Aleš Veselý (* 1935)Picture-Object / 1960–1964

Jiří Kolář (1914–2002)The Poem of Silence, An Objective Poem / 1962

Jiří Surůvka (*1961)Gilbert & George (detail) / 1999

Rysz

ard

Win

iars

ki

(193

6–20

06)

Sur

face

132

/ 197

3

Jan

Knap

(*19

49)

Unt

itled

/ (1

984)

Dav

id Č

erný

(*19

67)

Adam

(fro

m th

e Ki

ts c

ycle

) / 19

93

Jana

Žel

ibsk

á (1

941)

She

/ 196

7

Mila

n Kn

ížák

(*19

40)

Unt

itled

/ 19

64–1

979

Ludm

ila P

adrt

ová

(*19

31)

Blue

/ 19

57

Věra

Nov

ákov

á (*

 1928

)Jo

b / 1

954

Istv

án N

ádle

r (*1

938)

Activ

e Ye

llow

/ (1

968)

Solitaires / 1950su entrace

Echo

es o

f Sur

real

ism

, Ly

rical

and

Ges

tura

l A

bstr

actio

n / 1

950s

Structural Abstraction 1950s–1960s

Script and Picture, Visual Poetry 1960s–1970s

Geo

met

ric S

truc

ture

s,

Op

Art

, Kin

etis

m

1960

s–19

70s

Neoconstructive Tendencies,

Systems Art, Concretism,

New Geometry and Personal

Programs / 1960s –1980s

Utopian Visions, Action Art,

Conceptual Approaches

1960s–1980s

New Figuration, Czech Grotesque,

Existential Figuration

1960s –1980s

Postmodern Approaches / 1980sArt of 1990s

Tomáš Císařovský, Milan Kunc David Černý, Jiří Surůvka

László FehérJan Knap, Włodzimierz Pawlak

Jiří David, Laco TerenFrantišek Skála, Michal Gabriel

István Nádler

Jan Kubíček, Stanislav Kolíbal

Juraj Bartusz, Zdeněk Sýkora

Dóra Mauer, György Jovánovics

Milan Bočkay, Imre Bak

Zden

ěk S

ýkor

a,

Hug

o D

emar

tini,

Lubo

mír

Přib

yl V

ladi

slav

Mir

vald

, Rys

zard

Win

iars

kiJi

ří N

ovák

, Mila

n D

obeš

Ra

dosl

av K

ratin

a, M

ilan

Möl

zer

Dal

ibor

Cha

trný

, Kar

el M

alic

h

Václav Cigler, Milan Knížák

Sándor Pinczehelyi, Juraj Meliš

Dezider Tóth (Monogramista T.D.)

Dóra Mauer, Otis Laubert

Běla Kolářová, Eduard OvčáčekMiloš Urbásek, Miroslav Šnajdr st.

Slavoj Kovařík, Jiří Kolář Jan Wojnar, Endre Tot

Libor Fára, Vladimír Kordoš

Kazi

mie

rz M

ikul

ski

Jose

f Ist

ler,

Alfr

ed L

enic

aJa

n Ko

tík,

Lud

mila

Pad

rtov

á Vladimír Fuka Ivan Sobotka

Věra NovákováAlén Diviš

Zdeněk PalcrZbyněk Sekal

Tadeusz Kantor

Jan Koblasa, Aleš VeselýMikuláš Medek, Robert Piesen

Jan Hendrych

Vladimír Janoušek

Jana Želibská, Alex Mlynárčik

Eva Kmentová, Jiří Kolář

Květa Válová, Jerzy Ryszard Zielinski

Ivan Theimer, Karel Nepraš

Otakar Slavík, Magdalena Abakanowicz

Rudolf Fila, František Ronovský

Michael Rittstein, Adriena Šimotová

Gallery

Picture Gallery

Centuryof Relativity

20th Century Fine Arts Permanent Exhibition

Olomouc Museum of Art

Olomouc Archdiocesan Museum | Václavské nám. 3, 771 11 Olomouc

Museum of Modern Art | Denisova 47 | 771 11 Olomouc

The ticket is valid on the day of purchase for both the Archdiocesan Museum and the Museum of Modern Art | Opening Hours: daily, except Mondays | 10 a.m. – 6 p.m.

Kroměříž Archdiocesan Museum | Sněmovní nám 1 | 767 01 Kroměříž

Admission fee | Opening hours: See the list of admission and opening hours of the Archiepiscopal Chateau and Gardens in Kroměříž | www.azz.cz

Information: info@olmuart.cz | tel: 585 514 111 | www.olmuart.cz

Vlastivědné muzeum

Museum of Modern Art

Olomouc Archdiocesan

Museum

Regional Museum of Olomouc

Regional Museum in Olomouc

Holy Trinity Column

City HallAstronomical clock

Century of Relativity20th Century Fine Arts Permanent Exposition

as from November 14, 2013 / Museum of modern ArtAttic (1890–1946), Picture Gallery (1947–2000)

The presentation portrays the best of our rich collection of 20th century art. This is, in brief, the basic aim of the new per-manent exposition located on two floors of the Museum of modern Art. One exhibition hall would not suffice for a per-manent exposition since the Museum’s collections include a broad spectrum of works – often contradicting in ideas and styles of which we can identify as important, or even without exaggeration, crucial not only for Czech modern and contem-porary art.

The Attic exhibition hall has been assigned for the 1st

half of the 20th century. We namely emphasize the paintings and sculptures which represent the basic streams in Czech modern art of this period. The introductory part uses se-lected works to document the echoes of impressionism (A. Hudeček, V. Radimský, A. Slavíček), and, as a contrast, we exhibit the representatives of the symbolist and deca-dent tendencies of the early 20th century here (F. Schön, J. Preisler). The exposition is however, based on a thorough and rich presentation of modern trends seen from expre-ssionism (E. Filla, O. Nejedlý), cubism (E. Filla, O. Gutfreund, B. Kubišta, A. Procházka), cubo-expressionism (H. M. Davringhausen, O. Gutfreund) up to civilism (J. Čapek) or, on the contrary, the exotism of the 1920s (A. Hoffmeister, J. Hněvkovský) without forgetting abstraction (F. Foltýn, A. Diviš, H. Wichterlová) and surrealism from the turn of 1920s and 1930s (V. Makovský, F. Muzika, Z. Sklenář, Toyen). The final chapter is then formed by works of Group 42 (F. Gross, F. Hudeček, K. Lhoták, J. Smetana) and by works re-flecting the war apocalypse (J. Liesler, V. Hejna, R. Michalik). We also paid special attention to modern landscape-paint-ing whose most prominent works describe (although with a differ ent language) the atmosphere of the time of their origin as well (O. Coubine, O. Kerhart, J. Šíma, V. Špála).

The second part of the permanent exhibition – in the Picture Gallery – has an ambition to give a worthy overview of the most important artistic tendencies after the end of WWII up to the end of the 20th century. The exposition is in-troduced with examples of work from distinguished solitaires of the 1950s (V. Fuka, V. Nováková, J. Sobotka) or authors who resumed the ideas of the pre-war avant-garde (J. Istler). We continue with post-war abstraction, works connected with various forms of lyrical and structural abstraction (J. Kotík, M. Medek, L. Padrtová, R. Piesen, A. Veselý). Next, examples of varied forms of lettrism (J. Kolář, S. Kovařík, E. Ovčáček) and neo-constructivism (H. Demartini, K. Malich, L. Přibyl, Z. Sýkora) dominate among many antagonistic tendencies of the 1960s which contrast with paintings and sculptures of the so called new figuration (V. Janoušková, V. Janoušek, E. Kmentová, K. Válová), namely Czech grotes-que (K. Nepraš) and later existential figuration of the 1970s and 1980s (V. Novák, M. Rittstein). The exposition concludes with conceptual and post-modern manifestations (J. David, M. Gabriel, F. Skála) whose influences had a clear impact on art in the last decade (T. Císařovský, D. Černý, J. Surůvka).

The Picture Gallery however, does not house Czech art only; we also strive to include the Czech collection into a broader context in relation to our acquisition efforts related to the Olomouc Central European Forum Project. Therefore, there are examples of exile authors (J. Knap, M. Kunc, O. Slavík, I. Theimer) and prominent Polish (M. Abakanowicz, A. Lenica, T. Kantor, K. Mikulski, W. Pawlak, R. Winiarski), Hungarian (I. Bak, L. Fehér, G. Jovánovicz, D. Mauer, I. Nádler, S. Pinczehelyi, E. Tot), and Slovak authors as well (M. Bočkay, M. Dobeš, O. Laubert, J. Meliš, L. Teren, M. Urbásek, J. Želibská).

