ACME IlluMInAtEs HArlEM Yu’s 2013 World tour ConCErt In...

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ACME provided professional stage l ights consisting of 38 sets of XP 1500 SZ, 63 sets of XP 1500 WZ, 120 sets of BW-54-3RGBW IV, 60 sets of XP-5R Beam, and 24 sets of BF-3000D for Harlem Yu’s “I Wanna Give You” world tour concert in Changzhou City, China.

This was a showcase of powerful l ighting effects, and combined with Harlem’s glamorous stage styles brought

ACME IlluMInAtEs HArlEM Yu’s 2013 World tour ConCErt In CHAngzHou, CHInA

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about a superb musical feast for 10,000 loyal fans. The famous Chinese singer, Momo Wu, was a special guest performer at the concert.

Among a wide selection of l ighting brands, the organisers of the concert chose ACME’s professional stage l ighting equipment. Boasting high brightness, ful l and sharp beams, superior speed, accurate posit ioning, consistency, powerful functional ity, compactness and design quality, ACME’s stage l ights proved to be the r ight f it for Harlem’s performance style – creating a vibrant atmosphere with strong visual impact.

For more information on ACME, please visit www.acme.com.cn.

XP-5R BEAM XP-1500SZ

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Fly Dragon lights Up Miss Universe slovak repUblic 2013

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On Apri l 4, 2013, the f inal stage of the Miss Universe Slovak Republic contest was held at the National Tennis Center of Bratislava, the capital of Slovakia.

The organisers chose Light Sky’s moving beam and headlights from the Bumblebee F330 series, which was manufactured by Fly Dragon Lighting Equipment Co., Ltd, the leading stage l ighting company in China. Delivering superior speed and rich coloured l ighting, Light Sky’s 100 moving beam l ighting f ixtures created gorgeous gobo effects to the del ight of the audience.

Miss Universe Slovak Republic 2013 was won by 20-year-old Jeanette Borhyová from Danube Ivanka, who represented her country in the 62nd Miss Universe Pageant.

For more information on Fly Dragon or Light Sky, please visit en.lightsky.com.cn.

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The M2 Club in SanYa, the most frequented club in the island and a renowned place among the Chinese nightl i fe scene, has recently undertaken a venue renewal project and upgrade of its sound reinforcement system.

The M2 managers were looking for a sound system that was capable of fulf i l l ing the club’s commitment in being ahead of its competit ion in the night entertainment industry. They needed a system different from tradit ional speakers, a system as innovative and impressive as its club – but above al l a system that does not disregard sound quality.

After considering several options avai lable on the market, the club management selected the French brand, Verity Audio, to supply the loudspeakers and power amplif iers for the new sound system. They discovered Verity Audio

Verity Audio for M2 Club in ChinA

Photo Credits: Ver i ty Audio

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during the GET Show 2013 and were impressed by a demo of its CLUB212, one of its f lagship loudspeakers.

“The CLUB212 is a double 12 inch two-way speaker specif ical ly designed for top end clubs requir ing the best possible sound performance. It mounts high-grade neodymium drivers and provides an enormously powerful SPL with an unmatched clean and clear sound at high levels. It’s the definit ive speaker for clubs,” said Verity Audio Sales Manager, Rocky Lee.

The M2 Club instal led 12 units of the CLUB212 speaker, powered by six units of the Verity Audio V4.25 4-channel amplif iers and matched with 30 subwoofer units. With its ful ly adjustable asymmetric high frequency horn, the CLUB212 al lowed the sound system engineers to evenly cover al l areas of the 500 square meter f loor.

From a visual design point of view, the white piano paint of the CLUB212 gave the l ighting engineers another tool to decorate the venue, as any l ight projected onto the speaker gets ref lected.

For more information on the M2 Club in Sanya, please visit www.clubmj.cn.

For more information on Verity Audio, please visit www.vaudio.cn.

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GTD LiGhTinG for EtErnal lovE of Sanya

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A h istor ic musica l ext ravaganza ent i t led Eterna l Love of Sanya, a key cu l tura l pro ject in Sanya Ci ty, Ha inan Prov ince, k icked off on September 25, 2013.

More than 390 sets of s tage l ights and equipment were used to create a fantasy dreamland, combined wi th a large LED d isp lay screen, a l i f t ing p lat form, an a i r t rack, a wave machine, a veh ic le p lat form, a t ransparent sky f i lm, a large sand pa int ing, a ho lographic pro ject ion, d ig i ta l lamps, st ructure pro ject ions and more.

GTD L ight ing worked wi th Songcheng Group for th is pro ject . Back in June 2013, Songcheng Group he ld a procurement b idd ing in Hangzhou, Zhe j iang Prov ince. The top three l ight ing manufacturers in China at tended and af ter three months of t r ia l and r igorous samples, compar isons and tests, the b idd ing went to GTD L ight ing. I t s tood out thanks to i ts la test products, such as the GTD-1500W SPOT, WASH and 230W smal l BEAM, which were off ic ia l ly unve i led in the new Grand Theatre of Songcheng.

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“We have used severa l famous l ight ing f ix ture brands in China, but no company is as profess iona l and dedicated as GTD,” sa id Mr. Zhang Gong, the Chie f L ight ing Engineer of Songcheng Group.

He added: “What impressed me most is the super h igh br ightness of GTD products. The 230 I I Beam is equipped wi th a s ix- layer imported opt ica l lens, which contr ibutes to a des i rab le a i r e ffect . The 1500W SPOT features a great l inear d imming effect wi th v iv id gobos in great un i formi ty and accurate pos i t ion ing. The 1500W WASH has an exce l lent wash effect wi th i ts co lor, which can meet the h igh demands of theater appl icat ions. Genera l ly speak ing, a l l GTD products present a fast runn ing and outstanding effect .

Unt i l today, there has not been any major problem in GTD’s l ight ing f ix ture for th is pro ject . I t is very rare and hard to ach ieve in such h igh f requency. In addi t ion, i ts moving heads do not have any pos i t ion ing er ror and can produce an idea l resu l t . They fu l ly meet the requi rements of our h igh qua l i ty per formances.”

