A Thrill a Minute

A Thrill a Minute: Crafting, Pitching, Writing, Selling

and Promoting Thrillers

George Galdorisi

La Jolla Writer’s ConferenceOctober 27-29, 2017

A Thrill a Minute: Crafting, Pitching, Selling, and Promoting Thrillers

“This lecture will focus on how to produce a novel and have itaccepted by a mainstream publishing house. Attendees will learnhow to decide what to write about, how to pitch a story topublishers and agents, how to seal the deal once the pitch gets anibble, and how to team with your publisher to promote yourbook. While the primary focus of this workshop will on gettingthrillers published by a mainstream publisher, the same processis adaptable to most fiction. We will also examine how some ofthese same lessons apply to the world of e-books and print-on-demand. Attendees will be provided with online access to allworkshop material.”

A Few Preliminaries….

• Three promises:

– This will be a fast-paced fifty minutes

– We’ll learn something…and we’ll have fun

– You’ll have access to these slides…take notes…or not….

• Three assumptions:

– You all are interested in the thriller (fiction) market

– You’re an avid thriller reader and envision your thriller

– You didn’t wake up last Tuesday morning with this notion

• And a word about Power Point….

….by way of background….

Let’s Talk About Writing….

….and isn’t this the oldest profession?

“If you decide to become a professional writer, youmust, broadly speaking, decide whether you wish towrite for fame, for pleasure, or for money.”

Ian FlemingHow to Write a Thriller

A Thrill a Minute: Crafting, Pitching, Writing, Selling and Promoting Thrillers

• The high concept and the pitch

• Writing your novel and making it shine

• Selling your novel to an agent or a publisher

• Promoting what someone publishes

Crafting and Pitching Your Thriller:The High Concept and the Pitch

Mr. Clancy said none of his success came easily, and hewould remind aspiring writers of that when he spoke tothem. “I tell them you learn to write the same way youlearn to play golf,” he once said. “You do it, and keep doingit until you get it right. A lot of people think somethingmystical happens to you, that maybe the muse kisses youon the ear. But writing isn’t divinely inspired — it’s hardwork.”

Tom ClancyQuoted in the New York TimesOctober 2, 2013

The High Concept and the Pitch

• What you need to know getting started

• Mainstream or genre? Which way should you go?

– Thrillers used to be stuck in the “genre ghetto”

– Today they are more mainstream

• Getting story ideas

• What a reader wants from a thriller

The High Concept and Pitch: Of What?

• The king died and then the queen died.

– A story

• The king died and then the queen died of grief.

– A plot

• The queen died, and no one knew why, until it was discovered that it was through grief at the death of the king.

– A mystery

Some Preliminaries: Dean Koontz’s Recommendations to New Writers

• Thought

• Care

• Storytelling

• Craftsmanship

Great or Not-So-Great? What You Need to Know Getting Started

• Lots of decisions to make:– Mainstream or genre

– Publisher or self-publish

– Single work or a series

– Time-bounding to complete

• The competition is intense– Increasing number of novels published

– This means that far-fewer are commercially successful

– In many ways, the market is over-saturated

– Compared to non-fiction, there are fewer barriers to entry

Mainstream or Genre? Which Way Should You Go?

• Mainstream fiction: The plots acts as a skeletonupon which the writer adds layers of action,characterization theme, symbolism, background andmood, until a living thing has been constructed.

• In genre fiction: The plot is usually the skeleton andthe tendons and the vital organs and the muscle.Other elements of the writer’s art – characterization,theme, background – are seldom given such fullexpression as in mainstream work..

Dean Koontz On Generating New Story Ideas

• Read!

• Write!

• Tickle the imagination and generate story ideas by playing around with exotic titles

• Type out a bunch of narrative hooks and find one that is intriguing

• Prime the idea pump by building up a couple of characters in enormous detail

• Whatever you write, you must begin your novel by plunging the hero or heroine into terrible trouble

What the Average Reader Demands of a Novel

• A strong plot

• A great deal of action

• A hero, or heroine, or both

• Colorful, imaginative, & convincing characterization

• Clear, believable, character motivations

• Well-drawn backgrounds

• At least some familiarity with the English language

• A style with lyrical language and striking images

Defining Your Audience and Picking a “Voice” and Point of View

• Who are you writing for?

• What voice should you pick?