Authors of Exposition Štěpánka Bieleszová (Attic), Ladislav Daněk (Picture Gallery)Texts Štěpánka Bieleszová, Ladislav DaněkExpert Collaboration Barbora KundračíkováTranslations Hana Havlíčková, Proofreading Michael Stuart EssonGraphic Design Beata Rakowská, Petr ŠmalecArchitectural Design Marek Novák, Michal SoukupPreparation of Exhibits Dalibor Sedlák, Veronika WankováInstalation Vlastimil Sedláček, Filip ŠindelářPublic Relations Petr BieleszEducational Programmes David Hrbek, Michaela Johnová Čapková

partners

media partners

Impressionist Influences after 1900

Modern Landscape I1910s–1940s

Exotics and Fantasy1920s

Modern Landscape II 1920s–1930s

Czech Cubism 1910s –1930s

Expressionist Tendencies 1910s –1920s

Autonomous World of Abstraction 1920s–1930s

Surr

ealis

t Ten

denc

ies

1930

s–19

40s

WWII Scepticism 1940s

Civilist Poetics 1940s

Echoes of TraditionsVáclav Radimský (1867–1946)On the Pond / (1903 –1904)

Jan Preisler (1872–1918)Composition for a picture for the Prostějov National House(1906 –1907)

Václ

av Š

pála

(188

5–19

46)

Land

scap

e ne

ar Č

erve

ná n

ad V

ltavo

u 19

27

Bohu

mil

Kubi

šta

(188

4–19

18)

Port

rait

of J

an Z

rzav

ý / 1

912

Emil

Filla

(188

2–19

53)

A W

oman

with

a F

an /

1917

Mar

tin

Salc

man

(189

6–19

79)

Land

scap

e ne

ar N

ebře

ziny

19

37

Fran

tiše

k Fo

ltýn

(189

1–19

76)

Aton

alit

y an

d its

Per

mea

tion

/ 192

9

Toyen (1902–1980)Flowers of Sleep / 1931

Kam

il Lh

oták

(191

2–19

90)

Two

flyin

g Ba

lloon

s /

1942

Jose

f Lie

sler

(191

2–20

05)

Man

y str

ange

Judg

es /

1944

Josef ŠímaMartin Salcman

Josef Čapek

Emil Filla, Jan PreislerJan Štursa, Josef Mařatka

Otakar Nejedlý, Miloš JiránekJindřich Prucha, Václav Špála

Otakar Kubín, Rudolf KremličkaOldřich Kerhart, Bohumil Kafka

Václav RadimskýAntonín Slavíček

Josef Wagner

Adolf HoffmeisterJaroslav Hněvkovský

Bedřich Stefan

Bohumil KubištaFrantišek Hudeček

Josef Čapek, František FoltýnHeinrich Maria Davringhausen

Otto GutfreundAntonín Procházka

Emil Filla, Otto Gutfreund

Fran

tiše

k Ja

nouš

ekTo

yen,

Zde

něk

Skle

nář

Vinc

enc

Mak

ovsk

ý

František Hudeček František Gross, Bohumír Matal

Kamil Lhoták, Jan SmetanaOtakar Švec, Ladislav Zívr

Josef LieslerRudolf Michalik

Václav Hejna

Alén Diviš, František FoltýnJosef Dumek, Hana Wichterlová

Bedř

ich

Stef

an (1

896–

1982

)Si

ttin

g N

egro

/ (1

928)

entrace

Attic

Century of Relativity20th Century Fine Arts Permanent Exposition

as from November 14, 2013 / Museum of modern ArtAttic (1890–1946), Picture Gallery (1947–2000)

The presentation portrays the best of our rich collection of 20th century art. This is, in brief, the basic aim of the new per-manent exposition located on two floors of the Museum of modern Art. One exhibition hall would not suffice for a per-manent exposition since the Museum’s collections include a broad spectrum of works – often contradicting in ideas and styles of which we can identify as important, or even without exaggeration, crucial not only for Czech modern and contem-porary art.

The Attic exhibition hall has been assigned for the 1st

half of the 20th century. We namely emphasize the paintings and sculptures which represent the basic streams in Czech modern art of this period. The introductory part uses se-lected works to document the echoes of impressionism (A. Hudeček, V. Radimský, A. Slavíček), and, as a contrast, we exhibit the representatives of the symbolist and deca-dent tendencies of the early 20th century here (F. Schön, J. Preisler). The exposition is however, based on a thorough and rich presentation of modern trends seen from expre-ssionism (E. Filla, O. Nejedlý), cubism (E. Filla, O. Gutfreund, B. Kubišta, A. Procházka), cubo-expressionism (H. M. Davringhausen, O. Gutfreund) up to civilism (J. Čapek) or, on the contrary, the exotism of the 1920s (A. Hoffmeister, J. Hněvkovský) without forgetting abstraction (F. Foltýn, A. Diviš, H. Wichterlová) and surrealism from the turn of 1920s and 1930s (V. Makovský, F. Muzika, Z. Sklenář, Toyen). The final chapter is then formed by works of Group 42 (F. Gross, F. Hudeček, K. Lhoták, J. Smetana) and by works re-flecting the war apocalypse (J. Liesler, V. Hejna, R. Michalik). We also paid special attention to modern landscape-paint-ing whose most prominent works describe (although with a differ ent language) the atmosphere of the time of their origin as well (O. Coubine, O. Kerhart, J. Šíma, V. Špála).

The second part of the permanent exhibition – in the Picture Gallery – has an ambition to give a worthy overview of the most important artistic tendencies after the end of WWII up to the end of the 20th century. The exposition is in-troduced with examples of work from distinguished solitaires of the 1950s (V. Fuka, V. Nováková, J. Sobotka) or authors who resumed the ideas of the pre-war avant-garde (J. Istler). We continue with post-war abstraction, works connected with various forms of lyrical and structural abstraction (J. Kotík, M. Medek, L. Padrtová, R. Piesen, A. Veselý). Next, examples of varied forms of lettrism (J. Kolář, S. Kovařík, E. Ovčáček) and neo-constructivism (H. Demartini, K. Malich, L. Přibyl, Z. Sýkora) dominate among many antagonistic tendencies of the 1960s which contrast with paintings and sculptures of the so called new figuration (V. Janoušková, V. Janoušek, E. Kmentová, K. Válová), namely Czech grotes-que (K. Nepraš) and later existential figuration of the 1970s and 1980s (V. Novák, M. Rittstein). The exposition concludes with conceptual and post-modern manifestations (J. David, M. Gabriel, F. Skála) whose influences had a clear impact on art in the last decade (T. Císařovský, D. Černý, J. Surůvka).

The Picture Gallery however, does not house Czech art only; we also strive to include the Czech collection into a broader context in relation to our acquisition efforts related to the Olomouc Central European Forum Project. Therefore, there are examples of exile authors (J. Knap, M. Kunc, O. Slavík, I. Theimer) and prominent Polish (M. Abakanowicz, A. Lenica, T. Kantor, K. Mikulski, W. Pawlak, R. Winiarski), Hungarian (I. Bak, L. Fehér, G. Jovánovicz, D. Mauer, I. Nádler, S. Pinczehelyi, E. Tot), and Slovak authors as well (M. Bočkay, M. Dobeš, O. Laubert, J. Meliš, L. Teren, M. Urbásek, J. Želibská).

Authors of Exposition Štěpánka Bieleszová (Attic), Ladislav Daněk (Picture Gallery)Texts Štěpánka Bieleszová, Ladislav DaněkExpert Collaboration Barbora KundračíkováTranslations Hana Havlíčková, Proofreading Michael Stuart EssonGraphic Design Beata Rakowská, Petr ŠmalecArchitectural Design Marek Novák, Michal SoukupPreparation of Exhibits Dalibor Sedlák, Veronika WankováInstalation Vlastimil Sedláček, Filip ŠindelářPublic Relations Petr BieleszEducational Programmes David Hrbek, Michaela Johnová Čapková

partners

media partners

Impressionist Influences after 1900

Modern Landscape I1910s–1940s

Exotics and Fantasy1920s

Modern Landscape II 1920s–1930s

Czech Cubism 1910s –1930s

Expressionist Tendencies 1910s –1920s

Autonomous World of Abstraction 1920s–1930s

Surr

ealis

t Ten

denc

ies

1930

s–19

40s

WWII Scepticism 1940s

Civilist Poetics 1940s

Echoes of TraditionsVáclav Radimský (1867–1946)On the Pond / (1903 –1904)

Jan Preisler (1872–1918)Composition for a picture for the Prostějov National House(1906 –1907)

Václ

av Š

pála

(188

5–19

46)

Land

scap

e ne

ar Č

erve

ná n

ad V

ltavo

u 19

27

Bohu

mil

Kubi

šta

(188

4–19

18)

Port

rait

of J

an Z

rzav

ý / 1

912

Emil

Filla

(188

2–19

53)

A W

oman

with

a F

an /

1917

Mar

tin

Salc

man

(189

6–19

79)

Land

scap

e ne

ar N

ebře

ziny

19

37

Fran

tiše

k Fo

ltýn

(189

1–19

76)

Aton

alit

y an

d its

Per

mea

tion

/ 192

9

Toyen (1902–1980)Flowers of Sleep / 1931

Kam

il Lh

oták

(191

2–19

90)

Two

flyin

g Ba

lloon

s /

1942

Jose

f Lie

sler

(191

2–20

05)

