Adam's At Home Auction April 9th 2017

AT HOME | AUCTION APRIL 9TH, 2017

AUCTIONSunday 9th April 2017 at 12.00pm

VENUEAdam’s Salerooms,26 St. Stephen’s Green, Dublin, D02 X665,Ireland

VIEWING April 5TH - April 8TH

Wednesday 5th April 10.00am - 5.00pm

Thursday 6th April 10.00am - 7.00pm

Friday 7th April 10.00am - 5.00pm

Saturday 8th April 11.00am - 5.00pm

ADAM’S

Est.1887

26 St. Stephen’s Green

Dublin D02 X665

Tel +353 1 6760261

[email protected]

www.adams.ie

mailto:[email protected]

http://www.adams.ie/

26 St. Stephen’s Green, Dublin 2 +353 (0)1 6760261 www.adams.ie

IMPORTANT INFORMATION FOR PURCHASERS

1. ESTIMATES AND RESERVESThese are shown below each lot in this sale. All amounts shown are in Euro. The figures shown are provided merely as a guide to pro-spective purchasers. They are approximate prices which are expected, are not definitive and are subject to revision. Reserves, if any, will not be any higher than the lower estimate.

2. PADDLE BIDDINGAll intending purchasers must register for a paddle number before the auction. Please allow time for registration. Potential purchasers are recommended to register on viewing days.

3. PAYMENT, DELIVERY AND PURCHASERS PREMIUMMonday 10th April 2017. Under no circumstances will delivery of purchases be given whilst the auction is in progress. All purchases must be paid for and removed from the premises not later than Monday 10th April 2017 at the purchaser’s risk and expense. After this time all uncollected lots will be removed to commercial storage and additional charges will apply. Auctioneers commission on purchases is charged at the rate of 20% (exclusive of VAT). Terms: Strictly cash, bankers draft or cheque drawn on an Irish bank. Cheques will take a minimum of five workings days to clear the bank, unless they have been vouched to our satisfaction prior to the sale, or you have a previous cheque payment history with Adam’s. Purchasers wishing to pay by credit card (Visa & MasterCard) may do so, however, it should be noted that such payments will be subject to an administrative fee of 1.5% on the invoice total. American Express is subject to a charge of 3.65% on the invoice total. Debit cards including laser card payments are not subject to a surcharge, there are however daily limits on Laser card payments. Bank Transfer details on request. Please ensure all bank charges are paid in addition to the invoice total, in order to avoid delays in the release of items. Goods will only be released upon clearance through the bank of all monies due. Artists Resale Rights (Droit de Suite) is NOT payable by purchasers.

4. VAT REGULATIONSAll lots are sold within the auctioneers VAT margin scheme. Revenue Regulations require that the buyers premium must be invoiced at a rate which is inclusive of VAT. This is not recoverable by any VAT registered buyer.

5. It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. Whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Please ensure that condition report requests are submitted before 12 noon on Thursday 6th April as we cannot guarantee that they will be dealt with after this time.

6. ABSENTEE BIDSWe are happy to execute absentee or written bids for bidders who are unable to attend and can arrange for bidding to be conducted by telephone. However, these services are subject to special conditions (see conditions of sale in this catalogue). All arrangements for absentee and telephone bidding must be made before 5pm on the day prior to sale. Cancellation of bids must be confirmed before this time and cannot be guaranteed after the auction has commenced.Bidding by telephone may be booked on lots with a minimum estimate of €500. Early booking is advisable as availability of lines cannot be guaranteed.

7. ALL LOTS ARE BEING SOLD UNDER THE CONDITIONS OF SALE AS PRINTED IN THIS CATALOGUE AND ON DISPLAY IN THE SALEROOMS.


+353 (0)1 6760261

Brian Coyle FSCSI FRICS

CHAIRMAN

Nick Nicholson

[email protected]

James O’Halloran BA FSCSI FRICS

MANAGING [email protected]

Stuart Cole MSCSI MRICS

[email protected]

David Britton BBS ACA

[email protected]

Amy McNamara BA

FINE ART [email protected]

Eamon O’Connor BA

[email protected]

Adam Pearson BA


Ronan Flanagan


Claire-Laurence Mestrallet

HEAD OF [email protected]

Katie McGale BComm Intl Mphil












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GENERAL TERMS & CONDITIONS OF BUSINESS

The Auctioneer carries on business on the following terms and conditions and on such other terms or conditions as may be expressly agreed with the Auctioneer or set out in any relevant Catalogue. Conditions 12-21 relate mainly to buyers and con-ditions 22-32 relate mainly to sellers. Words and phrases with special meanings are defined in condition 1. Buyers and sellers are requested to read carefully the Cataloguing Practice and Catalogue Explanation contained in condition 2.

DEFINITIONS 1. In these conditions the following words and expressions shall have the following meanings: Auctioneer - James Adam and Sons trading as Adam’s.Auctioneer’s Commission - The commission payable to the Auctioneer by the buyer and seller as specified in conditions 13 and 25.Catalogue - Any advertisement, brochure, estimate, price or other publication.Forgery - A Lot which was made with the intention of deceiving with regard to authorship, culture, source, origin, date, age or period and which is not shown to be such in the description therefore in the Catalogue and the market value for which at the date of the auction was substantially less than it would have been had the Lot been in accordance with the Catalogue description.Hammer Price - The price at which a Lot is knocked down by the Auctioneer to the buyer.Lot - Any item which is deposited with the Auctioneer with a view to its sale at auction and, in particular, the item or items described against any Lot number in any Catalogue.Proceeds of Sale - The net amount due to the seller being the Hammer Price of the Lot after deducting the Auction-eer’s Commission thereon under condition 25 the seller’s contribution towards insurance under condition 26, such VAT as is chargeable and any other amounts due by the seller to the Auctioneer in whatever capacity howsoever arising.Registration Form or Register - The registration form (or, in the case of persons who have previously attended at auctions held by the Auctioneer and completed registration forms, the register maintained by the Auctioneer which is compiled from such registration forms) to be complet-ed and signed by each prospective buyer or, where the Auctioneer has acknowledged pursuant to condition 12 that a bidder is acting as agent on behalf of a named principal, each such bidder prior to the commencement of an auction.Sale Order Form - The sale order form to be completed and signed by each seller prior to the commencement of an auction.Total Amount Due - The Hammer Price of the Lot sold, the Auctioneer’s Commission due thereon under condition 13, such VAT as is chargeable and any additional interest, expenses or charges due hereunder.V.A.T. - Value Added Tax. Cataloguing Practice & Catalogue Explanations 2. Terms used in Catalogues have the following meanings and the Cataloguing Practice is as follows: The first name or names and surname of the artist - In the opinion of the Auctioneer a work by the artist.The initials of the first name(s) and the surname of the artist - In the opinion of the Auctioneer a work of the period of the artist and which may be in whole or in part the work of the artist.The surname only of the artist - In the opinion of the Auc-tioneer a work of the school or by one of the followers of the artist or in his style.The surname of the artist preceded by ‘after’ - In the opinion of the Auctioneer a copy of the work of the artist.Signed/Dated/Inscribed - In the opinion of tile Auctioneer the work has been signed/dated/inscribed by the artist.With Signature/With date/With inscription’- In the opinion of the Auctioneer the work has been signed/dated/inscribed

by a person other than the artist.Attributed to - In the opinion of the Auctioneer, probably a work of the artist.Studio of/Workshop of - In the opinion of the Auctioneer a work executed in the studio of the artist and possibly under his supervision.Circle of - In the opinion of the Auctioneer a work of the period of the artist and showing his influence.Follower of - In the opinion of the Auctioneer a work execut-ed in the artist’s style yet not necessarily by a pupil.Manner of - in the opinion of the Auctioneer a work executed in artist’s style but of a later date. None of the terms above are appropriate but in the Auction-eer’s opinion the work is a work by the artist named.

GENERAL CONDITIONS Auctioneer Acting as Agent3. The Auctioneer is selling as agent for the seller unless it is specifically stated to the contrary. The Auctioneer as agent for the seller is not responsible for any default by the seller or the buyer. The auctioneer reserves the right to bid on behalf of the seller. Auctioneer Bidding on behalf of Buyer4. It is suggested that the interests of prospective buyers are best protected and served by the buyers attending at an auc-tion. However, the Auctioneer will, if instructed, execute bids on behalf of a prospective buyer. Neither the Auctioneer nor its employees, servants or agents shall be responsible for any neglect or default in executing bids or failing to execute bids. Admission to Auctions5. The Auctioneer shall have the right exercisable in its absolute discretion to refuse admission to its premises or attendance at its auctions by any person. Acceptance of Bids6. The Auctioneer shall have the right exercisable in its abso-lute discretion to refuse any bids, advance the bidding in any manner it may decide, withdraw or divide any Lot, combine any two or more Lots and, in the case of a dispute, to put any Lot up for auction again. Indemnities7. Any indemnity given under these conditions shall extend to all actions, proceedings, claims, demands, costs and expenses whatever and howsoever incurred or suffered by the person entitled to the benefit of the indemnity and the Auctioneer declares itself to be a trustee of the benefit of every such indemnity for its employees, servants or agents to the extent that such indemnity is expressed to be for their benefit. Representations in Catalogues8. Representations or statements made by the Auctioneer in any Catalogue as to contribution, authorship, genuineness, source, origin, date, age, provenance, condition or estimated selling price or value is a statement of opinion only. Neither the Auctioneer nor its employees, servants or agents shall be responsible for the accuracy of any such opinions. Every person interested in a Lot must exercise and rely on their own judgment and opinion as to such matters. 9. The headings of the conditions herein contained are insert-ed for convenience of reference only and are not intended to be part of, or to effect, the meaning or interpretation thereof.

Governing Law10. These conditions shall be governed by and construed in accordance with Irish Law. Notices11. Any notice or other communication required to be given by the Auctioneer hereunder to a buyer or a seller shall, where required, be in writing and shall be sufficiently given if delivered by hand or sent by post to, in the case of the buyer, the address of the buyer specified in the Registration Form or Register, and in the case of the seller, the address of the seller specified in the Sale Order Form or to such other address as the buyer or seller (as appropriate) may notify the Auctioneer in writing. Every notice or communication given in accordance with this condition shall be deemed to have been received if delivered by hand on the day and time of delivery and if delivered by post three (3) business days after posting. CONDITIONS WHICH MAINLY CONCERN THE BUYER The Buyer12. The buyer shall be the highest bidder acceptable to the Auctioneer who buys at the Hammer Price. Any dispute which may arise with regard to bidding or the acceptance of bids shall be settled by the Auctioneer. Every bidder shall be deemed to act as principal unless the Auctioneer has prior to the auction, acknowledged in writing that a bidder is acting as agent on behalf of a named principal. The Commission13. The buyer shall pay the Auctioneer a commission at the rate of 20% of the Hammer Price, exclusive of VAT at the applicable rate on all individual lots. Payment14. Unless credit terms have been agreed with the Auction-eer before the auction the buyer of a Lot shall pay to the Auctioneer within one (2) days from the date of the auction the Total Amount Due. Notwithstanding this, the Auctioneer may, in its sole discretion, require a buyer to pay a deposit of 25% of the Total Amount Due at the conclusion of the auction.The Auctioneer may apply any payments received by a buyer towards any sums owing from that buyer to the Auctioneer on any account whatever regardless of any directions of the buyer or his agent in that regard whether express or implied.The Auctioneer shall only accept payment from successful bidders in cash, draft in Euro or by the bidder’s own cheque drawn on an Irish bank account vouched to the satisfaction of the Auctioneer. Cheques drawn by third parties, whether in the Auctioneer’s favour or requiring endorsement, shall not be accepted. We also accept payment by credit card, Visa & Mastercard subject to a administration charge of 2% of the total amount due. American Expess 3.65% administration charge. We also accept debit card payments by way of Laser, with no surcharge, however the cardholder in person can only make the payment.

Reservation of Title15. Notwithstanding delivery or passing of risk to the buyer the ownership of a Lot shall not pass to the buyer until he has paid to the Auctioneer the Total Amount Due. Collection of Purchases16. The buyer shall at his own expense collect the Lot purchased not later than seven (2) days after the date of the auction but (unless credit terms have been agreed with the Auctioneer pursuant to condition 14) not before payment to the

Auctioneer of the Total Amount Due.The buyer shall be responsible for any removal, storage and insurance charges in respect of any Lot which is not taken away within seven (2) days after the date of the auction.The purchased Lot shall be at the buyer’s risk in all respects from the earlier of the time of collection or the expiry of (2)

days from the date of the auction. Neither the Auctioneer nor its employees, servants or agents shall thereafter be liable for any loss or damage of any kind howsoever caused while a purchased Lot remains in its custody or control after such time Packaging and Handling of Purchased Lots17. Purchased Lots may be packed and handled by the Auctioneer, its employees, servants or agents. Where this is done it is undertaken solely as a courtesy to buyers and at the discretion of the Auctioneer. Under no circumstances shall the Auctioneer, its employees, servants or agents be liable for damage of any kind and howsoever caused to glass or frames nor shall the Auctioneer be liable for the errors or omissions of, or for any damage caused by, any packers or shippers which the Auctioneer has recommended. Non-Payment or Failure to Collect Purchased Lots18. If a buyer fails to pay for and/or collect any purchased Lot by the dates herein specified for payment and collection the Auctioneer shall, in its absolute discretion and without preju-dice to any other rights or remedies it may have, be entitled to exercise one or more of the following rights or remedies without further notice to the buyer: (a) To issue court proceedings for damages for breach of contract; (b) To rescind the sale of that Lot or any other Lots sold to the buyer whether at that or at any other auction; (c) To resell the Lot or cause it to be resold whether by public auction or private sale. In the event that there is a deficiency between the Total Amount Due by the buyer and the amount received by the Auctioneer on such resale after deduction of any necessary expenses the difference shall be paid to the Auctioneer by the buyer. Any surplus arising shall belong to the seller; (d) To store (whether at the Auctioneer’s premises or else-where) and insure the purchased Lot at the expense of the buyer; (e) To charge interest on the Total Amount Due at the rate of 2% over and above the base rate from time to time of Bank of Ireland or if there be no such rate, the nearest equivalent thereto as determined by the Auctioneer in its absolute discretion from the date on which payment is due hereunder to the date of actual payment; (f) To retain that Lot or any other Lot purchased by the buyer whetherat the same or any other auction and release same to the buyer only after payment to the Auctioneer of the Total Amount Due; (g) To apply any sums which the Auctioneer received in respect of Lots being sold by the buyer towards settlement of the Total Amount Due. (h) To exercise a lien on any property of the buyer in the possession of the Auctioneer or whatever reason.

Liability of Auctioneer and Seller19. Prior to auction ample opportunity is given for the in-spection of the Lots on sale and each buyer by making a bid acknowledges that he has, by exercising and relying on his own judgment, satisfied himself as to the physical condition, age and Catalogue description of each Lot (including but not restricted to whether the Lot is damaged or has been repaired or restored). All Lots are sold with all faults and imperfections and errors of description. None of the seller, the Auctioneer nor any of their employees, servants or agents shall be responsi-ble for any error of description or for the condition or authen-ticity of any Lot. No warranty whatsoever is given by the seller or Auctioneer or by any of their employees, servants or agents in respect of any Lot and any condition or warranty express, or implied by statute or otherwise is hereby specifically excluded.

Forgeries20. Any amount paid by a buyer in respect of a Lot which, if it is proved within three (3) years of the date of the auction at which it was purchased, to have been a Forgery shall be refunded to the seller subject to the provisions hereof, provided that: (a) The Lot has been returned by the buyer to the Auctioneer within three (3) years of the date of the auction in the same condition in which it was at the time of the auction together with evidence proving that it is a Forgery, the number of the Lot and the date of the auction at which it was purchased; (b) The Auctioneer is satisfied that the Lot is a Forgery and that the buyer has and is able to transfer good and market-able title to the Lot free from any third party claims; FURTHER PROVIDED THAT the buyer shall have no rights hereunder if:(i) The description of the Lot in the Catalogue at the time of the auction was in accordance with the then generally ac-cepted opinion of scholars or experts or fairly indicated that there was a conflict of such opinion; (ii) The only method of establishing at the time of the auction in question that the Lot was a Forgery would have been by means of scientific processes which were not generally accepted for use until after the date of the auction or which were unreasonably expensive or impractical. The buyer’s sole entitlement under this condition is to a refund of the actual amount paid by him in respect of the Lot. Under no circumstances shall the Auctioneer be liable for any damage, loss (including consequential, indirect or economic loss) or expense suffered or incurred by the buyer by reason of the Lot being a Forgery. The benefit of this condition shall be solely and exclusively for the buyer and shall not be assignable. The buyer shall for the purpose of this condition be the person to whom the original invoice in respect of the sale of the Lot is made. Photographs21. The buyer authorises the Auctioneer at any time to make use of any photographs or illustrations of the Lot purchased by the buyer for such purposes as the Auctioneer may require.

