona also benefits from a large number of daylight hours if
compared to the rest of Europe. Daylight hours in the northern half
of Europe averages at 1200 to 1800 hours per annum, whereas the
southern half, where Barcelona is located, benefits from an average
of 1800 to 2500 hours per annum and above (AEMET, 2012);
Barcelona in particular averages with 6 to 7.5 daylight hours per day
per annum equating to an average of 2500 plus daylight hours per
annum, as can be verified by Figure 35 (Eurostat, 2009).
Figure 32 – Representation of the Eixample building cross section. Gradually, the laws regarding building height were relaxed, from the original 16 metres to almost 30 metres. However, solar access was retained on all floors of the buildings by placing the top floors further back (De Decker, 2012).
Figure 33 – The Eixample L shaped city blocks layout (De Decker, 2012).
Figure 34 – The Eixample block and resulting solar path (De Decker, 2012).
Figure 35 – Average sunshine hours per day in selected European cities (Eurostat, 2009); a larger version of this image is found in Appendix 5.
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4.2.2. Software Interface, Computing Platform and Materials
The relevant case study software interface qualities, computing
platform and principal materials used in the digital development of
this project and in the construction of the 1:1 scale prototype will be
briefly described in this section.
Software Interface for Morphogenetic Evolution
Software I: Rhinoceros (Rhino) by Mc Neel is a NURBS modeling
software. NURBS is an abbreviation for Non-Uniform Rational Basis
Spline which is a special type of B-spline4 that is described by
complex equations ( Ross, 2010). The software allows for controlled
aesthetically complex designs to be created in very high resolution.
Software II: Autodesk Ecotect Analysis is a concept-to-detail
sustainable building design tool that allows for simulation and
building energy analysis; which include online energy analysis
capabilities in integrating with tools that enable the user to visualize
and simulate a building's performance within the context of its
environment (Autodesk, 2012).
Plugin: Grasshopper created by Scott Davidson is a graphical
algorithm editor and generative modeling tool that is meticulously
integrated to Rhino (Davidson, 2012) and allows for the integration
of selected software, such as Ecotect, to happen through the Rhino
interface whilst allowing the designer to control the integration and
interaction of the software tools as well as potentially expand their
capabilities through the addition of Add-ons.
Add-on I: Geco is a set of components which establish a live link
between Rhino through Grasshopper and Ecotect, exporting,
evaluating and importing data between the programs (UTO, 2012).
Add-on II: Galapagos is an evolutionary solver which provides a
generic platform for the application of evolutionary algorithms to be
used on a wide variety of problems by non-programmers (Rutten,
2010). This add-on is particularly important for this study and its
processes will be described in more detail.
4 - B-Spline is a basis spline; a very smooth curve controlled by three or more control vertices; the more weight a control vertice has, the more the curve is attracted to it, and the sharper the curve bends ( Ross, 2010).
36
Galapagos developer David Rutten produced the plugin so it would
follow five steps in order to achieve an optimized evolutionary
solution, here’s a brief explanation of the embedded processes:
Fitness Function
In evolutionary computation, the fitness function determines the
best outcome to evolve to according to the designer’s parameters.
This allows for great flexibility due to the lack of inhibitors. However,
the fitness landscape can still result in efficient or non-efficient
results.
Selection Mechanism
The artificial selection mechanism, inspired by biological natural
selection, affects the direction of the gene-pool over time by
regulating the genes involved in the evolutionary process. Three
mechanisms are used in Galapagos (Figure 36): with isotropic
selection all genes are allowed to mate5, it dampens the speed with
which a population optimizes and evolves, thus acting as a safe-
guard against a premature colonization of recessive gene traits; with
exclusive selection only the dominant genes are allowed to mate
allowing for multiple offspring; and finally with biased selection the
chances of mating increases as the fitness increases, this last
mechanism has been chosen for the purposes of this study.
Coupling Algorithm
The coupling algorithm determines the process of selection of genes
to mate; and although evolutionary algorithms allow for a wide
possibility of coupling methods, Galapagos currently only allows for
this selection by a process called genomic distance. A single genome
is defined by a number of genes; in order to properly augment the
potential benefits by the evolution of a gene population, the
selected genomes should not present too many similar or dissimilar
traits base on the genome to mate with. The best fit6 distance for
genome differentiation was defined by Rutten and implemented
into Galapagos; simplified graphical representation of it can be seen
in Figure 37.