Man

y str

ange

Judg

es /

1944

Josef ŠímaMartin Salcman

Josef Čapek

Emil Filla, Jan PreislerJan Štursa, Josef Mařatka

Otakar Nejedlý, Miloš JiránekJindřich Prucha, Václav Špála

Otakar Kubín, Rudolf KremličkaOldřich Kerhart, Bohumil Kafka

Václav RadimskýAntonín Slavíček

Josef Wagner

Adolf HoffmeisterJaroslav Hněvkovský

Bedřich Stefan

Bohumil KubištaFrantišek Hudeček

Josef Čapek, František FoltýnHeinrich Maria Davringhausen

Otto GutfreundAntonín Procházka

Emil Filla, Otto Gutfreund

Fran

tiše

k Ja

nouš

ekTo

yen,

Zde

něk

Skle

nář

Vinc

enc

Mak

ovsk

ý

František Hudeček František Gross, Bohumír Matal

Kamil Lhoták, Jan SmetanaOtakar Švec, Ladislav Zívr

Josef LieslerRudolf Michalik

Václav Hejna

Alén Diviš, František FoltýnJosef Dumek, Hana Wichterlová

Bedř

ich

Stef

an (1

896–

1982

)Si

ttin

g N

egro

/ (1

928)

entrace

Attic

Century of Relativity20th Century Fine Arts Permanent Exposition

as from November 14, 2013 / Museum of modern ArtAttic (1890–1946), Picture Gallery (1947–2000)

The presentation portrays the best of our rich collection of 20th century art. This is, in brief, the basic aim of the new per-manent exposition located on two floors of the Museum of modern Art. One exhibition hall would not suffice for a per-manent exposition since the Museum’s collections include a broad spectrum of works – often contradicting in ideas and styles of which we can identify as important, or even without exaggeration, crucial not only for Czech modern and contem-porary art.

The Attic exhibition hall has been assigned for the 1st

half of the 20th century. We namely emphasize the paintings and sculptures which represent the basic streams in Czech modern art of this period. The introductory part uses se-lected works to document the echoes of impressionism (A. Hudeček, V. Radimský, A. Slavíček), and, as a contrast, we exhibit the representatives of the symbolist and deca-dent tendencies of the early 20th century here (F. Schön, J. Preisler). The exposition is however, based on a thorough and rich presentation of modern trends seen from expre-ssionism (E. Filla, O. Nejedlý), cubism (E. Filla, O. Gutfreund, B. Kubišta, A. Procházka), cubo-expressionism (H. M. Davringhausen, O. Gutfreund) up to civilism (J. Čapek) or, on the contrary, the exotism of the 1920s (A. Hoffmeister, J. Hněvkovský) without forgetting abstraction (F. Foltýn, A. Diviš, H. Wichterlová) and surrealism from the turn of 1920s and 1930s (V. Makovský, F. Muzika, Z. Sklenář, Toyen). The final chapter is then formed by works of Group 42 (F. Gross, F. Hudeček, K. Lhoták, J. Smetana) and by works re-flecting the war apocalypse (J. Liesler, V. Hejna, R. Michalik). We also paid special attention to modern landscape-paint-ing whose most prominent works describe (although with a differ ent language) the atmosphere of the time of their origin as well (O. Coubine, O. Kerhart, J. Šíma, V. Špála).

The second part of the permanent exhibition – in the Picture Gallery – has an ambition to give a worthy overview of the most important artistic tendencies after the end of WWII up to the end of the 20th century. The exposition is in-troduced with examples of work from distinguished solitaires of the 1950s (V. Fuka, V. Nováková, J. Sobotka) or authors who resumed the ideas of the pre-war avant-garde (J. Istler). We continue with post-war abstraction, works connected with various forms of lyrical and structural abstraction (J. Kotík, M. Medek, L. Padrtová, R. Piesen, A. Veselý). Next, examples of varied forms of lettrism (J. Kolář, S. Kovařík, E. Ovčáček) and neo-constructivism (H. Demartini, K. Malich, L. Přibyl, Z. Sýkora) dominate among many antagonistic tendencies of the 1960s which contrast with paintings and sculptures of the so called new figuration (V. Janoušková, V. Janoušek, E. Kmentová, K. Válová), namely Czech grotes-que (K. Nepraš) and later existential figuration of the 1970s and 1980s (V. Novák, M. Rittstein). The exposition concludes with conceptual and post-modern manifestations (J. David, M. Gabriel, F. Skála) whose influences had a clear impact on art in the last decade (T. Císařovský, D. Černý, J. Surůvka).

The Picture Gallery however, does not house Czech art only; we also strive to include the Czech collection into a broader context in relation to our acquisition efforts related to the Olomouc Central European Forum Project. Therefore, there are examples of exile authors (J. Knap, M. Kunc, O. Slavík, I. Theimer) and prominent Polish (M. Abakanowicz, A. Lenica, T. Kantor, K. Mikulski, W. Pawlak, R. Winiarski), Hungarian (I. Bak, L. Fehér, G. Jovánovicz, D. Mauer, I. Nádler, S. Pinczehelyi, E. Tot), and Slovak authors as well (M. Bočkay, M. Dobeš, O. Laubert, J. Meliš, L. Teren, M. Urbásek, J. Želibská).

Authors of Exposition Štěpánka Bieleszová (Attic), Ladislav Daněk (Picture Gallery)Texts Štěpánka Bieleszová, Ladislav DaněkExpert Collaboration Barbora KundračíkováTranslations Hana Havlíčková, Proofreading Michael Stuart EssonGraphic Design Beata Rakowská, Petr ŠmalecArchitectural Design Marek Novák, Michal SoukupPreparation of Exhibits Dalibor Sedlák, Veronika WankováInstalation Vlastimil Sedláček, Filip ŠindelářPublic Relations Petr BieleszEducational Programmes David Hrbek, Michaela Johnová Čapková

partners

media partners

Impressionist Influences after 1900

Modern Landscape I1910s–1940s

Exotics and Fantasy1920s

Modern Landscape II 1920s–1930s

Czech Cubism 1910s –1930s

Expressionist Tendencies 1910s –1920s

Autonomous World of Abstraction 1920s–1930s

Surr

ealis

t Ten

denc

ies

1930

s–19

40s

WWII Scepticism 1940s

Civilist Poetics 1940s

Echoes of TraditionsVáclav Radimský (1867–1946)On the Pond / (1903 –1904)

Jan Preisler (1872–1918)Composition for a picture for the Prostějov National House(1906 –1907)

Václ

av Š

pála

(188

5–19

46)

Land

scap

e ne

ar Č

erve

ná n

ad V

ltavo

u 19

27

Bohu

mil

Kubi

šta

(188

4–19

18)

Port

rait

of J

an Z

rzav

ý / 1

912

Emil

Filla

(188

2–19

53)

A W

oman

with

a F

an /

1917

Mar

tin

Salc

man

(189

6–19

79)

Land

scap

e ne

ar N

ebře

ziny

19

37

Fran

tiše

k Fo

ltýn

(189

1–19

76)

Aton

alit

y an

d its

Per

mea

tion

/ 192

9

Toyen (1902–1980)Flowers of Sleep / 1931

Kam

il Lh

oták

(191

2–19

90)

Two

flyin

g Ba

lloon

s /

1942

Jose

f Lie

sler

(191

2–20

05)

Man

y str

ange

Judg

es /

1944

Josef ŠímaMartin Salcman

Josef Čapek

Emil Filla, Jan PreislerJan Štursa, Josef Mařatka

Otakar Nejedlý, Miloš JiránekJindřich Prucha, Václav Špála

Otakar Kubín, Rudolf KremličkaOldřich Kerhart, Bohumil Kafka

Václav RadimskýAntonín Slavíček

Josef Wagner

Adolf HoffmeisterJaroslav Hněvkovský

Bedřich Stefan

Bohumil KubištaFrantišek Hudeček

Josef Čapek, František FoltýnHeinrich Maria Davringhausen

Otto GutfreundAntonín Procházka

Emil Filla, Otto Gutfreund

Fran

tiše

k Ja

nouš

ekTo

yen,

Zde

něk

Skle

nář

Vinc

enc

Mak

ovsk

ý

František Hudeček František Gross, Bohumír Matal

Kamil Lhoták, Jan SmetanaOtakar Švec, Ladislav Zívr

Josef LieslerRudolf Michalik

Václav Hejna

Alén Diviš, František FoltýnJosef Dumek, Hana Wichterlová

Bedř

ich

Stef

an (1

896–

1982

)Si

ttin

g N

egro

/ (1

928)

entrace

Attic

Century of Relativity20th Century Fine Arts Permanent Exposition

as from November 14, 2013 / Museum of modern ArtAttic (1890–1946), Picture Gallery (1947–2000)

The presentation portrays the best of our rich collection of 20th century art. This is, in brief, the basic aim of the new per-manent exposition located on two floors of the Museum of modern Art. One exhibition hall would not suffice for a per-manent exposition since the Museum’s collections include a broad spectrum of works – often contradicting in ideas and styles of which we can identify as important, or even without exaggeration, crucial not only for Czech modern and contem-porary art.