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On September 13, Mr Huang Qiao l ing, Chai rman of Songcheng Group Board and Head of Songcheng Art Troupe, as wel l as the Chie f P lanner, D i rector and Art is t ic D i rector of Eterna l Love of Sanya, accompanied GTD Genera l Manager, Mr L iu Yunhui , and Deputy Genera l Manager, Mr L i Zhao, to watch the ear ly rehearsa ls of the show in Sanya Ci ty.

Dur ing the per iod of cooperat ion for th is event , Mr Huang spoke h igh ly of GTD and expressed h is apprec iat ion. He even presented a book ent i t led “Anyth ing Related To Romance – Huang Qiao l ing and His Ser ies Eterna l Love” to GTD’s Genera l Manager, Mr Yunhui , as a g i f t .

Recent ly, GTD L ight ing won the l ight ing b ids for the wor ld’s largest c i rcus, X iamen J ing l ing Internat iona l C i rcus, and China’s a i rcraf t carr ier rea l estate – Hong Kong-based Evergrande Real Estate Group. I t has a lso prov ided l ight ing equipment for the 2013 Golden Rooster and Hundred F lowers Fest iva l .

For more in format ion about GTD L ight ing, p lease v is i t www.gtd-china.com .

From left to r ight: GTD General Manager, L iu Yunhui, and Huang Qiaol ing, Director of Songcheng Group.

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ArKaos’ Stage Server created a spectacular three-dimensional overhead video wall at Belgium’s famous Pukkelpop Festival.

The annual Pukkelpop festival, held at Kiewit near Hasselt, is one of Belgium’s largest alternative music festivals, attracting over 60,000 festival-goers and second in size only to Rock Werchter.

This ‘progressive and contemporary’ musical event played host to around 200 bands on its eight stages over the three-day festival and showcased a wide variety of music that encompassed rock, pop, electronic, dance, hip-hop, punk and heavy metal. The eclectic l ine up for 2013 included top art ists Eminem, The Prodigy and Nine Inch Nails and world-class DJs including Mark Ronson, The Magician and Boys Noize.

The opening night party to the 28th Pukkelpop was the perfect event for ArKaos, Belgian media server and software manufacturer, to show off the power and

ArKAos Pro CreAtes WAves At PuKKelPoP 2013

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versati l i ty of its Stage Server in a spectacular l ight display created in one of the biggest pixelmapping applications to date.

The party kicked off in joyous style in the 30,000-capacity Boiler Room where festival-goers partied unti l 4am, under a cei l ing of pulsating patterns of l ight that formed waves and staccato mult i-coloured abstracts. The cei l ing effect was so impressive it even attracted the attention of national television, receiving coverage on VTM, which claimed “even the most loyal festival visitor never saw anything l ike this before”.

The dramatic cei l ing effects were the brainchi ld of Belgian design company, Arf & Yes, and were brought to l i fe by their l ighting designers, Phi l ippe Vanderheeren and Ignace D’haese using three-dimensional video animation.

Arf & Yes created what was effectively a huge three-dimensional video wall using 3,264 SGM LT 200 LED

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the immense number of pixels involved (352,512 pixels in the main Boiler Room and a further 176,256 pixels in each of the two exterior zones) required a total of 500 universes. The decision was therefore made to divide the universes between the three ArKaos Stage Servers, two of them running 160 universes each and the third running 180 universes.

In addit ion to the spectacular cei l ing, the Boiler Room - which also became one of the eight show stages for the entire festival - proudly displayed an LED video wall behind the on-stage DJ booth. Here people continued to party from 11am to 4am daily beneath, and in front of one of the largest show elements of the festival. The DJ’s LED video wall was animated using a fourth ArKaos Stage Server playing custom video content provided by Arf & Yes. The four Stage Servers were synchronised using a Chamsys MQ100 desk with a side wing purely dedicated to the video operation. A second Chamsys MQ100 and wing were used to control the l ighting.

Al l ArKaos, SGM and Chamsys equipment was supplied by PRG EML Productions, and instal led and programmed by Arf & Yes operators, T imothy De Mets and Jonas Weyn.

“I was real ly impressed with how easy the ArKaos Stage Server Pro is to programme and the speed at which it operates,” said Vanderheeren. “The sheer scale of the Pukkelpop instal lat ion – one of the f irst to use 500 universes at once – shows this entry level machine is capable of doing a huge job control l ing one of the biggest pixel mapping instal lat ions ever! It is a very cost effective, affordable solution, is easi ly avai lable and has the security of excel lent support from the team at ArKaos.”

“We are del ighted with this application which is a prime example of what can be achieved with a l i tt le imagination and our very user-fr iendly technology,” said ArKaos Technical Sales and Support Manager, Toon Servaes. “We see this 3-dimensional application being used widely across clubs, large arenas, in commercial instal lat ions and, for example, shopping centres where it could be used to create an attractive roof. It’s a real eye catcher for al l events!”

3D Graphic tubes suspended from the cei l ing. Each SGM LED str ip is two-metres long, double-sided, with 54 RGB LEDs on each side at a pitch of 35mm. Each pixel can be individual ly addressed and control led using DMX/ArtNet.

Arf & Yes operator, T imothy De Mets, was able to pixelmap every pixel quickly and easi ly using three ArKaos Stage Server media servers running ArKaos MediaMaster Pro software in one of the biggest pixelmapping instal lat ions to date. This effectively gave 352,512 pixels to play with in its own unique location, becoming a piece of the ful l 3D image. The operators were then able to programme changes in colour, speed and three-dimensional animations to create the fabulous effects witnessed by the party-goers. The effects were then duplicated across two zones outside the Boiler Room.

The pixelmapping was streamed over ArtNet, which had a theoretical l imit of 256 universes of DMX. However,

Al l photos courtesy of © Marco Hinic

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Leading Ital ian TV Lighting Designer Massimo Castrichel la took less than a minute to decide that he wanted Robe’s ROBIN DLS profi le, LEDWash 1200 and LEDBeam 100 f ixtures on his l ighting r ig for the latest series of ‘Un Minuto Per Vincere’ (One Minute To Win).