22. New VAT Regulations

22a) All lots are sold within the Auctioneer’s VAT margin scheme. Revenue Regulations require that the buyers premi-um must be invoiced at a rate which is inclusive of VAT. This VAT is not recoverable by any VAT registered buyer. CONDITIONS WHICH MAINLY CONCERN THE SELLER Auctioneer’s Discretion23. With regard to the sale of any Lot the Auctioneer shall have the following powers exercisable solely in the discretion of the Auctioneer:(i) To decide whether to offer any Lot for sale or not;(ii) To decide whether a particular Lot is suitable for sale by the Auctioneer and, if so, to determine which auction, the place and date of sale, the conditions of sale and the manner in which such sale should be conducted;(iii) To determine the description of any Lot in a Catalogue.(iv) To decide whether the views of any expert shall be obtained and to submit Lots for examination by any such experts.(v) To determine what illustration of a Lot (if any) is to be included in the Catalogue. Seller’s Warranty and Indemnity24. The seller warrants to the Auctioneer and to the buyer that he is the true owner of the Lot or is legally authorised to sell the Lot on behalf of the true owner and can transfer good and marketable title to the Lot free from any third

party claims. As regards Lots not held by the Auctioneer on its premises or under its control the seller warrants and un-dertakes to the Auctioneer and the buyer that the Lot will be available and in a deliverable state on demand by the Auc-tioneer or buyer. The seller shall indemnify the Auctioneer and the buyer or any of their respective employees, servants or agents against any loss or damage suffered by any of them in consequence of any breach of the above warranties or undertakings by the seller. Reserves25. Subject to the Auctioneer’s discretion, the seller shall be entitled prior to the auction to place a reserve on any Lot. All reserves must be agreed in advance by the Auctioneer and entered on the Sale Order Form or subsequently be con-firmed in writing to the Auctioneer prior to auction. This also applies to changes in reserves. A reserve may not be placed upon any Lots under €150 in value. The reserve shall be the minimum Hammer Price at which the Lot may be sold by the Auctioneer. A reserve once in place may only be changed with the consent of the Auctioneer. A commission shall be charged on the ‘knock-down’ bid for Lots which fail to reach the reserve price. Such commission shall be 5% of the ‘knock-down’ bid. This commission and any VAT payable thereon must be paid before removal of the Lot after the auction. The minimum commission hereunder shall be €50. The Auction-eer may in its sole discretion sell a Lot at a Hammer Price below the reserve thereon but in such case the Proceeds of Sale to which the seller shall be entitled shall be the same as they would have been had the sale been at the reverse. Unless a reserve has been placed on a Lot in accordance with the provisions set out above such Lot shall be put up for sale without reserve. In the event that any reserve price is not reached at auction then for so long as the Lot remains with the Auctioneer and to the extent that the Lot has not been re-entered in another auction pursuant to condition 31 the seller authorises the Auctioneer to sell the Lot by private treaty at not less than the reserve price. The Auctioneer shall ensure that in such a case those conditions herein which concern mainly the buyer shall, with any necessary modifica-tion, apply to such sale.

Commission26. The Seller shall pay the Auctioneer commission at the rate of 10% on the Hammer Price of all Lots sold on behalf of the seller at Irish Art Sales and 17.5% on all other Sales together with VAT thereon at the applicable rate. Mini-mum charges are detailed below. The seller authorises the Auctioneer to deduct from the Hammer Price paid by the buyer the Auctioneer’s Commission under this condition; VAT payable at the applicable rates and any other amounts due by the seller to the Auctioneer in whatever capacity howsoev-er arising. The seller agrees that the Auctioneer may also receive commission from the buyer pursuant to condition 13. Minimum Charges: Each individual lot is subject to a min-imum fee of €3.00 plus VAT, with a minimum charge per account of €50.00 plus VAT.

Insurance27. Unless otherwise instructed by the seller, all Lots (with the exception of motor vehicles) deposited with the Auction-eer or put under its control for sale shall automatically be insured by the Auctioneer under the Auctioneer’s own fine arts policy for such sum as the Auctioneer shall from time to time in its absolute discretion determine. The seller shall pay the Auctioneer a contribution towards such insurance at the rate of 1.5% of the Hammer Price plus VAT. If the seller instructs the Auctioneer not to insure a Lot then the Lot shall at all times remain at the risk of the seller who undertakes to indemnify the Auctioneer and hold the Auctioneer harmless against any and all claims made or proceedings brought against the Auctioneer of whatever nature and howsoever and wheresoever occurring for loss or damage to the Lot. The sum for which a Lot is covered for insurance under this

condition shall not constitute and shall not be relied upon by the seller as a representation, warranty or guarantee as to the value of the Lot or that the Lot will, if sold by the Auctioneer, be sold for such amount. Such insurance shall subsist until such time as the Lot is paid for and collected by the buyer or, in the case of Lots sold which are not paid for or collected by the buyer by the due date hereunder for payment or collection such due date or, in the case of Lots which are not sold, on the expiry of seven (7) days from the date on which the Auctioneer has notified the seller to collect the Lots. Illustration Charges:27a. Catalogue illustrations are included at the discretion of the Auctioneer. Illustration charges will be calculated on the particular category of sale. These charges are subject to change. Irish art sale illustrations: €150.00 full page, €100.00 half page, €50 all other sizes. Fine art illustrations: Scaled fee €100.00 for lots sold for €3,000.00 hammer price & over, €50.00 for lots sold under €3000.00 hammer price. Contem-porary picture illustrations: €25.00 per illustration. All lots illustrated and not sold are charged at €25.00 per illustration. Recision of Sale28. If before the Auctioneer has paid the Proceeds of Sale to the seller the buyer proves to the satisfaction of the Auc-tioneer that the Lot sold is a Forgery and the requirements of condition 20 are satisfied the Auctioneer shall rescind the sale and refund to the buyer any amount paid to the Auctioneer by the buyer in respect of the Lot. Payment of Proceeds of Sale29. The Auctioneer shall remit the Proceeds of Sale to the seller not later than thirty (30) days after the date of the auc-tion, provided however that, if by that date, the Auctioneer has not received the Total Amount Due from the buyer then the Auctioneer shall remit the Proceeds of Sale within seven (7) working days after the date on which the Total Amount Due is received from the buyer. If credit terms have been agreed between the Auctioneer and the buyer the Auction-eer shall remit to the seller the Proceeds of Sale not later than thirty (30) days after the date of the auction unless oth-erwise agreed by the seller. If before the Total Amount Due is paid by the buyer the Auctioneer pays the seller an amount equal to the Proceeds of Sale then title to the Lot shall pass to the Auctioneer. If the buyer fails to pay the Auctioneer the Total Amount Due within fourteen (14) days after the date of the auction, the Auctioneer shall endeavour to notify the sell-er and take the seller’s instructions on the course of action to be taken and, to the extent that it is in the sole opinion of the Auctioneer feasible, shall endeavour to assist the seller to recover the Total Amount Due from the buyer provided that nothing herein shall oblige the Auctioneer to issue pro-ceedings against the buyer in the Auctioneer’s own name. If circumstances do not permit the Auctioneer to take instruc-tions from the seller or, if after notifying the seller, it does not receive instructions within seven (7) days, the Auctioneer reserves the right, and is hereby authorised by the seller at the seller’s expense, to agree special terms for payments of the Total Amount Due, to remove, store and insure the Lot sold, to settle claims made by or against the buyer on such terms as the Auctioneer shall in its absolute discretion think fit, to take such steps as are necessary to collect monies due by the buyer to the seller and, if necessary, to rescind the sale and refund money to the buyer. Payment of Proceeds to Overseas Sellers30. If the seller resides outside Ireland the Proceeds of Sale shall be paid to such seller in Euro unless it was agreed with the seller prior to the auction that the Proceeds of Sale would be paid in a currency (other than Euro) specified by the seller in which case the Proceeds of Sale shall be paid by the Auctioneer to the seller in such specified currency (pro-vided that that currency is legally available to the Auctioneer in the amount required) calculated at the rate of exchange quoted to the Auctioneer by its bankers on the date of pay-ment. All payment instructions must be in writing.

Charges for Withdrawn Lots31. Once catalogued. Lots withdrawn from sale before proof-ing/publication of Catalogue will be subject to commission of 5% of the Auctioneer’s latest estimate of the auction price of the Lot withdrawn together with VAT thereon and any expenses incurred by the Auctioneer in relation to the Lot. If Lots are withdrawn after proofing or publication of Catalogue they will be subject to a commission of 10% of the Auctioneer’s latest estimate of the auction price of the Lot withdrawn together with VAT thereon and any expenses incurred by the Auctioneer in relation to the Lot. All commis-sion hereunder must be paid for before Lots withdrawn may be removed. Unsold Lots32. Where any Lot fails to sell at auction the Auctioneer shall notify the seller accordingly and (in the absence of agree-ment between the seller and the Auctioneer to the contrary) such Lot may, in the absolute discretion of the Auctioneer, be re-entered in the next suitable auction unless instruc-tions are received from the seller to the contrary, otherwise such Lots must be collected at the seller’s expense within the period of thirty (30) days of such notification from the Auctioneer. Upon the expiry of such period the Auctioneer shall have the right to sell such Lots by public auction or private sale and on such terms as the Auctioneer in its sole discretion may think fit. The Auctioneer shall be entitled to deduct from the price received for such Lots any sums owing to the Auctioneer in respect of such Lots including without limitation removal, storage and insurance expenses, any commission and expenses due in respect of the prior auction and commission and expenses in respect of the subsequent auction together with all reasonable expenses before remit-ting the balance to the seller. If the seller cannot be traced the balance shall be placed in a bank account in the name of the Auctioneer for the seller. Any deficit arising shall be due from the seller to the Auctioneer. Any Lots returned at the seller’s request shall be returned at the seller’s risk and ex-pense and will not be insured in transit unless the Auctioneer is so instructed by the seller. Auctioneer’s Right to Photographs and Illustrations33. The seller authorises the Auctioneer to photograph and illustrate any Lot placed with if for sale and further authoris-es the Auctioneer to use such photographs and illustrations and any photographs and illustrations provided by the seller at any time in its absolute discretion (whether or not in con-nection with the auction). VAT34. It is presumed unless stated to the contrary, that the items listed herein are auction scheme goods as defined in the Finance Act 1995. Artist’s Resale Rights (Droit de Suite)35. Government Regulations (S.1. 312/2006), under this leg-islation a royalty (Droit de Suite) is payable to living artists of E.U. Nationality on all works resold for €3,000 or more, other than sold by the artist or the artist’s agent.The resale royalty payable is calculated as followsFrom €3,000 to €50,000 4%From €50,000.01 to €200,000 3%From €200,000.01 to €350,000 1%From €350,000.01 to €500,000 0.5%Exceeding €500,000 0.25% The total amount of royalty payable on any individual sale shall not exceed €12,500. The seller is liable for payment (paragraph 7.1 of Government Regulations (S.1. 312/2006) of this royalty on completion of the sale. The artist may request from the Auctioneer any information necessary to secure payment. Unless otherwise directed by the vendor, the Auc-tioneer will automatically deduct the amount due from the proceeds of sale and will hold in trust for the artist or their representative the said sum.

Sunday 9th April

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1 A PAIR OF SILVER HANAU DISHES, LONDON IMPORT MARKS FOR 1901, MARK OF GEORG ROTH & CO. of navette form with twin scroll handles having human mask finials, the sides with cast and pierced figural, leaf swag and classical motifs, raised on four lion’s paw feet, with fitted blue glass liners, (c. 40ozs). 37.5cm long

€ 1,500 - 2,000

SILVER & PLATED WARE

https://www.adams.ie/index.php?option=com_auction&keyword=&excl_keyword=&auction_no=8150&low_estimate=20&high_estimate=7000&sort_by=lot_no&gridtype=listview&ipp=All&page_no=1&view=lot_detail&lot_id=75525



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2 AN IRISH PROVINCIAL SILVER MOUNTED COWRIE SHELL SNUFF BOX, by John Humphries of Cork, 1770, the base engraved with initials. 7.5cm long

€ 400 - 600

3 A LATE 19TH CENTURY SILVER MOUNTED DECANTER AND STOPPER, Birmingham 1889, mark of Barker Brothers, finial and slender elongated baluster design. 35cm high; together with an Irish triple ring neck ‘quarter’ decanter with mushroom stopper. 19cm high; and a collection

€ 200 - 300

4 A SMALL COLLECTION OF SILVER INCLUDING A PAIR OF ART DECO TAPERING VASES, a Georgian style sugar castor, a bachelors teapot, and a plain circular bowl

€ 120 - 180

5 A MISCELLANEOUS COLLECTION OF SILVER, WHITE METAL AND PLATED CURIOS, including Chinese white metal brooch, condiments, coasters, apostle spoon, paper knife etc.

€ 150 - 200













Sunday 9th April

13

6 A GEORGE III IRISH SILVER TEAPOT, Dublin 1805, mark of Richard Sawyer, of circular form, the demi-fluted body applied with hinged lid and timber handle, with ropetwist rim and acorn finial, and raised on circular foot, (c.808g all in)

€ 500 - 700

7 A VICTORIAN SILVER PEAR SHAPED COFFEE POT, London 1896, mark of Joseph Williams & Co., with domed hinged lid, applied ebon finial and ‘C’ scroll handle, the body decorated in the Rococo Revival taste, chased and embossed with foliate and shell motifs to an orange peel ground, with vacant cartouches, crested to one side and inscribed ‘Fear God in Life’, raised on stepped circular foot, (c.373g). 23cm high

€ 150 - 250

6

7





14

9 THREE GEORGE III IRISH SILVER BON BON DISHES, Dublin 1819, mark probably that of James Fray, in the form of urns, with gadrooned rims, the body embossed and chased with flowers, (c.591g). (3)

€ 300 - 500

8 A GEORGE II IRISH SILVER CARD TRAY, Dublin probably c.1739, mark of Andrew Goodwin, of shaped circular form, with raised shell and scroll border, the central reserve profusely engraved with scroll and foliate decoration and with central crest, raised on three scroll feet, (c.357.7g). 20cm diameter€ 150 - 250

11 A GEORGIAN REVIVAL SILVER BREAD BASKET, Chester 1911, mark of Barker Brothers, of oval form with serrated rim and pierced sides cut with vertical flutes, engraved with initial, (c.466g). 30cm wide

€ 250 - 350

10 AN IRISH SILVER CREAMER AND SUGAR BOWL, Dublin 1977, mark of the Royal Irish Silver Company, each with embossed and chased floral decoration, the bases with sun burst design and raised on three stylised scallop shell and pad feet, the creamer with applied acanthus wrapped c-scroll handle, (c. 451g). (2)

€ 300 - 500









Sunday 9th April

15

12 A NEAR PAIR OF GEORGE II SHAPED CIRCULAR SILVER CARD TRAYS,London 1754, mark of Dorothy Sarbitt, with raised shell and swag border, each engraved with individual crest and raised on three hoof capped feet, (c.560g). Each 19cm diameter. (2)

€ 700 - 1,000




16

13 A PAIR OF IRISH SILVER FIDDLE PATTERN SERVING SPOONS, Dublin 1859, mark of John Scofield, the handles terminating in lion rampant crest. 30cm long; together with a George III Irish silver basting spoon, fiddle pattern, the bowl with central dividing grill, with crested handle. 33cm long, (c.370g in all). (3)