The Attic exhibition hall has been assigned for the 1st

half of the 20th century. We namely emphasize the paintings and sculptures which represent the basic streams in Czech modern art of this period. The introductory part uses se-lected works to document the echoes of impressionism (A. Hudeček, V. Radimský, A. Slavíček), and, as a contrast, we exhibit the representatives of the symbolist and deca-dent tendencies of the early 20th century here (F. Schön, J. Preisler). The exposition is however, based on a thorough and rich presentation of modern trends seen from expre-ssionism (E. Filla, O. Nejedlý), cubism (E. Filla, O. Gutfreund, B. Kubišta, A. Procházka), cubo-expressionism (H. M. Davringhausen, O. Gutfreund) up to civilism (J. Čapek) or, on the contrary, the exotism of the 1920s (A. Hoffmeister, J. Hněvkovský) without forgetting abstraction (F. Foltýn, A. Diviš, H. Wichterlová) and surrealism from the turn of 1920s and 1930s (V. Makovský, F. Muzika, Z. Sklenář, Toyen). The final chapter is then formed by works of Group 42 (F. Gross, F. Hudeček, K. Lhoták, J. Smetana) and by works re-flecting the war apocalypse (J. Liesler, V. Hejna, R. Michalik). We also paid special attention to modern landscape-paint-ing whose most prominent works describe (although with a differ ent language) the atmosphere of the time of their origin as well (O. Coubine, O. Kerhart, J. Šíma, V. Špála).

The second part of the permanent exhibition – in the Picture Gallery – has an ambition to give a worthy overview of the most important artistic tendencies after the end of WWII up to the end of the 20th century. The exposition is in-troduced with examples of work from distinguished solitaires of the 1950s (V. Fuka, V. Nováková, J. Sobotka) or authors who resumed the ideas of the pre-war avant-garde (J. Istler). We continue with post-war abstraction, works connected with various forms of lyrical and structural abstraction (J. Kotík, M. Medek, L. Padrtová, R. Piesen, A. Veselý). Next, examples of varied forms of lettrism (J. Kolář, S. Kovařík, E. Ovčáček) and neo-constructivism (H. Demartini, K. Malich, L. Přibyl, Z. Sýkora) dominate among many antagonistic tendencies of the 1960s which contrast with paintings and sculptures of the so called new figuration (V. Janoušková, V. Janoušek, E. Kmentová, K. Válová), namely Czech grotes-que (K. Nepraš) and later existential figuration of the 1970s and 1980s (V. Novák, M. Rittstein). The exposition concludes with conceptual and post-modern manifestations (J. David, M. Gabriel, F. Skála) whose influences had a clear impact on art in the last decade (T. Císařovský, D. Černý, J. Surůvka).

The Picture Gallery however, does not house Czech art only; we also strive to include the Czech collection into a broader context in relation to our acquisition efforts related to the Olomouc Central European Forum Project. Therefore, there are examples of exile authors (J. Knap, M. Kunc, O. Slavík, I. Theimer) and prominent Polish (M. Abakanowicz, A. Lenica, T. Kantor, K. Mikulski, W. Pawlak, R. Winiarski), Hungarian (I. Bak, L. Fehér, G. Jovánovicz, D. Mauer, I. Nádler, S. Pinczehelyi, E. Tot), and Slovak authors as well (M. Bočkay, M. Dobeš, O. Laubert, J. Meliš, L. Teren, M. Urbásek, J. Želibská).

Authors of Exposition Štěpánka Bieleszová (Attic), Ladislav Daněk (Picture Gallery)Texts Štěpánka Bieleszová, Ladislav DaněkExpert Collaboration Barbora KundračíkováTranslations Hana Havlíčková, Proofreading Michael Stuart EssonGraphic Design Beata Rakowská, Petr ŠmalecArchitectural Design Marek Novák, Michal SoukupPreparation of Exhibits Dalibor Sedlák, Veronika WankováInstalation Vlastimil Sedláček, Filip ŠindelářPublic Relations Petr BieleszEducational Programmes David Hrbek, Michaela Johnová Čapková

partners

media partners

Impressionist Influences after 1900

Modern Landscape I1910s–1940s

Exotics and Fantasy1920s

Modern Landscape II 1920s–1930s

Czech Cubism 1910s –1930s

Expressionist Tendencies 1910s –1920s

Autonomous World of Abstraction 1920s–1930s

Surr

ealis

t Ten

denc

ies

1930

s–19

40s

WWII Scepticism 1940s

Civilist Poetics 1940s

Echoes of TraditionsVáclav Radimský (1867–1946)On the Pond / (1903 –1904)

Jan Preisler (1872–1918)Composition for a picture for the Prostějov National House(1906 –1907)

Václ

av Š

pála

(188

5–19

46)

Land

scap

e ne

ar Č

erve

ná n

ad V

ltavo

u 19

27

Bohu

mil

Kubi

šta

(188

4–19

18)

Port

rait

of J

an Z

rzav

ý / 1

912

Emil

Filla

(188

2–19

53)

A W

oman

with

a F

an /

1917

Mar

tin

Salc

man

(189

6–19

79)

Land

scap

e ne

ar N

ebře

ziny

19

37

Fran

tiše

k Fo

ltýn

(189

1–19

76)

Aton

alit

y an

d its

Per

mea

tion

/ 192

9

Toyen (1902–1980)Flowers of Sleep / 1931

Kam

il Lh

oták

(191

2–19

90)

Two

flyin

g Ba

lloon

s /

1942

Jose

f Lie

sler

(191

2–20

05)

Man

y str

ange

Judg

es /

1944

Josef ŠímaMartin Salcman

Josef Čapek

Emil Filla, Jan PreislerJan Štursa, Josef Mařatka

Otakar Nejedlý, Miloš JiránekJindřich Prucha, Václav Špála

Otakar Kubín, Rudolf KremličkaOldřich Kerhart, Bohumil Kafka

Václav RadimskýAntonín Slavíček

Josef Wagner

Adolf HoffmeisterJaroslav Hněvkovský

Bedřich Stefan

Bohumil KubištaFrantišek Hudeček

Josef Čapek, František FoltýnHeinrich Maria Davringhausen

Otto GutfreundAntonín Procházka

Emil Filla, Otto Gutfreund

Fran

tiše

k Ja

nouš

ekTo

yen,

Zde

něk

Skle

nář

Vinc

enc

Mak

ovsk

ý

František Hudeček František Gross, Bohumír Matal

Kamil Lhoták, Jan SmetanaOtakar Švec, Ladislav Zívr

Josef LieslerRudolf Michalik

Václav Hejna

Alén Diviš, František FoltýnJosef Dumek, Hana Wichterlová

Bedř

ich

Stef

an (1

896–

1982

)Si

ttin

g N

egro

/ (1

928)

entrace

Attic

Century of Relativity20th Century Fine Arts Permanent Exposition

as from November 14, 2013 / Museum of modern ArtAttic (1890–1946), Picture Gallery (1947–2000)

The presentation portrays the best of our rich collection of 20th century art. This is, in brief, the basic aim of the new per-manent exposition located on two floors of the Museum of modern Art. One exhibition hall would not suffice for a per-manent exposition since the Museum’s collections include a broad spectrum of works – often contradicting in ideas and styles of which we can identify as important, or even without exaggeration, crucial not only for Czech modern and contem-porary art.

The Attic exhibition hall has been assigned for the 1st

half of the 20th century. We namely emphasize the paintings and sculptures which represent the basic streams in Czech modern art of this period. The introductory part uses se-lected works to document the echoes of impressionism (A. Hudeček, V. Radimský, A. Slavíček), and, as a contrast, we exhibit the representatives of the symbolist and deca-dent tendencies of the early 20th century here (F. Schön, J. Preisler). The exposition is however, based on a thorough and rich presentation of modern trends seen from expre-ssionism (E. Filla, O. Nejedlý), cubism (E. Filla, O. Gutfreund, B. Kubišta, A. Procházka), cubo-expressionism (H. M. Davringhausen, O. Gutfreund) up to civilism (J. Čapek) or, on the contrary, the exotism of the 1920s (A. Hoffmeister, J. Hněvkovský) without forgetting abstraction (F. Foltýn, A. Diviš, H. Wichterlová) and surrealism from the turn of 1920s and 1930s (V. Makovský, F. Muzika, Z. Sklenář, Toyen). The final chapter is then formed by works of Group 42 (F. Gross, F. Hudeček, K. Lhoták, J. Smetana) and by works re-flecting the war apocalypse (J. Liesler, V. Hejna, R. Michalik). We also paid special attention to modern landscape-paint-ing whose most prominent works describe (although with a differ ent language) the atmosphere of the time of their origin as well (O. Coubine, O. Kerhart, J. Šíma, V. Špála).

