A tt ila İlhan and his peers were the first sons of the Turkish Republic. They changed Turkey.

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A tt ila İlhan and his peers were the first sons of the Turkish Republic. They changed Turkey. Only poets lived at that time, they expressed themselves with their poems... How else could they express themselves?. They all mentioned the same thing in their poems ; “Freedom”. - PowerPoint PPT Presentation

Transcript of A tt ila İlhan and his peers were the first sons of the Turkish Republic. They changed Turkey.

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• Attila İlhan and his peers were the first sons of the Turkish Republic. They changed Turkey.

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• Only poets lived at that time, they expressed themselves with their poems... How else could they express themselves?

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• They all mentioned the same thing in their poems; “Freedom”.

• Some of the authorities didn’t want people to hear this. So to obtain freedom was challenging.But they never gave up, and they never will...

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One of them was Attila ILHAN.

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DUVAR (THE WALL):DUVAR (THE WALL):

• This is his first poem book. It is about freedom and love.

1948

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I’M COMPELLED TO YOU:I’M COMPELLED TO YOU:

1960

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THE RAIN ABSCONDTHE RAIN ABSCONDERER

Being criticized by the love poems he wrote in advance, Attila İlhan wrote this love book on purpose.

In this book he portrays the different countries, harbors, people and cultures he met in his journeys.

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WHAT WAS LEFT BEHINDWHAT WAS LEFT BEHIND“GRİEF”“GRİEF”

1982

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““SEPARATION” SEPARATION” A PART OF LOVEA PART OF LOVE

1993

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BELA CICEGI(TROUBLE FLOWER(1973)

YASAK SEVİŞMEK (1952)FORBIDDEN TO MAKE LOVE

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BÖYLE BİR SEVMEKTO LOVE LIKE THIS (1977)

KİMİ SEVSEM SENSİNWHOEVER I LOVE IS YOU (2002)

TUTUKLUNUN GÜNLÜĞÜTHE PRISONER’S DIARY (1973)

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HACO HANIM VAYHACO HANIM VAYMRS HACOMRS HACO

19841984

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ZENCZENCİİLER BLER BİİRBRBİİRLERRLERİİNE BENZEMEZNE BENZEMEZBLACK PEOPLE BLACK PEOPLE DON’T RESEMBLEDON’T RESEMBLE

19571957

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O KARANLIKTA BİZWE IN THAT DARKNESS

19881988

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GAZGAZİİ PASHPASHAA

19551955

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SIRTLAN PAYISIRTLAN PAYIPAY OF HYENAPAY OF HYENA(1974)(1974)

DERSAADET’TE SABAH DERSAADET’TE SABAH EZANLARI EZANLARI MORNING PRAYS- MORNING PRAYS- EZANS- IN EZANS- IN DERSAADETDERSAADET

ALLAHIN ALLAHIN SÜNGÜLERİSÜNGÜLERİTHE STABS OF THE THE STABS OF THE GODGOD(2002)(2002)

YARAYA TUZ YARAYA TUZ BASMAKBASMAKHURT TO HEALHURT TO HEAL(1978)(1978)

BIÇAĞIN BIÇAĞIN UCUUCUTHE EDGE THE EDGE OF OF KNIFEKNIFE(1972(1972))

SOKAKTAKİ SOKAKTAKİ ADAMADAMTHE MAN IN THE MAN IN THE THE STREETSTREET(1953(1953))

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KURTLAR SOFRASI KURTLAR SOFRASI ((THE TABLE OF THE TABLE OF WOLWOLVESVES -1963) -1963)

O SARIO SARIŞŞIN KURT IN KURT (( THAT THAT BLONDE WOLF -BLONDE WOLF -2007)2007)

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YENGECİN KISKACIYENGECİN KISKACI

THE CLAMP OF A CRABTHE CLAMP OF A CRAB

1999

While Attila İlhan was writing this story, he attempted to visualize his characters and settings for his readers.To achieve this target, he used a very descriptive language. As a result readers have an opportunity to concretize the events and the characters in the story.

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ABBAS YOLCUTIME TO GO (1957)

YANLIŞ KADINLAR YANLIŞ ERKEKLERWRONG WOMEN WRONG MEN(1985)

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•Hangi Sol - Which Left (1970)•Hangi Atatürk - Which Atatürk

(1981)•Hangi Batı- Which West(1972)•Hangi Laiklik - Which Secularism

(1995)•Hangi Seks - Which Sex(1976)•Hangi Edebiyat - Which Literature

(1993)•Hangi Sağ - Which Right (1980)

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BİR SAP KIRMIZI KARANFİLA BRANCH OF CARNATION(1988)

YILDIZ, HİLAL VE KALPAKSTAR, MOON AND CALPAC(2004)

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BASEL’İN ÇANLARIBASEL’S BELLS (ARAGON)

UMUTHOPE(MALRAUX)

KANTON’DA İSYANRevulation in Kanton(MALRAUX)

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• Yanlızlıklar Rıhtımı- Lonliness Dock (1959)• Ateşten Damla- Tears from Fire(1960)• Ver Elini İstanbul- Give Your Hand İstanbul(1962)• Paranın Kiri- The Dirt of Money (1979)• Kartallar Yüksek Uçar- Eagles Fly High(1984)• Yarın artık Bugündür- Tomorrow Is Today(1986)• Yıldızlar Gece Büyür- Stars Gets Bigget At

Nights(1992)• Tele-Flaş(1993)