Figure 36 – Respectively from top to bottom: a graphical illustration of an isotropic, exclusive and biased selection mechanism (Rutten, 2010). 5 - An analogy to wind-pollination or coral spawning styles of reproduction can serve as an example of this type of selection mechanism.
Figure 37 – Graphical representation of a genome map illustrating in green the optimal genome ‘fitness valley’ that will reproduce with the genome circumscribed in red (Rutten, 2010). 6 - In 1993, Mark Burry along with his architectural colleagues from the Universidad Politécnica de Cataluña worked with a set of minima and maxima values making a program iteratively run through potential solutions such that all of the points in our set were tested for conformation to each hypothetical solution, gradually reducing the maxima and minima until finally there would be only one result – the ‘best fit’ (Burry, 2011).
37
Coalescence Algorithm
This is a simplified digital variant of the much more complex
biological process of gene recombination for offspring genotype
formation. Galapagos allows for different process mechanisms to be
implemented (Figure 38): the crossover coalescence mechanism
allows for a completely symmetrical gene switch to occur, without
following any specific gene hierarchy; the blend coalescence
mechanism considers both parent genomes and averages the values
resulting in the offspring genome; and finally, the relative fitness
coalescence mechanism chooses the gene that has the highest
fitness value from either parent genome to generate an offspring
genome based solely on dominant gene traits. This last mechanism
is the one used for this study.
Mutation Factory
This is a crucial aspect for improving resilience within an
evolutionary process in order to reach optimized genotype results.
The aforementioned mechanisms of selection, coupling and
coalescence have been designed to improve the quality of solutions
on a generation by generation basis; however, they also inherently
have a tendency to reduce the biodiversity of a population. By
strategical and controlled addition of alternative genomes from
outside the original fitness gene pool, an increased adaptation is
demanded from the evolutionary process in order to reach the more
relevant or dominant genes, eventually increasing the resilience of
the resulting genotype offspring. Several types of mutation are
available in the Galapagos core, though the nature of the
implementation in Grasshopper at the moment restricts the possible
mutation to only point mutations (Rutten, 2010). A graphical
representation of point mutations can be seen in Figure 39.
Figure 38 – Respectively from top to bottom: crossover coalescence, blend coalescence and relative fitness coalescence mechanisms (Rutten, 2010).
Figure 39 – Respectively from top to bottom: a genome graph representing point mutation, where only a single gene value is changed and inversion mutation which can be useful when subsequent genes have a very specific relationship, however this can be a detrimental operation in most cases since it also drastically modifies the fitness values (Rutten, 2010).
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Software and Platform for Symbiotic Homeostasis
Add-on III: Firefly Firmata is a set of components dedicated to
bridging Grasshopper with an Arduino micro-controller, the internet,
and a variety of remote sensors; by allowing near real-time data
flow between the digital and physical worlds by generating and
reading data synergetically from internet feeds. It also includes a
Cosm reader (Davidson, 2010) which is a secure, scalable platform
that connects devices and products with applications to provide real
time control and data storage (Cosm Ltd, 2012).
Computing Platform: Arduino Uno microcontroller is an open-source
electronics prototyping platform intended for the creation of
interactive objects or environments. It can sense the environment
by receiving input from a variety of sensors and can affect its
surroundings by controlling lights, motors, and other actuators6
(Arduino, 2012).
Case Study Materials
Wood panels, wire cables and heavy duty elastic fabric were used
for the fabrication of the prototype provided by IAAC. For a holistic
analysis of energy efficiency the sources of these materials would
have to be taken into account, however for the purposes of this
preliminary study this data is not particularly relevant.
Previous to this study a number of solar cells were electrically
connected to each other and mounted into photovoltaic panels7 by
IAAC (Figure 40), which were then attached between the wooden
ribs of the 1:1 scale prototype (IAAC, 2012). The energy output in
Watts of the solar panels is not relevant for the preliminary case
study; however this data requires quantification for the proper
development of further stages of the prototype testing. For this
preliminary case study an average of 15 percent efficiency will be
considered in order to quantify the resulting improvement of energy
efficiency by percentage8.