The second part of the permanent exhibition – in the Picture Gallery – has an ambition to give a worthy overview of the most important artistic tendencies after the end of WWII up to the end of the 20th century. The exposition is in-troduced with examples of work from distinguished solitaires of the 1950s (V. Fuka, V. Nováková, J. Sobotka) or authors who resumed the ideas of the pre-war avant-garde (J. Istler). We continue with post-war abstraction, works connected with various forms of lyrical and structural abstraction (J. Kotík, M. Medek, L. Padrtová, R. Piesen, A. Veselý). Next, examples of varied forms of lettrism (J. Kolář, S. Kovařík, E. Ovčáček) and neo-constructivism (H. Demartini, K. Malich, L. Přibyl, Z. Sýkora) dominate among many antagonistic tendencies of the 1960s which contrast with paintings and sculptures of the so called new figuration (V. Janoušková, V. Janoušek, E. Kmentová, K. Válová), namely Czech grotes-que (K. Nepraš) and later existential figuration of the 1970s and 1980s (V. Novák, M. Rittstein). The exposition concludes with conceptual and post-modern manifestations (J. David, M. Gabriel, F. Skála) whose influences had a clear impact on art in the last decade (T. Císařovský, D. Černý, J. Surůvka).

The Picture Gallery however, does not house Czech art only; we also strive to include the Czech collection into a broader context in relation to our acquisition efforts related to the Olomouc Central European Forum Project. Therefore, there are examples of exile authors (J. Knap, M. Kunc, O. Slavík, I. Theimer) and prominent Polish (M. Abakanowicz, A. Lenica, T. Kantor, K. Mikulski, W. Pawlak, R. Winiarski), Hungarian (I. Bak, L. Fehér, G. Jovánovicz, D. Mauer, I. Nádler, S. Pinczehelyi, E. Tot), and Slovak authors as well (M. Bočkay, M. Dobeš, O. Laubert, J. Meliš, L. Teren, M. Urbásek, J. Želibská).

Authors of Exposition Štěpánka Bieleszová (Attic), Ladislav Daněk (Picture Gallery)Texts Štěpánka Bieleszová, Ladislav DaněkExpert Collaboration Barbora KundračíkováTranslations Hana Havlíčková, Proofreading Michael Stuart EssonGraphic Design Beata Rakowská, Petr ŠmalecArchitectural Design Marek Novák, Michal SoukupPreparation of Exhibits Dalibor Sedlák, Veronika WankováInstalation Vlastimil Sedláček, Filip ŠindelářPublic Relations Petr BieleszEducational Programmes David Hrbek, Michaela Johnová Čapková

partners

media partners

Impressionist Influences after 1900

Modern Landscape I1910s–1940s

Exotics and Fantasy1920s

Modern Landscape II 1920s–1930s

Czech Cubism 1910s –1930s

Expressionist Tendencies 1910s –1920s

Autonomous World of Abstraction 1920s–1930s

Surr

ealis

t Ten

denc

ies

1930

s–19

40s

WWII Scepticism 1940s

Civilist Poetics 1940s

Echoes of TraditionsVáclav Radimský (1867–1946)On the Pond / (1903 –1904)

Jan Preisler (1872–1918)Composition for a picture for the Prostějov National House(1906 –1907)

Václ

av Š

pála

(188

5–19

46)

Land

scap

e ne

ar Č

erve

ná n

ad V

ltavo

u 19

27

Bohu

mil

Kubi

šta

(188

4–19

18)

Port

rait

of J

an Z

rzav

ý / 1

912

Emil

Filla

(188

2–19

53)

A W

oman

with

a F

an /

1917

Mar

tin

Salc

man

(189

6–19

79)

Land

scap

e ne

ar N

ebře

ziny

19

37

Fran

tiše

k Fo

ltýn

(189

1–19

76)

Aton

alit

y an

d its

Per

mea

tion

/ 192

9

Toyen (1902–1980)Flowers of Sleep / 1931

Kam

il Lh

oták

(191

2–19

90)

Two

flyin

g Ba

lloon

s /

1942

Jose

f Lie

sler

(191

2–20

05)

Man

y str

ange

Judg

es /

1944

Josef ŠímaMartin Salcman

Josef Čapek

Emil Filla, Jan PreislerJan Štursa, Josef Mařatka

Otakar Nejedlý, Miloš JiránekJindřich Prucha, Václav Špála

Otakar Kubín, Rudolf KremličkaOldřich Kerhart, Bohumil Kafka

Václav RadimskýAntonín Slavíček

Josef Wagner

Adolf HoffmeisterJaroslav Hněvkovský

Bedřich Stefan

Bohumil KubištaFrantišek Hudeček

Josef Čapek, František FoltýnHeinrich Maria Davringhausen

Otto GutfreundAntonín Procházka

Emil Filla, Otto Gutfreund

Fran

tiše

k Ja

nouš

ekTo

yen,

Zde

něk

Skle

nář

Vinc

enc

Mak

ovsk

ýFrantišek Hudeček

František Gross, Bohumír MatalKamil Lhoták, Jan SmetanaOtakar Švec, Ladislav Zívr

Josef LieslerRudolf Michalik

Václav Hejna

Alén Diviš, František FoltýnJosef Dumek, Hana Wichterlová

Bedř

ich

Stef

an (1

896–

1982

)Si

ttin

g N

egro

/ (1

928)

entrace

Attic

Century of Relativity20th Century Fine Arts Permanent Exposition

as from November 14, 2013 / Museum of modern ArtAttic (1890–1946), Picture Gallery (1947–2000)

The presentation portrays the best of our rich collection of 20th century art. This is, in brief, the basic aim of the new per-manent exposition located on two floors of the Museum of modern Art. One exhibition hall would not suffice for a per-manent exposition since the Museum’s collections include a broad spectrum of works – often contradicting in ideas and styles of which we can identify as important, or even without exaggeration, crucial not only for Czech modern and contem-porary art.

The Attic exhibition hall has been assigned for the 1st

half of the 20th century. We namely emphasize the paintings and sculptures which represent the basic streams in Czech modern art of this period. The introductory part uses se-lected works to document the echoes of impressionism (A. Hudeček, V. Radimský, A. Slavíček), and, as a contrast, we exhibit the representatives of the symbolist and deca-dent tendencies of the early 20th century here (F. Schön, J. Preisler). The exposition is however, based on a thorough and rich presentation of modern trends seen from expre-ssionism (E. Filla, O. Nejedlý), cubism (E. Filla, O. Gutfreund, B. Kubišta, A. Procházka), cubo-expressionism (H. M. Davringhausen, O. Gutfreund) up to civilism (J. Čapek) or, on the contrary, the exotism of the 1920s (A. Hoffmeister, J. Hněvkovský) without forgetting abstraction (F. Foltýn, A. Diviš, H. Wichterlová) and surrealism from the turn of 1920s and 1930s (V. Makovský, F. Muzika, Z. Sklenář, Toyen). The final chapter is then formed by works of Group 42 (F. Gross, F. Hudeček, K. Lhoták, J. Smetana) and by works re-flecting the war apocalypse (J. Liesler, V. Hejna, R. Michalik). We also paid special attention to modern landscape-paint-ing whose most prominent works describe (although with a differ ent language) the atmosphere of the time of their origin as well (O. Coubine, O. Kerhart, J. Šíma, V. Špála).

The second part of the permanent exhibition – in the Picture Gallery – has an ambition to give a worthy overview of the most important artistic tendencies after the end of WWII up to the end of the 20th century. The exposition is in-troduced with examples of work from distinguished solitaires of the 1950s (V. Fuka, V. Nováková, J. Sobotka) or authors who resumed the ideas of the pre-war avant-garde (J. Istler). We continue with post-war abstraction, works connected with various forms of lyrical and structural abstraction (J. Kotík, M. Medek, L. Padrtová, R. Piesen, A. Veselý). Next, examples of varied forms of lettrism (J. Kolář, S. Kovařík, E. Ovčáček) and neo-constructivism (H. Demartini, K. Malich, L. Přibyl, Z. Sýkora) dominate among many antagonistic tendencies of the 1960s which contrast with paintings and sculptures of the so called new figuration (V. Janoušková, V. Janoušek, E. Kmentová, K. Válová), namely Czech grotes-que (K. Nepraš) and later existential figuration of the 1970s and 1980s (V. Novák, M. Rittstein). The exposition concludes with conceptual and post-modern manifestations (J. David, M. Gabriel, F. Skála) whose influences had a clear impact on art in the last decade (T. Císařovský, D. Černý, J. Surůvka).

The Picture Gallery however, does not house Czech art only; we also strive to include the Czech collection into a broader context in relation to our acquisition efforts related to the Olomouc Central European Forum Project. Therefore, there are examples of exile authors (J. Knap, M. Kunc, O. Slavík, I. Theimer) and prominent Polish (M. Abakanowicz, A. Lenica, T. Kantor, K. Mikulski, W. Pawlak, R. Winiarski), Hungarian (I. Bak, L. Fehér, G. Jovánovicz, D. Mauer, I. Nádler, S. Pinczehelyi, E. Tot), and Slovak authors as well (M. Bočkay, M. Dobeš, O. Laubert, J. Meliš, L. Teren, M. Urbásek, J. Želibská).