The second season of the Ital ian version of the hugely popular US ‘Minute To Win It’ game show was recorded at the Auditorium del Foro Ital ico in Central Rome for national channel RAI. Contestants participate in a series of simple but frustratingly diff icult to achieve 60 second chal lenges that usual ly involve common household objects!

Castrichel la has worked for the prime Ital ian broadcaster for an impressive 35 years. He has also used Robe products in his work since 2004 and for this one – where 90 per cent of the l ighting is for effects – he chose 20 x Robe DLS Profi les, 12 LEDWash 1200s and 30 LEDBeam 100s along with other f ixtures – to l ight the show.

The idea was to make the set – designed by Mimma Ali ff i - and l ighting similar to the original format in the US show, but with some very distinctive touches of that famous Ital ian style and f lair.

The DLS f ixtures were r igged right above the centre of the set – where al l the games are played – and used for overhead l ighting and effects for which they looked excel lent on camera.

The LEDWash 1200s i l luminated the audience, a task for which they are extremely eff icient and the LEDBeam 100s were posit ioned al l around the back of the audience seating shooting forward, making great f i l lers for the wide crowd camera shots.

It was Castrichel la’s f irst experience working with the DLS f ixtures which were chosen for their power, brightness and versati l i ty and also to replace the ColorSpot 700E AT f ixtures that he used in the same posit ion for the f irst series in 2012.

Robe Has one Minute to Win

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He says: “The DLS is a great f ixture and a much better al l round choice – it is smaller, l ighter, brighter, consumes less power and is very quiet. The quality of the colours is excel lent and the framing shutters are fantastic.”

He also mentions that the colour temperature is very good and that the rel iabi l i ty of Robe general ly is another reason he continues to use the brand consistently. The One Minute To Win recording schedule is extremely t ight and no-one wants to be taking l ights down and having to f ix them!

The LEDBeam 100s are a favourite of his due to their t iny size, extreme speed and brightness. “You can see the beams clear and crisp even in saturated colours,” he commented.

The Robe f ixtures were al l supplied to RAI for the series by Rome based rental company, DIBI Technology.

Castrichel la worked alongside two Lighting Operators - Quintino Caci (spot l ights and profi les) and Ettore Amadoro (wash and set l ights) - both using Compulite Vector consoles and he, himself, ran al l the white l ights using a Compulite Spark.

Al l photos courtesy of Louise St ick land

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XL Video Get their Game on for nBa Pre-SeaSon meet in mancheSter

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Each year, before the start of the off icial NBA season, a selection of fr iendly pre-season games are played. In 2013, eight international games were held in Europe, Asia and South America.

XL Video, working for event producer, STS Touring Productions, supplied LED screens for the Oklahoma City Thunder v Philadelphia 76ers game at the Phones4U Arena in Manchester on 8th October.

The four f lown screens were situated in the centre of the arena, al lowing the audience on al l levels to have a great view of the fast-paced on-court action. The screens not only showed l ive action from the courtside cameras, but displayed score graphics, player profi les and other game information.

XL Video selected Pixled F-6 LED for the screen as its high resolution offered the audience excel lent picture qual ity. The product is also l ightweight and so made it easy to r ig from the arena roof.

A total of 336 ti les of F-6 were used for the screens. The chal lenge for XL was a short load-in t ime in which the crew had to unload, bui ld control and f ly the screen before the basketbal l court could be laid. The crew of Steve Grinceri, Gary Burchett, Colin Mudd, Rob Smith and Barry Minter, led by Project Manager, Mark Rooney, ensured that the screen was up with t ime to spare!

Rooney comments: “It was a pleasure to work with STS Touring on this event. The on-site team from al l the suppliers col laborated well to ensure the bui ld went smoothly. It was great to see the NBA bring two well-known US teams to the UK for this special game. We hope they’l l come back again!”

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Broadcast audio special ist Red TX provided the technical faci l i t ies to capture the audio at this year’s Barclaycard Mercury Prize, which took place at London’s Roundhouse on October 30th.

Hosted by Lauren Laverne, this year’s Awards Show featured l ive performances by many of the 2013 shortl isted art ists including Arctic Monkeys, Laura Mvula, Jake Bugg, Rudimental and overal l winner James Blake.

Red TX worked closely with PA company Plus4Audio and Outside Broadcast company CTV to del iver television coverage of this prestigious event, which was broadcast on both More4 and Channel 4.

Barclaycard Mercury Pr ize Execut ive Producer Dan Ford says: “Red TX was commissioned to handle the broadcast audio because the company has a strong reputat ion for del iver ing great l ive sound. We worked with them last year and were very happy with the results they achieved. I t therefore made sense to invite them back as part of our tr ied and tested product ion team.”

For this event, Red TX supplied its Red II music recording truck, which is designed to cater for 3D and 7.1 surround sound productions. Sound Supervisor Simon Wall, now based at London’s The Hospital Club, has been mixing the audio for the Barclaycard Mercury Prize for a number of years and once again he was

Red TX Help CapTuRe BaRClayCaRd MeRCuRy pRize 2013The company’s Red II mobile recording unit worked alongside CTV’s OB Vehicle on More4 and Channel 4 television coverage.

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the man behind the controls of red I I’s Studer Vista 8 mixing console. Red TX’s engineer Oll ie Nesham was also on board acting as his technical assistant.

Nesham says: “A great deal of preparation went into this show. We arrived at the venue on Monday 28th and spent the next three days sett ing up, rehearsing and carrying out extensive sound checks to make sure everything was perfect. There were two stages, each with 48 l ines of spl its that we plugged up to so that al l the inputs were avai lable on the desk at the same time. This enabled us to create a set-up for each part of the show, in which typical ly three bands were performing, so that Simon only had to recal l one set-up for each part and one snapshot for each band. Working this way also al lows Simon to l ine check al l the bands in each break, which gave us confidence as we could check that we had al l the inputs for each band before we started that part of the show.”