€ 300 - 500

14 A GEORGE III SILVER FIDDLE PATTERN FISH SERVER, mark of William Eley & William Fern, of plain decoration, crested

€ 150 - 200

15 A MATCHED SET OF TWELVE IRISH GEORGIAN SILVER DESSERT FORKS, of various dates and makers, (c.388.8g)

€ 300 - 500

16 A PAIR OF IRISH GEORGE III SILVER SERVING SPOONS, DUBLIN 1811 & 1815, mark of John Pittar, the tapering handle with bright cut decoration; together with twelve Irish Georgian silver teaspoons of similar decoration, (c.357.7g). (14)

€ 300 - 400











Sunday 9th April

17

17 A GEORGE III IRISH SILVER SERVING SPOON, Dublin 1786, mark of John Shields, the pointed taper handle decorated with bright cut engraving; together with a George III Irish bright-cut table spoon, Dublin 1804, mark of John Boland, (c.186.6g in all). 30.5cm long and 25.2cm long. (2) € 300 - 400

19 A SET OF FOUR GEORGE III IRISH SILVER BRIGHT-CUT TAPER HANDLE TABLE SPOONS, Dublin 1787, mark of Michael Keating; together with a pair of similar examples, Dublin 1799, mark of James Keating, (c.357.7g in all). (6)

€ 400 - 600

18 A SET OF SIX GEORGE III IRISH SILVER HANOVERIAN PATTERN TABLESPOONS, Dublin 1763, mark of David T. Peter, the taper handle engraved with floral decoration, (c.435.5g). (6) € 300 - 500









18

20 AN IRISH COMMEMORATIVE SILVER DISH, by William Egan of Cork, Dublin 1979, commemorating the visit of John-Paul II to Ireland; together with a cased silver medallion en suite. (2)

€ 150 - 250

21 AN ART NOUVEAU TRI-FORM SILVER PRESENTATION BOWL, Birmingham 1905, mark of Williams (Birmingham) Ltd., of tulip head form, with serrated rim, applied with cast handles and trefoil feet, c.23cm diameter; together with a silver pierced dish, Dublin 1973, inscribed; and a small silver dish, Dublin, (c.902g in all). (3)

€ 500 - 700

22 A LARGE GEORGIAN REVIVAL SILVER SAUCEBOAT, London 1906, mark of Thomas Bradbury & Sons Ltd., the plain body with wavy rim, acanthus wrapped c-scroll handle, raised on shell capped stylised pad feet; together with another smaller example;and an Edwardian silver swing handle sugar basket, Sheffield 1901, of wavy oval form, with arched handle and spreading foot, (c.545g in all). (3)

€ 400 - 600

23 AN IRISH CELTIC REVIVAL TWO HANDLE SILVER BOWL, Dublin 1916, mark of Edmond Johnson, the rim and domed circular foot decorated with bands of chased and embossed Celtic pattern banding, having gilt interior, (c.435.5g). 22cm over handles

€ 300 - 500









Sunday 9th April

19

24 A LATE VICTORIAN SILVER EPERGNE, Sheffield 1896, mark of Martin Hall & Co., the raised tapering vase above shaped circular dish, pierced and embossed with floral groups and foliage. 31cm diameter, 25cm high; together with a pierced silver dish, Birmingham 1906, mark of Boardman, Glossap & Co. Ltd, of lozenge form, the gadroon wavy rim with shell motifs above a pierced body; and another pierced silver dish of lozenge form, Birmingham 1908, mark of Charles West-wood & Sons, (c.1,337g in all). (3)

€ 550 - 750



20

28 A MATCHED SET OF 29 IRISH GEORGIAN SILVER TEAPOONS IN THE OLD ENGLISH PATTERN, of various dates and makers, the taper handle with bright-cut engraving

€ 250 - 350

27 A MATCHED SET OF SIX IRISH GEORGE III SILVER TABLE FORKS, DUBLIN 1789, with various makers’ marks, the plain tapering handles with reeded rim, (c.357.7g)

€ 180 - 220

25 A SET OF TWELVE SILVER PISTOL HANDLE DINNER KNIVES, Sheffield 1905, mark of Harrison Brothers & Hawson, with stain-less steel blades

€ 300 - 500

26 A MATCHED SET OF FOURTEEN IRISH GEORGE III SILVER DESSERT SPOONS OF VARIOUS DATES AND MAKERS, mainly Dublin 1790 & 1794, and marks of John Sheilds and Law & Bayley, the tapering handles decorated with bright cut engraving, (c.342.1g)

€ 200 - 300












Sunday 9th April

21

30 A FOUR-PIECE SILVER TEA AND COFFEE SERVICE,Birmingham 1901, mark probably that of Charles Herner, comprising teapot, coffee pot, sugar bowl and creamer, of oblong form, each piece embossed and chased with scroll and foliate decoration against an orange peel ground, with central vacant cartouche, the pots with ebon handles and finials, (c.1,680g in all). Teapot 29cm wide over handle and spout. (4)

€ 1,000 - 1,500

29 A SILVER THREE-PIECE TEA SERVICE, Chester 1913, mark of George Nathan & Ridley Hayes, of oblong form, comprising: teapot, sugar bowl and creamer, each with partially fluted body and fluted scallop shell rim, the creamer and sugar bowl with cast foliate handles, the teapot with ebon handle and finial, all raised on bun feet. 30.5cm wide over teapot handle and spout, (c.1,150.8g in all including ebon handles) € 500 - 800





22

34 A GEORGE III FIDDLE PATTERN SILVER LADLE, London 1815, mark probably that of Thomas Purver & Edward Furnice, the handle terminating with crest, (c.156g). 33cm long

€ 100 - 150

33 AN AMERICAN STERLING STANDARD SILVER COFFEE POT, stamped J.E. Caldwell & Co, of baluster form, with repousse, chased and engraved foliate decoration to the base, rim and hinged lid, having acanthus wrapped c-scroll handle and spout, raised on circular base, (c.918g). 23cm high, 22cm wide over han-dle and spout; together with an American sterling standard silver coffee pot, stamped Fisher Silversmiths, of demi-fluted baluster form topped with fluted finial. 22cm high, 21cm wide across over handle and spout. (2)

€ 400 - 600

31 AN AMERICAN STERLING STANDARD SILVER TWO HANDLE OVAL DISH AND COVER, Philadelphia c.1891, mark of Bailey, Banks & Biddle, of oblong form, the dish with raised cast scroll and acanthus stylized rim, having stylized acanthus wrapped and twisted handles, the cover with conforming handle, raised on four scroll feet, (c.1,041g). 25.5cm long, 18.5cm wide

€ 500 - 700

32 A WILLIAM IV SILVER TEAPOT, London 1833, mark of John, Edward, Walter & John Barnard (Barnard & Sons), of lobed baluster form, the hinged lobed lid with cast naturalistic finial, c-scroll handle, raised on four anthemion scroll feet, (c.902g). 25cm high, 26cm wide over handle and spout

€ 500 - 700










Sunday 9th April

23

35 A WILLIAM IV IRISH SILVER TEAPOT, DUBLIN 1831, mark of William Nowlan, of melon form with six panel sides, having hinged lid, naturalistic handle, spout and finial, the entire engraved with scroll decoration, (c.808g). 27cm wide over handle and spout

€ 500 - 700

36 ‘THE GALWAY PLATE’, WON BY MRS. A. BIDDLE’S AMBER POINT, trained by P. Sleator; 1954 ridden by P. Sleator; 1956 ridden by P. Farrell, an electroplated shaped oval tray in the Celtic Revival taste. 69cm wide over handles; together with an ‘EPNS’ companion tray of shaped oval form with Celtic revival borders. (2)

€ 200 - 300






24

37 A SILVER FRUIT BOWL, Sheffield 1939, mark of Viner’s Ltd, of circular form, the body pierced with reeded and geometric design, raised on spreading circular pedestal foot, with frosted glass liner. 25.5cm diameter; together with a silver tazza, Sheffield 1896, mark of Walker & Hall, of shaped circular form, with lobed rim, embossed and chased with scallop shell and foliate design, (c.995g in all). (2)

€ 400 - 600

38 AN IRISH SILVER COMMEMORATIVE ‘DE VALERA’ PLATE, Dublin 1973, mark of Royal Irish Silver Company, number 62 of 2500, engraved with portrait bust and border inscription, (c.498g)

€ 120 - 180

39 A SILVER CENTRE BOWL, London 1910, mark of Carrington & Co., of circular form, em-bossed and chased with decorative rural scenes of a shepherd and his flock and a woman picking fruit, raised on circular domed foot. 14cm diameter, 10.5cm high;together with a silver sweet meat dish in the form of a scallop shell, Sheffield 1900, mark of Henry Atkin, the entire pierced and embossed, raised on three reeded ball feet. 25 x 20.5cm, (c.373g in all). (2)

€ 300 - 500

40 A LARGE SILVER STEM CUP, London 1903, mark of Charles Stuart Harris, the cup with vacant cartouches to each side, surrounded by chased and embossed flower heads and scroll decoration, the knopped stem above spreading circular foot with beaded rim, (c.746.5g). 32cm high

€ 500 - 700









Sunday 9th April

25

41 AN IRISH FIVE-PIECE SILVER TEA AND COFFEE SERVICE, Dublin 1966, mark of Larry Gunning, commemorative mark, comprising teapot, coffee pot, hot water pot, sugar bowl and cream jug, each of plain baluster form, with ebonised handles and finials, (c.2,115g)

€ 1,200 - 1,800



26

45 A SET OF TWELVE IRISH CELTIC REVIVAL TEASPOONS, Dublin 1973; together with two cased sets of three piece silver condiments. (3)

€ 300 - 400

42 A SET OF TEN GEORGE III IRISH SILVER TABLESPOONS IN THE HANOVERIAN PATTERN, Dublin 1817, mark of Michael Keating, (c.622g)

€ 400 - 600

43 A SET OF ELEVEN GEORGE III IRISH SILVER DESSERT KNIVES, Dublin 1800, mark of Samuel Neville; together with two similar examples, (c.591g in all). (13)

€ 300 - 500








Sunday 9th April

27

46 A THREE-PIECE IRISH SILVER TEA AND COFFEE SERVICE, Dublin 1969, mark of Royal Irish Silver Co., comprising teapot, coffee pot, and cream-er, each piece with chased and embossed decoration depicting a milkmaid scene, the tea and coffee pots with swan finial and ebon handles; together with a sugar bowl of similar decoration (c.1,950g in all). (4)

€ 800 - 1,200

47 A SILVER THREE-PIECE BACHELOR’S TEA SERVICE, Birmingham 1915, mark of George Nathan & Ridley Hayes, comprising teapot, sugar bowl and creamer, with demi-fluted body, ebon handles and finials; together with a Georgian revival silver hot water pot, Sheffield 1912, of plain baluster form, the domed cover above a wavy rim and fitted ebonised handle; and a flared silver vase, Birming-ham 1908, with hammered decoration and loaded circular base. 20cm high (6)

€ 400 - 600





28

51 AN ENGLISH SILVER AND GOLD INSET COMMEMORATIVE DISH AND SPOON, London 1977, mark of Ponjoy Mint Ltd., for the visit of Pope John-Paul II, each in fitted case

€ 150 - 200

50 A COLLECTION OF VICTORIAN AND LATER SILVER ITEMS, comprising an Art-Deco silver and Bakelite bowl, Birmingham; two silver photograph frames; a George III silver sugar tongs by Wil-liam, Anne and Peter Bateman; a pendant silver powder compact; and miscellaneous bottle tops, etc. (13)

€ 200 - 300

48 A MISCELLANEOUS COLLECTION OF SILVER AND SILVER PLATED CURIOS, including a Burmese card case, a pair of Indian salt cauldrons, a silver top clear glass scent bottle, a pair of 18th/19th century shoe buckles, two late 19th century corkscrews, four large apostle spoons, an old Sheffield plate cylindrical vase, a French white metal snuff box, etc.

€ 250 - 350

49 AN ART-DECO SILVER TABLE CIGARETTE BOX, Birmingham 1926, mark of Barker Brothers, of oblong form, with timber lining and detachable divisions; together with three silver decanter labels; and an Edwardian stamp box. (5)

€ 200 - 300











Sunday 9th April

29

52 A CASED SET OF BRIGHT CUT TEASPOONS AND TONGS, Sheffield; together with six Art Deco silver handle cheese knives; and a set of six plain taper handle teaspoons

€ 200 - 300

54 AN ART DECO FIVE-PIECE SILVER HANDLE VANITY SET, Sheffield 1938, mark of Walker and Hall, comprising a large silver backed hand mirror and four brushes, each with stepped and engine turned decoration, contained within original case

€ 120 - 180

53 A GOOD COLLECTION OF SILVER ITEMS COMPRISING:- a silver sauceboat, Sheffield 1921, mark of Walker & Hall, the plain body with wavy rim, acanthus wrapped s-scroll handle, raised on shell capped pad feet- a silver two handle sugar bowl and silver spoon- a pair of George III Style silver candlesticks, London 1905, mark of West & Sons, of plain oval form with urn shaped sconces and detachable drip pans, (weighted). 23cm high- a glass decanter and stopper of hourglass form, with white metal mount. 31cm high. (6)

€ 600 - 1,000








30

55 A PAIR OF 18TH/19TH CENTURY DUTCH WHITE METAL CANDLESTICKS, mark of ‘IVN’ Jacob van Nieuwcasteel, the urn shaped sockets fitted with detachable drip pans, the tapered fluted columns with knopped stem, raised on spreading circular fluted base with beaded rim. 24cm high

€ 300 - 500

56 A SMALL SILVER CIRCULAR STRAWBERRY DISH,Dublin 1966, having twelve panels, 11.8cm diameter;together with a small silver cup, Sheffield 1927, mark of Atkin Brothers on shaped circular spreading foot (c. 249g in all) (2)

€ 100 - 200

57 A MISCELLANEOUS COLLECTION OF SILVER COMPRISING:- an Irish silver sugar bowl, Dublin 1973, mark of George Bellow & Sons Ltd;- a Celtic revival paten and candle holder;- a candle holder;- a pair of modern candlesticks, (c. 622g all in)

€ 300 - 400

58 A VICTORIAN GOLD HALF SOVEREIGN, dated 1892

€ 140 - 160










Sunday 9th April

31

60 A DUTCH WHITE METAL EMBOSSED PANEL, decorated in high relief with figures merrymaking in an interior, contained within rosewood frame. 12 x 10cm; together with another rosewood framed panel containing an oval silver plated panel, with musical cherubs. (2)

€ 100 - 200

61 A VICTORIAN SILVER PLATED STANDISH, probably Elkington and Co., modelled as a young couple seated under a palm tree. 24cm wide, 27cm high; and a collection.

€ 80 - 120

62 A MISCELLANEOUS COLLECTION OF SILVER AND WHITE METAL ITEMS, including two silver engine turned cigarette cases, a cased pair of silver collar stays, etc.

€ 30 - 50

63 A SILVER PLATED PART-SUITE CANTEEN OF TAPER HANDLE CUTLERY, COMPRISING:- a serving spoon- 12 dessert spoons- 9 soup spoons- 3 salad spoons- 8 tea spoons- 14 starter forks- 2 dessert forks- 10 table forks- 9 fish knives- 8 butter knives- 10 dinner knives

€ 200 - 300

60 63











32

64 A PAIR OF VICTORIAN SILVER PLATED MEAT DISH COVERS, of domed oval form surmounted with a naturalistically cast handle with acorn and oak leaves, engraved with inserted crest above a gadrooned band. 51cm wide; together with four similar examples. (6)

€ 200 - 400

65 A SET OF THREE VICTORIAN SILVER PLATED ENTRÉE DISHES OF SHAPED OVAL FORM, each with raised loop handle, struck with registration mark and sides engraved with scrolling foliage, crested to one side and engraved with initials. 33cm wide; together with a collection of assorted entrée dishes and covers

€ 200 - 300

66 A COLLECTION OF SIX SILVER PLATED OVAL MEAT DISHES, LATE 19TH/EARLY 20TH CENTURY; together with three silver plated two-handled serving trays and three ‘EPNS’ hot-water flasks. The largest 28cm high

€ 200 - 300

67 A SILVER PLATED TWO-HANDLE TRAY, of rectangular form, the raised pierced sides with vertical engraved ferns, egg and dart rim, and acanthus wrapped scroll handles, raised on four bun feet; together with another two-han-dle tray, the sides with pierced decoration. Both trays 60.5cm wide over handles

€ 40 - 60

68 A COLLECTION OF RUSSIAN AND CONTINENTAL SILVER AND OBJECTS OF VIRTUE, including enamelled spoons, a French double-sided snuff box, a 19th Century papier mache snuff box inscribed “I Say Old Fellow, Take A Chew”, A Scottish Celtic Revival brooch, etc.