Authors of Exposition Štěpánka Bieleszová (Attic), Ladislav Daněk (Picture Gallery)Texts Štěpánka Bieleszová, Ladislav DaněkExpert Collaboration Barbora KundračíkováTranslations Hana Havlíčková, Proofreading Michael Stuart EssonGraphic Design Beata Rakowská, Petr ŠmalecArchitectural Design Marek Novák, Michal SoukupPreparation of Exhibits Dalibor Sedlák, Veronika WankováInstalation Vlastimil Sedláček, Filip ŠindelářPublic Relations Petr BieleszEducational Programmes David Hrbek, Michaela Johnová Čapková

partners

media partners

Impressionist Influences after 1900

Modern Landscape I1910s–1940s

Exotics and Fantasy1920s

Modern Landscape II 1920s–1930s

Czech Cubism 1910s –1930s

Expressionist Tendencies 1910s –1920s

Autonomous World of Abstraction 1920s–1930s

Surr

ealis

t Ten

denc

ies

1930

s–19

40s

WWII Scepticism 1940s

Civilist Poetics 1940s

Echoes of TraditionsVáclav Radimský (1867–1946)On the Pond / (1903 –1904)

Jan Preisler (1872–1918)Composition for a picture for the Prostějov National House(1906 –1907)

Václ

av Š

pála

(188

5–19

46)

Land

scap

e ne

ar Č

erve

ná n

ad V

ltavo

u 19

27

Bohu

mil

Kubi

šta

(188

4–19

18)

Port

rait

of J

an Z

rzav

ý / 1

912

Emil

Filla

(188

2–19

53)

A W

oman

with

a F

an /

1917

Mar

tin

Salc

man

(189

6–19

79)

Land

scap

e ne

ar N

ebře

ziny

19

37

Fran

tiše

k Fo

ltýn

(189

1–19

76)

Aton

alit

y an

d its

Per

mea

tion

/ 192

9

Toyen (1902–1980)Flowers of Sleep / 1931

Kam

il Lh

oták

(191

2–19

90)

Two

flyin

g Ba

lloon

s /

1942

Jose

f Lie

sler

(191

2–20

05)

Man

y str

ange

Judg

es /

1944

Josef ŠímaMartin Salcman

Josef Čapek

Emil Filla, Jan PreislerJan Štursa, Josef Mařatka

Otakar Nejedlý, Miloš JiránekJindřich Prucha, Václav Špála

Otakar Kubín, Rudolf KremličkaOldřich Kerhart, Bohumil Kafka

Václav RadimskýAntonín Slavíček

Josef Wagner

Adolf HoffmeisterJaroslav Hněvkovský

Bedřich Stefan

Bohumil KubištaFrantišek Hudeček

Josef Čapek, František FoltýnHeinrich Maria Davringhausen

Otto GutfreundAntonín Procházka

Emil Filla, Otto Gutfreund

Fran

tiše

k Ja

nouš

ekTo

yen,

Zde

něk

Skle

nář

Vinc

enc

Mak

ovsk

ý

František Hudeček František Gross, Bohumír Matal

Kamil Lhoták, Jan SmetanaOtakar Švec, Ladislav Zívr

Josef LieslerRudolf Michalik

Václav Hejna

Alén Diviš, František FoltýnJosef Dumek, Hana Wichterlová

Bedř

ich

Stef

an (1

896–

1982

)Si

ttin

g N

egro

/ (1

928)

entrace

Attic

Aleš Veselý (* 1935)Picture-Object / 1960–1964

Jiří Kolář (1914–2002)The Poem of Silence, An Objective Poem / 1962

Jiří Surůvka (*1961)Gilbert & George (detail) / 1999

Rysz

ard

Win

iars

ki

(193

6–20

06)

Sur

face

132

/ 197

3

Jan

Knap

(*19

49)

Unt

itled

/ (1

984)

Dav

id Č

erný

(*19

67)

Adam

(fro

m th

e Ki

ts c

ycle

) / 19

93

Jana

Žel

ibsk

á (1

941)

She

/ 196

7

Mila

n Kn

ížák

(*19

40)

Unt

itled

/ 19

64–1

979

Ludm

ila P

adrt

ová

(*19

31)

Blue

/ 19

57

Věra

Nov

ákov

á (*

 1928

)Jo

b / 1

954

Istv

án N

ádle

r (*1

938)

Activ

e Ye

llow

/ (1

968)

Solitaires / 1950su entrace

Echo

es o

f Sur

real

ism

, Ly

rical

and

Ges

tura

l A

bstr

actio

n / 1

950s

Structural Abstraction 1950s–1960s

Script and Picture, Visual Poetry 1960s–1970s

Geo

met

ric S

truc

ture

s,

Op

Art

, Kin

etis

m

1960

s–19

70s

Neoconstructive Tendencies,

Systems Art, Concretism,

New Geometry and Personal

Programs / 1960s –1980s

Utopian Visions, Action Art,

Conceptual Approaches

1960s–1980s

New Figuration, Czech Grotesque,

Existential Figuration

1960s –1980s

Postmodern Approaches / 1980sArt of 1990s

Tomáš Císařovský, Milan Kunc David Černý, Jiří Surůvka

László FehérJan Knap, Włodzimierz Pawlak

Jiří David, Laco TerenFrantišek Skála, Michal Gabriel

István Nádler

Jan Kubíček, Stanislav Kolíbal

Juraj Bartusz, Zdeněk Sýkora

Dóra Mauer, György Jovánovics

Milan Bočkay, Imre Bak

Zden

ěk S

ýkor

a,

Hug

o D

emar

tini,

Lubo

mír

Přib

yl V

ladi

slav

Mir

vald

, Rys

zard

Win

iars

kiJi

ří N

ovák

, Mila

n D

obeš

Ra

dosl

av K

ratin

a, M

ilan

Möl

zer

Dal

ibor

Cha

trný

, Kar

el M

alic

h

Václav Cigler, Milan Knížák

Sándor Pinczehelyi, Juraj Meliš

Dezider Tóth (Monogramista T.D.)

Dóra Mauer, Otis Laubert

Běla Kolářová, Eduard OvčáčekMiloš Urbásek, Miroslav Šnajdr st.

Slavoj Kovařík, Jiří Kolář Jan Wojnar, Endre Tot

Libor Fára, Vladimír Kordoš

Kazi

mie

rz M

ikul

ski

Jose

f Ist

ler,

Alfr

ed L

enic

aJa

n Ko

tík,

Lud

mila

Pad

rtov

á Vladimír Fuka Ivan Sobotka

Věra NovákováAlén Diviš

Zdeněk PalcrZbyněk Sekal

Tadeusz Kantor

Jan Koblasa, Aleš VeselýMikuláš Medek, Robert Piesen

Jan Hendrych

Vladimír Janoušek

Jana Želibská, Alex Mlynárčik

Eva Kmentová, Jiří Kolář

Květa Válová, Jerzy Ryszard Zielinski

Ivan Theimer, Karel Nepraš

Otakar Slavík, Magdalena Abakanowicz

Rudolf Fila, František Ronovský

Michael Rittstein, Adriena Šimotová

Gallery

Picture Gallery

Centuryof Relativity

20th Century Fine Arts Permanent Exhibition

Olomouc Museum of Art

Olomouc Archdiocesan Museum | Václavské nám. 3, 771 11 Olomouc

Museum of Modern Art | Denisova 47 | 771 11 Olomouc

The ticket is valid on the day of purchase for both the Archdiocesan Museum and the Museum of Modern Art | Opening Hours: daily, except Mondays | 10 a.m. – 6 p.m.

Kroměříž Archdiocesan Museum | Sněmovní nám 1 | 767 01 Kroměříž

Admission fee | Opening hours: See the list of admission and opening hours of the Archiepiscopal Chateau and Gardens in Kroměříž | www.azz.cz

Information: info@olmuart.cz | tel: 585 514 111 | www.olmuart.cz

Vlastivědné muzeum

Museum of Modern Art

Olomouc Archdiocesan

Museum

Regional Museum of Olomouc

Regional Museum in Olomouc

Holy Trinity Column

City HallAstronomical clock

Aleš Veselý (* 1935)Picture-Object / 1960–1964

Jiří Kolář (1914–2002)The Poem of Silence, An Objective Poem / 1962

Jiří Surůvka (*1961)Gilbert & George (detail) / 1999

Rysz

ard

Win

iars

ki

(193

6–20

06)

Sur

face

132

/ 197

3

Jan

Knap

(*19

49)

Unt

itled

/ (1

984)

Dav

id Č

erný

(*19

67)

Adam

(fro

m th

e Ki

ts c

ycle

) / 19

93

Jana

Žel

ibsk

á (1

941)

She

/ 196

7

Mila

n Kn

ížák

(*19

40)

Unt

itled

/ 19

64–1

979

Ludm

ila P

adrt

ová

(*19

31)

Blue

/ 19

57

Věra

Nov

ákov

á (*

 1928

)Jo

b / 1

954

Istv

án N

ádle

r (*1

938)