– What voice do you most enjoy in the fiction you read?

– What voice seems most natural to you?

• Go for a test drive

– Write three chapters in third-person

– Write the same three chapters in first-person

Writing Your Novel and Making It Shine

“There is only one recipe for a bestseller and it is a verysimple one. If you look back on all the bestsellers youhave read, you will find they all have one quality yousimply have to turn the page.”


Writing Your Novel and Making It Shine

• Success stems from this quality as a story-teller

• That said, the three most important things

• Other essential things

• The quality control process

Success Stems From This Quality as a Story-Teller

“It’s not what you know that counts, it’s whether thereader believes that you know something. This effect iscalled the suspension of disbelief.

Oscar Collier and Frances LeightonHow to Write and Sell Your First Novel

Let’s talk about three of the most important ingredients in writing a

successful thriller…

Characterization Plotting

ActionYou must do

all three well!

Plotting

“There are only two plots: The hero takes a journey anda stranger comes to town.”

Timothy Spurgin“The Art of Reading”The Great Courses

The Classic Plot

• The writer introduces a hero or heroine who has just been –or is about to be – plunged into terrible trouble

• The hero or heroine attempts to solve his or her problem but only slips deeper into trouble

• As they try to climb out of the hole they’re in, complications arise, each more terrible than the one before, until the situation could not become more hopeless, then one final unthinkable complication arises and makes matters worse.

• At last, deeply affected and changed by his awful experiences and intolerable circumstances, the hero learns something about himself and the human condition. He then understands what he must do to get out of the dangerous situation in which he has wound up. He takes the necessary actions and either succeeds or fails, succeeding more often than not.

“You can distill any drama – a Greek tragedy, aShakespearian play, a modern novel, a TV drama orcomedy, whatever – into a simple equation: ‘What dothese guys want, why do they want it, and what’skeeping them from getting it?’”

Bill BleichWriting advice

Plots

• Create a compelling plot

• Write a grabber opening

• Write a successful ending

• Create a middle that keeps the reader involved

James Hall – Hit Lit

• Gone with the Wind• Peyton Place• To Kill a Mockingbird• Valley of the Dolls• The Godfather• The Exorcist• Jaws• The Dead Zone• The Hunt for Red October• The Firm• The Bridges of Madison County• The Da Vinci Code

Let’s take a deep-dive into one well-known way to design or deconstruct a plot….

TheFreytagPyramid

Let’s Deconstruct This Using a Book We All Are Familiar With

• Pride and Prejudice

• Ulysses

• War and Peace

• Anna Karenina

• Don Quixote

• Little Women

• The Wizard of Oz

Characterization

“There are only two plots: The hero takes a journey anda stranger comes to town.”

Timothy Spurgin“The Art of Reading”The Great Courses

Important Qualities for Heroes, Heroines and Strangers

• Virtue

• Competence

• Courage

• Likeability

• Imperfections

• Change:

– Layers

– Arcs

Character Motivations

• Love

• Curiosity

• Self-preservation

• Greed

• Self-discovery

• Duty

• Revenge

Character Traits

• Physical appearance• Movement and gestures• Past life• Religion• Sexuality• Vocation• Skills and talents• Fears• Dreams• Pleasures • Plans for the future• Sense of humor• Politics• Voice and speech

Presenting Character Traits Thoughtfully

• How many major and minor characters to have

• All major characters must have a biography

• Develop a “job description” for each character

• You will know what your characters will do

• You are writing a novel – not a movie script– You have to get your characters from Point A to Point B

– Your characters are not dead when they’re off the page

• What is each character doing?– On stage

– Off stage

Take a female character who is on her way to her high school reunion. She’s 50, attractive, divorced, and has had no contact with her graduating class since she left Iowa for Berkley in 1985. There was a guy she jilted when she went off to school. Develop her.

• Physical: height, weight, hair color, best feature, worst feature, etc.

• Occupation: attorney, doctor, college professor, executive, runs a dot.com startup, etc.

• Personal: strengths, weaknesses, phobias, attitude toward men, attitude toward all others, etc.

• Family: siblings, relationship with mom/dad, rivalries• Relationships: good/bad/difficult, marriage(s), children?