€ 250 - 350














Sunday 9th April

33

70 A VICTORIAN PENDANT LOCKET, the central star motif set with blue enamel, a seed pearl and rose-cut diamonds, to reveal glazed compartments, yellow metal unmarked and untested € 300 - 500

71 AN 18K GOLD LADY’S ‘VOGUEMATIC’ WATCH BY JAEGER-LECOULTRE, the black dial with gilt hour baton markers and hands, to a leather strap (not original), and yellow metal buckle € 600 - 800

72 AN 18K GOLD LADY’S WATCH, BY JAEGER-LE COULTRE, the champagne colour dial with hour baton markers and gilt hands, stamped 18K gold, Swiss Assay marks, with blue velvet case by its maker € 500 - 700

73 A RAYMOND WEIL GOLD GENTLEMAN’S WATCH

€ 300 - 500










34

77 A LIGHT GREEN QUARTZ BEAD NECKLACE, each quartz bead interspersed by a yellow metal bead, with an 18K gold clasp, length approx. 44cm

€ 500 - 700

76 A TWO STRAND CULTURED PEARL NECKLACE, the clasp stamped 9K gold and set with circular-cut garnets, in case by ‘Weir & Sons, Dublin’

€ 250 - 450

74 A GOLD NECKLACE, stamped 750, length approx. 47cm, weight 13.38g

€ 250 - 300

75 A DIAMOND SINGLE-STONE RING, the brilliant-cut diamond, weighing approximately 0.35ct total, within an eight-claw setting, with two single-cut diamond shoul-ders, white metal’s marks rubbed, ring size K½, in purple velvet box

€ 200 - 400









Sunday 9th April

35

81 A GOLD CHARM BRACELET, the fancy-link bracelet with security chain, suspending five assort-ed charms, including a shoe, a heart locket, etc. each bracelet link stamped 9K gold, and three charms stamped 9K gold, weight approximately 49.80g total

€ 500 - 700

80 A GROUP OF FOUR CAMEO BROOCHES, the first cameo depicting the Virgin Mary with Child, stamped 9K gold, length approx. 3.9cm; The second brooch depicting a sol-dier, stamped in 9K gold, length approx. 3.4cm; the third depicting the profile of a lady (believed to be mounted in gold but the marks have been rubbed off so unable to confirm), length approx. 4.5cm; and fourth brooch depicting the portraits of a soldier, a goddess and an angel, length approx. 6cm

€ 300 - 500

78 A FRINGE NECKLACE SET WITH AMBER-COLOURED GLASS, mounted in yellow metal, length approx. 43.5c,

€ 300 - 500

79 A GOLD PLATED WATCH, BY GRUEN, the grey colour dial with gilt hands with smaller seconds subsidi-ary, polished case, dial, case signed, signed Gruen, 10K gold filled on the reverse of the case, to a leather bracelet

€ 150 - 200









36

85 A CULTURED PEARL NECKLACE, mounted with a silver flower clasp

€ 150 - 250

84 A GROUP OF TWELVE GEMSET AND VARIOUS GOLD EARRINGS; together with two gold brooches

€ 300 - 500

82 A GOLD CHARM BRACELET, the fancy-link bracelet with security chain, suspending seven assorted charms, including a horseshoe, a heart locket, a fob etc. the bracelet stamped 9K gold, and the majority of charms stamped 9K gold, weight approximately 45.16g total

€ 400 - 600

83 A GROUP OF SIX GENTLEMAN’S RINGS, including a bishop’s ring set with an oval mixed-cut amethyst, mounted in 9K gold, ring size V; a plain wedding band, mounted in 9K gold, ring size L; a plain wedding band, engraved ‘Josie & Roger 14: F58’ with maker’s mark, mounted in 18K gold, ring size R; a plain wedding band, with maker’s mark, mounted in 22K gold, ring size O; and two signet gold rings, one mounted in 9K gold and the other unmarked, ring size Y & X, total weight 36.48g

€ 400 - 600










Sunday 9th April

37

89 A GOLD PLATED AND STEEL BRACELET WATCH BY TAG HEUER, the cream dial with fluorescent hour baton markers and hands, to a yellow steel bracelet watch, dial, case and bracelet signed Tag Heuer

€ 150 - 200

88 A CAMEO BROOCH, DEPICTING THE PROFILE OF A LADY, within a frame of 9K gold with rope details, length 3.3cm

€ 50 - 100

86 A 9K GOLD RING, set with colourless stones, ring size Q

€ 100 - 200

87 AN AMETHYST AND DIAMOND PENDANT NECKLACE, the brilliant-cut amethyst within a single-cut diamond surround, mounted in 9K gold

€ 350 - 550

Sunday 9th April










38

91 A “B.ZERO1” DIAMOND RING, BY BULGARIThe polished segmented band engraved “Bulgari” on the rims, set with a round brilliant-cut diamond surround, mounted in 18K gold, diamonds approximately 0.40ct total, signed Bulgari, Italian assay mark, ring size S, with Bulgari fitted case

€ 1,200 - 1,600

90 A 19TH CENTURY DIAMOND AND PEARL BROOCHof stylised foliate design, set to the centre with a pearl stigma within single-cut diamond petals, with further rose and single-cut diamond leaves and pearl accents, mounted in silver and gold, length 2.8cm

€ 400 - 600





Sunday 9th April

39

100 A JAPANESE BRONZE ELEPHANT GROUP, MEIJI PERIOD, In the manner of Genryuasai Seiya, modelled in the form of an elephant in combat with tigers, the elephant with ivory tusks, unsigned. 23.5cm high

€ 1,000 - 1,500



40

101 AN ANCIENT EGYPTIAN BLACK GLAZED USHABTI FIGURE, of mummified form with elaborate headdress and neck band, crossed arms over nine rows of hieroglyphic text. 14cm high

€ 150 - 250

102 A CHINESE CARVED IVORY OBLONG CASKET, 19TH CENTU-RY, PROBABLY CANTON, decorated to the exterior with recessed panels of intricately carved domestic scenes. 24.5cm wide, 10cm deep; together with another oblong box, 18 x 10cm. (2)

€ 300 - 500

103 A COLLECTION OF THREE CHINESE CARVED IVORY CARD CASES, 19TH CENTURY,another with stippled decoration, 10cm high; and a carved ivory Buddhist shrine. 14cm high. (5)

€ 500 - 700

104 A CHINESE EXPORT WRITING BOX, 19TH CENTURY of rectangular form, fitted with a fold out sloped scriver and various compartments, the exterior decorated with pagodas and chinoiseries. 42 x 25cm; together with a Chinese export cushion shaped work box. 33cm wide. (2)

€ 250 - 300











Sunday 9th April

41

105 A JAPANESE SILVER, IVORY AND SHIBAYAMA DECORATED TUSK VASE, MEIJI PERIOD (1868-1912), the cover surmounted with an eagle, over twin dragon side handles, the mounts applied with colourful enamels and body set with birds, insects and flowering foliage. 23cm high

€ 1,500 - 2,000




109 A COLLECTION OF CHINESE ‘CANTON ENAMEL DISHES’; a ‘Nanking’ blue and white hot water plate; and another Chinese export dish

€ 120 - 180

108 A COLLECTION OF 19TH CENTURY AND EARLY 20TH CENTURY IVORIES, mostly European carved examples including an upright ther-mometer. 25cm high; together with a pair of cherub musicians. 12cm high; a model of a Bavarian boy with flute and standing on a cylindrical pedestal. 12.5cm high; a carved ivory miniature easel stand; a Japanese figural group, with red tab signature to base. 9.5cm high; and a small collection.

€ 500 - 700

106 A CHINESE CARVED IVORY VASE, 19TH CENTURY,of baluster shape, with pierced top and side handles the body with six floral panels separated by linear divisions. 16cm high; together with a pierced lozenge shaped bone basket. 11cm wide. (2)

€ 200 - 300

107 A LARGE ANGLO-INDIAN IVORY HANDLED CARVING KNIFE AND FORK,the knife 58cm long; together with a Sadeli work book cover, 26 x 22cm; and an Anglo-Indian sandalwood box.

€ 100 - 200











Sunday 9th April

43

110 A CHINESE CARVED IVORY BASKET AND COVER, CANTON 19TH CENTURY, QING DYNASTY, of circular shape, the cover surmounted by a stylised cintron handle, above eight finely carved panels, each decorated with figures, pago-das and bamboo, separated by raised divisions and repeated to the body. 26cm diameter

€ 2,000 - 3,000



44

111 A VICTORIAN TIMBER FRAMED GOTHIC MANTLE CLOCK, the drum case supported by twin gothic pillars on a stepped platform base. 50cm high x 40cm wide

€ 200 - 300

112 A LATE 19TH CENTURY GILT METAL MANTLE CLOCK, decorated with inset Sevres style porcelain panels, and sur-mounted by an urn, together with two similar urns. 40cm tall

€ 200 - 400

113 A GEORGE III MAHOGANY AND BRASS MOUNTED DOOR LOCK PANEL, 39 X 25CM

€ 60 - 100

114 A GEORGE III BRASS AND MAHOGANY DOOR LOCK, C.1800, 32 X 24CM

€ 60 - 100











Sunday 9th April

45

115 A FRENCH ORMOLU AND BRONZE MOUNTED FIGURAL MANTLE CLOCK, 19TH CENTURY, signed L. Marchand, Paris, Bv du Temple 45, the bronze group formed as dancing cherubs with musical instruments, the base inset with a circular clock dial, also inscribed by Marchand, set within a body of ornate scroll and rockwork. 54cm high

€ 1,500 - 2,000




46

119 A FURSTENBERG TRIFORM DISH, 18TH CENTURY, of shallow form, painted with scattered summer flowers within a trellis moulded border and brown edged rim, crown mark above entwined ‘c’s. 19cm wide.

€ 200 - 300

118 A MEISSEN POLYCHROME PORCELAIN FIGURAL CENTREPIECE, LATE 19TH CENTURY, modelled as a pierced circular bowl held aloft by the three graces, each dressed in classical robes and standing on a gilt and mould-ed circular base. 30cm high

€ 250 - 350

117 A PAIR OF MEISSEN PORCELAIN STANDING FIGURES OF A LADY AND A GALLANT, 19TH CENTURY, modelled in white, she holding a basket filled with flowers and leaning by a classical urn, he standing with his left arm balanced on a watering can and tree stump, cross swords mark. 20cm high

€ 300 - 500

116 A MEISSEN PORCELAIN MODEL OF A WOODPECKER, 19TH CENTURY, in green and spotted plumage, perched on a tree stump, cross swords mark. 27cm high

€ 200 - 300












Sunday 9th April

47

122 A 19TH CENTURY MEISSEN PORCELAIN FIGURE OF CUPID, BY HEINRICH SCHWABE, modelled in standing position and holding a damaged heart, wearing a quiver and leaning by a tree stump, supported on a waisted simulated marble base, cross swords mark. 19.5cm high

€ 400 - 600

121 A FRANKENTHAL POLYCHROME PORCELAIN FIGURE OF A MAIDEN (1762-1794), modelled in classical dress, holding a basket of coloured flowers and standing by a tree stump, a pair of doves by her feet, the base with factory mark in underglaze blue. 37.5cm high

€ 500 - 700

120 A MEISSEN PORCELAIN GROUP, 19TH CENTURY, entitled ‘Felicité Couronnée’ modelled as a winged cupid standing by a pedestal and holding a flower wreath over a pair of courting doves, cross swords mark to underside. 20cm high; together with another Continental copy of the same group. 19cm high. (2)

€ 500 - 700









48

123 A SET OF FOUR 19TH CENTURY MEISSEN PORCELAIN CIRCULAR SIDE DISHES, the white ground decorated with hand painted flowers within a gilt arcaded border. 19cm diameter

€ 200 - 400

124 A PAIR OF DRESDEN PORCELAIN CIRCULAR DESSERT PLATES, decorated with alternating panels with figures and flowers; together with a Meissen circular plate. (3)

€ 50 - 100

125 A BERLIN PAINTED PORCELAIN TRENCHER SALT; and miscellaneous figures etc

€ 50 - 100

126 A COLLECTION OF PORCELAIN FIGURES OF LOVERS, FLOWER GIRLS, AND DANCERS

€ 50 - 100












Sunday 9th April

49

127 A 19TH CENTURY MEISSEN PORCELAIN GROUP OF DOG AND CHILD, the child lying on a raised bed with drapery playing with an inquisitive spaniel, raised on a shaped rectangular base. 18.5cm high x 22cm wide

€ 150 - 250




50

129A 19TH CENTURY SEVRES PORCELAIN URN, the lapis blue ground decorated with hand painted reserve depicting a young girl teaching a dog tricks. 30cm high

€ 200 - 400

128 A PAIR OF 19TH CENTURY MEISSEN PORCELAIN POT POURRI URNS, of shaped hexagonal form with detachable lids, the white ground decorated with oval hand painted reserves depicting figures and continental ports within wreath swags in relief, on spreading fluted foot and square base. 25cm high

€ 600 - 1,000






Sunday 9th April

51

130 A PAIR OF 19TH CENTURY SEVRES PORCELAIN URNS AND COVERS WITH GILT METAL MOUNTS, the lapis blue ground with floral bands and reserve panels each hand painted with figures of lovers in a garden landscape, signed ‘PH Villier’, the metal mount with satyr heads and guilloche band-ing on stepped square shaped bases. 38cm high

€ 800 - 1,200




52

131 A PAIR OF CHAMBERLAIN’S WORCESTER PORCELAIN URNS OF BALUSTER FORM, the burgundy ground decorated with hand-painted reserves of Malvern Abbey Church within gilt borders and raised on square bases. 26cm high

€ 600 - 800

132 A GROUP OF FOUR VIENNESE PAINTED PORCELAIN CABINET PLATES, 19TH CENTURY COMPRISING:(i) ‘Peteus Aeneas et Venus’ painted to the centre with Venus and Roman guard by a riverside, bordered by gilt painted pendant swags and classical medallions, title and Bindenschild mark verso. 24.5cm diameter(ii) ‘Hektors Abschied’, painted to the centre with a centu-rion and maidens within a classical interior, surrounded by an alternating border, title and factory mark verso. 24.5cm diameter(iii) A pair of Austrian cabinet plates titled ‘Toilette des Venus’ and ‘Tanzende Grouzien’ in gilt, each with broad cobalt blue borders. 24.5cm. (4)

€ 800 - 1,200







Sunday 9th April

53

133 A 19TH CENTURY MEISSEN PORCELAIN ANIMAL BAND OF MUSICIANS, each hand painted and modelled in country dress, comprising a cat, a bear, a fox, a bulldog and a monkey, blue sword mark. Average 15cm high

€ 2,000 - 3,000



54

134 A 19TH CENTURY MAHOGANY RECTANGULAR DECANTER CASE, with six empty compartments, the case with cast brass carrying handles. 22 x 34 x 26cm high

€ 200 - 300

135 A 19TH CENTURY MAHOGANY SQUARE BOTTLE CASE, fitted four bottles with stoppers. 18 x 18 x 22cm

€ 150 - 200

136 AN EARLY 19TH CENTURY INLAID MAHOGANY RECTANGULAR TEA CADDY, the hinged top with handle opening to reveal a fitted interior with two compartments, missing its mixing bowl. 29.5 x 15 x 15cm high

€ 150 - 200

137 A WILLIAM IV ROSEWOOD SARCOPHAGUS SHAPED TEA CADDY, on bun feet; together with a smaller similar tea caddy. (2)

€ 100 - 200












Sunday 9th April

55

138 A WILLIAM IV MAHOGANY SARCOPHAGUS SHAPED TEA CADDY, with well fitted interior, raised on flat bun feet, side handles; together with another plain rectangular tea caddy with fitted interior. (2)

€ 200 - 400

139 A VICTORIAN BRASS MOUNTED WALNUT STATIONERY BOX, the domed hinged lid opening to reveal plush lining and compartments, pen tray etc.