Figure 40 – Front and back of one of the Thin Film Photovoltaic Panels used in the prototype; images: author’s own. 6 - The microcontroller on the Arduino board is programmed using the Arduino programming language (based on Wiring) and the Arduino development environment (based on Processing). Arduino projects can be stand-alone or they can communicate with software running on a computer (Arduino, 2012). 7 - In 2010, IAAC faculty together with Solar Power Co. engineers developed homemade flexible solar panels using Teflon and photovoltaic cells. Thin film photovoltaic solar panels are typically thinner and more flexible, which benefits this study by allowing for better mechanical malleability, although it is not an essential requirement for the purposes of the adaptive design approach. 8 - Thin film solar technology is essentially less efficient than conventional solar panels due to how they are created, reaching between 11 to 22 percent efficiency (SunPower Corporation, 2012). However, comparing the thin-film solar panels by SunPower with their competitors (i.e. First Solar, NanoSolar, and Solyndra), which have average efficiency rates slightly above 10 percent (Ricketts, 2010); a considerable increase in efficiency potential is noted.
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4.3. Case Study Profile
4.3.1. Seed Phase
This phase serves to establish the basic and unchangeable
parameters that will be used to generate the future project and
which inherently contain full development potential.
The parameters that were taken into consideration at the early
design phase for the simulation of an adaptive structure following a
morphogenetic evolution were developed by three distinct team
sub-groups as described in the adaptive design approach section of
this thesis (Figure 41 and Figure 42). Relevant to this case study are
the sustainability related characteristics of this project, which have
been divided into primary and secondary considerations. Primary
considerations for the sustainability aspects are directed towards
energy efficiency, such as the location (so to define the best
orientation) and solar data (the daylight and sunshine hours, which
help guide the initial photovoltaic panel positions); secondary
considerations include how the orientation and relevant solar data
can influence the project’s structure and membrane.
Primary considerations:
The orientation of the photovoltaic facade should face in between
south east and south west in order to increase solar exposure
(Figure 43 and Figure 44). For maximum efficiency the panels should
be placed the closest to a perpendicular angle to the sun as possible,
implying roughly a 30 to 35 degree fixed angle inclination from the
horizontal plane and 90 degrees in relation to the sun.
Secondary considerations:
Only one side of the model will hold the photovoltaic panels, this
helps promote stability and maximizes the area exposed to the sun.
The photovoltaic panels will be attached to the wooden ribs, having
no direct influence on the membrane, due to its lighter and less
stable composition.
Figure 41 – Team of participants; source: workshop participant.
Figure 42 - Group 4 presentation; source: workshop participant.
Figure 43 – Sketches of a participant analysing the structural concept chosen; source: workshop participant.
Figure 44 – Workshop participant Jordi Vinyals demonstrating the potential flexibility of the chosen structure; source: workshop participant.
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4.3.2. Genotype Phase
The ‘genotype’ phase consists of delineating the limits and values to
which the design should follow by, via user-imposed hierarchy. For
the design to properly achieve symbiotic performance at the later
phases, the parameters to guide the adaptation of the design to the
solar path must be considered. The initial values and exploration
parameters, based on the previous phase criteria and in accordance
to the established hierarchy from the previous phase, define the
limits of the design space to be explored. For this case study they
have been specified as:
The orientation of the facade which holds the photovoltaic panels
faces south west in order to increase solar exposure, whilst also
taking into consideration the site where the prototype will be placed
on and the adjacent shadowing edifications. The four facades which
will hold the photovoltaic panels are designed in Grasshopper
through Rhino and each seek to reach an optimized position in
relation to the sun through parameters set via Geco and Galapagos.
The facades have been programed to twist according to the sun’s
daily path from sunrise to sunset and bend according to sun’s path
thorough two distinct seasons (Figure 45 and Figure 46), for the
duration of a year. Each facade has guidelines so that each of the
nine sensors positioned at the centre of each facade simultaneously
strives to reach the closest to a perpendicular angle to the sun as
possible. Furthermore a daily optimal set of three general positions
(morning, noon and evening) is calculated for each facade,
considering that they are parametrically linked to one another9. The
two solar paths chosen correspond to the months with the highest
sunshine incidence (March and September) and the lowest (October
to January) for Barcelona, as mentioned in a previous sub-chapter.
The operability and completeness of these metadata systems are
tested and verified at this phase via consecutive trial runs, and
adjustments are made until a satisfactory improvement is achieved.
Figure 45 – Plan view of potential twisting movement direction relative to solar incidence in the X and Y axis; source: author.
Figure 46 – Respectively from top to bottom: front elevation view and side elevation view showing potential bending movement direction relative to solar incidence in the Z axis; source: author. 9 - Because of the physical limitations of wood, the twisting motion potentially realized by the facades versus the elasticity of the wood used had to be considered for the simulation; the solution was to link all adjacent facades parametrically and thus minimize the twisting motion.