Sam Dunlop, Studio Manager of the Hospital Club Studio, adds: “The Hospital Club treasures its longstanding relationship with Dan Ford and the Barclaycard Mercury Prize, which we have col laborated on since 2007. Throughout that t ime, Simon has mixed al l the Sessions f i lmed at the Club, as well as the Prize gigs and al l the l ive mixes on the awards night itself. We’re extremely lucky to have him, and it’s a privi lege to be able to work together to produce such fantastic new music content throughout the year with Dan and his team.”

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Hil lsong UNITED, the chart-topping worship band that rose out of the youth ministry of Sydney, Austral ia’s Hil lsong Church, recently wrapped up a U.S. summer arena tour in support of its 12th and latest ful l- length album, ZION. The outing, known as “WELCOMEZION”, picks back up with a second three-week leg of North American dates in November and wil l continue to be supported by Greenfield, Indiana-based Mid-America Sound, which has been supplying an L-ACOUSTICS K1 system for the tour.

The group’s summer jaunt, which stopped at a dozen cit ies in June, sold out shows in Phoenix (Grand Canyon University Arena), Dal las (Ver izon Theatre), Denver (Red Rocks Amphitheatre) and Chicago (Sears Centre Arena), averaging almost 7,000 people each night. Hi l lsong UNITED’s performance in Los Angeles at the Hol lywood Bowl welcomed more than 15,000 fans alone, and the overal l t icket tal ly for the tour exceeded 80,000 – a record-breaking total for the Austral ian worship group.

This tour marks the third year that Mid-America Sound, along with supplementary gear support from Cincinnati-based partner Loud & Clear, has been providing concert sound for Hil lsong UNITED, which switched from L-ACOUSTICS V-DOSC to K1 two years ago.

Hillsong UniTED Brings “WElCoMEZion” ToUr To U.s. on K1Mid-America Sound deploys full L-ACOUSTICS system for international worship group

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Mid-America Sound Co-founder Kerry Darrenkamp detai ls Hil lsong UNITED’s current touring system as featuring left and right arrays each comprised of 14 K1 with six KARA enclosures below for down-fi l l , while a dozen KUDO per side provide out-f i l l coverage. Low frequency reinforcement is supplied by two hangs of eight K1-SB, f lown adjacent to the K1/KARA, supplemented by nine SB28 subs per side ground-stacked below in a cardioid arrangement. On stage, six addit ional KARA enclosures are spread out as needed across the l ip for front-f i l l , while eight coaxial 115XT HiQ wedges serve monitors, with a single dV-SUB on hand for drum monitoring. Twelve LA-RAK, each containing three LA8 amplif ied control lers, del iver the ful l system’s power, f i l ters and networking.

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“Over the years, Hil lsong UNITED has developed a hugely diverse song list that encompasses a large dynamic range and various musical styles,” says Hil lsong UNITED FOH Engineer James Rudder. “When mixing front of house, I need the confidence that I can throw anything at the PA and it wil l handle the information in a detailed fashion. Our input l ist has also grown over the years and I really need to uti l ise all aspects of the depth and width that a PA can provide. Whether it be an intimate musical moment with few inputs or a wide open musical surge, I feel l ike I can rely on K1, KARA and KUDO to accurately reproduce what I am doing on the console.”

K1 on Hillsong UNITED Tour / Add OneAccording to Hil lsong Touring Audio System Designer Ricki Cook: “Since moving from V-DOSC to K1 a few years ago, our horizontal and vert ical coverage has greatly improved, along with tonal consistency at varying SPLs. Our current system feels much more l inear with the transit ion between elements now being quite seamless. The whole K product group is very easy to al ign and tune, and the overal l sound of the system can be easi ly repl icated from venue to venue.”

“From a production manager’s perspective, I appreciate how quick and simple the K1 system fl ies compared to other PAs on the market,” added Hil lsong UNITED Tour Production Manager Stephen Pippett. “As Ricki mentioned, our team is especial ly happy with the way the K1 and KUDO work together as mains/out-f i l ls. Using LA Network Manager, we’re able to tai lor the DSP sett ings of the KUDO side arrays to mimic K1, which produces spectacular results.”

Since 2006, the touring entity of Hi l lsong UNITED has performed in 42 nations on six continents and made a huge wave in the United States as it became the f irst Christ ian art ist to ever sel l out Los Angeles’ Staples Center in 2012. This year marks the release of the international worship band’s third studio recording, ZION, which peaked as the No. 1 overal l album in the U.S. on iTunes as well as made its highest-ever Bi l lboard 200 debut at No. 5.

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ETC ION AND SELADOR FOR LUX EUCHARISTICA

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Lighting any type of rel igious bui lding for a special occasion means a close eye to detai l is required; so when Cologne Cathedral cal led for special l ighting, they real ly meant it !

To create Lux Eucharist ica, an amazing dynamic audio visual show gracing Cologne Cathedral’s recent Eucharist ic Congress 2013, the management cal led on i l lumination art special ists Friedrich Förster and Sabine Weissinger of Casa Magica in Tuebingen, southern Germany. They, in turn, enl isted ETC Ion control desk expert, Matthias Strobel, to help programme the spectacular projections and colourful l ight.

“Control l ing the Selador Classic Vivid-R f ixtures and projection using Ion was the easy bit,” said Strobel. “The more chal lenging part was taking control of the cathedral’s very complex house l ight system with 1000+ channels via the Artnet protocol. The fact that we could organise it al l using the new Magic Sheets function, which comes with the latest Eos family software update, made things real ly simple.”

The event used the Selador LED fixtures along with large-scale scrol l ing projections from Pani projectors to art ist ical ly express the topic of the congress. Live music complemented the images and colours, dramatical ly highl ighting the gothic architecture.

The aim was to inspire and awe the 45,000 people attending the event, including 40 bishops.

Organised by the German Bishops’ Conference and hosted by the Archdiocese of Cologne, the f ive-day event this June included worship services both inside and outside the churches in central Cologne, along with theological discussions and lectures, a youth festival, and charitable projects. Each evening concluded with a service and stunning Casa Magica l ight and sound shows in the Cathedral.

The event is held every one to three years on both national and international levels.