€ 200 - 300

140 A VICTORIAN OAK CASED APOTHECARY BOX, containing a compartmented interior fitted with an assortment of labelled bottles and vials; together with a Gieves Ltd leather bound telescope. (2)

€ 100 - 200

141 A MAHOGANY RECTANGULAR BOX, the hinged lid opening to reveal a fitted interior with green baize lining. 48 x 30 x 32cm high

€ 100 - 200

138 139










56

145 A VICTORIAN MAHOGANY TEAPOY, MID-19TH CENTURY, with hinged cover and compartmented interior above a stop fluted central column, circular base and three scroll feet

€ 300 - 400

144 A GEORGE III SATINWOOD POLE SCREEN, with oval needlework panel decorated with birds in landscape and raised on a slender tapering pole on baluster turned tripod supports with fine scroll feet. 138cm high, the panel 41 x 31cm

€ 180 - 220

142 AN IRISH REGENCY OCTAGONAL BRASS BANDED WINE COOLER, with original fitted metal interior, with cast brass drop handles, on its stand with baluster turned legs and brass castors, the stand with contemporary paper label inscribed ‘Lock Side’. 63cm wide x 76cm high

€ 700 - 1,000

143 A 19TH CENTURY GEORGE III STYLE WALNUT FRAMED RECTANGULAR STOOL, with drop-in seat and raised on cabriole legs with trefoil feet. 55 x 36cm

€ 400 - 600











Sunday 9th April

57

146 A VICTORIAN GILTWOOD AND GESSO OVAL GIRANDOLE MIRROR, surmounted by a scallop shell and garlands, with leaf bound rims, having three branch candle sconces. 99cm high

€ 250 - 350

147 A VICTORIAN GILTWOOD AND GESSO SIX LIGHT GIRANDOLE MIRROR, surmounted by a stepped vacant cartouche within a banded frame, with two pairs of three light sconces and a central shelf. 120cm high

€ 400 - 600







58

148 A FRENCH 19TH CENTURY EBON AND WALNUT JARDINIERE TABLE, with removable top, fitted planter interior, with brass gallery above banded panels on turned fluted ebon supports with flat stretcher. 53 x 46cm

€ 500 - 700

149 A VICTORIAN LOUIS QUATORZE EBON AND BOULLE SHAPED RECTANGULAR WRITING TABLE, the top with inset scriver within a gilt brass border, above a single frieze drawer, stamped ‘James Winter, 101 Wardour St.’ and raised on cabriole legs. 66 x 46cm

€ 700 - 1,000

150 A 19TH CENTURY BOULLE SERPENTINE FRONT SIDE CABINET, with central panel door and white marble top, decorated with applied cast mounts. 116 x 45cm

€ 400 - 600










Sunday 9th April

59

152 A LARGE VICTORIAN BOULLE BOWFRONT CREDENZA, having twin panel doors and curved quarter end cupboards, decorated with inlaid foliate scrolls and classical figures, having applied cast mounts. 220cm wide

€ 1,500 - 2,000

151AFTER GIOVANNI SANTI (1435-1494)St. Anne, The Madonna, St. Anthony and SaintsOil on canvas, 145 x 171cm

€ 800 – 1200





60

153 A 19TH CENTURY BOULLE SIDE CABINET,with single glazed panel door, flanked by ormolu mounted pilasters, raised on a platform base. 111 x 87cm

€ 600 - 800

154 A 19TH CENTURY BOULLE AND LEATHER INSET CIRCULAR CENTRE TABLE, with gadrooned brass rim, above a brass inlaid apron, raised on four scrolling legs, adjoined by an under tier. 75 x 120cm

€ 800 - 1,200





Sunday 9th April

61

155 A 19TH CENTURY BOULLE EBONISED AND BRASS MOUNTED SINGLE DOOR CABINET, embellished with applied cast mounts and arabesques. 115 x 90cm

€ 600 - 800

156 A FRENCH EBONISED AND GILT METAL MOUNTED NINE-PIECE DRAWING ROOM SUITE, 19TH CENTURY, comprising a long three-seat settee, four open armchairs and four single chairs, each covered in button back burgundy damask, with arched crested back and serpentine shaped seats on short cabriole legs and castors. The settee 170cm wide

€ 800 - 1,000







62

157 A LARGE VICTORIAN IRISH EBON AND GILT PANEL OVERMANTLE MIRROR, decorated cut glass beads, in parallel rows. 130 x 158cm

€ 800 - 1,200

158 A FRENCH KINGWOOD AND LEATHER INSET SHAPED RECTANGULAR WRITING DESK, fitted with one long and two short frieze drawers, gilt metal handles and mounts on tapering cabriole legs. 119cm wide, 62cm deep, 79cm high

Provenance: The collection of the late Anne Bullitt

€ 300 - 400







Sunday 9th April

63

159 A PAIR OF IRISH 19TH CENTURY OVAL EBONISED AND PARCEL GILT WALL MIRRORS, decorated with twin bands of glass beads. 73 x 59cm

€ 1,500 - 2,000



64

161 A GEORGE IV MAHOGANY SARCOPHAGUS SHAPED CELLARETTE, the top with rosewood banding above conforming body, with twin hoop handles, on lion paw feet. 66cm high, 73cm wide, 55cm deep

€ 1,000 - 1,500

160ITALIAN SCHOOL (19TH CENTURY)Jesus Wearing the Crown of ThornsOil on copper panel, 34 x 24cmContained in a carved, gilded and painted frame

€ 500 – 800






Sunday 9th April

65

163 A GEORGE IV MAHOGANY SERVING TABLE, of rectangular form, the beaded tripart back above plain top, with three concealed frieze drawers, raised on twin fluted back supports, and two acanthus wrapped scrolling front legs on lion paw feet. 108cm high, 185cm wide, 73cm deep

€ 2,000 - 3,000

162A MAHOGANY SIDE TABLE, in Georgian style, 19th century, the rounded corners above a pierced frieze flanked by flutes, on square fluted and blocked legs. 161cm wide x 83cm deep x 82cm high

€ 1,500 – 2,000





66

167 AFTER JOHN VERELST (EARLY 18TH CENTURY) Portrait of a Gentleman, Half Length, in a Pale Brown CoatOval, oil on canvas, 75 x 63cm

€ 700 - 1,000

166 IRISH SCHOOL (18TH CENTURY)Portrait of a Young Lady, Half Length, in a Blue Silk DressOval, oil on canvas, 76 x 64cmUnframed

€ 200 - 400

164 CONTINENTAL SCHOOL (EARLY 19TH CENTURY)Portrait of a Young Gentleman Wearing a Brown CoatOil on canvas, 73.5 x 52cm

€ 500 - 1,000

165 ENGLISH SCHOOL (EARLY 19TH CENTURY)Portrait of a Gentleman with a Silk Cravat and Portrait of a Young Gentleman with a Blue Cravat, both half lengthA pair, oil on canvas, 76 x 63cm, unframed. (2)

€ 200 - 400









Sunday 9th April

67

168 JOHANN BAPTIST HOFNER (1832-1913)A Warning to Sleeping ShepherdsOil on canvas, 155.5 x 130cmSigned, bearing reminants of World Fair label verso

€ 3,000 - 5,000

Johann Hofner was a painter of animal and genre scenes. He was born on April 30, 1832.

After his schooling, he became a pupil of Karl von Piloty while living in Munich, Germany. He then went on to exhibit his paintings from 1863, in both Munich and Vienna. One of his paintings can be seen in the museum in Munich.

Johann Hofner died in Munich on June 29, 1913.



68

169AFTER MURILLO (1617-1682)The Madonna and ChildOil on canvas, 167 x 111cm

€ 800 – 1,200

170DUTCH SCHOOL, 18TH CENTURYFigures at a table in an interior with a basket of vegetablesOil on panel, 26 x 23cm

€ 500 – 800





Sunday 9th April

69

171 JOHN FREDERICK HERRING SENIOR (1795-1865)Mare and FoalOil on panel, 27 x 30cmSigned lower right and dated 1853


€ 5,000 - 7,000



70

172 A GILDED OVAL FRAMED WALL MIRROR, in the neo-classical taste, surmounted by an urn and swags of bellflowers with egg and dart rim and ribbon terminal. 86 x 97cm overall

€ 300 - 500

173 A VICTORIAN GILTWOOD AND GESSO OVAL THREE LIGHT GIRANDOLE MIRROR, surmounted by a leaf scroll cartouche within a beaded frame, with three scroll branch sconces. 97cm high

€ 150 - 250

175 AN ITALIAN INLAID WALNUT OCCASIONAL TABLE, the central reserve decorated with figures in landscape, raised on an X-frame support. 76 x 46cm

€ 200 - 300








Sunday 9th April

71

176 A GEORGE II WALNUT AND PARCEL GILT WALL MIRROR, the stylised swan neck pediment centred by a carved gilt eagle above gilt cornicing, the shaped rectangular plate flanked by gilt trailing foliage with a shaped apron base. 148cm tall, 73cm wide

€ 1,500 - 2,500

177 AN IRISH GEORGE III MAHOGANY CONCERTINA ACTION GAMES TABLE, the folding top with round corners, fitted with baize interior, above plain frieze, raised on turned legs, on pad feet.

€ 1,500 - 2,000






72

178 A VICTORIAN BRASS AND MAHOGANY CIRCULAR COAT AND STICK STAND, with fluted column and brass surrounding base. 180cm tall

€ 200 - 300

179 A VICTORIAN CARVED WOOD CORNER CHAIR, in the Italianate taste, decorated with carved cherub etc.

€ 100 - 200

180 AN UNUSUAL VICTORIAN STAG ANTLER CHAIR, LATE 19TH CENTURY, formed with hide seat and antler supports on hoof feet

€ 100 - 200

181 AN UNUSUAL VICTORIAN CARVED WHAT-NOT, with graduated tiers, raised on S-scroll supports with carved putto

€ 300 - 500

178

179

180 181











Sunday 9th April

73

182 A 19TH CENTURY FADED MAHOGANY CORNER WASH STAND, with fitted drawers, on outswept legs. 60cm wide

€ 100 - 200

183 A VICTORIAN ROSEWOOD RECTANGULAR NEST OF TRIO TABLES, with thumb moulded rims, on turned tapering supports. 50cm wide

€ 300 - 500

184 A GEORGIAN MAHOGANY SLOPE FRONT BUREAU, the plain top hinged to reveal a fitted interior, above four graduat-ed drawers, raised on bracket feet. 106 x 89cm

€ 400 - 600

185 A 19TH CENTURY MAHOGANY CHEST, OF FOUR LONG GRADUATED DRAWERS, with brass handles, on bracket feet. 79cm wide, 82cm tall

€ 100 - 200












74

189 A LARGE CHINESE BLUE AND WHITE GINGER JAR AND COVER, 19TH CENTURY, the ovoid body painted with maidens and young boys on a gar-den terrace, vacant double ring to base. 27cm high

€ 250 - 350

188 A COLLECTION OF CHINESE AND JAPANESE PORCELAINS, comprising a small ‘blanc de chine’ group of young boys playing ‘go’, seated under a prunus shelter. 9cm high; to-gether with a small Satsuma earthenware ‘peach’ pot and cover. 6cm high; a baluster vase painted with a continuous scene of Rakam disciples in a mountain landscape; a Chinese export plate; and a Kangxi style bowl, with auspicious mark to base. 19.5cm diameter; and a small Yixing ware teapot. 8.5cm high. (6)

€ 300 - 500

186 A PAIR OF CHINESE FAMILLE ROSE OVOID VASES, REPUBLICAN PERIOD, each with pierced fluted neck above a band of Juyi heads and white ground body painted and enamelled with birds, chrysan-themums and peonies, seal mark to base. 14cm high

€ 400 - 600

187 A COLLECTION OF THREE ‘CLYHORE’ PORCELAIN BASKETS, C.1920, comprising a heart-shaped four strand basket, a circular basket with interlaced rim and another, each with banner mark to base

€ 200 - 300












Sunday 9th April

75

190 A CHINESE BLUE AND WHITE PORCELAIN MOON FLASK, 19TH CENTURY, of flattened circular form, with tubular neck and raised arch handles, decorated with pagodas in a mountain landscape, Kangxi four character mark verso. 30cm high

€ 600 - 900

191 A PAIR OF CHINESE ‘LONG ELIZA’ PATTERN BLUE AND WHITE PORCELAIN VASES, 19TH CENTURY, of baluster form, each with waisted neck and flared rim, decorated with female figures surrounded by auspicious antiques, with Kangxi mark to base. 30.5cm high

€ 700 - 1,000







76

192 A JAPANESE PAINTED AND FABRIC COLLAGE PICTURE, EARLY 20TH CENTURY, depicting a warrior and maiden on a garden terrace, 53 x 25.5cm; together with three smaller examples

€ 200 - 400

193 JAPANESE SCHOOL (19TH CENTURY)The Fan Painter, seated in an interiorWoodcut, 38 x 26cm Signed; together with Maiden standing in a garden landscape Woodcut on brown paper, 33 x 23cm. (2)

€ 150 - 250

194 A MODERN CHINESE STYLE ‘PEACHES’ PORCELAIN VASE AND COVER; together with two similar modern Chinese ‘rouleau’ vases in Imari palette. (3)


€ 150 - 200

195 A JAPANESE BLUE AND WHITE PORCELAIN VASE,CONVERTED TO A TABLE LAMP, 19TH CENTURY, of baluster form, with flared rim, painted with chinoiserie panels against a simulated lacquer lattice work ground. The porcelain 45cm high

€ 180 - 220












Sunday 9th April

77

196 A CHINESE FAMILLE VERTE FIGURE OF A COURT DIGNITARY, KANGXI (1662-1722), seated within ormolu mounts, wearing a green and aubergine robe, beaded necklace and pointed hat, surrounded by naturalis-tically cast flowering branches, on scrollwork base. The entire 32cm high

€ 800 - 1,200

197 AFTER HIROSHICA AND OTHER ARTISTSA collection of sixteen Japanese woodblock prints, on canvas, depicting various theatre and outdoor scenes, coloured. 24 x 19cm (three framed)

€ 400 - 600






78

198 A COLLECTION OF 18TH/19TH CENTURY TIBETAN RITUAL ITEMS, COMPRISING:- a human thigh bone trumpet with leather cover. 34cm long;- a silvered amulet box and cover. 15.5cm diameter;- a beaten copper (skull bowl); - a large white metal bracelet; - a varja bronze bell;- a Tibetan prayer wheel filled with coiled script labelled ‘W. Kear-ney, collection number 84, 1960’, etc.

€ 300 - 500

199 A COLLECTION OF RARE 19TH CENTURY TIBETAN/NEPALESE RITUAL ITEMS, COMPRISING: - a large embossed and ‘jewelled’ tray;- a large jade and rock crystal mounted belt plate;- a bronze and silver mounted circular bowl;- three bronze phurba daggers of graduating sizes;- a brass mounted flint pouch;- an incense burner formed as a mask and mounted with semi precious stones;- a brass and copper amulet box inscribed ‘Burlton Collection’; etc.

€ 300 - 500

200 A COLLECTION OF EASTERN WHITE METAL WARE, COMPRISING:- an Indian triptych panel, each embossed with seated Gods. 27.5cm wide;- a white metal miniature stupa with gilt interior;- a pair of torc shaped bracelets;- various pendants etc.

€ 120 - 180

201 AN EARLY EASTERN SILVERED DISC PENDANT; together with a hammered yellow metal bowl; and an Indian brass vessel modelled as a figure riding a mythological animal and mounted on later plinth base

€ 300 - 500












Sunday 9th April

79

202 A PAIR OF CHINESE BLUE AND WHITE TRIPLE GOURD SHAPED VASES AND COVERS, 19TH CENTURY, each detachable cover surmounted with a kylim above graduated body, with Greek key band above formal lotus scroll decoration and stiff leaf lappets to foot. 62cm high

€ 2,000 - 4,000




80

203 AN EDWARDIAN WALNUT FRAMED THREE FOLD DRAUGHT SCREEN, each panel surmounted with carved crest rail and shield shaped glass panel. 148 x 51.5cm

€ 250 - 350

204 AN EDWARDIAN INLAID MAHOGANY FRAMED THREE FOLD DRAUGHT SCREEN, the crest rail decorated with ribbons and swags, astragal glazed panels and uphosltered panels

€ 300 - 400

205 A VICTORIAN MAHOGANY FRAMED SWEPT BACK UPHOLSTERED LOW CHAIR, raised on turned tapering legs with castors

€ 200 - 300

206 A VICTORIAN MAHOGANY FRAMED PRIE-DIEU CHAIR, raised on scroll feet

€ 100 - 200












Sunday 9th April

81

208 A VICTORIAN INLAID MAHOGANY CIRCULAR BREAKFAST TABLE, the top with radial veneers and centred by a star, having beaded rim and raised on hexagonal baluster centre pillar and tripod base on paw feet. 138cm diameter

€ 1,000 - 1,500

207 R. WITHERSPOON (19TH CENTURY)Fishing Boats Moored at Dawn and DuskA pair, oil on board, each 44.5 x 29cm Signed

€ 800 - 1,200






82

209 CHARLES HANCOCK (1802-1877)Returning from the FairOil on canvas, 39 x 50cm

Provenance: Sotheby’s London, 1st July 2004, Lot 161.