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4.3.3. Phenotype Phase
The ‘phenotype’ phase selects the observable characteristics and
invariants that may include build history, built-in relationships and
built-in equations. This phase specifies initial results on what the
design will learn about and how it will adapt.
In order to achieve efficient and relevant results, trial runs were
performed in an attempt to streamline the design and results based
on the previous parameters. The first attempts in testing the
design’s solar collection potential comprised of the full facade
(Figure 47). However it was soon realised that a better and more
selective position for the solar sensors could be achieved by locating
them solely at the top of each facade.
4.3.4. Embryogene Phase
The ‘embryogene’ phase allows iterations to be explored via Rhino,
Ecotect, Grasshopper, Geco and Galapagos simultaneously and
within a real time graphically transparent and editable interface
with capabilities to manage geometric relationships, equations and
connect to external design tables if necessary (please see Appendix
6 for software interface screenshots).
In this phase the morphogenetic evolution takes place following the
first adaptive design approach definition. It is in this phase that
consecutive iterations are generated striving to reach the best
optimization possible within the limiting parameters, as established
by the designer in the previous phase. In more detail: 30 generations
were executed via Geco and Galapagos through Grasshopper in
Rhino, for each genotype the number of generations is user defined,
it was found however that 30 generations reached sufficient
optimization for this study (please see Appendix 7 for an example of
the computed results for the first six genomes in generation 1 and
generation 30). Each genotype corresponds to one out of the nine
individual panels (or sensors) for each individual facade (Figure 48
and 50). In total 36 genomes and 1080 generations were computed.
Figure 47 – Graphical representation of the full structure analysis and results for the high (top) and low (bottom) seasons.
Figure 48 - Graphical representation of the analysis for where the solar sensors will be positioned for the high (top) and low (bottom) seasons.
Figure 49 – Graphical representation of the morning (top), midday (middle) and evening (bottom) analysis for the high (left vertical column) and low (right vertical column) seasons.
42
4.3.5. Synthesis Phase
The synthesis phase, the defining system for adaptation or change
and development via performance or software filters is finally able
to be evaluated through the performance of the generated designs
based on a pre-set or comparative performance criterion. The
performance may be evaluated directly from the design table, by
inbuilt evaluation interface tools or by the use of external analytical
software.
Because of the preliminary nature of this study, the data is not
complex enough to need external analytical software in order for it
to be evaluated. The data was collected from the Galapagos internal
species record detail log (an example can be seen in Appendix 7),
and can be evaluated by percentage comparison.
The evaluated results can now be applied to the second adaptive
design approach definition of symbiotic homeostasis for energy
efficient design in the 1:5 finished scale model (Figure 50). For that
to be achieved, one further step is required for the design to
physically and symbiotically adapt to chosen environmental
parameters, such as a location’s solar path data. This step consists of
the implementation of a microcontroller board (Figure 51) which will
direct five remote sensors on the 1:5 scale model (created with the
previous phase dimension parameters), in order to allow for near
real-time data flow between data files and the structural ribs of the
model, allowing it to interact with the data synergetically through
data feeds.
The Arduino Uno microcontroller computational platform is thus
integrated into the 1:5 scale model, along with five RC servo
motors10, each connected to a strategically positioned wire which
can control the rib’s adaptive movements via the Firefly Firmware
and Grasshopper interface (Figure 52 and Figure 53). A sample of
the Arduino control code for this stage can be seen in Appendix 8.
Figure 50 – The 1:5 scale final model and the connections from the model ribs, to the motors and the Arduino controller.
Figure 51 – Respectively from top to bottom: the final 1:5 model, the incorporation of motors to the wooden ‘ribs’ of the model and the integrated Arduino microcontroller board to the motors and electricity source.
Figure 52 – Fritzing illustration of the Arduino Uno board platform, the breadboard, the energy source and an RC servo motor (Arduino, 2012). 10 - Servo motors are output devices which give precise angles of rotation when a right pulsing time is given.
43
Within Firefly, the control of the direction and speed of the
improved servo motor is realized through a positive and negative
block input11 value; adjusting these values allows for the control of
the rotation direction. In the case of this study, the offset value of
zero did not equate to the servo-motor stopping, so an offset value
was calibrated instead. Also, the RC servo motor originally only
allowed for an un-continuous 180 degree rotation; since a 360
degree continuous rotation was required in order to give the wire
proper leeway in reeling in the respective model rib, the internal
potentiometer within the RC servo motor was removed. The timing
and velocity of the rotation can then be controlled by sending a
pulse-width modulation (PWM) value, using microsecond pulses,
based on maximum and minimum conditions, allowing for velocity
controlled forward, still or backward motion.
