A Vulgar display of Power! – Luciano Perondi @ SOS - 04/01/2017
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Transcript of A Vulgar display of Power! – Luciano Perondi @ SOS - 04/01/2017
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A Vulgar Display of Power
Speaker Luciano Perondi Lecture @Mardi de Lure Paris / 15.11.2016
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A Vulgar Display of Power
Ideology, cultural hegemony and their written representation
Speaker Luciano Perondi Lecture @Mardi de Lure Paris / 15.11.2016
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General principles
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Treaty establishing a Constitution for EuropeTitle I: Definition and objectives of the UnionArticle I-2: The Union's values
(…)The Union is founded on the values of respect for human dignity, freedom, democracy, equality, the rule of law and respect for human rights, including the rights of persons belonging to minorities. (…)
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Treaty establishing a Constitution for EuropeTitle I: Definition and objectives of the UnionArticle I-2: The Union's values
(…)The Union is founded on the values of respect for human dignity, freedom, democracy, equality, the rule of law and respect for human rights, including the rights of persons belonging to minorities. (…)
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Treaty establishing a Constitution for EuropePreamble
(…)BELIEVING that Europe, reunited after bitter experiences, intends to continue along the path of civilisation, progress and prosperity, for the good of all its inhabitants, including the weakest and most deprived; that it wishes to remain a continent open to culture, learning and social progress; and that it wishes to deepen the democratic and transparent nature of its public life, and to strive for peace, justice and solidarity throughout the world,(…)
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!) educate") promote the access to knowledge #) ensure its use to everybody$) promote critical thinking
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Politics
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“politiké” ! the art that concerns the city-state
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Communication & information
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“cum munis” ! common duty/responsibility
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“informatio” ! to shape
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“informatio” ! εἶδος + μορφή
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Communication + InformationCommon duty, Idea, Shape
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Cultural hegemony
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“hegemonía” ! to lead, leadership
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Cultural hegemony ! “establishing intimate and secure relationships between the elites and the polular-national mass” A. Gramsci, Quaderni del carcere, !"#$, Q %", par. #
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Cultural hegemony ! to orientate the thought and the lifestyles through the instruments of the communication
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G. Galilei, Dialogo sopra i due massimi sistemi del mondo, 1632
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G. Galilei, Siderius Nuncius, 1610
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G. Galilei, draft letter written by Galileo Galilei to Leonardo Donato, 1509
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The cultural leaders may manipolate the communication so that their view becomes the collective view
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Writing is an instrument of communication
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Public writing was (is?) particularly noticeable
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What is the function of this?
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Arch of Constantine, 4th century
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Conspicuous consumption, conspicuous architecture, conpicuous writing
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Bibbia Urbinate. Biblia sacra latine. Vetus Testamentum cum prologis et argumentis s. Hieronymi et aliorum. 1476-1500
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“Conspicuous consumption of valuable goods is a means of reputability to the gentleman of leisure.”“The chief use of servants is the evidence they afford of the master’s ability to pay.”T. Veblen, The Theory of the Leisure Class, (!&"")
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Codex Purpureus Rossanensis, mid 6th century
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Different functions, different shapes
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Petra Iustitiae, Perugia, 1234
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!/% of the popolation of Perugia took part to the active government of the city
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Petra Iustitiae, Perugia, 1234 (a copy close to the original location)
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Vertical shape and at head heightthis text is meant to be read
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Petra Iustitiae, Perugia, 1234 (a copy close to the original location)
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Several groups are involved in the fight for cultural egemony
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Monty Python’s Life of Brian, 1979
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Horizontal and distantthis text is meant to be seen
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Pisa cathedral, 12th? century (facade)
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Pictures and text are integrated with the architecture (ceiling, floor, walls)this text is meant to be lived
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Basilica San Macro, Mosaic, Dome of Pentecost, Venice, 12th? century
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A change of perspective
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Unidentified author, Ideal city, Galleria Nazionale delle Marche, Urbino, 1480-1490
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“. . . . the subjective visual impression had been rationalized to the point that could be the basis for the construction of a well-founded empirical world. . . .”Erwin Panofsky, Perspective as Symbolic Form, !&"'
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Felic
e Fe
licia
no, c
irca
1460
CTI02-03/3.xp 02-02-2003 19:42 Pagina 19
Rilievodalla Colonna di Traiano
Albrecht Dürer (1525)
CTI02-03/3.xp 02-02-2003 19:43 Pagina 22
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They didn’t want to reproduce roman inscritions, they wanted to find a ratioto give mathematical foundations to their faction’s cultural egemony
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Luca Pacioli, 1509
CTI02-03/3.xp 02-02-2003 19:42 Pagina 20
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“In these letters [B, D, G, P, R, S, and Q] the compasses has little or no use. . . .”Giovan Francesco Cresci, Essemplare di più sorti lettere, !%()
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Franscesco di Giorgio Martini, Luciano Laurana (architects), Palazzo Ducale, Urbino, late 15th century
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Cult of personality: Sigismondo Pandolfo Malatesta, “the Wolf of Rimini”, (!$!*) !$#"-!$(*
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Matteo de’ Past, medal for Sigismondo Malatesta, Rimini, mid 15th century
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Matteo de’ Pasti, medal for Isotta, Sigismondo Malatesta’s lover, Rimini, mid 15th century
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Matteo de’ Pasti (attributed), inscription over the entrance of Castel Sismondo, Rimini, mid 15th century
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Matteo de’ Pasti (attributed), inscription over the entrance of Castel Sismondo, Rimini, mid 15th century
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Leon Battista Alberti (the church surrounding the inscription), Rimini, second half of 15th century
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Matteo de’ Pasti, Medal on Tempio Malatestiano, Rimini, mid 15th century
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Matteo de’ Pasti, Medal on L B Alberti, Rimini, mid 15th century
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Cult of personality: Federico III da Montefeltro, “the Light of Italy” (!$"") !$$$-!$*"
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Piero della Francesca, Doppio ritratto dei duchi di Urbino, Urbino (now in Florence), 1465-1472
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Franscesco di Giorgio Martini, Luciano Laurana (architects), Palazzo Ducale, Urbino, second half 15th century
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Franscesco di Giorgio Martini, Luciano Laurana (architects), Palazzo Ducale, Urbino, second half 15th century
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Palazzo Comunale (town hall), Urbino, second half 14th century (inscription, second half of 15th century)
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Units of measure (wool and silk), Urbino, late 15th century
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Flemish and italian artists?, Studiolo di Federico da Montefeltro, Palazzo Ducale, Urbino, second half 1473-1476
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The chief use of conspicuous writing is the evidence it afford of the leading groups’ ability to pay/command/inspiring loyalty
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Franscesco di Giorgio Martini, Luciano Laurana (architects), Palazzo Ducale, Urbino, late 15th century
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Church of San Bernardino, Mausoleum of the dukes, Urbino, 1482-1491
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Palazzo Passionei, Urbino, late 15th century
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Graffiti on the walls of Palazzo Ducale, Urbino, 17-20th century
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Retation distance/position
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Distance
Vertical
Horizontal
Federico
Sigismondo
Perugia
Anarchists
Graffiti
Otranto
Pisa
– +
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We find the same shapes in another period
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Fossato di Vico
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Serrungarina
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