Al l photos courtesy of Casa Magica

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PRODUCTSHOWCASE

Jan-Mar 2014

CreateLED’s AirLed-5 for Salvatore Ferragamo Fashion Show

Known as the global leader in v isual isat ion and display solut ions, CreateLED provided i ts very own AirLed-5 screens for internat ional ly renowned fashion brand, Salvatore Ferragamo, dur ing i ts Men’s Spr ing/Summer 2014 show.

The black body LED screens that f ramed the show space at Mi lan’s Palazzo Mezzanotte were used to display moving images of a deep blue sky, super imposed with geometr ic e lements that echoed the forms of the modular white seat ing.

CreateLED’s LED backdrop and image processing system were used to provide the show with v isual effects that would help set the perfect mood. The

By CreateLED

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strong image qual i ty, as wel l as the re l iable and stable operat ion of CreateLED’s products, helped ensure a smooth presentat ion dur ing the fashion event.

The tota l screen s ize was 300 square metres of AirLed-5 LED displays, which was fa i r ly easy to setup and stage for the show.

Key Benefits of the AirLed-5:• Extremely c lose v iew distances and wide v iew

angles• Quick lock system al lows faster r igging• Si lent and smooth operat ion• Excel lent thermal management• Lightweight and seamless, patented precis ion

extruded aluminium sect ion structure• Panel design with patented inter locking system or

non- inter locking system opt ions• Standard 500 mm by 500 mm panel design makes

stocking, t ransportat ion, construct ion, spare parts and maintenance easy

• Real white, br i l l iant colour, wor ld c lass colour f idel i ty and breathtaking greyscale

• Also avai lable in red and blue

For more information, please visit www.createled.com or e-mail [email protected].

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Epson Showcases Innovative Applications With Launch Of Advanced Projector Technology Models

Epson, the wor ld’s top projector maker for 12 years in a row and Singapore’s No. 1 Projector Brand (2012) launched two new ser ies of h igh br ightness projectors at a specia l event held on 20 September 2013 ent i t led “Bold Project ion in Publ ic Spaces”.

Projectors launched were: •The EB-4000 series : Epson’s new EB-4000 ser ies models wi l l provide

customers with the widest range of h igh br ightness projectors in the market. The f ive projector models a lso feature c inema technology from Epson’s market leading home theatres, g iv ing them excel lent movie qual i ty.

•The G6000 series : Updated from i ts E5000 ser ies, Epson’s G6000 ser ies projectors have br ighter rat ings of 5200 to 7000 lumens. The f i rst projectors in th is range to feature Epson’s renowned home theatre project ion technologies, a l l models feature edge blending technology. In addit ion, two top-of-the- l ine models (EB-G6800 & EB-G6900WU) have addit ional curved and corner wal l project ion capabi l i t ies to project distort ion-free images on surfaces that are concave, convex, 90 degree adjacent or even spher ical .

By Epson

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PRODUCTSHOWCASE

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During the launch, Epson demonstrated a ser ies of creat ive appl icat ions for publ ic project ions on var ious plat forms, f rom bui ld ing exter iors, reta i l d isplays, art insta l lat ions and the food and beverage industry.

They include using projectors to:•Create seamless mult ip le project ions on a dome above the audience,

result ing in a v isual exper ience of t ravel l ing in a v i r tual car. Projectors can be used to create immersive exper iences to showcase products or features.

•Project Branding s ignages and outdoor advert isements in a 3 dimensional manner. Brands can make use of projectors as an al ternat ive plat form for outdoor displays to take their messages to the next level .

•Al low mannequins at window displays to showcase mult ip le outf i ts through project ion technology. Accessor ies and backdrops can also be changed effort lessly with the use of projectors.

•Give the inter ior of a café a facel i f t through high-def in i t ion project ions on the wal ls and even furni ture. Sharp and v ibrant menus and QR codes were a lso projected on wal ls as an innovat ive way for customers to make their own orders easi ly.

With l i festy le col laborat ions under way, f rom the arts to reta i l , Epson aims to chal lenge convent ional usage of project ions and enable creat ive industr ies to create unique v isual appl icat ions.

“As the industry leader in project ion technology, we bel ieve that the t ime is now for project ion usage to go beyond the classroom. We hope our advanced project ion technology wi l l help to enable creat ive industr ies to showcase v isual concepts and products through project ions. With a lmost no constra ints in terms of venue, space and resources, our technology can be appl ied in diverse areas from arts to fashion and even F&B. Together we look forward to jo int ly creat ing magical v isual exper iences for consumers,” said Ms. Tan May Lin, Epson Singapore’s General Manager.

Al l photos courtesy of Epson Singapore

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PRODUCTSHOWCASE

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Barco and projectiondesign® launch next-generation single-chip ReaLED™ projector

Barco, a global leader in project ion technology, is proud to introduce a brand-new LED projector. The top-of-the-l ine single-chip FL33 projector offers training, s imulat ion and vis i tor attract ion industr ies an affordable, yet durable high-qual i ty product. The FL33 wi l l be presented to audiences across several industry events in the coming months.

“The FL33 benef i ts f rom our second generat ion LED i l luminat ion technology, and is based on our widely accla imed FL32 plat form,” commented Kr ist ian Kolstad, Director of Product Management at Barco. “Thanks to th is unique system, the projector can generate up to 1,000 lumens br ightness, making i t one of the br ightest LED projectors in our port fo l io. Furthermore, we are committed to ensur ing a low tota l cost of ownership and a high return on investment for our customers with th is projector.”

Wide range of applicationsBy combining project iondesign®’s sol id state ReaLED technology with Texas Instruments’ s ingle-chip DLP® technology, the FL33 offers an uncompromised

By Barco

Al l photos courtesy of Barco

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PRODUCTSHOWCASE

Jan-Mar 2014

performance and an unmatched 100,000-hour serv ice l i fe. Designed for mult i -channel systems, i t is part icular ly sui ted for mission-cr i t ical appl icat ions, such as 24/7 process control monitor ing, v isual isat ion and s imulat ion. Also, v is i tor attract ions such as planetar iums, domes, smal l enclosed environments and level D f l ight s imulators for both c iv i l and mi l i tary av iat ion can benef i t f rom FL33’s f lex ib i l i ty.