Furthermore, the connection between the Arduino microcontroller
and a photocell or light dependant resistor (LDR) was made (Figure
54 and Figure 55) in order for the structure to adapt according to
the environmental data being created and broadcasted by the
sensors (following pre-set criteria of maximum and minimum
twisting and bending).
11 - The block input inherits the data type of the upstream block, and internally converts it to data readable to the Arduino.
Figure 53– Schematic illustrating how to set up the positions of a RC servo motor with the Arduino board and a potentiometer (Arduino, 2012).
Figure 54 – Schematic illustrating how to set up the positions of a RC servo motor with the Arduino board and a photocell receptor (Arduino, 2012).
Figure 55 – Fritzing illustration of the Arduino Uno board platform, the breadboard, the energy source and an RC servo motor (Arduino, 2012).
44
4.4. Prototype Testing
By definition simulation research involves controlled replications of
a real world context for the purposes of studying the dynamic
interactions that can occur within that setting, providing real world
information in ways that yield measureable and useful data (Groat &
Wang, 2002). However we remain unable to predict how a building
will ultimately perform based on design-phase building performance
simulations.
Therefore, a 1:1 sized wooden prototype (Figure 56) with thin film
photovoltaic panels (Figures 57) was developed and assembled
based on and up-scaling the 1:5 model inclusively with the Arduino
microcontroller, and a respective scale-based motor (Figure 58 and
Figure 59) , in order to test the outcomes of the IAAC workshop with
real-world materials, structural, wind, gravitational and other loads
and real-time weather based adaptation.
The finished prototype is currently at the test phase at the IAAC
building in Barcelona, where it is being accessed for durability and
performance. Based on the results acquired from these two
parameters, a measure of the holistic level of energy efficiency of
the prototype is able to achieve can be calculated by considering
and calculating the difference between the total input and output of
energy generated and used.
Figure 56 – The 1:1 scale final HelioCell prototype. Photographs of the model and prototype fabrication can be found in Appendix 9.
Figures 57 – Flexible photovoltaic panels were connected to the prototype structure.
Figure 58 – The Arduino boxes at the base of the prototype.
Figure 59 – Electricity transformer, two prepared Arduino boards and the motor.
45
4.5. Observed Results
The results obtained through the preliminary case study as applied
via the Adaptive Design Approach successfully replicate the
theoretical propositions with the simulation results.
Describing the simulation results empirically, an overall increase in
the photovoltaic solar capture capabilities of an average of 20% was
found. This can be verified by the Galapagos Species Record, a
sample of which can be seen in Appendix 7, by comparing the
results obtained from the first generation of genotypes and the last,
showing the improvement in percentages of the increase in the
energy capture capacity that the photovoltaic panels can achieve if
the final structure adapts according to the mechanical evolutions; as
tested and specified for the 1:5 scale model. Furthermore, the
results also described locations which provided less than 50% of the
photovoltaic panels’ full capacity, for these locations it can be
concluded that photovoltaic panels should be omitted. This last
percentage is an example of criteria which can be chosen by the
designer. Ultimately the 20% increase in solar capture result in a
significant improvement of the photovoltaic panels’ output capacity.
The implementation of the Adaptive Design Approach through the
preliminary case study successfully resulted in the culmination of
the principles of morphogenetic evolution and symbiotic
homeostasis for energy efficiency as proposed by the adaptive
design approach; since the final 1:5 scale model, designed through a
generative and optimized evolutionary approach, demonstrated the
capability to mechanically adapt its structure, based on the optimal
solar capture orientation as pre-determined by software
calculations, thus achieving a real-time homeostatic adaptation to
the designer criteria and the outside environment. Furthermore, the
design approach showed significant straightforwardness in the
generation of aesthetically complex designs, their exploration and
testing through the use of the graphical algorithm editors and
object-oriented programming used in this study.
46
5. CONCLUSIONS
This thesis proposed to explore and examine if a design approach
called ‘adaptive’, applied via a generative system, could result in the
improvement of energy efficient design. The term ‘adaptive’ had
dual utilization in this study. The first use refers to a generative
design evolution which adapts according to environmental design
parameters, defined by the author as morphogenetic evolution; and
the second use refers to the real-time physical adaptation of the
design to the actual surrounding environment based on the
previously set parameters, defined by the author as symbiotic
homeostasis.