€ 1,500 - 2,500

210 AN IRISH GEORGE III MAHOGANY SHAPED RECTANGULAR CARD TABLE, the folding top with rounded corners, the baize lined interior with candle stands and counter wells, above a plain frieze and raised on cabriole legs and pad feet. 84cm wide x 42cm deep

€ 400 - 600






Sunday 9th April

83

211 A VICTORIAN MAHOGANY FOUR DOOR BOOKCASE, C.1850, the plain cornice, above glazed panel doors, the lower section with four flame mahogany doors on base. 223cm high, 92cm wide, 52cm deep

€ 2,000 - 4,000



84

212

213

Sunday 9th April

85

214 A PAIR OF WATERFORD CUT GLASS EIGHT BRANCH CHANDELIERS, MODERN, each with domed corona and lozenge cut body fitted with scroll arm branches, hung with facet cut pendant droplets and icicles, acid stamped factory marks. 76cm high, 72cm diameter

€ 4,000 - 6,000

212 A PAIR OF CONTEMPORARY WATERFORD CUT GLASS CHANDELIERS, each fitted with nine scroll arm branches ending upturned light socket and hung with faceted pendant lustres, with baluster cen-tral column rising to a domed corona and suspension ring. 70cm high, 72cm diameter

€ 2,000 - 4,000

213 A SET OF NINE IRISH GEORGE IV INLAID MAHOGANY RAIL BACK DINING CHAIRS, CORK C.1830, the stylised lyre shaped backs with five bar splats, upholstered seats and raised on turned and baluster tapering legs. (Eight single chairs and one elbow chair)

Provenance: Hamilton Osborne King, 17th June 2004, private collection.

€ 2,000 - 3,000

214










86

216 A FRENCH EARLY 19TH CENTURY BURR WALNUT AND MAHOGANY CIRCULAR DINING TABLE, the top centred with a star burst and radial veneer, within an ormolu bellflower and bead border, raised on turned centre pillar decorated with an applied gilt brass collar on a platform base and scroll quadruped supports with cast brass toe caps. 161cm diameter; together with a covered MDF two part circular table top, raised on four cylindrical brass legs

€ 1,000 - 2,000

215 FRANK W. CASSELL (19TH/20TH CENTURY)Terriers in an interiorA group of four, oil on copper plate, 15 x 30cmOne Signed ‘F Cassell’

€ 1,500 - 2,500






Sunday 9th April

87

217 JOHN VERELST (1648-1734)Portrait of a Gentleman, Half Length, in a Brown CoatOval, oil on canvas, 75 x 62cmSigned and dated 1712

€ 1,000 - 1,500

218 A REGENCY INLAID MAHOGANY RECTANGULAR DOUBLE SIDED OPEN LIBRARY BOOKCASE, in the manner of George Bullock, the top and sides with ebonised stringing and reeded rims, fitted twin bold cast brass lion mask and ring side handles, reeded sides and scroll feet on platform base. 126.5 x 65 x 114cm high

€ 2,000 - 4,000






88

219 AN ANGLO INDIAN CARVED HARDWOOD SOFA, with twin tub back and serpentine front, profusely carved with scrolls and animals, raised on scroll feet. 168cm

€ 400 - 600

220 AN ANGLO INDIAN CARVED HARDWOOD SOFA, with twin tub back and serpentine front, profusely carved with scrolls and animals, raised on scroll feet. 160cm wide

€ 500 - 700





Sunday 9th April

89

222JOHN MACKIE (B.1953)The Ha’penny Bridge, DublinOil on canvas, 61 x 76cmSigned

€ 1,500 – 2,000

221STEPHEN PARK (B. 1953)A reclining tiger in a river landscapeOil on canvas, 51 x 91cmSigned

€ 3,000 – 5,000





90

224 AN EARLY VICTORIAN INLAID MAHOGANY LONGCASE CLOCK, the hood surmounted with winged eagle, parcel gilt foliage above an arch top door flanked by twin reeded pillars, the painted enamel dial with phases of the moon, inscribed H. Middleton, Liverpool. 243cm high

€ 800 - 1,200

223 DUTCH SCHOOL (20TH CENTURY)Figures Outside a Tavern and Figures Skating in Winter LandscapeA pair, oil on canvas, 20.5 x 24.5cm

€ 800 - 1,200






Sunday 9th April

91

225 RUSSIAN SCHOOL (19TH CENTURY)Portrait of a Boy, Half Length, in Green Jacket with EpaulettesOil on canvas, 33 x 26cmInscribed in cyrillic upper right and signed lower left


€ 800 - 1,200

226 A LATE GEORGE III MAHOGANY THREE PILLAR DINING TABLE, the plain top with rounded D-ends, raised on turned pillars, each with four splayed legs, raised on brass castors, with two additional leaves. 72cm high, 209cm long, 132cm deep (excluding additional leaves)

€ 5,000 - 7,000






92

227 A FRENCH PROVINCIAL OAK ARMOIRE, the plain moulded cornice above single panel door, with raised re-lief inserts, and single frieze drawer, raised on turned feet. 202cm high x 118cm wide x 55cm deep

€ 300 - 500

228 A VICTORIAN UPHOLSTERED FOUR SECTION CONVERSATION SEAT, of shaped oval form, with stuffed back and seat covered in cream floral damask with raised central division. 180 x 140cm

€ 300 - 500

229 A 19TH CENTURY STYLE SIX LIGHT BRASS HALL LANTERN, the cylindrical glass body surmounted by four scrolling arms, ter-minating in an electrified centre pod. 84cm high x 41cm diameter

€ 200 - 400








Sunday 9th April

93

230 A LOUIS VUITTON GENTLEMAN’S WARDROBE TRUNK IN MONOGRAM CANVAS, FIRST HALF OF THE 20TH CENTURY, the hinged interior opening to reveal six fitted drawers to the right, the top drawer com-partmented for accessories, the three middle drawers each with fitted dust sheet to protect clothing, an extending hanging compartment to the left containing original stamped hangers for jackets and trousers, above fitted removable malle case, the exterior with stencil painted initials and original travel labels from the Cunard Line Voyage from New York to Cobh, December 1966. 113.5 x 60 x 55cm

€ 4,000 - 6,000




94

231 A LATE GEORGE III TÔLE WARE TRAY, of large proportions, with raised sides and integral handles, painted in the style of Angelica Kauffman and depicting an allegory of the Continents of Scipio. 22.5 x 32cm

€ 80 - 120

234 A LATE 19TH CENTURY PAINTED STONE CASKET AND COVER, simulating tôleware, of rectangular shape with dome cover, painted to each side with individual landmarks, titled ‘Carnarvo Castle’, ‘Mader Idris’, ‘Llanberis’, supported on an outset base. 23cm high, 20cm wide

€ 150 - 200





Sunday 9th April

95

235 AN IRISH KILLARNEY WORK ARBUTUS WOOD AND MARQUETRY INLAID SNAP TOP OCCASIONAL TABLE, C.1850, the shaped top with radial veneers decorated with a continuous band of shamrock, thistle and roses, above a panelled centre column terminating in a hexagonal platform base, also decorated with shamrock, and raised on three out-scrolling feet. 75cm high, 67cm diameter

€ 2,000 - 4,000




96

236 A VICTORIAN GILTWOOD COMPARTMENTED OVERMANTLE MIRROR, of rectangular form, with naturalistic borders and surmounted with leafy cresting. 155cm high, 135cm wide

€ 700 - 1,000

237 A CONTINENTAL GILTWOOD WALL BRACKET, the carved shelf supported by an eagle standing on naturalistic scroll and floral base. 42cm high, 32cm wide

€ 150 - 250

238 A VICTORIAN GILTWOOD FRAMED OVERMANTLE MIRROR, of arched rectangular form surmounted with an eagle and foliate crest above a row of spheres and fitted with bevelled glass plate. 172cm high, 152cm wide

€ 300 - 500

239 A 19TH CENTURY INLAID MAHOGANY RECTANGULAR CELLARETTE, with hinged lid, and divided interior, decorated with boxwood stringing, on square tapering banded legs. 44cm wide

€ 300 - 500











Sunday 9th April

97

241 A SET OF EIGHT MAHOGANY FRAMED DINING CHAIRS, IN THE MID-GEORGIAN TASTE, the vase shaped splats surmounted with shell and leaf carved crest rail, bowfront drop-in seats and raised on carved cabriole legs and claw and ball feet (6 single and 2 elbow chairs)

€ 2,000 - 3,000

240ANTOINE MONNOYER (1670-1747) Still Life with Urn of Flowers Oil on canvas, 50 x 40cm

Provenance: Collection of Hon. Marquess of Carishbrooke; McConnell & Mason, London

€ 3,000 - 4,000






98

245 18TH/19TH CENTURY SCHOOLRiver Landscape with Mounted SoldierOil on panel, 26 x 35.5cm

€ 250 - 350

244 AFTER EDWIN HAYES RHA (1819-1904)Sail Boats in Choppy WaterWatercolour, 47 x 68cmSigned

€ 300 - 600

242 A GILTWOOD FRAMED MONOCHROME ENGRAVING OF KING GEORGE III, 45.5 X 35.5CM

€ 250 - 350

243 ATTRIBUTED TO EGBERT VAN DE POEL (17TH CENTURY)Revellers Outside a Village TavernOil on canvas, 22 x 28.5cm

€ 500 - 800










Sunday 9th April

99

249 ITALIAN SCHOOLCalvary Skirmish, with ruinsOil on canvas, 59 x 79cm

€ 200 - 300

248 ALFRED GREY RHA (1845-1926)Wooded river landscape with lady walkingOil on panel, 24 x 30cmSigned

€ 700 - 1,000

246CONZALVO CARELLI (1818-1900)Figures By a Temple in a Classical Landscape and Figures in a Landscape, a Castle in the DistanceA pair, watercolour, 22.5 x 32cmEach signed and dated 1850

€ 300 - 500

247 ALEXANDER WILLIAMS RHA (1846-1930)Scenes at Keem Bay, Achill IslandA pair, oil on board, 24.5 x 44.5cmOne signed and inscribed with title. (2)

€ 300 - 500

246 247









100

250 STYLE OF HERMANUS KOEKKOEK JNRShipping off the Dutch CoastOil on canvas, 30 x 44cm Old label verso

€ 250 - 350

251 NILS HANS CHRISTIANSEN (1866-1945)A Wintry Tree Lined Road and Figures Waiting by a RiverA pair, oil on canvas, 21 x 30cmSigned

€ 500 - 800

252 A PAIR OF EDWARDIAN INLAID MAHOGANY ELBOW CHAIRS, with shield shaped heads and upholstered seats raised on square tapering legs; together with a mahogany corner chair. (3)

€ 200 - 400

253 A 19TH CENTURY MAHOGANY RECTANGULAR CELLARETTE, with flat domed lid opening to reveal a compartmented interior, and raised on base with ring column legs. 53 x 33 x 60cm high

€ 300 - 400










Sunday 9th April

101

255 A MAHOGANY BREAKFRONT DISPLAY CABINET, EARLY 20TH CENTURY, with gadrooned cornice and plain frieze above a pair of central gothic glazed doors with acanthus leaf carved moulding and bands of Greek key pattern, on square legs with leaf carved blocked feet. 143cm wide x 45cm deep x 178cm high

€ 800 - 1,200



102

259 A VICTORIAN BLACK PAPIER MACHE SHAPED TRAY, decorated with hand painted flowers. 64 x 47cm

€ 100 - 150

258 A PAIR OF 19TH CENTURY GILTWOOD WALL BRACKETS, with carved eagle supports

€ 200 - 400

256 A 19TH CENTURY ‘GOTHICK’ HEAVY CAST CURB FENDER, of shaped bowfront form, decorated with entwined foliage and vines, on bracket feet. 146cm wide x 36cm deep x 23cm high

€ 500 - 700

257 A COLLECTION OF FOUR NEO-CLASSICAL STYLE BRASS WALL SCONCES, each with central urn, flanked by twin scrolling arms, mounted by electrical light fittings and cream shades. 24cm high

€ 100 -200










Sunday 9th April

103

260 A 19TH CENTURY STYLE CARVED PINE CONSOLE TABLE AND MIRROR, the rococo foliate top encasing a compartmental mirror, above a serpentine apron of conforming decoration, on twin cabriole legs adjoined by a stretcher. 220cm high x 138cm wide

€ 1,500 - 2,000



104

264 A VICTORIAN MAHOGANY TALL BACK PRIE-DIEU CHAIR, 19th century, with padded seat and back in plain upholstery and raised on turned tapering legs

€ 100 - 200

263 A VICTORIAN MAHOGANY PRIE-DIEU CHAIR, C.1870 with raised upholstered back and seat, supported on short turned legs and castors.

€ 100 - 200

261ALEXANDER WILLIAMS RHA (1846-1930)Wicklow MountainsOil on canvas, 34 x 66Signed

€ 600 – 800

26219TH CENTURY SCHOOLMother and daughter in an interiorPencil and watercolour, 23 x 18cm

€ 200 – 300









Sunday 9th April

105

266 A GEORGE IV INLAID ROSEWOOD CIRCULAR BREAKFAST TABLE, decorated with brass stringing and scrolls, raised on turned cen-tre pillar and outswept quadruped legs with brass toe caps and castors. 48inches diameter

€ 1,500 - 2,000

265ALEXANDER WILLIAMS RHA (1846-1930)Skylarks, Brighton BeachWatercolourSigned, Inscribed ‘A. Williams, 4 Hatch Street’ verso

€ 500 – 800






106

267 RUBEN WARD BINKS (1880-1950)Study of a black labrador, standing in an open woodlandGouache, 28.5 x 17cmSigned

€ 400 - 600

268 AFTER CECIL ALDIN (C.1900)The Fallowfield HuntA set of six chromolithograph prints, 38 x 60cmOak framed

€ 400 - 600

269 J. HARRIS AFTER HENRY ALKENThe First Steeplechase on RecordA set of four framed coloured engravings, each 36 x 43cm. (4)

€ 200 - 300

270 CHARLES JOHNSON PAYNE ‘SNAFFLES’ (1884-1967)‘The Biggest Walls in the Country was in it..’Coloured lithograph, 29 x 45cmSigned

€ 150 - 250269









Sunday 9th April

107

271 FRENCH SCHOOL (18TH CENTURY)Portrait of a Young Lady, half lengthOil on canvas, 72.5 x 59cm

€ 1,500 - 2,500

272 FRENCH SCHOOL (18TH CENTURY)Portrait of a Fashionable Lady Wearing Pearl Necklace and Earrings, half lengthOil on canvas, 72.5 x 59cm

€ 1,500 - 2,500

273 A VICTORIAN MAHOGANY RECTANGULAR EXTENDING DINING TABLE, in seven sections, with bold reeded rim and raised on turned tapering legs (four additional leaves). 542cm long x 152cm wide

€ 4,000 - 6,000








108

274 A SET OF SIX OAK RAIL BACK DINING CHAIRS, LATE 19TH CENTURY, each with scroll back top rail above a padded seat covered in red hide, on turned and tapering legs

€ 300 - 500

275 A SET OF THREE OAK JACOBEAN REVIVAL SIDE CHAIRS, 19TH CENTURY, the backs pierced and carved with shells and scrolls, on cabriole legs with masks and scrolling feet, bearing the trade label of Switzers & Co Ltd., House Furnishers, Dublin