James Hall – Hit Lit

• Gone with the Wind• Peyton Place• To Kill a Mockingbird• Valley of the Dolls• The Godfather• The Exorcist• Jaws• The Dead Zone• The Hunt for Red October• The Firm• The Bridges of Madison County• The Da Vinci Code

Let’s look at three examples

New York Times, Publisher’s Weekly & USA Today Best-

Seller!

Let’s color in one character, Anne Sullivan, Op-Center’s

Deputy Director

“Anne Sullivan was a retired General ServicesAdministration super grade who had made a career inWashington. She knew all about the government,including government contracting, hiring, firing, andfunding, and how to sidestep the issues. These werethings Williams never had to deal with, even duringhis multiple tours in Washington.”

“Unlike Williams, Sullivan came from money. Herfather had fashioned a successful and lucrative careerin finance with Bain Capital Ventures. Between thatfamily money and her GSA retirement, she waslooking forward to a comfortable life. She enjoyed theD.C. social and cultural scene and traveled often,primarily to Europe and especially to Ireland. Thatplan was interrupted when Williams recruited her—charmed her, really, she readily admitted—to be hisdeputy.”

New York Times, Publisher’s Weekly & USA Today Best-

Seller!

Let’s color in one character, Kate Bigelow, Commanding

Officer, USS Milwaukee (LCS-5) Freedom-Class Littoral

Combat Ship

“Kate Bigelow was a graduate of the U.S. Naval Academy. She’dgone to the Academy for two reasons: to play lacrosse and tosing. Coming out of Montgomery Blair Prep in Silver Spring,Maryland, her two passions had been playing lacrosse andsinging in her school glee club and church choir. She was an all-state midfielder and also had a strong voice. Her grades weregood if not outstanding, but the Academy women’s lacrossecoach saw her play and liked what she saw. Lacrosse was arough sport, even the woman’s game, and Kate Bigelow, whileowning a technically sound game, was not above flattening anopposing player with a legal hit. She started for three years onthe lacrosse team, beating Army two of those three years, andhad sung in the Catholic Choir and the Naval Academy GleeClub.”

“Kate had graduated in the upper half of the bottom third ofthe Class of 2002. She’d never really considered a full career inthe Navy as a seagoing officer, two things intervened that kepther from leaving the service. She found she liked U.S. Navysailors and she had a knack for leading them. Secondly, shefound command intoxicating. There was nothing like it on theoutside, so she stayed in the Navy. She had previouslycommanded an MCM ship like Defender that now followedthem out of Sasebo.”

New this year from Braveship Books

Let’s color in one character, Lieutenant Laura Peters,

Intelligence Officer, U.S. Southern Command

For Laura Peters, it was an opportunity for professional growththat might not come her way again. It was not surprising sheloved what she was doing. The daughter and only child of aNavy chief petty officer, she had been the apple of her father'seye. Master Chief Donald Peters had risen through the ranks asfar as he could, but he always wanted to be an officer. Thatgoal, unfortunately, had eluded him. When it was clear hismarriage would produce no sons, he regaled Laura with theopportunities that beckoned in the Navy. The master chiefknew enough about how the Navy worked and what it lookedfor in its officers—and particularly its need to recruit morewomen officers—that he groomed his daughter throughouthigh school to make her a shoe-in for winning a Navy ROTCscholarship.

She had thrived at the University of Virginia, earning topgrades, and lettering in cross-country, squash, and tennis.Sensing that the Navy was still not enlightened enough to fullyaccept women as equal partners commanding ships andaircraft squadrons, she opted for the intelligence field upongraduation, correctly surmising that it would provide a morelevel professional playing field and afford her the opportunityto prove herself and advance through the ranks. In her sevenyears since graduation she had sought out only the toughestassignments, usually registering firsts, breaking ground wherefemale officers had not gone before.

Here’s a better example

When he finished packing, he walked out onto the third-floor porch of the barracks brushing the dust from his hands, a very neat and deceptively slim young man in the summer khakis that were still early morning fresh.

James Jones(From Here to Eternity, opening sentence)

"Jones packs a hell of a lot into that first line. He tells you it's summer, he tells you it's morning, he tells you you're on an Army post with a soldier who's obviously leaving for someplace, and he gives you a thumbnail description of his hero. That's a good opening line."

Ed McBain in Killer's Payoff

…plot?...characterization?...which is more important?

Plot or Characterization

• You have to have plot to make the reader turn pages

• People are the story and the whole story

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• Plot has the entertainment value to pull the reader along

• The characters are the vehicle, the tools through which you tell your story

• Readers want you to tell them a story

• Dialogue brings your characters to life!