The application of the adaptive design paradigm into a design
approach was accomplished by defining and explaining the terms of
influence relevant to generative and energy efficient design
methods, properly establishing the base for assimilating the theory,
principles and motives behind the adaptive paradigm, so that it
could be applied as an approach and validated through a case study
able to provide quantifiable results.
This resulted in the proposal of a five phase design sequence
approach, inclusively containing prerequisites and further
considerations that this approach requires. The approach was then
validated by the author by developing, testing, verifying and
explaining the results achieved through a preliminary case study
example; ultimately achieving the desired outcome of increased
energy efficiency through a generative design approach. Inclusively
it was found that the design paradigm for reaching sustainable
architectural solutions is able to respond to the ever morphing
quality of the natural environment and the inert materiality of the
built environment; through holistic integration of these two factors
via an adaptive design approach based on user defined criteria.
The relevant processes and techniques used for this approach,
through the use of specific software and respective plugins and add-
ons such as graphical algorithm editors and object-oriented
47
programming, were researched, critically evaluated and described in
the thesis as well as tested via the case study, demonstrated a great
amount of flexibility for architects to intuitively merge
environmental design solutions with current and emerging
technology and aesthetically complex design.
An added and inherent benefit of using the chosen group of
computer aided design interfaces is the open-source philosophy that
the developers of the software, plugins and add-ons follow by. This
allows for the almost real time integration with global participants
to help in potential problem solving aspects of the project. The
open-source aspect also demonstrated potential in reaching one
important prerequisite for this approach: the early integration of a
multi-disciplinary team of collaborators, which is necessary in order
to properly access and establish the global defining parameters
required for the resulting evolutionary output to prove beneficial in
a holistic sense. Other implications of equally important nature that
resulted from the theory research, as further described in the thesis,
include: the early integration and identification of the design phases,
the operability and completeness of metadata systems, the unified
interaction of design tools and the spontaneity, user accessibility
and legitimacy of results. Furthermore, the architect’s own
authorship also proves to be an essential requirement in the
implementation of the adaptive design approach, since their
definition of preferences, knowledge and aesthetic sensibility
ultimately define the rules by which the evolutionary process will
follow in order to reach the desired design outcome.
The preliminary case study results, which stemmed from the
application of the adaptive design five phase sequence approach,
the corresponding development of an ‘evolved’ or ‘adapted’ design
to the creation of a real-time environment-based adaptable
prototype based on these parameters, ultimately reached a total
average of twenty percent improvement in its photovoltaic solar-
capture performance; where some of the parameters tested that
48
had improvement capability reached ninety-nine percent of their
potential, others reached such low levels that the design
optimization would then result in their omission.
The processes and results obtained from the preliminary case study
also allowed for a glimpse into the further potential of this approach
for a more complete sustainability based analysis. These consist of
the possibility of performing whole-building energy analysis by
calculating the total energy use and carbon emissions of the building
model on an annual, monthly, daily, and hourly basis, using a global
database of weather information; thermal performance analysis by
calculating heating and cooling loads for models and analyse effects
of occupancy, internal gains, infiltration, and equipment; water
usage by being able to estimate water use inside and outside the
building, including cost evaluation; solar radiation by visualizing
incident solar radiation on windows and surfaces over any period in
time; daylighting, which include the analysis of daylight factors and
illuminance levels; and finally, shadows and reflections by displaying
the sun’s position and path relative to the model at any date, time,
and location. The aforementioned analysis comprise of the ones
based on the Ecotect software, thus even greater further potential
could be incorporated into this approach if other software or
engines were to be integrated; an example is an existing real-time
physics based engine for interactive simulation, optimization and
form-finding of structural force analysis1. These are only two
possibilities within a myriad of further design creation and analysis
tools presently available, inclusively, permitting for these outputs to
be analysed in conjunction with or against other outputs such as
societal or for optimized manufacturing capabilities, in one shared
interface environment that is continuously being optimized, whilst
simultaneously providing enhanced creative potential and software
control to the designer.
1 - Through a Grasshopper integrated software engine called Kangaroo.
49
In conclusion, this thesis served to introduce, through theory
research and examples, and examine, through a case study
developed via inter-disciplinary collaboration, if a design approach
called ‘adaptive’, applied via a generative system, could result in the
improvement of energy efficient design. The approach was found to
be successful and although this research was validated through a
preliminary case study and therefore could benefit from further
analysis and testing, it allowed to confirm that at least in the early
design phases, architects can indeed be empowered by these
intuitive tools in order to merge environmental design solutions,
integrated by bio-climatic building protocols, with current and
emerging technology and aesthetically complex design; thus taking
one step closer to fostering a symbiotic relationship between the
natural and built environments. Furthermore, theoretical notes
about possible paths and research potential in the further
development of the Adaptive Design paradigm and approach are
described in the next section of this chapter.