Activ

e Ye

llow

/ (1

968)

Solitaires / 1950su entrace

Echo

es o

f Sur

real

ism

, Ly

rical

and

Ges

tura

l A

bstr

actio

n / 1

950s

Structural Abstraction 1950s–1960s

Script and Picture, Visual Poetry 1960s–1970s

Geo

met

ric S

truc

ture

s,

Op

Art

, Kin

etis

m

1960

s–19

70s

Neoconstructive Tendencies,

Systems Art, Concretism,

New Geometry and Personal

Programs / 1960s –1980s

Utopian Visions, Action Art,

Conceptual Approaches

1960s–1980s

New Figuration, Czech Grotesque,

Existential Figuration

1960s –1980s

Postmodern Approaches / 1980sArt of 1990s

Tomáš Císařovský, Milan Kunc David Černý, Jiří Surůvka

László FehérJan Knap, Włodzimierz Pawlak

Jiří David, Laco TerenFrantišek Skála, Michal Gabriel

István Nádler

Jan Kubíček, Stanislav Kolíbal

Juraj Bartusz, Zdeněk Sýkora

Dóra Mauer, György Jovánovics

Milan Bočkay, Imre Bak

Zden

ěk S

ýkor

a,

Hug

o D

emar

tini,

Lubo

mír

Přib

yl V

ladi

slav

Mir

vald

, Rys

zard

Win

iars

kiJi

ří N

ovák

, Mila

n D

obeš

Ra

dosl

av K

ratin

a, M

ilan

Möl

zer

Dal

ibor

Cha

trný

, Kar

el M

alic

h

Václav Cigler, Milan Knížák

Sándor Pinczehelyi, Juraj Meliš

Dezider Tóth (Monogramista T.D.)

Dóra Mauer, Otis Laubert

Běla Kolářová, Eduard OvčáčekMiloš Urbásek, Miroslav Šnajdr st.

Slavoj Kovařík, Jiří Kolář Jan Wojnar, Endre Tot

Libor Fára, Vladimír Kordoš

Kazi

mie

rz M

ikul

ski

Jose

f Ist

ler,

Alfr

ed L

enic

aJa

n Ko

tík,

Lud

mila

Pad

rtov

á Vladimír Fuka Ivan Sobotka

Věra NovákováAlén Diviš

Zdeněk PalcrZbyněk Sekal

Tadeusz Kantor

Jan Koblasa, Aleš VeselýMikuláš Medek, Robert Piesen

Jan Hendrych

Vladimír Janoušek

Jana Želibská, Alex Mlynárčik

Eva Kmentová, Jiří Kolář

Květa Válová, Jerzy Ryszard Zielinski

Ivan Theimer, Karel Nepraš

Otakar Slavík, Magdalena Abakanowicz

Rudolf Fila, František Ronovský

Michael Rittstein, Adriena Šimotová

Gallery

Picture Gallery

Centuryof Relativity

20th Century Fine Arts Permanent Exhibition

Olomouc Museum of Art

Olomouc Archdiocesan Museum | Václavské nám. 3, 771 11 Olomouc

Museum of Modern Art | Denisova 47 | 771 11 Olomouc

The ticket is valid on the day of purchase for both the Archdiocesan Museum and the Museum of Modern Art | Opening Hours: daily, except Mondays | 10 a.m. – 6 p.m.

Kroměříž Archdiocesan Museum | Sněmovní nám 1 | 767 01 Kroměříž

Admission fee | Opening hours: See the list of admission and opening hours of the Archiepiscopal Chateau and Gardens in Kroměříž | www.azz.cz

Information: info@olmuart.cz | tel: 585 514 111 | www.olmuart.cz

Vlastivědné muzeum

Museum of Modern Art

Olomouc Archdiocesan

Museum

Regional Museum of Olomouc

Regional Museum in Olomouc

Holy Trinity Column

City HallAstronomical clock

Aleš Veselý (* 1935)Picture-Object / 1960–1964

Jiří Kolář (1914–2002)The Poem of Silence, An Objective Poem / 1962

Jiří Surůvka (*1961)Gilbert & George (detail) / 1999

Rysz

ard

Win

iars

ki

(193

6–20

06)

Sur

face

132

/ 197

3

Jan

Knap

(*19

49)

Unt

itled

/ (1

984)

Dav

id Č

erný

(*19

67)

Adam

(fro

m th

e Ki

ts c

ycle

) / 19

93

Jana

Žel

ibsk

á (1

941)

She

/ 196

7

Mila

n Kn

ížák

(*19

40)

Unt

itled

/ 19

64–1

979

Ludm

ila P

adrt

ová

(*19

31)

Blue

/ 19

57

Věra

Nov

ákov

á (*

 1928

)Jo

b / 1

954

Istv

án N

ádle

r (*1

938)

Activ

e Ye

llow

/ (1

968)

Solitaires / 1950su entrace

Echo

es o

f Sur

real

ism

, Ly

rical

and

Ges

tura

l A

bstr

actio

n / 1

950s

Structural Abstraction 1950s–1960s

Script and Picture, Visual Poetry 1960s–1970s

Geo

met

ric S

truc

ture

s,

Op

Art

, Kin

etis

m

1960

s–19

70s

Neoconstructive Tendencies,

Systems Art, Concretism,

New Geometry and Personal

Programs / 1960s –1980s

Utopian Visions, Action Art,

Conceptual Approaches

1960s–1980s

New Figuration, Czech Grotesque,

Existential Figuration

1960s –1980s

Postmodern Approaches / 1980sArt of 1990s

Tomáš Císařovský, Milan Kunc David Černý, Jiří Surůvka

László FehérJan Knap, Włodzimierz Pawlak

Jiří David, Laco TerenFrantišek Skála, Michal Gabriel

István Nádler

Jan Kubíček, Stanislav Kolíbal

Juraj Bartusz, Zdeněk Sýkora

Dóra Mauer, György Jovánovics

Milan Bočkay, Imre Bak

Zden

ěk S

ýkor

a,

Hug

o D

emar

tini,

Lubo

mír

Přib

yl V

ladi

slav

Mir

vald

, Rys

zard

Win

iars

kiJi

ří N

ovák

, Mila

n D

obeš

Ra

dosl

av K

ratin

a, M

ilan

Möl

zer

Dal

ibor

Cha

trný

, Kar

el M

alic

h

Václav Cigler, Milan Knížák

Sándor Pinczehelyi, Juraj Meliš

Dezider Tóth (Monogramista T.D.)

Dóra Mauer, Otis Laubert

Běla Kolářová, Eduard OvčáčekMiloš Urbásek, Miroslav Šnajdr st.

Slavoj Kovařík, Jiří Kolář Jan Wojnar, Endre Tot

Libor Fára, Vladimír Kordoš

Kazi

mie

rz M

ikul

ski

Jose

f Ist

ler,

Alfr

ed L

enic

aJa

n Ko

tík,

Lud

mila

Pad

rtov

á Vladimír Fuka Ivan Sobotka

Věra NovákováAlén Diviš

Zdeněk PalcrZbyněk Sekal

Tadeusz Kantor

Jan Koblasa, Aleš VeselýMikuláš Medek, Robert Piesen

Jan Hendrych

Vladimír Janoušek

Jana Želibská, Alex Mlynárčik

Eva Kmentová, Jiří Kolář

Květa Válová, Jerzy Ryszard Zielinski

Ivan Theimer, Karel Nepraš

Otakar Slavík, Magdalena Abakanowicz

Rudolf Fila, František Ronovský

Michael Rittstein, Adriena Šimotová

Gallery

Picture Gallery

Centuryof Relativity

20th Century Fine Arts Permanent Exhibition

Olomouc Museum of Art

Olomouc Archdiocesan Museum | Václavské nám. 3, 771 11 Olomouc

Museum of Modern Art | Denisova 47 | 771 11 Olomouc

The ticket is valid on the day of purchase for both the Archdiocesan Museum and the Museum of Modern Art | Opening Hours: daily, except Mondays | 10 a.m. – 6 p.m.