Action

“I do not over-intellectualize the production process. Itry to keep it simple: Tell the damned story.”

Tom Clancy

What About Action?

• Action evolves naturally from the plot

• There is no “formula” for having action in your novel

• As Clancy said, don’t overthink the action

• That said, here are some things to consider:

– Different kinds of novels lend themselves to more or less

– Write all the action you can – then consider Goldilocks

– If riveting, hold-your-breath action is anywhere – up front

– Balance scene and summary to bound action scenes

But That’s Not All!(Mainstream and Genre)

• High Concept (Think in movie terms)

– The Coronado Conspiracy

– For Duty and Honor

• Theme

– The Coronado Conspiracy

– For Duty and Honor

Selling Your Novel to an Agent or a Publisher

“All good writing is swimming under water and holdingyour breath.”

F. Scott Fitzgerald

Selling Your Novel to an Agent or a Publisher

• In many ways, it’s all about the sale to an agent

• Getting an agent to read your proposal and ms

• Packaging yourself professionally

• The query letter and the pitch

• The Treatment

• The Narrative Outline

It is All About Getting the Sale

• Query agents – get the statistics on your side:

– Forty years ago – 30% of books were agented

– In the last decade – Over 85% of books were agented

• Small publishers – you will likely bear some risk

– Probably no advance

– Limited print run

• Be your own agent – to find an agent: Richard Curtis How to Be Your Own Literary Agent

Getting an Agent to Read Your Manuscript

• It starts with being familiar with books in your “field”

• Then you find out which agents agented those books

• Stay in the library: Get contact info for agents

• Go back to what you’ve learned about query letters:

– High Concept (back to the movies)

– Treatment

– Narrative Outline

– Full Manuscript

• Tom Clancy’s Op-Center: One example

Let’s “Deconstruct” a Treatment and a Narrative Outline

Let’s Deconstruct a Novel Treatment

• Cover

• Organization

• Organizing Impulse and High Concept

• The “Old” OpCenter Dies

• The “New” OpCenter is Born

• New Character Details

– Preamble

– Those who spend a great deal of time physically at OpCenter

– Those who deal with crises overseas in each scenario

– Those who deal with crises domestically in each scenario

• OpCenter Plot and Scenario Plan

– Preamble

– Short Plot Synopsis

• For us, this was 17,000+ words

Let’s Deconstruct a Narrative Outline

• Cover

• Front matter

• Chapter summaries– Separate sections

– One or two paragraphs per section

• Epilogue

• For us, this was 19,000+ words

Promoting What Someone Publishes

“You are the CEO of your own career.”David SonaNavy Transition CourseSpring 2000

Promoting What Someone Publishes

• What you should think twice before doing

– Pestering friends and family to buy your book

– Taking your books from event to event to sell

• What you should think of doing instead

– Create anticipation for your book

– Establishing a world-class online presence

– Use social media to the extent writing is still first

– Write about your book’s subject matter - everywhere

A Summing Up – What We’ve Covered:Whew, This Isn’t Easy – Why Do It?

A Thrill a Minute:

Crafting, Pitching, Writing, Selling

and Promoting Thrillers

• The high concept and the pitch

• Writing your novel and making it shine

• Selling your novel to an agent or a publisher

• Promoting what someone publishes

“Being a comparatively successful writer is a good life.You don’t have to work at it all the time and you carryyour office around in your head. And you are far moreaware of the world around you. Writing makes youmore alive to your surroundings and, since the mainingredient of living, though you might not think so tolook at most human beings, is to be alive, this is quite aworthwhile by-product, even if you only write thrillers.”


Resources• E.E. Forster Aspects of the Novel

• Francine Prose Reading Like a Writer

• Richard Curtis How To Be Your Own Literary Agent

• James Hall Hit Lit

• Dr. Linda Seger– The Art of Adaptation

– Advanced Screenwriting

• Robert Masello– Robert’s Rules of Writing

– Writer Tells All

• The Great Courses, especially, Jane Friedman How to Publish Your Book

A Word About Surveys:Comments Typically Come in Three Types

• You rocked my world and my life is now changed forever for the better – I’m a completely new person

• I’d rather have a root canal than have to sit through this again – and I think you should pay for it

• I got something (a lot, a little) out of this talk, but if the instructor does this next year, he should:– Do more of….