50
5.1. Further work
This is the age of networked intelligence (Tapscott, 2012).
Imagine a machine which could respond to local situations in the
physical environment: a family that moves, a residence that is
expanded, and/or income that decreases (Negroponte, 1969). If this
machine was interpreted as a built form (a building) made of a
number of cells (which could be sectors or rooms), and it reacted in
a way that it adapted its internal settings to accommodate changes
occurred in one or two high energy sectors (rooms requiring energy)
as opposed to low energy ones (rooms temporarily not being used).
At the User Scale
Environmental comfort could be defined by users, where they each
input their preferences on their phone or similar device and the
microcontroller computes the best possible solutions, for example,
the average of all user’s input and/or by user location within the
building. This same logic could be implemented for public spaces
where the input flow from the transient people could be monitored
and serve for the benefit of public administration and infrastructure
management. User preferences and control (which could be
interpreted as components of an environment) is thus inherently
embedded into the built environment.
At the Building Scale
One type of input can be complemented with other types of input.
Consider these: the confluence of a user-defined preferences data, a
building’s real time energy use data, and the building’s real-time
weather file data (based on location and orientation) and the
regional or national goal rules for GHG emission reduction - all
working together to balance the building’s internal environmental
comfort and optimal energy use.
51
At the Urban Scale
If a majority of buildings of a block, per say, were connected to the
same inputs, theoretically they could also have interconnections
between themselves and make use of each other’s inputs in order to
help each other reach the same goal. The same way that if one of
the buildings in this group was struggling to keep up with the
requirements (ex. a historic building or one that has tight retrofit
restrictions or one that was abundantly generating more energy
than it needs) the other interconnected buildings could assist
synergetically in reaching holistic equilibrium for that group.
At the Global Scale
Where energy generation, from the large to the small scale systems,
was interconnected to energy requirements: a better overall energy
distribution could be achieved; cities could grow strategically based
on a number of synergetically linked parameters, including (or
principally) the ones based on locally available energy or natural
resource sources.
At the Interplanetary Scale
The solar system scale has already been partially considered with
the orientation and weather data inputs. We could now go on a loop
back into the singular user on Earth or out into the interplanetary
scale. As Carl Sagan would say “energy is all around; it is what we’re
made of: star-stuff”, or point-cloud based star-dust.
52
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APPENDIX
01. MULTI-SCALAR ENERGY EFFICIENT DESIGN (Reiman Buechner and Crandall, 1983)
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01. MULTI-SCALAR ENERGY EFFICIENT DESIGN continued
(Reiman Buechner and Crandall, 1983).
(Watson & Labs, 1983)
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02. CITY PROTOCOL INFOCHART (City Protocol Org, 2012)
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03. LEED CRITERIA and the CALIFORNIA ACADEMY OF SCIENCES - LEED and Fondazione Renzo Piano
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61
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65
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04. MEDIA ITC, BARCELONA – Cloud 9 Architects
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05. AVERAGE SUNSHINE HOURS PER ANNUM FOR SELECTED EUROPEAN CITIES (Eurostat, 2009)
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06. SCREENSHOT OF SOFTWARE INTERFACE
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07. GALAPAGOS SPECIES RECORD DETAIL