€ 200 - 300

276 A MAHOGANY AND INLAID DOUBLE DROP LEAF PEMBROKE TABLE, EARLY 20TH CENTURY, fitted with a single frieze drawer and supported on square tapering legs

€ 100 - 200

277 TWO VICTORIAN MAHOGANY FRAMED PRIE-DIEU CHAIRS

€ 100 - 200












Sunday 9th April

109

278 JOHN EMMS (1844-1912)Two Goats and a MagpieOil on canvas, 35 x 45.5cmSigned

€ 2,000 – 4,000



110

279 A VICTORIAN MAHOGANY LONGCASE CLOCK BY DOBBYN OF DUBLIN, the arched hood with gothic motifs and an inscribed painted dial above a waisted base and raised on bracket feet. 209cm high

€ 400 - 600

280 A GEORGE III MAHOGANY CIRCULAR SUPPER TABLE, the plain top raised above a bird cage, snap top on a leaf turned centre pillar tripod, leaf carved knees on claw and ball feet. 75.5cm diameter x 69.5cm high

€ 400 - 600

281 A GEORGE III MAHOGANY CHEST OF DRAWERS, the top crossbanded in rosewood with ebony stringing, above brush slides and four drawers, raised on splayed feet. 86 x 82cm

€ 800 - 1,200

281








Sunday 9th April

111

282 A GEORGE III STYLE CARVED GILTWOOD WALL MIRROR, 19TH CENTURY, the bevelled shaped rectangular plate within a frame of pierced carved foliage surmounted by an eagle. 127 x 72cm

€ 1,000 - 1,500

283 A SET OF TEN REGENCY RAIL BACK DINING CHAIRS, with rope moulded back rail and applied brass rosettes, with cane seats on sabre legs

€ 2,000 - 3,000






112

284 A LARGE PALE GREEN JASPERWARE CYLINDRICAL CHEESE DOME AND STAND, decorated in the neo-classical taste; and another cheese dome by Copeland. (2)

€ 100 - 200

285 A COLLECTION OF WEDGWOOD GREEN JASPERWARE PIECES, including ice pail, cache pot, trinket boxes, framed plaque. (7)

€ 150 - 250

286 A COLLECTION OF WEDGEWOOD BLUE JASPERWARE PIECES, including a circular salad bowl and servers, two biscuit barrels, three jugs in various sizes and a circular covered shallow bowl. (7)

€ 300 - 400

287 A COLLECTION OF STAFFORDSHIRE POTTERY GROUPS AND FIGURES

€ 500 - 700

284

286

285

287












Sunday 9th April

113

288 A COLLECTION OF EARLY ENGLISH CERAMICS, including an old Leeds cream ware oval dish, the raised and everted sides moulded with bellflower swags and classical heads. 33cm long; a small white glazed jug, probably Chelsea, naturalisti-cally moulded with two rams beneath foliage. 12cm high; an 18th century mother and child group. 10.5cm high; and a small oval model of a recumbent cow. 5cm wide.

€ 150 - 250

289 A RARE ENGLISH CREAMWARE ‘CRUCIFIXION DISH’, PROBABLY LEEDS 18TH CENTURY, of shaped circular form, painted to the centre and encircled by floral scroll border. 24.5cm diameter

€ 300 - 400

290 A PAIR OF STAFFORDSHIRE PEARLWARE FIGURES, C.1820 ATTRIBUTED TO WALTON, each against a coloured bocage, holding tablet panels inscribed ‘Christ Teacheth 3 Ch R’ on hollow moulded mound base. 27cm high

€ 200 - 300

291 A PAIR OF MONKEY MASK JUGS. 20CM HIGH; together with a pair of Staffordshire recumbent hounds. Each 16cm long; a moulded presentation mug, 19th century; and a collection

€ 200 - 300











114

292 A MEISSEN GILT GROUND BOWL AND COVER, of shaped oval form, surmounted with a peach handle and paint-ed with neo-classical groups of cherubs and mythological figures, the base with cross swords in under-glaze blue, 19.5cm long

€ 300 - 500

293 A MEISSEN BLUE AND GILT DECORATED CUP ON STAND, 19TH CENTURY, with single scroll handle, finely painted with various open land-scapes within a ribbon tied border, cross swords mark. The stand 11cm diameter; together with a 19th century puce painted oval dish, decorated with flower sprays against a white ground. 15cm long (scratch mark verso); and a small collection.

€ 100 - 150

294 A LUDWIGSBURG PORCELAIN TWO-HANDLE TUREEN AND COVER, 18TH CENTURY, of oval form, the cover surmounted with a lemon slice handle and painted with scattered flowers within a trellis moulded border and brown-edged rim, repeated to the body and supported on puce painted scroll feet. 26cm wide across handles, 20cm high.

€ 400 - 600

295 A LARGE SEVRES PORCELAIN CENTRE BOWL, 19TH CENTURY, painted to the exterior with a depiction of a young shepherd with a girl seated on a grassy mound, in a gilt reserve and ‘celeste blue’ ground, the interior painted with a continuous band of summer flowers interlaced factory mark verso. 28cm diameter

€ 200 - 300












Sunday 9th April

115

296 A CONTINENTAL BISQUE PORCELAIN OVAL BOX AND COVER, 19TH CENTURY, surmounted with a model of a cherub sleeping on a flower basket, unmarked. 13cm wide; together with a painted and red enamelled circular pill box. 5cm diameter; a giltmetal oval ring box. 7cm wide; a signed cut glass and gilt metal dish. 12.5cm di-ameter; and a silver gilt and blue enamel miniature desk clock, etc.

€ 200 - 300

297 A NEAR PAIR OF ROYAL WORCESTER BISCUIT GLAZED WALL BRACKETS, C.1900, each modelled as classical maidens seated within a grotto, one with factory mark verso. 24cm high; together with a parian figure of a Venus. 30cm high. (3)

€ 120 - 180

298 A PAIR OF MEISSEN PORCELAIN WALL BRACKETS, each decorated with applied garlands and hand painted figures. 22cm high

€ 400 - 600

299 A PAIR OF SAMSON OF PARIS PORCELAIN FIGURES TAKEN FROM GAINSBOROUGH PORTRAITS, dressed in purple, on circular bases. 20cm high

€ 100 - 150












116

303 AN IRANIAN RED GROUND WOOL CARPET, MODERN, of rectangular shape, woven with a large geometric medallion in cream and navy tones against a red ground, decorated with ferns and painted motifs within a broad outer border. 162 x 108cm

€ 200 - 300

302 A SMALL IRANIAN WOOL RUNNER, 20TH CENTURY, the narrow rectangular field woven with geometric lozenges and motifs, in red and navy tones within a broad outer border. 198 x 76cm

€ 80 - 120

301 AN IRANIAN RED GROUND WOOL CARPET, 20TH CENTURY, the large rectangular centre field woven with three interlinked lozenges against a navy ground, decorated with octagons and various animals within triple line borders. 328 x 236cm

€ 400 - 600

300 A BALOCHI RED GROUND WOOL RUG, the rectangular centre field woven with rows of diagonal geomet-ric motifs, within a narrow band of white hooks and broad outer border. 103 x 107cm

€ 300 - 500

301









Sunday 9th April

117

307 A BOKHARA STYLE WOOL CARPET, of rectangular form, the central field woven with six rows of octagonal medallions in orange and beige tones, and pointed blue medallions, within guard stripes and geometric borders. 280 x 394cm

€ 800 - 1,200

306 A CONTEMPORARY FLAT WOVEN KILIM RUNNER, in cream, red, orange, yellow, blue and green tones, the centre field woven with individual geometric panels, within two bands of broad alternating boarders. 385 x 84.5cm

€ 1,000 - 1,500

305 A CONTEMPORARY FLAT WOVEN KILIM CARPET, of rectangular form, decorated with coloured lozenges and geo-metric shapes against a light blue ground, contained within a wide beige border, decorated with conforming coloured geometric shapes. 362 x 288cm

€ 2,000 - 3,000

304 A LARGE ISFAGHAN WOOL CARPET, C.1930-40, woven with large central medallion in red tones against a tur-quoise ground filled with scattered flowers and contained within multiple outer borders. 218 x 140cm

€ 200 - 300

306

304 305









118

308 A SET OF SIX VICTORIAN MAHOGANY DINING CHAIRS, with compressed balloon backs, having buttoned padded seats and raised on turned tapering legs. (6)

€ 400 - 600

309 A 19TH CENTURY INLAID MAHOGANY RECTANGULAR CELLARETTE, of plain form, raised on square supports. 51 x 31 x 66cm high

€ 50 - 100

310 A VICTORIAN MAHOGANY CHEST OF FOUR LONG DRAWERS, with brass inlay on bracket feet. 92 x 47cm

€ 200 - 400

311 A 19TH CENTURY CARVED WASH STAND WITH UNDERTIER AND FITTED DRAWER. 60CM WIDE

€ 100 - 150












Sunday 9th April

119

312 A MAHOGANY RECTANGULAR BREAKFRONT BOOKCASE IN THE GEORGIAN TASTE, with moulded cornice above four astragal glazed panel doors on a cupboard base fitted with four fielded panel doors, on bracket feet. 183cm wide, c.220cm high

€ 1,500 - 2,000



120

313 MARK CATESBY (1682-1749)Plate from the Flora and Fauna of Florida, Carolina and The Bahama IslandsVolume II, plate 78: The Grey Fox and the Indian Pink (Vulpis; Gentiana), 34.5 x 26cm


€ 500 - 800

314 A GEORGE IV MAHOGANY RECTANGULAR EXTENDING DINING TABLE, with moulded rim and raised on carved leaf capped column legs of tapering form, with four additional leaves in varying sizes. 282cm long x 121cm wide

€ 1000 - 1500






Sunday 9th April

121

315 EITEL (JACQUES EITELWEIN) (1926-2006)Le Chateau de Trédion (Bretagne)Oil on canvas, 146 x 97cmSigned

€ 400 - 600

316 A SET OF TEN GEORGE IV MAHOGANY DINING CHAIRS, with carved rail backs, the drop-in seats with concave fronts cov-ered in red velvet and raised on turned and leaf carved column legs (8 single chairs + 2 carvers)

€ 1500 - 2000





122

321 A FRENCH FAIENCE GLAZED PANEL, PROBABLY 18TH CEN-TURY, depicting John the Baptist seated in a woodland with a sheep by his side. 30.5 x 22cm

€ 300 - 400

317 CHARLES RUTHARD ROUTAR AFTER LOUIS PHILIPPE BOITARD ‘Le Renard Trainé devant le Lion pour Être Jugé’ and ‘Le Renard Pendu par le Chat’A pair, engravings (64 & 65), 13 x 18cm. (2)


€ 40 - 60

318 JACQUOT (B. 1923)Anne Bullitt on Horseback in the Gardens of Palmerstown HouseInk and watercolour, 17.5 x 24cmSigned and dated ‘59; together withLeading Out the Horses, PalmerstownInk and watercolour, 17 x 21.5cmSigned. (2)


€ 150 - 250

319 GABRIEL SPAT (1890-1967)Au Bois de Boulogne, ParisInk and watercolour, 10.5 x 13cmSigned and inscribed with title


€ 300 - 500











Sunday 9th April

123

322 19TH CENTURY SCHOOLAn Old Blind Man and a ChildOil on panel, 16 x 12cm

€ 300 - 400

323 19TH CENTURY SCHOOLA Mother and Child by MoonlightOil on board, 23 x 16cm

€ 150 - 250

324 IRISH SCHOOL (18TH CENTURY)Portrait of a gentlemanOil on canvas, 37 x 57cm

€ 800 - 1,200

323

322







124

326 A VICTORIAN GILTWOOD AND GESSO PIER MIRROR, surmounted by a foliate swag and scrolls

€ 500 - 700

325AFTER ANDREA DEL SARTO (1486-1530)The Holy FamilyOil on canvas, 143 x 111cm

€ 800 – 1,200





Sunday 9th April

125

327 A BLACK AND GILT LACQUER SHAPED RECTANGULAR SNAP-TOP OCCASIONAL TABLE, in the chinoiserie taste, the top with figural scene and raised on turned centre pillar tripod supports. 60 x 67cm

€ 250 - 350

328 A PAIR OF EDWARDIAN MAHOGANY DISPLAY CABINETS, with raised backs surmounted with shells and foliate sprays above twin astragal glazed panel doors, the entire decorated with carved neo-classical derived motifs, raised above a lower tier, on square tapering legs. 121cm wide x 216cm high x 48cm deep

€ 1,500 - 2,500






126

331 A GEORGE III STYLE MAHOGANY DOUBLE DROP LEAF HUNT TABLE, with plain top and raised on square tapering gate legs. 167cm long, 126cm wide when open

€ 300 - 500

329 AN EDWARDIAN NEST OF MAHOGANY TRIO TABLES, of plain rectangular form each on tapering inlay legs and sleigh feet. 54.5 x 35cm, 68cm high

€ 200 - 300

330 A GEORGIAN STYLE MAHOGANY TWIN PEDESTAL RECTANGULAR PARTNER’S DESK, the top with inset gilt tooled leather scriver above an arrangement of drawers and cupboards with knop handles on platform bases. 122 x 182cm

€ 800 - 1,200








Sunday 9th April

127

332 A VICTORIAN MAHOGANY BOOKCASE, with moulded cornice above triple glazed panel doors, on a triple fielded panel door cupboard base. 204cm wide

€ 1,500 - 2,500



128

335 A VICTORIAN MAHOGANY DUMBWAITER, C.1870, of rectangular form, with two open tiers, pierced scrollwork sides and cupboard base. 140cm high, 127cm wide

€ 300 - 500

333 A VICTORIAN MAHOGANY KNEE HOLE DESK, C.1900, the plain top with thumb moulded rim, above a single frieze drawer, flanked by six small drawers, raised on ogee bracket feet. 78cm high, 115cm wide, 61cm deep

€ 300 - 500

334 A SET OF FOUR FRENCH GILTWOOD AND UPHOLSTERED SALON CHAIRS, C.1900, each with a ribbon tied top rail above turned and fluted column supports, with olive button upholstered seat and fluted forelegs

€ 600 - 800








Sunday 9th April

129

336 A FRENCH ART DECO MULLER FRÈRES CEILING LIGHT, C.1920-30, the gilt metal frame with four upright columns, supporting a frosted glass central dish and four frosted ‘wing’ panels, each piece signed ‘Muller Frères Lunville’. 68cm to suspension loop and 68cm diameter

€ 1,000 - 1,500

337 A GEORGE IV ROSEWOOD AND BRASS INLAID FOLD-OVER CARD TABLE, the rectangular top with rounded fore-corners, supported on an octagonal centre column and platform on outswept legs and brass castors. 91cm wide

€ 1,000 - 1,500







130

341 A VICTORIAN GREEN AND GILT GLASS PEDESTAL CENTREPIECE, MID 19TH CENTURY, formed as a floral painted circular bowl raised on a broad cylindri-cal column, painted with bands of gilt scrollwork and flowers on an outset base. 34cm high

€ 200 - 300

340 A GILT METAL MAMALUK REVIVAL BASIN, of tapering circular form, tightly engraved with interlaced ara-besque designs. 15cm high; together with a 19th century Persian example in copper, of similar shape, engraved with various figures and panels of Kufic text. 16cm high. (2)

€ 200 - 300

338 A SMALL EDWARDIAN BRASS CASED CARRIAGE CLOCK,with white enamel dial. 10cm high

€ 100 - 200

339 AN ANCIENT ROMAN BRONZE OIL LAMP, decorated with a depiction of a Roman god in relief. 8cm long.

€ 150 - 200










Sunday 9th April

131

345 AN ART NOUVEAU BRASS FRAMED STANDARD LAMP, surmounted with four stags standing on a platform on wrought supports and triform base. 168cm high

€ 120 - 180

344 A COLLECTION OF EASTERN METALWORK including a Japanese miniature bronze Koro. 16cm across handles; a Meiji period lobed giltmetal dish; another decorated with egrets amongst reeds. 24cm diameter; a continental inkwell and paper knife with giltmetal tracery mount; and miscellaneous Indian vessels

€ 150 - 200

342 A GOOD COLLECTION OF VICTORIAN GLASS, including a pair of portrait vases, of slender upright form each with flared rim and applied with oval portrait reserves. 39.5cm high; together with a globular decanter with clear glass stopper, etc.