Low total cost of ownershipNot re ly ing on any lamps or consumables, the FL33 comes with a low maintenance cost. The absence of lamps also means that the projector can be placed in any or ientat ion angle imaginable. The projector’s upt ime is even further increased by the fact that i t shows no colour degradat ion and requires v i r tual ly no recal ibrat ion.

Flawless image qualityThe 1,920 x 1,200 or 1,080p nat ive resolut ion and adjustable Smear Reduct ion Processing (SRP™) guarantee cr isp and smooth imagery, and make i t perfect for a l l types of fast moving images. And thanks to the RealColor™ technology, v iewers can enjoy unique colour matching capabi l i t ies. A wide range of h igh-qual i ty g lass lenses offers customers the best image performance with f lex ib i l i ty to adapt the system to their speci f ic needs.

124 Jan-Mar 2014

OneMixBy Allen & HeAtH

www.allen-heath.com

OneMix is an iPad app that gives musicians wireless control of their personal monitor mix. Derived from the iLive MixPad app, OneMix locks control to a single Aux mix, providing instant access to a customised

easy-to-use monitor mix environment.

Multiple iPads can be set up by an Admin user to give numerous musicians personalised monitor control without affecting each other or the FoH main mix. A musician’s own aux monitor mix is assigned and locked into the ‘My Mix’ layer, and a selection of input splits dedicated to the individual musician can be added. Similarly, all other instrument send levels can be assigned to any of the three extra layers, allowing unique personal monitoring configuration. The range of accessible

settings is defined by custom permissions for each layer.

When reverted to User mode, the musician is presented with simple-to-use access and control of their aux master level and processing, instrument send levels and processing, if enabled. Depending on the application and the performer’s technical knowledge, the layout and level of access can be kept minimal or extended to a more complex musician’s monitor mix involving a high channel count across multiple layers. Notably, the mix can be tweaked and listened to by both the user on stage and the sound engineer at the desk, enabling easy interaction between the two. Up to 16 iPads running OneMix can be

connected to an iLive system.

eLS15 BT SpeakerBy AmericAn Audio

www.adjaudio.com

American Audio has introduced the ELS15 BT, a lightweight, multi-functional 15-inch active speaker that features both Bluetooth and a built-in MP3 player. With the versatile ELS15 BT, you can play music from Bluetooth-enabled mobile devices wirelessly, or you can utilize the unit’s built-in MP3 player with USB and SD Card inputs. Great for bars, nightclubs, cocktail music and pre-recorded party mixes, this feature-packed speaker provides plenty of output power for small and mid-size events.

The ELS15 BT comes with its own 21-input ADJ AUD RC remote to control its rear-panel playback section from anywhere in the venue.

It will also sound great from any spot in the room. One amp powers the 1-inch titanium driver, while the other powers the 15-inch woofer with 33 ounce magnet. The ELS15 BT’s bi-amplified system provides separate high-frequency and low-frequency power to the speaker as the music demands it, for maximum efficiency. It has short-circuit protection, thermal protection, on/off mute, and active high-frequency/low-frequency limiters with LED clip indicator. Because of its high efficiency design, the ELS15 BT features very low power consumption. It offers multi-voltage operation (AC 115–230V, 50/60Hz), so it works with all available power sources in any room or venue.

PLenA MAtrix DigiTal SounD SySTemBy BoscH

www.boschcommunications.com.au

With audio quality tailored to a wide range of applications – including live music, business music, highly-demanding speech environments and zone announcements – the PLENA matrix system delivers full-featured digital audio control, with a maximum of flexibility and reliability. As a result, such applications as gyms, small hotels, restaurants, bars, business centers, retail stores and schools can now experience professional audio with an extremely cost-

effective and easy-to-install platform.

The new system includes an intuitive graphical user interface, a DSP processor, two types of 4-channel class D amplifiers, a call station and a wall panel. Up to eight zones can easily be addressed with different announcements, music or live speech, and can be controlled wirelessly via an

iPad, iPod or iPhone.

125Jan-Mar 2014

Wet xBy community

www.communitypro.com

Community has announced “WET X” – thirteen new models of its acclaimed WET Series featuring innovative next generation techniques that redefine outdoor loudspeaker construction and improve sonic performance. WET X’s exclusive hand-laid fiberglass enclosures are internally lined with marine-grade plywood and use innovative drivers to provide premium sound quality for both outdoor and indoor venues. The versatile 12-inch and 15-inch, two-way, full-range WET X loudspeakers offer six rotatable horn patterns, high output, and unmatched LF extension. WET X loudspeakers contain a large diaphragm 1.4-inch exit high frequency compression driver and can produce the same output levels as the largest WET II loudspeakers but in enclosures only half the size. The low frequency cone and internal circuitry have Community’s proprietary Envirotech™ coating for improved weather-resistance. The WX218SDF, a downfire dual 18-inch model, adds an ultra-high-performance subwoofer to the line.

WET X’s combination of multiple horn options, high output and extreme weather-resistance brings exceptional sound and speech quality to any outdoor or multi-purpose application.

DigitALMeDiA™ SwiTcherBy crestron AsiA

www.crestronasia.com

Crestron Asia Limited has announced the release of its new 128x128 DigitalMedia™ Switcher, the most powerful addition to the family of industry-leading digital AV networking solutions. The “industrial-strength” switcher manages the high-definition and analog AV distribution requirements of large commercial facilities, such as

stadiums, arenas, university campuses and global enterprises.

Sharing the same innovative architecture and rich feature set as the pioneering 64x64 DigitalMedia Switcher, the DM-MD128X128 features a modular blade I/O expansion system, 4K Ultra HD support, a built-in web server, and a 15” color touch screen. It manages up to 128 analogue or digital sources and distributes them over

standard CAT5e or fiber optic cable - all on a single platform.

With DM-MD128X128 Switcher, customers will have the flexibility to meet the increasingly demanding AV requirements of the world’s top organizations and

largest facilities in Asia.