– Do less of….

– Go faster….

– Go slower….

– ????

Slides and Resources Posted:http://www.georgegaldorisi.com/

For 2017 La Jolla Writer’s Conference Attendees. Contact me via this website for:

Treatment and Narrative Outline for Out of the AshesTreatment and Narrative Outline for Into the Fire

And if you’d like to receive my “Writing Tips” bi-weekly

BACKUPS

Promoting What You Write:Establishing an Online Presence

Leveraging Social Media

Establishing a world-class online presence

What Makes Your Online Presence Unique?

• Are you providing something people can’t get anywhere else or get as easily?

• Are you aiming at the right attention span of online tourists?

• Determining the right level of effort in refreshing your online content

• Balancing what you give away online and what you want to sell to visitors

Beating the Competition for Online Eyes

• Above all else, when someone “Googles” your name your website must pop up at the top

• It’s not just about getting that initial visitor – it’s about getting him or her to keep coming back

• Most online visitors are taking a break from what they have to do at work or home

• Think of your website the same way as what you write – tell people a story

Balancing Content and Entertainment

• People will tire of the monotonous “professor” telling them “like this damn you” (from Ian Fleming)

• People will tire of dancing bears, dwarfs throwing rose petals and fireworks

• Achieving the right blend and balance is your online presence style

• Take the same approach Urban Meyer has during his coaching career

Doing It Yourself Or Having It Done

• Your website is “you” to people you will likely never meet – but who you want to entertain

• There are cottage industries of books, seminars, tools and coaches to help you build your own website

• There are legions of people and businesses who will do it for you

• If you have the time and energy and want to use your left and right brain – try doing it yourself

Let’s look at some examples of websites of people who write….

Some Writers Who Have Done It Themselves

• Jeff Edwards

– http://navythriller.com/

• Janice Steinberg

– thetinhorse.com

• Larry Verria

– Site lapsed!

Some Writers Who Have Had Someone Else Build Their Website

• Dick Couch

– www.dickcouch.com

• Larry Bond

– http://www.larry-bond.com/

• Your guide for this course

– www.georgegaldorisi.com

Some Ways to Find More Examples

• “Google” writers you enjoy

• Go online for advice on going online

• Check with local businesses in your community

• Use your library for additional resources

Use social media to the extent writing is still first

Vote Early and Often

• There are no limits to how much you can use social media

• This goes to the number of sites you use as well as to how often you are on those sites

• However, as with your online presence (website) it comes down to how you invest your time

• Most “practitioners” advise a Zen approach; “If you don’t do it excellently, don’t do it at all”

Building a Following

• There are many ways to build a following – find the one that’s right for you

• You can even “buy” a following on media like Twitter – if this is really what you want to do

• Most people find that letting a following build naturally conveys the best long-term benefits

• Remember that social media following is a very ephemeral thing (Un-friending, Tweepie, etc.)

Sustaining Momentum

• Building a following on social media carries an implicit obligation – to stay with it!

• As one indication, Twitter tells you when a person’s last Tweet was – and Tweepie keeps score too

• You want to make social media your servant not your master

• Recognize that there are dangers that come with this http://www.georgegaldorisi.com/who-likes-you

Do You Really Want To Do This?

• It can be time consuming – or all-consuming

• It can be boring

• It can be distracting – to the detriment of your work

• It can be expensive in terms of missed opportunities

• Doesn’t have a definable return on investment

• At the end of the day it is ephemeral

…on the other hand…

Benefits of Social Media

• You can reach a global audience

• Social media is accessible to everyone

• Most social media tools are easily learned

• You control your content and periodicity

• If you have no Web presence, agents, reviewers and readers are a lot less likely to take you seriously

• Publishers will ask: “What platforms are you on and how many followers do you have?”

A Slice of Social Media

• E-mail

• Blogging

• Facebook

• Twitter

• Text Messaging

• LinkedIn

• Pinterest

• Instagram

Like Many Things in Life Using Social Media to Enhance Your Writing Reach Involves

• Organization and planning

• Knowing your target market

• Getting creative

• Staying consistent

• Picking some – but not likely all – types of SM

• Setting realistic goals–especially the time you invest

A Thrill a Minute

Education

Transcript of A Thrill a Minute