€ 300 - 500

343 A GOOD COLLECTION OF ORIENTAL AND EUROPEAN HAND PAINTED FANS, 19TH AND 20TH CENTURY, including a Canton fan, with bone sticks and peacock feathers, a Chinese ‘lacquered’ fan painted with courtesans, a French fan painted with mythological scenes, a Japanese shibayama and painted fan, etc. (6)

€ 300 - 500










132

349 A COLLECTION OF STAFFORDSHIRE POTTERY FIGURES OF LAMBS ETC; together with a pair of spill vases

€ 50 - 100

348 A LARGE DRESDEN PORCELAIN VASE AND COVER, 19TH CENTURY, to a design by Carl Thieme, of ogee baluster form with domed cover capped with an armorial below coronet with cherubs, the body richly decorated with painted garden scenes under a ribbon bow flanked by side handles formed as infants wearing bonnets, on circular base. 74cm high

€ 300 - 500

346 A BELLEEK BUST OF CLYTIE, 2ND PERIOD (1891-1926), modelled with down-facing glance, partially glazed, on a circular socle base, factory mark to underside. 29cm high

€ 300 - 500

347 A DERBY PORCELAIN FIGURE DEPICTING SHAKESPEARE, C.1750-80, modelled standing in colourful costume, leaning on a book stack and pedestal, with an unfurled scroll inked with an extract from ‘The Tempest’, on scroll mounted base. 29cm high

€ 400 - 600












Sunday 9th April

133

350 A CARVED AND POLYCHROME DECORATED TIMBER ARMORIAL CRESTING, of the American Eagle above crossed flags and legend ‘E Pluribus Unum’


€ 700 - 1,000

351 A SMALL RUSSIAN ICON, polychrome painted and parcel gilt on panel, depicting three saints Nickolas, Kosmas and Pelageya. 17.5 x 11cm


€ 700 - 1,000






134

352 A PAIR OF DUTCH BRASS ANDIRONS, 19TH CENTURY, each with flambeau finial above graduated spheres, lion mask with pendant ring and splayed support. 46cm high


€ 100 - 200

353 A COLLECTION OF FOUR HORN HANDLED RIDING CROPS, 19/20TH CENTURY, each with silvered collars, two malacca examples, one leather example and a bamboo example, dated 1877. (4)


€ 100 - 200

354 AN EARLY INDIAN / ISLAMIC BRONZE INKWELL, IN THE SHAPE OF A HEART; together with an Indian 17th Century style dagger, and an Indian copper and gilt brass lota vessel

€ 200 - 300

355 A JAPANESE EBONISED AND BONE MOUNTED ALBUM, C.1900, decorated in relief and filled with an assorted collection of Chi-nese, Japanese and colonial postcards

€ 200 - 300












Sunday 9th April

135

356 A 19TH CENTURY BRONZE AND ORMOLU FIGURAL MANTLE CLOCK, the enamel dial within a domed hood, with a reclining scribe. 35 x 26cm

€ 120 - 180

357 AN ONYX MANTLE CLOCK, of architectural form with applied brass mounts. 26.5cm high

€ 200 - 300






136

362 A VICTORIAN EBONISED BURR WALNUT AND MARQUETRY SHAPED ÉTAGÈRE, with metal gallery and mounts. 78 x 49cm

€ 150 - 300

363 AN EDWARDIAN SHAPED TWO TIER ETAGERE, IN SATIN-WOOD AND TULIPWOOD, with fine floral marquetry inlay, with gilt brass banding and mounts, on cabriole supports and legs, the lower tier flanked by carrying handles. 91cm wide x 83cm high

€ 400 - 600

358 A 19TH CENTURY INLAID MAHOGANY CASED BANJO BAROMETER, with engraved steel dial, Yeates & Son, Dublin. 98cm long

€ 400 - 500

359 A LATE 19TH CENTURY EBONISED CASED STICK BAROMETER, BY F.M. MOORE, DUBLIN AND BELFAST, with ‘wet’ and ‘dry’ thermometer registers. 114cm high x 22cm wide

€ 150 - 250

360 A VICTORIAN GILDED PLASTER AND GESSO PICTURE FRAME. Internal dimensions 93 x 71cm, external 126 x 105cm

€ 100 - 200

361 TWO MIDDLE EASTERN X-FRAMED KORAN OR FOLIO STANDS, carved in low relief with tight arabesques and pierced ornament.

€ 200 - 400

361


















Sunday 9th April

137

364 A 19TH CENTURY INLAID WALNUT RECTANGULAR SERPENTINE FRONT SIDE TABLE, the top and frieze decorated with foliate sprays and raised on cabriole legs. 148cm wide x 65cm deep

€ 1,500 - 2,500

362

363




365 A REGENCY STYLE MAHOGANY OPEN ARMCHAIR, with caned seat and loose squab cushion, on fluted tapering supports


€ 50 - 100

366 A CHINESE EBONISED LOW TABLE, of rectangular form with plain moulded top and short frieze carved with archaic design on scroll legs. 121cm long, 76cm wide, 35cm high


€ 200 - 300

367 AN INLAID MAHOGANY RECTANGULAR FOLDING TOP PATIENCE TABLE, with boxwood stringing and raised on square tapering legs and lower tier, in the manner of James Hicks. 61 x 30cm

€ 200 - 400








Sunday 9th April

139

369 ABRAHAM ORTELIUS (1527-1598)Hiberniae BritannicaeMap of Ireland, 35 x 48cm

€ 700 - 1,000

370 A LATE GEORGE III MAHOGANY BOWFRONT SIDEBOARD, of compact form, the top crossbanded in rosewood and boxwood stringing, above a central frieze drawer, flanked by one cupboard door and one fitted drawer, raised on tapering square legs. 90cm high, 153cm wide

Provenance: Lot 134, Hamilton Osborne King Sale, Airfield, Dun-drum, 28/3/95

€ 800 - 1,200





140

373A A TIBETAN CARVED BONE PHURBA DAGGER, 19TH CENTURY, surmounted with silvered dorje finial, and handle carved with three masks of Vajrakila Buddha, above inverted lotus bands and tapering triangular point, bearing Sotheby’s label, 13/6/1988. 20cm high

€ 120 - 180

373 A 19TH CENTURY COALPORT CHINA PART DINNER SERVICE, comprising a selection of dinner plates, side plates, soup bowls and vegetable tureens, each decorated in deep blue with gilt scroll borders, factory mark to base

€ 100 - 200

372 A BOTTLE OF JOHN JAMESON & SONS LTD., 19491 btl., 73cl, Bow Street Distillery, Dublin 7Bottled 1972

€ 400 - 600

371 DOMAINE DE CHEVALIER 1961Grand Cru Classé de Graves, Pessac-Léognan, Bordeaux, France1 BTL., 75CL.

€ 500 - 800










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377 TAXIDERMY - A COLLECTION OF SIX BUCK ANTLERS, each mounted on timber shields. (6)

€ 100 - 200

376 A TAXIDERMY DEER HEAD AND FOUR POINT ANTLER TROPHY, mounted on a timber shield with a plaque inscribed ‘D.E. MacPherson, Glenshiel, 28 Aug, 1919, 14st 11lbs’

€ 150 - 200

375 A TAXIDERMY DEER HEAD AND FIVE POINT ANTLER TROPHY, mounted on a timber shield, inscribed ‘Glenfeshie, 1925’. 125 x 65cm overall

€ 150 - 200

374 A NATURAL HISTORY TAXIDERMY DISPLAY CASE CONTAINING A FOX, set within a naturalistic landscape 110 x 30 x 66cm high

€ 250 - 350












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380 A BRASS FRAMED FAN SHAPED SPARK GUARD. 70cm wide

€ 100 - 150

379 A MAHOGANY RECTANGULAR TWO-TIER DUMB WAITER, the base with fitted drawer. 48cm wide, 72cm high

€ 50 - 70

378 A MID 19TH CENTURY RIDGWAY CHINA TEAPOT, decorated with floral panels with gilded highlights; together with a ‘Mentone’ pattern wash basin and ewer. (3)

€ 200 - 300







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385 GRAHAM SUTHERLAND (1903-1980)‘Cynocephalus’ (1968)Lithograph, printed in colours, 66 x 49.5cmSigned and numbered 42/70

€ 400 - 500

384 PERCY LANCASTER (1878-1951)A river landscape, probably Wicklow, with cattle by a bridgeWatercolour, 35 x 50cmSigned, and with an old label preserved verso

€ 200 - 300

383 NICOLA LYNCH MORRIN (20TH/21ST CENTURY)Flower StudyOil on board, 49 x 75cmSigned

€ 150 - 250

382 AFTER FRANCIS WHEATLEY RAThe Cries of LondonColoured prints, 40 x 30cm

€ 150 - 200









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389 FRANK MCKELVEY RHA RUA (1895-1974)Connemara LandscapeWatercolour, 25.5 x 37cmSigned

€ 500 - 700

388 THOMAS RYAN PRHA (B.1929)The Altar BoyOil on canvas board, 50 x 28.5cmSigned

€ 200 - 400

387 ALEXANDER WILLIAMS RHA (1846-1930)Castle Lough KillarneyWatercolour, 28 x 48cmSigned

Exhibited: ‘Spring exhibition’, The Frederick Gallery April 2000, Cat. No.44, where purchased.

€ 250 - 350

386 ATTRIBUTED TO AUGUSTUS BURKEStudy of a RomanCharcoal on paper, 53.5 x 44cmSigned and dated ‘A. Burke, December 1852’

€ 200 - 300









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393 FRANCES BUNCH MORAN (1928- 2002)Off Wellington RoadWatercolour, 39 x 48cmSigned, inscribed with title and dated 23/4/90

€ 150 - 250

392 S.J. O’REILLYAbstract CompositionOil on canvas, 101 x 121cmSigned; also signed and dated 1983 verso

€ 400 - 600

391 ANITA GROENER (B.1958)‘Echo’, ‘Alight’ and ‘Transition’ (May 1996)A set of three diptychs, mixed media on paper, c.12 x 12cmSigned. (6)

Provenance: With Rubicon Gallery, Dublin.

€ 400 - 600

390 E.G. HESTER AFTER GEORGE VEAL (FL.1820-1886)McQueen’s Steeple ChasingColoured engraving, 66 x 104cm; together withAfter Alken‘One of the Flowers of our Hunt’, 76 x 118cm and ‘Still Life of Flowers in a Vase’, 68 x 47cmOil on canvas. (3)

€ 80 - 120

390

391

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400 A MODERN CREAM GROUND RUG, with overall geometric floral design, with triple stripped border guard. 220 x 142cm

€ 800 - 1,200

399 A SMALL COLLECTION OF REPRODUCTION 19TH CENTURY SPORTING PRINTS, including a set of six framed as three etc. (4)

€ 20 - 30398 W.B. PEARSALLSeaside CottageOil on canvas, 28 x 44cmSigned and dated 1894

€ 500 - 700

397 JOHN F. MCCARTHY (1901-1959)Evening, Co. DublinWatercolour, 23 x 34cmSigned; inscribed artist’s label versoExhibited: Watercolour Society of Ireland 1950, Catalogue No.11.A Cork born artist who exhibited at the RHA and WCSI (see Snod-dy for more information)

€ 80 - 120

396 CHRISTOPHER M. DORAN (1900-1981)Lough Na Fooey, ConnemaraOil on canvas, 40.5 x 50.5cmSigned; signed again and inscribed with title verso

€ 100 - 200

395 JACK B. YEATS RHA (1871-1957)A Broadside, No.8, January 1909Hand coloured single broadside with illustrations by Jack B. YeatsLimited to 300 copies; together withAfter Estella SolomonsDublin Scene 1917Etching; together with miscellaneous other reproduction prints

€ 80 - 120

394 OWEN WALSH (1933-2002)Christ Church from the QuaysMixed media on paper, 43 x 60cm Signed; inscribed with title and dated 1970, ‘with best wishes’

€ 400 - 600
















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How to buy at Adam’sViewingViewing is the first step. You can browse our catalogues online and viewing the electronic flip catalogue is a great way to get a feel for what is on offer. The online catalogues also frequently provide additional imagery or information. Alternatively, you can subscribe to our posted fully illustrated catalogues which will be deliv-ered to your home in the old fashioned way.

Catalogue DescriptionsAll lots are described to provide information on their age, materials of construction and method of decora-tion. The description may also provide information on the history or provenance of the item.

EstimatesAll lots carry estimates in a range of values. Estimates are in Euro and reflect the anticipated price and are re-lated to prices for comparable lots sold previously.

Condition ReportsThese reports are additional to the information provid-ed in the catalogue. They provide a service for buyers who cannot attend a viewing in person, providing guid-ance on a lot’s condition.

Catalogue SubscriptionsWhy not have our catalogue delivered directly to your home, we offer a range of subscription options

BiddingThere are many ways that Adam’s can facilitate your bidding. Each method requires registration. This can be done online by creating a ‘My Adam’s’ account on our website, or by registering directly through our of-fice in person or over the telephone. If you have not previously registered to bid, legislation requires that you provide photographic identification by way of Passport or Driving Licence. Buyers premium of 20% plus VAT is payable on the hammer price of all suc-cessful bids at auction.

Bidding LiveOur online bidding service allows you to see and hear the auction in progress from the comfort of your home or office. By registering online you can take part, all you have to do is click to bid.

Telephone BiddingThis connects you directly to a member of the Adam’s team in the auction room, who will guide you through the process of live telephone bidding. The team mem-ber will relay the bidding back and forth and bid on your behalf.

Written BidsIf you cannot attend the auction or use one of the methods outlined earlier, you may leave a written com-mission bid. A written bid is a maximum figure which

you would be prepared to bid. These bids are executed by the auction clerk on your behalf. The bidding follows the bids in the room or online until such time as you are successful or your bid is overtaken. The clerk will purchase the lot at the lowest possible price, subject to any reserve and interest from other bidders up to your maximum bid.You can now leave absentee bids through our web site by registering for a “My Adam’s” account.For more information or advice on leaving commission bids contact a member of our team at 01 6760261.

What happens nextIf you are successful with your bid, you will receive a proforma invoice for your purchase post auction with full instructions regarding payment & collection. Our web site is updated with the full auction results. PaymentThe accounts department is open between10.00am – 1.00pm & 2.00pm - 5.00pm,Monday to Friday. Your proforma invoice details our accepted methods of payment, including links to secure on-line payments through our web site.

CollectionYou can collect your lot(s) from our Salerooms between the hours of 10.00am – 1.00pm & 2.00pm – 5.00pm Monday to Friday upon receipt of payment. Please note uncollected lot(s) within 2 days of the auction date may be subject to storage and handling charges, so we would therefore recommend that you make prompt ar-rangements to pay & collect

ShippingAdams outsource shipping to recommended third par-ties. Your proforma invoice includes a link to recom-mended shippers who will be happy to quote for your requirements.

We are here to help. Should you have any queries, please do not hesitate to contact us by telephone +353-

1-6760261 or by e-mail [email protected]


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CREATE A ‘MY ADAM’S’ ACCOUNT

You can now create your own account with us by signing up and registering your particulars online at www.adams.ie

The process is quick & easy. You will be required upon registration to provide a valid credit/debit card and may be required to upload photographic identification to see proof of iden-tity and residence. This is a once off request for security purposes, and once the account is activated you will not be asked for this information again. You can leave absentee bids on-line, and add, edit or amend bids accordingly as well as other useful functions like creating wish lists and paying your invoice in a few simple steps. Absentee bids are executed by the Auction Clerk on your behalf. The bidding follows the bids in the room or online until such time as you are successful or your bid is overtaken. The clerk will purchase the lot at the lowest possible price, subject to any reserve and interest from other bidders up to your maximum bid.You can also register your interests by choosing what categories you are interest-ed in and create lot alerts for item specific requests that will be e-mailed to you in advance of sale. This feature is most useful if you collect for example Belleek or Rolex or Paul Henry, just enter your search tags and be the first to get notified when the lot is listed for auction.


26 St. Stephen’s Green, Dublin 2 +353 (0)1 6760261 www.adams.ie


+353 (0)1 6760261

Adam's At Home Auction April 9th 2017

Art & Photos

Transcript of Adam's At Home Auction April 9th 2017