MiPrO MA-505 porTaBle wireleSS pa SySTemBy miPro electronics co., ltd

www.mipro.com.tw

MIPRO introduces the MA-505 portable wireless PA system, which delivers unparalleled audio performance and craftsmanship. It offers an ideal public address solution for medium crowds, featuring built in 1 diversity receiver with options for 3 diversity receiver expansion or interlinking transmitter option for extended transmission

range.

Various music playing devices are added for wide and flexible application, including built-in DPM-3 digital audio player & recorder, optional CDM-2 CD/USB player and Bluetooth music receiver. More features include VOP (voice over music priority) to automatically mute the music input when the microphone is used, tone control for bass/treble adjustment, alarm siren provides emergency warnings and optional echo control. The built-in rechargeable battery provides up to eight hours of standby time per full

charge.

MiPrO At-100 circularly polarizeD anTennaBy miPro electronics co., ltd

www.mipro.com.tw

The AT-100 is an ideal antenna system for signal stability. The circularly polarised antenna can effectively reduce the polarisation loss to improve signal strength. It is an optimised solution for 470-1,000 MHz bandwidth with 6~8 dBi antenna gain and certified with the latest CE/FCC newly telecom regulations. It is designed for demanding professional stages and greatly improves signal stability and reduces interferences, signal drop-outs caused by polarisation problems. Moreover, it is waterproof and weather resistant. It is ideal for both outdoor and indoor

applications.

The AT-100 is an active directional antenna for transmitter or receiver. It has two built-in connectors: One “TX/RX” signal connectors for either transmitter or receiver; another “RX Only” receiver only connector (cannot connect to transmitter) has a built-in 12 dB antenna gain booster, which provides extended reception range and compensates for coaxial cable signal loss to improve reception range and signal quality. Booster power can be provided by a MIPRO

AD-707a or any ACT series receivers.

126 Jan-Mar 2014

JK318A louDSpeaker

By mAster Audio

www.master-audio.com

The JK318A is a single-box approach to full-frequency sound, offering the ultimate in size/performance ratio

from a compact and lightweight (59kg) system.

Within a 1240 x 534 x 524 mm footprint, the cabinet packs an 18-inch neodymium woofer with four-inch voice coil for solid, convincing low-end, a 12-inch neodymium woofer with three-inch voice coil for powerful, unfaltering mids and a 1.75-inch PETP diaphragm neodymium driver for crystal clear high frequencies, making it a true three–way loudspeaker that faithfully reproduces the full acoustic spectrum from 35Hz to 19kHz, with a

continuous output level of up to 132dB at one-metre.

As the only all-in-one loudspeaker on the market that concentrates this level of power and audio quality inside such modest dimensions, the JK318A far exceeds the standard requirements of a modern small-format PA, allowing the user to cover around 90 per cent of live sound applications without the need for additional system components. Practical, simplistic in use and resilient, the cabinet delivers an enormous 3,000 Watts (2,400W low plus 600W mid/high) of completely self-powered gain, after an absolute minimum of setup time. Users simply ´plug & play´ and enjoy a sound that is hard to find in such

a straightforward and compact system.

MDU12-PMi power DiSTriBuTion uniTBy tsl Products

www.tslproducts.com

The MDU12-PMi Power Distribution Unit, featuring 12 separate Ethernet-controlled outlets provides complete visibility of the health of the rack, monitoring status and alerting if preset limits are exceeded, allowing measures to be taken before catastrophe happens. In combination with the SQL server-based power management dashboard, PsiMon, users can monitor and control the power levels of a multitude of rack mounted devices remotely, from temperature and voltage, to GPIs and equipment fuse status.

SOUnDFieLD DSF-B DigiTal BroaDcaST

microphone packageBy tsl Products

www.tslproducts.com

The SoundField DSF-B Digital Broadcast Microphone Package, consisting of a DSF-2 surround microphone, DSF-2 controller and DSF-3 processor, can generate multi-channel audio from a single point source. The microphone parameters of the DSF-2 can be controlled remotely, including orientation, angle, pickup pattern and rotation. This is critical for sound engineers covering a large-scale broadcast event, be it a sport or an audience based talent show, as these changes can be made in the studio or OB truck without physically resetting the microphone position.

ZLx porTaBle powereD louDSpeakerSBy electro Voice

www.electrovoice.com

Electro-Voice announced the launch of the ZLX line of portable powered loudspeakers at Winter NAMM 2013, marking the latest milestone in EV’s resurgence into the retail arena. ZLX subsequently won a

“Best in Show” award from Pro Sound News.

With ZLX, EV set out with a singular goal: to deliver best-in-class performance across every detail. ZLX combines decades of proven pro-audio engineering know-how with a bold new look and user-friendly features that give users an extraordinary amount of control over their sound – including a configurable DSP stage controlled via a unique single-knob design – all with renowned EV quality and reliability, and

all at a price point where similar-format EV products haven’t been available before.

Available in 12- and 15-inch two-way versions and ideal for use as either mains or monitors, ZLX represents the new standard for musicians, DJs, and all performers looking for more from a portable

powered loudspeaker.

127Jan-Mar 2014

Ae710/720 BeamBy Acmewww.acme.com.cn

ACME has announced the latest moving head light Saber Speed (AE-710 Beam/ AE-720 Beam), which incorporates new outstanding technology with optics and great features. This high power moving head light provides super light output up to 24800lux at 20m and powerful beam via Philips MSD Platinum 2R lamp and OSRAM 132W lamp for selected and great built-in programmes for various applications including stages, concerts, fashion show, clubs and more.

Adopting the Philips MSD Platinum 2R (AE-710 Beam) or OSRAM 132W lamp (AE-720 Beam) as a light source enables the Saber Speed to deliver more powerful light output than other similar products, as well as give more selection for users on light source. Featuring a 3° beam angle and specially designed with triple eight facet prism and trapezoid facet prisms allows varying projecting effects. Equipped with 17 static gobos means it can deliver various gobo shapes with high quality and excellent sharpness.

MULtiSPOt-gII-Ht3030By Adelto ltd

[email protected], www.adelto.com

The MultiSpot-GII-HT3030 features a high-power RGB LED light source, precision PMMA collimator lenses, CDA Current Drive Array Technology, MCU-controlled LED panel, temperature with Automatic limiter, S2L with AGC, PDM modulation, IP20 rated-IP65 rated, PowCon connectors for AC-In and AC-Out. It is suitable for use in theatres, entertainment venues such as clubs, and for outdoor events.