Kroměříž Archdiocesan Museum | Sněmovní nám 1 | 767 01 Kroměříž

Admission fee | Opening hours: See the list of admission and opening hours of the Archiepiscopal Chateau and Gardens in Kroměříž | www.azz.cz

Information: info@olmuart.cz | tel: 585 514 111 | www.olmuart.cz

Vlastivědné muzeum

Museum of Modern Art

Olomouc Archdiocesan

Museum

Regional Museum of Olomouc

Regional Museum in Olomouc

Holy Trinity Column

City HallAstronomical clock

Aleš Veselý (* 1935)Picture-Object / 1960–1964

Jiří Kolář (1914–2002)The Poem of Silence, An Objective Poem / 1962

Jiří Surůvka (*1961)Gilbert & George (detail) / 1999

Rysz

ard

Win

iars

ki

(193

6–20

06)

Sur

face

132

/ 197

3

Jan

Knap

(*19

49)

Unt

itled

/ (1

984)

Dav

id Č

erný

(*19

67)

Adam

(fro

m th

e Ki

ts c

ycle

) / 19

93

Jana

Žel

ibsk

á (1

941)

She

/ 196

7

Mila

n Kn

ížák

(*19

40)

Unt

itled

/ 19

64–1

979

Ludm

ila P

adrt

ová

(*19

31)

Blue

/ 19

57

Věra

Nov

ákov

á (*

 1928

)Jo

b / 1

954

Istv

án N

ádle

r (*1

938)

Activ

e Ye

llow

/ (1

968)

Solitaires / 1950su entrace

Echo

es o

f Sur

real

ism

, Ly

rical

and

Ges

tura

l A

bstr

actio

n / 1

950s

Structural Abstraction 1950s–1960s

Script and Picture, Visual Poetry 1960s–1970s

Geo

met

ric S

truc

ture

s,

Op

Art

, Kin

etis

m

1960

s–19

70s

Neoconstructive Tendencies,

Systems Art, Concretism,

New Geometry and Personal

Programs / 1960s –1980s

Utopian Visions, Action Art,

Conceptual Approaches

1960s–1980s

New Figuration, Czech Grotesque,

Existential Figuration

1960s –1980s

Postmodern Approaches / 1980sArt of 1990s

Tomáš Císařovský, Milan Kunc David Černý, Jiří Surůvka

László FehérJan Knap, Włodzimierz Pawlak

Jiří David, Laco TerenFrantišek Skála, Michal Gabriel

István Nádler

Jan Kubíček, Stanislav Kolíbal

Juraj Bartusz, Zdeněk Sýkora

Dóra Mauer, György Jovánovics

Milan Bočkay, Imre Bak

Zden

ěk S

ýkor

a,

Hug

o D

emar

tini,

Lubo

mír

Přib

yl V

ladi

slav

Mir

vald

, Rys

zard

Win

iars

kiJi

ří N

ovák

, Mila

n D

obeš

Ra

dosl

av K

ratin

a, M

ilan

Möl

zer

Dal

ibor

Cha

trný

, Kar

el M

alic

h

Václav Cigler, Milan Knížák

Sándor Pinczehelyi, Juraj Meliš

Dezider Tóth (Monogramista T.D.)

Dóra Mauer, Otis Laubert

Běla Kolářová, Eduard OvčáčekMiloš Urbásek, Miroslav Šnajdr st.

Slavoj Kovařík, Jiří Kolář Jan Wojnar, Endre Tot

Libor Fára, Vladimír Kordoš

Kazi

mie

rz M

ikul

ski

Jose

f Ist

ler,

Alfr

ed L

enic

aJa

n Ko

tík,

Lud

mila

Pad

rtov

á Vladimír Fuka Ivan Sobotka

Věra NovákováAlén Diviš

Zdeněk PalcrZbyněk Sekal

Tadeusz Kantor

Jan Koblasa, Aleš VeselýMikuláš Medek, Robert Piesen

Jan Hendrych

Vladimír Janoušek

Jana Želibská, Alex Mlynárčik

Eva Kmentová, Jiří Kolář

Květa Válová, Jerzy Ryszard Zielinski

Ivan Theimer, Karel Nepraš

Otakar Slavík, Magdalena Abakanowicz

Rudolf Fila, František Ronovský

Michael Rittstein, Adriena Šimotová

Gallery

Picture Gallery

Centuryof Relativity

20th Century Fine Arts Permanent Exhibition

Olomouc Museum of Art

Olomouc Archdiocesan Museum | Václavské nám. 3, 771 11 Olomouc

Museum of Modern Art | Denisova 47 | 771 11 Olomouc

The ticket is valid on the day of purchase for both the Archdiocesan Museum and the Museum of Modern Art | Opening Hours: daily, except Mondays | 10 a.m. – 6 p.m.

Kroměříž Archdiocesan Museum | Sněmovní nám 1 | 767 01 Kroměříž

Admission fee | Opening hours: See the list of admission and opening hours of the Archiepiscopal Chateau and Gardens in Kroměříž | www.azz.cz

Information: info@olmuart.cz | tel: 585 514 111 | www.olmuart.cz

Vlastivědné muzeum

Museum of Modern Art

Olomouc Archdiocesan

Museum

Regional Museum of Olomouc

Regional Museum in Olomouc

Holy Trinity Column

City HallAstronomical clock

Aleš Veselý (* 1935)Picture-Object / 1960–1964

Jiří Kolář (1914–2002)The Poem of Silence, An Objective Poem / 1962

Jiří Surůvka (*1961)Gilbert & George (detail) / 1999

Rysz

ard

Win

iars

ki

(193

6–20

06)

Sur

face

132

/ 197

3

Jan

Knap

(*19

49)

Unt

itled

/ (1

984)

Dav

id Č

erný

(*19

67)

Adam

(fro

m th

e Ki

ts c

ycle

) / 19

93

Jana

Žel

ibsk

á (1

941)

She

/ 196

7

Mila

n Kn

ížák

(*19

40)

Unt

itled

/ 19

64–1

979

Ludm

ila P

adrt

ová

(*19

31)

Blue

/ 19

57

Věra

Nov

ákov

á (*

 1928

)Jo

b / 1

954

Istv

án N

ádle

r (*1

938)

Activ

e Ye

llow

/ (1

968)

Solitaires / 1950su entrace

Echo

es o

f Sur

real

ism

, Ly

rical

and

Ges

tura

l A

bstr

actio

n / 1

950s

Structural Abstraction 1950s–1960s

Script and Picture, Visual Poetry 1960s–1970s

Geo

met

ric S

truc

ture

s,

Op

Art

, Kin

etis

m

1960

s–19

70s

Neoconstructive Tendencies,

Systems Art, Concretism,

New Geometry and Personal

Programs / 1960s –1980s

Utopian Visions, Action Art,

Conceptual Approaches

1960s–1980s

New Figuration, Czech Grotesque,

Existential Figuration

1960s –1980s

Postmodern Approaches / 1980sArt of 1990s

Tomáš Císařovský, Milan Kunc David Černý, Jiří Surůvka

László FehérJan Knap, Włodzimierz Pawlak

Jiří David, Laco TerenFrantišek Skála, Michal Gabriel

István Nádler

Jan Kubíček, Stanislav Kolíbal

Juraj Bartusz, Zdeněk Sýkora

Dóra Mauer, György Jovánovics

Milan Bočkay, Imre Bak

Zden

ěk S

ýkor

a,

Hug

o D

emar

tini,

Lubo

mír

Přib

yl V

ladi

slav

Mir

vald

, Rys

zard

Win

iars

kiJi

ří N

ovák

, Mila

n D

obeš

Ra

dosl

av K

ratin

a, M

ilan

Möl

zer

Dal

ibor

Cha

trný

, Kar

el M

alic

h

Václav Cigler, Milan Knížák

Sándor Pinczehelyi, Juraj Meliš

Dezider Tóth (Monogramista T.D.)

Dóra Mauer, Otis Laubert

Běla Kolářová, Eduard OvčáčekMiloš Urbásek, Miroslav Šnajdr st.

Slavoj Kovařík, Jiří Kolář Jan Wojnar, Endre Tot

Libor Fára, Vladimír Kordoš

Kazi

mie

rz M

ikul

ski

Jose

f Ist

ler,

Alfr

ed L

enic

aJa

n Ko

tík,

Lud

mila

Pad

rtov

á Vladimír Fuka Ivan Sobotka

Věra NovákováAlén Diviš

Zdeněk PalcrZbyněk Sekal

Tadeusz Kantor

Jan Koblasa, Aleš VeselýMikuláš Medek, Robert Piesen

Jan Hendrych

Vladimír Janoušek

Jana Želibská, Alex Mlynárčik

Eva Kmentová, Jiří Kolář

Květa Válová, Jerzy Ryszard Zielinski

Ivan Theimer, Karel Nepraš

Otakar Slavík, Magdalena Abakanowicz

Rudolf Fila, František Ronovský

Michael Rittstein, Adriena Šimotová

Gallery

Picture Gallery

Centuryof Relativity

20th Century Fine Arts Permanent Exhibition

Olomouc Museum of Art

Olomouc Archdiocesan Museum | Václavské nám. 3, 771 11 Olomouc

Museum of Modern Art | Denisova 47 | 771 11 Olomouc

The ticket is valid on the day of purchase for both the Archdiocesan Museum and the Museum of Modern Art | Opening Hours: daily, except Mondays | 10 a.m. – 6 p.m.

Kroměříž Archdiocesan Museum | Sněmovní nám 1 | 767 01 Kroměříž

Admission fee | Opening hours: See the list of admission and opening hours of the Archiepiscopal Chateau and Gardens in Kroměříž | www.azz.cz

Information: info@olmuart.cz | tel: 585 514 111 | www.olmuart.cz

Vlastivědné muzeum

Museum of Modern Art

Olomouc Archdiocesan

Museum

Regional Museum of Olomouc

Regional Museum in Olomouc

Holy Trinity Column

City HallAstronomical clock