Printing and mounting your final outcomes

Printing Prices

• A4 = £1.25 each• A3 = £3 each• A2 = £6 each

A2 Mountboard = £1

Websites

Websites made to specifically for your body of work, to create a commentary and more social interaction.

Remember you have an audience of billions online.

This may also help for future portfolio purposes too.

Websites

Exhibiting your workThink about framing your images – looks more professional

Artist Statement• You will need a succinct artist

statement that discusses the concept of your body of work.

• You need to print and mount this with your final images and have a copy of this in your sketchbook too.

This will also need to be emailed to jkb@kinged6nun.ac.uk

OIL - Artist’s Statement

"When I first started photographing industry it was out of a sense of awe at what we as a species were up to. Our achievements became a source of infinite possibilities. But time goes on, and that flush of wonder began to turn. The car that I drove cross-country began to represent not only freedom, but also something much more conflicted. I began to think about oil itself: as both the source of energy that makes everything possible, and as a source of dread, for its ongoing endangerment of our habitat.

I wanted to represent one of the most significant features of this century: the automobile. The automobile is the main basis for our modern industrial world, giving us a certain freedom and changing our world dramatically. The automobile was made possible because of the invention of the internal combustion engine and its utilization of both oil and gasoline. The raw material and the refining process contained both the idea and an interesting visual component for me."

Projection

Akram Zaatari: On Photography People and Modern Times

Zaatari is widely known for his expansive practice in photography and filmmaking which reflects on the collecting, archiving and dissemination of such images and the performative role they play in the formation of individual and communal identities and histories.

Installation

Taryn Simon

Diptychs – use two images together

James MollisonUta Barth’s diptych

• Colour as a unifying element• What images speak to each other

Suki Dhanda

Jonathan Worth

Corinne Day

Grouping imagesIf you want to group images together in a certain formation then you can arrange them, take a picture of how you would like it and print this to go with your submission.

This will clarify how you want your work to be seen to the examiner. You can also number the images on the back in the order you would like.

Large Grouping of images

Nick Turpin

Magazine Layouts • Create a

fashion layout or a feature article.

• This could

work for fashion or documentary

Mag layout. • Look at the way you use your images together across

a 2 page spread.

Documentary feature

Lead image for your mag

Concertina Mounting

Book

• Front cover – include an image, body of work title and your name

• Artist statement should introduce your body of work

• Photographs – how do you sequence them?

• Will you include captions or text?

Nick Turpin Book

Use text with images

Fazal Sheikh – from the book Moksha: http://www.fazalsheikh.org

Moksha by Fazal Sheikh

Fazal Sheikh – from the book Moksha: http://www.fazalsheikh.org

Nick Turpin Book