A.LeDA B-eYe By clAy PAky

www.claypaky.it

Greatest Clay Paky novelty of this year is A.LEDA B-EYE, a product that you will appreciate for its truly innovative concept and for its amazing features. The keywords describing A.LEDA B-EYE are: versatile and spectacular. A.LEDA B-EYE is versatile because it can be used in many di-verse ways, even within the same project. In fact this fixture is, simultaneously, a state-of-the-art LED wash-light, an amazing “beam-light” and a projector for totally unseen, stunning graphic effects. First and foremost A.LEDA B-EYE is a perfect wash-light, generating beautiful colors and featuring an impressive, wide 6° to 70° beam aperture. The zoom however can be closed even further, down to as little as four degrees thus switching the light from a wash diffusion into a narrow and parallel beam. In this operating mode B-EYE becomes a “beam-light”, whose beam consists of an array of nearly indiscernible, individually controllable little beams. As in the B-EYE LEDs can be controlled one by one, the light beam is a pulsating bundle where every micro-beam has its own color and shade.

B-EYE finally introduces a totally unseen feature that turns it into a stunning effect light: the front lens can be rotated in either directions and at variable speed and many little beams are created, that can be unfolded or closed like petals. When colors and dynamic patterns are added, B-EYE generates countless kaleidoscopic projections, as no other LED fixture has ever done.

128 Jan-Mar 2014

SCD ServerBy cooPer controls

www.coopercontrol.com

The latest SCD Server and SCD Server Pro are stand-alone event replay / show controllers that can be used for sophisticated permanent lighting installations and for running shows on buildings, facades, landscaped

environments, theme parks, etc.

The SCD Server family can also be used as a fully tracking backup to any ZerOS lighting console including ORB and

Solution Series consoles.

They can also be used as a bridge between a performance lighting system and an architectural lighting control network, making it ideal for use in theatres, conference centres, building facades and other presentation

applications.

tVL F1WW & tVL F1CWBy elAtion ProfessionAl

www.elationlighting.com

Elation Professional’s new TVL F1WW and TVL F1CW white LEDs are strong, silent, cool and great-looking under the camera. A 3,200K warm white and 5,600K cool white LED Fresnel respectively, the TVL F1WW and TVL F1CW are ideal for TV/video lighting, thanks to their quiet, flicker-free and low-heat operation. The secret is in their advanced on-board thermo-optical technology, which keeps them running constantly cool without making an audible sound. Each of the TVL F1s also comes equipped with a DMX-controlled 12°-40° zoom and dimmer, giving them the versatility for a wide range of other lighting applications. In addition to the broadcast studio, they’re perfect for illuminating everything from live stage performances and concerts, to churches, nightspots, runways and retail displays. Both fixtures also include an eight-blade external barn door assembly for added flexibility and customization. Wherever they are used, the TVL F1s will provide bright, even white light at great energy savings. Each of the fixtures contains a 100W warm white (TVL F1WW) or cool white (TVL F1CW) LED, while emitting an output comparable to a 1,000W traditional Fresnel. Maximum power draw for each fixture is just 141W, and since their long-life LEDs are rated at 50,000 hours average, they are virtually maintenance-free.

M6 conSoleBy mArtin ProfessionAl

www.martin.com

HARMAN’s Martin Professional M6 is a state-of-the-art lighting console that functions as a highly advanced visual control surface. Designed to control everything from conventional and moving lights to the most advanced media server, the M6 has been designed for today’s demanding multimedia shows

and tomorrow’s challenging environments.

Incorporating the latest available technologies with an industrial multi-core processor, solid-state drives and custom-designed high-brightness touch screens, the M6 is capable of delivering up to 64 DMX universes directly from the console’s network

ports without using costly external processors.

With advanced features such as a LiveBlender™ T-Bar, FastDial™ rotary encoders, Paired Playback buttons and BriteTouch™ display, the M6 is Martin’s most advanced console design to date. It offers a total of 44 playbacks, including dual Main Go sections, 10 motorised faders and 12 additional faders, as well as 17 encoders for parameter access.

http://www.palmexpo.net

130 Jan-Mar 2014

Fine330SF Follow SpoTBy GuAnGzHou cHAi yi liGHt co., ltd

www.fineart-light.com

Fine 330SF is a small power, high brightness projection follow spot. Based on the mature V-VIP technology and unique design, the light source and reflect bowl match perfectly. This fixture can keep steady light output within the 1500h life span cycle. The brightness is just slightly attenuated from the beginning to end. This fixture is an excellent follow spot that boasts reliability, high efficiency, high brightness and long life span. It can be widely used in the entertainment field.

gtD-LMZ1019By Gtd liGHtinG ltd

www.gtd-china.com, www.gtd-truss.com

The GTD-LMZ1019 consists of 19 pcs OSRAM 4-in-1 LEDs, linear color-mixing, built-in macros with a long lifetime of 50,000 hours, featuring 2700k/3200k/4500k/5600k/7200k adjustable color temperature and 18~50° beam angle. It also boasts 0~100 per cent electronic linear dimming and fast strobe; its three-phase motors ensure fast

movement and very low noise.

Other features include: Pan 540°/630°, TILT 270°, super brightness and best heat dissipation

structure to ensure durability and stability.

PHArOS Touch panel conTrollerBy PHAros ArcHitecturAl controls limited

www.pharoscontrols.com

The Pharos Touch Panel Controller (TPC) is an elegant, solid-state standalone lighting control solution with a built-in, customisable touch screen interface. Beautifully designed to grace the wall of any room, it shares the same advanced control engine as the award winning Pharos Lighting Playback Controller (LPC), which is deployed in landmark installations around the globe, such as the London Eye. The TPC supports one universe of eDMX output for direct control of KiNet, sACN, Art-Net and Pathport fixtures. Combined with the new EXT, the TPC supports direct DMX output, DALI, 8 digital/analog inputs, RS232 and a mains

power supply.

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