------------------------ Created on: Thursday, 19 July 2012 (17:23:14) Generation 1 { Bio-Diversity: 0.980 Genome [0], Fitness=2731939.32, Genes [81% · 84% · 22% · 60% · 99% · 99% · 100% · 38% · 71%] { Record: Multiple fitness values were supplied; fitness is defined as the average. } Genome [1], Fitness=2327790.77, Genes [80% · 39% · 90% · 83% · 89% · 65% · 88% · 60% · 86%] { Record: Multiple fitness values were supplied; fitness is defined as the average. } Genome [2], Fitness=2182370.92, Genes [37% · 69% · 25% · 89% · 96% · 77% · 63% · 35% · 90%] { Record: Multiple fitness values were supplied; fitness is defined as the average. } Genome [3], Fitness=2171586.80, Genes [92% · 96% · 86% · 28% · 86% · 23% · 79% · 48% · 12%] { Record: Multiple fitness values were supplied; fitness is defined as the average. } Genome [4], Fitness=2128909.91, Genes [43% · 89% · 59% · 13% · 82% · 84% · 83% · 74% · 62%] { Record: Multiple fitness values were supplied; fitness is defined as the average. } Genome [5], Fitness=2097796.06, Genes [39% · 3% · 46% · 56% · 87% · 76% · 51% · 82% · 1%] { Record: Multiple fitness values were supplied; fitness is defined as the average. } Genome [6], Fitness=2036530.44, Genes [85% · 79% · 78% · 86% · 65% · 62% · 48% · 70% · 47%] { Record: Multiple fitness values were supplied; fitness is defined as the average. (…) Generation 30 { Bio-Diversity: 0.023 Genome [0], Fitness=2939875.88, Genes [100% · 97% · 21% · 59% · 99% · 99% · 99% · 39% · 71%] { Record: Point Mutation at index 5: 0.993 -> 0.9986 } Genome [1], Fitness=2934279.42, Genes [99% · 98% · 21% · 59% · 99% · 99% · 99% · 39% · 71%] Genome [2], Fitness=2933979.44, Genes [99% · 98% · 21% · 59% · 99% · 99% · 99% · 39% · 71%] Genome [3], Fitness=2932768.55, Genes [99% · 98% · 21% · 59% · 99% · 99% · 99% · 38% · 71%] Genome [4], Fitness=2931195.85, Genes [99% · 97% · 21% · 59% · 99% · 99% · 99% · 39% · 71%] Genome [5], Fitness=2931183.72, Genes [99% · 97% · 21% · 59% · 99% · 99% · 99% · 39% · 71%] Genome [6], Fitness=2930829.32, Genes [99% · 98% · 21% · 59% · 99% · 99% · 99% · 39% · 71%] { Record: Point Mutation at index 5: 0.993 -> 0.9968 (…)
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08. ARDUINO SAMPLE CONTROL CODE (Arduino, 2012)
------------------------ // Controlling a servo position using a potentiometer (variable resistor) // by Michal Rinott <http://people.interaction-ivrea.it/m.rinott> #include <Servo.h> Servo myservo; // create servo object to control a servo int potpin = 0; // analog pin used to connect the potentiometer int val; // variable to read the value from the analog pin void setup() { myservo.attach(9); // attaches the servo on pin 9 to the servo object } void loop() { val = analogRead(potpin); // reads the value of the potentiometer (value between 0 and 1023) val = map(val, 0, 1023, 0, 179); // scale it to use it with the servo (value between 0 and 180) myservo.write(val); // sets the servo position according to the scaled value delay(15); // waits for the servo to get there }
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09. PHOTOGRAPHS OF MODEL AND PROTOTYPE FABRICATION (Photos by Adrià Goula for DOMUS)
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More information on the HelioCell project at: IAAC SMART itSELF Global Summer School website: http://www.iaac.net/globalschool/2012/ IAAC Blog: http://www.iaacblog.com/blog/2012/iaac-global-summer-school-2012-smart-itself/ DOMUS: http://www.domusweb.it/it/architecture/iaac-heliocell/
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NOTE ON COPYRIGHT AND PERMISSIONS
The use of the HelioCell project which was conceived and developed
at the Institute of Advanced Architecture of Catalonia during the
Global Summer School 2012 SMART itSELF programme as a basis for
the preliminary case study and further studies conducted in this
thesis has been permitted by the IAAC Coordinators Nota Tsekoura
and Areti Markopoulou and by the Oxford Brookes University -
Sustainable Building: Performance and Design Programme
Coordinator Paola Sassi.
Following is the full list of participants which took part in the IAAC
workshop: Aleksandra Chechjotkina, Aline Vergauwen, Arrash
Fakouri, Ayesha Farooq, George Ladurner, Guido Hermans, Jordi
Vinals Terrez, Marc Subirana Ribera, Marina Diez Cascon, Nahal
Fathi, Paula Baptista, Pedram Seddighzadeh Yazdi, Rodion Eremeev,
Veronika Natividade and Zinnur Osman Aytek.
This thesis is licensed under a Creative Commons Attribution-
NonCommercial- ShareAlike 3.0 Unported License. The licensor
permits others to copy, distribute, display, and perform only
unaltered copies of the work and distribute derivative works only
under a licence identical to the one that governs the licensor's work.
In return, licensees must give the original author credit. Licencees
may not use the work for commercial purposes without the
licensor’s permission.
More information on this licence at:
http://creativecommons.org/licenses/by-nc-sa/3.0/legalcode/